As the economy sags, it’s nice to know that there is at least one good deal in town. Broken Social Scene played a massive, well over two hour set, keeping the crowd bobbing and dancing until the very end. In a night of so many highlights, it’s hard to single them out. It was just fun to watch the band trading instruments and leads, obviously feeding off the crowd’s high energy and clearly enjoying playing with each other. At various points there were four guitars and a bass on stage all contributing to their melodic and rhythmic jams.
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With so many songwriters playing together, it occasionally felt like a variety show — each getting the opportunity to mix their solo material into the set. And perhaps because of that, the two hours flew by as the crowd erupted appreciatively for each person. My favorite moments were when Lis Lobsinger took center-stage and lent her beautiful voice to a song. Afterward, I walked away blissfully content, with tired legs, and wondering when the hell they were going to get around to releasing another album. It’s been way too long.
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In the middle of the show there was a nice two song interlude by Charles Spearin and Chad Benchetrit, who somehow turned interviews with their neighbors into oddly captivating music. I look forward to hearing more from their Happiness Project in the future.
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Although I came especially early just to hear them, the Grand Archives opening set was disappointing. As a four piece band, their beautiful and lush pop songs sounded stripped down. It didn’t help that Mat Brooke’s delicate voice was drowned out in the chattering of people who were obviously more excited to see Broken Social Scene. I just hope that the Grand Archives come back and play a more intimate venue like the Doug Fir next time.

Broken Social Scene website | myspace
Grand Archives website | myspace | The Grand Archives review | interview with | @ union hall | @ sub pop 20 |
Broken Social Scene photos courtesy of band’s website.
Grand Archives photo: Dese’Rae Stage










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