Archive | October, 2009

Mason Jennings Tour Announcement

Mason Jennings Tour Announcement

The acoustic singer-songwriter has announced fall tour dates in support of his latest album, Blood of Man. Blood of Man is being heralded as his best album to date. mjennings

His new video for “Ain’t No Friend of Mine” can be viewed here.

Tour dates:
Oct. 9 – Music Hall of Williamsburg / New York, NY
Oct. 10 – Maxwell’s / Hoboken, NJ
Oct. 11 – Revolution Hall / Troy, NY
Oct. 13 – Mr. Small’s Theater / Pittsburg, PA
Oct. 15 – Somerville Theatre / Boston, MA
Oct. 16 – Port City Music Hall / Portland, ME
Oct. 17 – Pearl Street / Northhampton, MA
Oct. 18 – Theatre of Living Arts / Philadelphia, PA
Oct. 22 – Higher Ground / South Burlington, VA
Oct. 23 – Mod Club Theatre / Toronto, Canada
Oct. 24 – Magic Bag / Detroit, MI
Oct. 26 – Bluebird Nightclub / Bloomington, IN
Oct. 27 – High Dive / Champaign, IL
Oct. 28 – 20th Century Theatre / Cincinnati, OH
Oct. 29 – The Pageant / St. Louis, MO
Oct. 30 – House of Blues Chicago /Chicago, IL
Nov. 12 – Fox Theatre / Boulder, CO
Nov. 13 – Bluebird Theatre / Denver, CO
Nov. 14 – In The Venue / Salt Lake City, UT
Nov. 17 – The Bottleneck / Lawrence, KS
Nov. 18 – The Blue Note / Columbia, MO
Nov. 19 – People’s Court / Des Moines, IA
Nov. 20 – Turner Hall / Milwaukee, WI
Nov. 21 – Majestic Theater / Madison, WI
Nov. 22 – First Avenue / Minneapolis, MN 

Mason Jennings: website | myspace

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Shaky Hands & Panther @ Berbati’s Pan, Portland OR

Shaky Hands & Panther @ Berbati’s Pan, Portland OR

Last week I was lucky enough to catch a double release show at Berbati’s Pan by two of Portland’s better bands. If they weren’t both on Kill Rock Stars, ‘s funky dance punk and the roots rock might seem like an odd pairing. But genre difference aside, they both deliver high energy performances. The only disappointment that night was that Panther’s set was way too short. They have tons of material. The crowd was into it. I guess I’ll just need to come back sometime when they headline. shaky-hands-2

It’s no longer surprising that two member bands can be exciting and dynamic, but most of those bands stick to stripped down or fuzzed-out rock, folk, and blues. Sure, they are exciting, but how many of them make you dance? With just a drummer, a guitarist, and a pre-programed bass/keyboard, Panther delivered a flailing and inventive set. At times, ‘s vocals and guitar are almost percussive, making the songs very beat oriented. I love the jerky rhythms of “Live Is Sold” and “Latitudes for Centuries,” but really just about every song they played that night was catchy, wild and fun. Fans of the should definitely check them out.

The Shaky Hands’ Let It Die is full of meaty rockers, continuing the progression from indie folk towards classic rock started on Lunglight. While Nicholas Delffs‘ strained nasal voice gives the songs urgency, the guitars propel them forward with a mix of comfortable strums and powerful riffs. This music is meant to be played and heard live, although the songs sound pretty good on the album too. I like how on “Slip Away” the beat stutters while the vocals swagger until finally the guitar is let loose. “Allison And The Ancient Eyes” rolls along, riding cymbals and hand-claps, while Delffs spills regrets. The night ended with Panther coming back on to join the Shaky Hands for their second encore and a chaotic guitar and vocal freakout.

The Shaky Hands: website | myspace | @ the slowdown
Panther: website | myspace

Posted in Concerts, Portland1 Comment

Tigercity – Ancient Lover

Tigercity – Ancient Lover

‘s Ancient Lover runs just under 40 minutes, but it provides enough hot beats and indie-rock melodies to keep any listener moving through the entire album. The Brooklyn band has made an album that allows one’s ears to go back to when bass lines were fresh, and voices rang high. tigercitycover_new

The mixture of ‘s smooth falsetto vocals, the pulsating beats of ‘s bass and ‘s drums, and the echoed wail of ‘s guitar, creates some awesome funk-a-licious rock.

Lover‘s first track and recent single, “Fake Gold,” is filled with dark grooves, and lyrics that state:

I’ve got no money, no credit, no peace of mind.

In the chorus, Gillim states:

Baby I just want you to know that I’m wearing fake gold.

The next track, “Mallory,” plays like a song that should be blasting from a vintage car that’s zooming through a city at early dusk. The guitar riffs and crystal clear bell tones through “Mallory” make it quiet memorable.

The sweet dance jams on Lover are “James Iha,” “Red Lips,” and “My Type.”

“Iha’s” funky, slow beat and steady drum rocks the verses, while an avalanche of percussion extras and bright chords ring through the song’s chorus.

“My Type,” incorporates vintage synths that inspire thoughts of stories of first-time meetings that turn into epic hook ups, while “Red Lips” is driven by smooth bass and drums, and tells the story of the relationship cycle:

We both know that I’ll have time, to break your heart

One more time, again

The album also contains a few indie-rock tunes, such as “Fall Of Graz,” “Quicksand,” and “A Better Place.”

The slower paced tracks, such as “Ancient Lover” and “Watching The Mountain” are filled with chill melodies that melt into each other and lightly dance over galloping beats. The slowest song on the album, “Matter Of Time,” sounds like a doo-wop balled with watery dance beats.

Ancient Lover is a fun album that’s worthy of spinning during your next party, and long after the party has ended (hint, hint).

Tracklisting:
01. Fake Gold
02. Mallory
03. Ancient Lover
04. Fall Of Graz
05. James Iha
06. Quicksand
07. My Type
08. Red Lips
09. Watching The Mountain
10. A Better Place
11. Matter Of Time

Tigercity: myspace

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Keane to Release Expanded Version of Their Debut Album, Hopes and Fears

Keane to Release Expanded Version of Their Debut Album, Hopes and Fears

keane-umv11English stadium rockers have announced on their website that they will be releasing an expanded version of their debut album, Hopes and Fears, in early November. This special release features the band’s early sessions with and , demos, and some of their earliest released songs, including tracks from a live EP released in 2005. Championing the band early on, Lamacq contributes the text for the album’s liner notes as well.

The full tracklisting of the expanded edition is as follows:

CD ONE
01. Somewhere Only We Know
02. Bend And Break
03. We Might As Well Be Strangers
04. Everybody’s Changing
05. Your Eyes Open
06. She Has No Time
07. Can’t Stop Now
08. Sunshine
09. This Is The Last Time
10. On A Day Like Today
11 Untitled 1
12. Bedshaped
13. Somewhere Only We Know (Lamacq Live)
14. Bedshaped (Lamacq Live)
15. Bend And Break (Lamacq Live)
16. We Might As Well Be Strangers (Lamacq Live)
17. This Is The Last Time (Jo Whiley Live Lounge)
18. With Or Without You (Jo Whiley Live Lounge)
19. A Heart To Hold You (Jo Whiley Live Lounge)

CD TWO
01. Snowed Under (B-Side)
02. We Might As Well Be Strangers (DJ Shadow Remix)
03. Into The Light Demo (Unreleased)
04. Call Me What You Like Demo (Zoomorphic single 1)
05. Closer Now (Zoomorphic single 1)
06. Rubbernecking (Zoomorphic single 1)
07. Wolf At The Door (Zoomorphic single 2)
08. She Has No Time Demo (Zoomorphic single 2)
09. Call Me What You Like (Zoomorphic single 2)
10. Everybody’s Changing (Fierce Panda single 1)
11. The Way You Want It (Fierce Panda single 1)
12. This Is The Last Time Demo (Fierce Panda single 2)
13. Bedshaped Demo (Fierce Panda single 2)
14. Allemande (Fierce Panda single 2)
15. Somewhere Only We Know (Live E.P. released 3/5/05)
16. We Might As Well Be Strangers (Live E.P. released 3/5/05)
17. This Is The Last Time (Live E.P. released 3/5/05)
18. Everybody’s Changing (Live E.P. released 3/5/05)

This expanded edition of Hopes and Fears marks the final of ’ Island 50 series commemorating the record label’s 50th anniversary. The album will drop on November 6 in the UK and can be pre-ordered from the band’s official online store. Also available at the store are t-shirts and a very limited number of special edition art prints signed by the band.

Keane: website | myspace | @ DAR Constitution Hall with the Helio Sequence and Mat Kearney

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The New Heathers – The Fuel, The Fire, The Spark

The New Heathers – The Fuel, The Fire, The Spark

Since took a break, Tim Ferrell, and got together to start another band and are calling themselves New Heathers. new heathers

Their name comes from the book called “The Dharma Bums.” released a six track EP titled The Fuel, The Fire, The Spark in September and can now be purchased on iTunes.

Coming from the modern rock band Ludo, New Heathers have a more different sound to their music. Compared to Ludo’s darker sound, the New Heathers have a much happier and poppy sound to their music.

After listening to the EP, I was not to thrilled by it. The vocals have too much of a Broadway musical feel to it. I do not recommend it if you do not like musicals.

Tracklisting:
01. Agatha
02. Mr. Green Blades
03. The Fuel, The Fire, The Spark
04. Start
05. Hammer & Chisel
06. Santa Rosa

The New Heathers: website | myspace

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Interview with: Stephen Kellogg of Stephen Kellogg and the Sixers

Interview with: Stephen Kellogg of Stephen Kellogg and the Sixers

I kind of lucked into this interview. I had seen the name come up in my email a time or two, but I didn’t really know too much about the guy and his band Stephen Kellogg and the Sixers, so I didn’t pay too much attention. It took a friend at a concert in Iowa sending me text upon text of: “This is the greatest band ever,” “OMG. Best live show ever,” and then “I will kick you if you do not interview this band or do something for them. So amazing.”

What choice did I have? I was told I would get kicked if I didn’t make this interview with Stephen Kellogg happen. Granted, I’m now kicking myself for missing out an an amazing group for so long. I quickly caught up to the singer in Lawrence, KS.

So do yourself a favor and read this interview about nicknames, marching bands and how to survive in the music world for nearly ten years. Then get yourself to MySpace and give them a listen. My friend was right. Stephen Kellogg and the Sixers really are amazing.

Bethany, PopWreckoning: How was the show tonight?
Stephen Kellogg: I had a lot of fun. I had a really fun night. I have a growing affection for Lawrence. After missing this town, I’ve played here twice in two months, and they’ve in my feeling been magic.
PW: I saw something on Twitter–I don’t know if you prefer nicknames or real names–but on Brian‘s Twitter, he said something about some girl saying the Bottleneck was her favorite Stephen Kellogg and the Sixers show without Stephen Kellogg or something. Were you not there or what happened?
SK: What happened was that the first time, and this is why Lawrence is kind of legendary, the first time we were coming through and we had been playing for like three years, four years, and for whatever reason we never had gotten to Lawrence even though we knew it was a cool town, we were ready to do our gig there. We had a day or two off, so I flew home because I have a wife and two daughters and I try to see them as much as I can. I flew home. I caught a really bad flu–like a stomach flu, one where you can’t fly. I called the guys at probably 8 in the morning when I was supposed to be flying in and I said, “I’m not going to make the show tonight.” They said, “What should we do?” And I said, “If you’re up for it, play the show. We’ve never been there.” They spent the whole day–oh and this is the other thing, we had a sub guitarist at the time because our guitarist was having surgery. So it is like and and this guy who sort of knows the music, but is a little bit new and is a great artist, this guy Kyle, the three of them did the gig without me. The big triumph was that they sold kind of a lot of CDs to the people that were there. They called me that night and go, “We don’t even knew Stephen Kellogg in Stephen Kellogg and the Sixers anymore!” Then they went to Oklahoma City and got their butts kicked the next night. That is really the spirit of this band. We have a motto: “Dare to suck.” Don’t be afraid.
PW: And you guys since have a recent new addition to the band?
SK: Yeah.
PW: You’ve grown a bit.
SK: Boot and Kit and I have always been in the band for six years together, but the guitar position has moved around a couple of times. We’ve had some great people and all good friends, always amicable, but for awhile now we’ve been looking for something firm. Sam Getz just joined the band and is playing peddle steel and guitar and we all feel like we’ve found our missing piece.Stephen Kellogg
PW: Awesome.
SK: Yeah.
PW: With the nickname thing, what is his?
SK: Steamer.
PW: How do you guys pick the nicknames?
SK: I don’t know. I don’t know. They just find themselves. They create themselves. We have them for everything. Even the little table I use on stage to put my harmonica on is named Alan. I don’t know.
PW: What is the tour bus nicknamed?
SK: The Bear. It is brand new.
PW: That’s the Bear? That’s what the album is named for?
SK: Noo. This Bear came after The Bear that is the record. Kit named that one. He went, “Ah. It is gold just like the Bear.” So we went with that. Our trailer is named Evan.

PW: I feel like I’m missing out on an inside joke with the album title and what is “The Bear.”
SK: “The Bear” to me, that’s not an inside joke at all. There are plenty of them to miss out on in our organization, but “The Bear” is life. The whole record is just life. It starts off with the line, “Sometimes you get the bear, sometimes the bear gets you.” If you just substitute in life, that’s what the whole record is about. Sometimes you get life, sometimes life gets you. Every song on the record is about either the joys or the disappointments of life. To me, that sums it all up and “The Bear” is a nice little concise song where this is what we’re all in for, no matter who you are.

PW: This is also your first release with Vanguard. Before that you had been independently?
SK: No, we did some and I was on my own doing independent then the Sixers formed. Then we were signed to Universal for a record. Really nice people, huge label, but really tough for a band like us. How do you market us? We’re transitional. Like, “Hey, I work at a country radio station, can you qualify?” We can qualify as anything, which is a blessing, but it has hurt us too because they are good at marketing very concise things like this is the Jonas Brothers. This is a pop act. This is whatever. This is a roots act. We straddle all these and this just how we are. We were on Universal, then we were on Atlantic. Same thing. Very tough. Vanguard has embraced the diversity that is our band has run with it. We’re all having a lot of fun. It is blowing my mind how much more we are doing with a lot less.
PW: I feel like your name has been coming up more recently, especially considering you’ve been doing stuff since 2000.
SK: Yeah. Good. That’s really good. I feel it too. Part of it is us. We’ve changed. We know why we’re playing now. When we signed to Universal, we were like, I hope this cool life doesn’t go away. We don’t ever want to look bad. Hope we look cool and you just want to write cool tunes. Now we’re singing because we want to keep this job as long as we want to keep it and we have to grow. When you go out on stage, if there are five people there, you need to make sure they are fans or there will be zero people there. Everything you do counts. We are trying to really honor that.

PW: How do you guys stay motivated and energetic? You’re coming up on your thousandth show, 300 in just the past two years. How do you stay motivated and not get burnt out and be like I want to quit and just go back to my family full-time?
SK: Yeah. Well, I mean, it is a great question. I like answering. The truth is, at the end of last year, we had gotten burnt out. We were like, “Wow. We’re not being joyful.” And this band was never designed, even though we write songs that are sometimes sad, we’re happy. That’s what we want when people leave; we want people feeling better than when they came in. At that point, we had, even though we couldn’t afford it and didn’t know if it was the wrong thing to do, we just took time off. We just said, “We’re going to go in the studio.” We went overseas and did some charity work and played some military bases and did things that reminded us why we were doing it. We ran out of money and ran even more out of money. We had a lot of struggles in that way. What I saw happen was the love came back. That’s what you have to do. You have to find ways to keep the love alive and honor whatever it takes. It means you have to have the balls to do that and I was really proud that we did. We hit the ground with record playing with a lot more soul than I think any of us had ever done. Changing the sets every night helps too, just changing the songs. And daring to suck. If you’re like, “Woah, we totally blew that tonight. Let’s try to get it tomorrow.” It gives you something to do.
PW: Great answer.
Interrupted by (): Anyhow, that’s how I brought peace to the Middle East.
SK: Exactly. I’m spinning yarns over here. This is Terry.

PW: A friend mentioned at the Iowa show you said you had a college student on tour writing a book about you guys.
SK: Yeah.
PW: How did that come about? What’s it about?
SK: It’s remarkable, right? We’re all geeks. We’re all readers in the band. We love learning. We go for history stuff. Everyone else is making DVDs, but here we are with two young writers working on books about the band right now. One of them is writing a much different book. She’s a fan who just happens to be a great writer. This other cat, , is on the road with us, sends us this email like: “I hate college. I’m not getting much out of it. It’s such B.S.” His email hits our management. Our management is like, “This does not sound appealing. An unhappy college student wants to write a book. What does he want to do? He just wants to party or whatever.” So Hunter flies out to Ohio to meet with us and he has written up this heartfelt, two-page thing on like this is the type of book I would write and here’s why I’d want it to be you guys. I really put him through the paces. I was like, “I’m sure you’re a nice guy, but there’s so many bands whose whole existence would be more exciting. We’re a working class band that goes out and does what we do. We’re not always nice. We can be grumpy because we’re going to drive ourselves out to Boulder for eight hours right now. We’re not going to go to sleep and then we’re going to go do radio with people that aren’t always excited that we’re there a lot of times because we’re relatively unknown because you’re always on.” So I told him, “I can’t bring somebody on the road who is going to judge that all the time and if you just want to party, we’re not the band.” Hunter was really was persistent. He flew down and did a week with us, which is not easy for a 19-year-old to get a rental car. He did all this stuff. I started to feel like he would write a really good book and a really honest book and a book that was like, hopefully would show the full picture and not be just a fan piece. He has a good idea and an interesting angle to put on it. I became convinced that he would become empathetic to our situation, especially by living with it. We just lost a crew member and needed an extra set of hands. So we made a deal. And he’s not a drinker and not a liability. We said, “You come out, we’re going to need help. We’re going to need to bring somebody out to help and it will be you. We’ll pay for you to come and you can do your research for your book and spend three months on the road with us.” He’s from Iowa, so up there, I actually brought him on stage and told his story. Most of the time he’s quietly in the back, grabbing cases and helping out. Running to the store, wrapping up the presents I gave to on stage. He’s doing that, but we see him writing in his journal constantly, so we know he’s making his book. What kind of book he writes and the other author that’s working right now, I’m excited to have our story be told because I think it is worth telling, and I think it takes a lot of courage on both these guys’ parts–both Hunter and Nicole [Roberge]‘s part–to set out and be ambitious to write a book. So many people go, “I’m going to write a book,” but how many people do it? It’s cool. It’s a great story. It’s cool.
PW: It’s like the “Almost Famous.”
SK: It is. The guys actually went out in Minneapolis to party it up for a night. We don’t do it that often, but sometimes we do to blow off steam, the guys went out. I didn’t. Hunter didn’t. And Jessica, our tour manager, didn’t. So Jessica and I went back to the room we were sharing and we put Hunter in a room and we were like, “Man. Tonight’s ‘Almost Famous.’ The guys are going to come back with some girls.” And Hunter’s like, “No. Not really?” And I’m like, “Not really.” It was a fun story.
PW: That’s cool. I look forward to seeing books come out of that.
SK: Me too.

PW: You guys just did a video not too long ago. Any progress?
SK: Another great story. We approved it today. This is amazing. We are in like the business of just dreams coming true. With Vanguard, it has been fantastic. We were like, “What if Boots, who does a lot of these little home movies, makes some movies leading up to The Bear?” So he did these little five minute movies that are on the web site. They liked them. We weren’t originally going to shoot a video because the songs had just gone to radio and we were just going to see how it goes, but they liked Boot’s stuff so much, they were like, “What if you directed it?” Which we loved because the only videos we ever made were these cheesy videos where we were playing in a warehouse and then there’s a girl. It’s never us. We don’t feel comfortable. So the idea of one of our own making the video instantly appealed. Somebody floated the idea of what if we got a marching band? So we were like, let’s go for broke and see if we can get the UMass marching band, which is where we all went to college. It’s like one of the top ten marching bands in the country, so it was a long shot. We reached out and said we were alumni and on a shoestring to beat all shoestrings. We shot the video for less than $2,000 with everything, including flying Steamer in and every little nook and cranny. Vanguard wasn’t trying to be cheap about it, they were just like do you want to do this and everything kept falling into place. Next thing we knew, we shot this amazing video with 400 kids doing a synchronized dance that Boots and I had choreographed like two nights before in our hotel room–like a ridiculous hip shaking. They’re all doing it and they spell out S-K-6-E-R-S. It’s great and we approved it today. YouTube really likes it. We’re waiting and hoping in the next couple weeks that they’ll launch it and have it as a main video. Sometimes they feature a video. Whether they do or they don’t, it will be up within the month for sure. It’s for the song, “Shady Esperanto and the Young Hearts.”
PW: That’s cool. I helped with a video one time and it is just so hard to get people to just show up, let alone synchronize something.
SK: Oh my gosh. How cool to have 400 people learning it–they could only give us a couple hours because they had rehearsal–and to have Boots directing it, Kit teaching them how to do the dance and they gave us UMass uniforms…it took us a long time to realize that it’s not about money. It’s about how much energy do you have and how bad do you want to make things happen? You’re going to fail sometimes. The bear will get you, but a lot of times, you can get what you want if you just have the energy to keep up. The video was one of the five most fulfilling artistic moments of my life.

Editor’s note: The video has since been released and can be viewed here.

PW: Let’s end on that. It’s such a positive high note.
SK: Yeah, I should get into my sweatpants for this epic drive that’s going to take two days. But we’re picking my wife up. We’re going to get her at the Denver airport. I have inspiration to keep me driving.

Stephen Kellogg and the Sixers: website | myspace

Posted in Interviews1 Comment

Fat Cat Records Tour Featuring the Twilight Sad, Brakesbrakesbrakes, and We Were Promised Jetpacks @ Black Cat, Washington DC

Fat Cat Records Tour Featuring the Twilight Sad, Brakesbrakesbrakes, and We Were Promised Jetpacks @ Black Cat, Washington DC

The label is a Brighton, institution; they have signed highly divergent, up and coming acts from across the globe, from Sigur Rós to , from Frightened Rabbit to Vashti Bunyan. So I took much delight in hearing that the label was sending several of their signings over to North America for a tour. For the Washington date, the three acts being featured at the Black Cat were the Scottish bands and , and the English band Brakesbrakesbrakes.

d-wwpj4Glaswegians We Were Promised Jetpacks were first up. The band recently put out their debut album, These Four Walls, and they’ve been garnering a lot of attention stateside. I loved their song “Roll Up Your Sleeves” the first time I caught their video online. Singer/guitarist looks like a Boy Scout, but boy, he sure doesn’t sing like one. They’re rock, they’re punk, they’re everything in between. They’re also very young guys, which probably explains band members joking with each other between songs and Thompson’s telling us about the stench in their tour bus when its generator broke down, leaving them without electricity or running water. In response to this, someone in the audience quipped, “Just like Scotland!” to which Thompson replied with a sideways laugh to bassist , “They think we run around in kilts back home, don’t they?” There was a collective laugh throughout the club and then the band launched into “Quiet Little Voices” with Thompson’s searing vocals: “In any which direction, call me / I will run for you! / I’ll come for you! / I’ll die for you! / I’ll come for you!”

With Thompson and Smith, (guitar) and (drums) are an explosive unit live. Sometimes you aren’t sure how the first act of the night is going to be received; I’ve been to some gigs where you could hear people’s conversations clearly in between the songs because there are so few people present and most of them are not really paying attention, just taking up space and waiting for the headliner who comes on later. This was not the case with the Jetpacks’s set at all. Despite the band order, it appeared that many of people present were there specifically for their set and alighted as soon as they were done. A lot of people sang along, and Thompson was so happy with the reception and so many people showing up for their set, he lit up the room with his smile and said by far this was his favorite night in America so far on this tour. Mission accomplished, Washington.

k-brakes4After brief shifting of equipment and gear, the stage was set for the arrival of Brakesbrakesbrakes. In my head I’ll always think of them as because that’s what they’re known as everywhere in the world except America (courtesy of a Philadelphia band who had already called dibs on the Brakes moniker here in the States), so they will be referred to as Brakes for the rest of this review. Of the three bands, I’m most familiar with Brakes’s back catalogue, and they’ve never played Washington before, so I was excited to say the least. Their third and latest album, Touchdown, was released back in April.

They’re an extremely versatile band, with songs running the gamut from folky, country rock (“On Your Side”) to punk (“Porcupine or Pineapple”) to more straight forward rock ‘n’ roll (“Don’t Take Me to Space [Man]“). Singer/guitarist Eamon Hamilton led Brakes (with on guitar, on bass, and on drums) on a rousing set of 16 songs across their three albums. “Hey Hey,” a raucous, guitar-heavy tune from Touchdown, was a joy to hear live finally, along with “Don’t Take Me to Space (Man),” my favorite off the new album. One enthusiastic fan exclaimed that being that we were in D.C., the band had to play “Cheney,” a song from the band’s first album Give Blood; it’s a five-second tirade against our former not-so-beloved vice president. Hamilton rewarded the fan by asking him to “count in” the song for them. It went over so well that another fan was chosen to do the same, to even louder audience cheers.

Brakesbrakesbrakes set list:
The Most Fun
Shut Us Down ( cover)
Hey Hey
Ring a Ding Ding
On Your Side
All Night Disco Party
Porcupine or Pineapple
Hold Me in the River
Worry About It Later
Why Tell the Truth (When It’s Easier to Lie)
What’s in It for Me?
Isabel
Don’t Take Me to Space (Man)
Cheney (2x, counted in by two different audience members)
m-tts1No Return
Jackson (/Billy Edd Wheeler cover)

Two hours after we started, it was now time for the Twilight Sad. We Were Promised Jetpacks cite the Twilight Sad as one of their influences, so it’s quite appropriate to have them on the same tour. The band just released their sophomore album-length effort, Forget the Night Ahead, here in the U.S. last month. Singer decided to begin their set with a decidedly-toned down mood compared to the acts that came before: he clutched his mike as if his life depended on it, and knelt down on the floor as “Reflection of the Television” chugged to life thanks to his fellow bandmates (guitar), (bass), (drums), and touring keyboardist . They remind me a bit of , with their swirly guitars and keyboards set off by moody, pensive lyrics; “The Room” and “I Became a Prostitute” are good examples of this. I didn’t felt the same kind of energy from them that I did from the previous bands. Maybe it was because it was a Monday night, it was late, and it was Washington, but they just didn’t set me alight.

Stay tuned for an interview with Marc Beatty and Eamon Hamilton of Brakesbrakesbrakes coming soon!

We Were Promised Jetpacks: myspace
Brakesbrakesbrakes: website | myspace
The Twilight Sad: website | myspace

Posted in Concerts, Local Scene, Washington D.C.1 Comment

We The Kings Music Video Trailer

We The Kings Music Video Trailer

 

A music video so big it needed its own trailer…

Pop rockers are debuting their new music video for “Heaven Can Wait,” but the trailer was just was too funny to not share it now.

Catch the full video on MySpace on Oct. 13, 2009.

We The Kings: myspace | interview with: Travis | trailer

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Hanson @ the Beaumont, Kansas City MO

Hanson @ the Beaumont, Kansas City MO

I must confess the first thought that went through my head when I arrived at the Beaumont was “Damn. I’m old.” t19

Hanson‘s “Use Your Sole” tour, which featured , and , attracted a crowd of girls, aged 12 to 16, and women aged in the early 20s to mid-30s. There were a few dudes at the show, too.

The ladies in the crowd were in high spirits through the entire show. The girls’ hair flailed, and heels clomped as they shouted and cheered in sheer joy. The fans’ screams reached an all time high when took the stage.

Now, I’m not a fan of Hanson’s music, but I must admit the band earned the loud adulation it received from the crowd.

I was a bit shocked when Hanson walked on stage.

I mean, they were all grown-up.

I suppose I shouldn’t have been too surprised by the band’s mature look, but the last time I saw a photo of Hanson, the guys’ were much younger and grungier.

On Friday evening, (guitar, bass, piano, vocals) wore a white shirt with a slim, black vest and tie, and (piano, guitar, drums, vocals), wore a fitted, black shirt. Although I wasn’t able to see what (drums, piano, guitar, vocals) was wearing, I can report he had a mass amount of energy. He got up from his drum a few times during the performance and ran around the stage to get the audience moving.

Hanson started off its set with “Worlds Of Fire,” then “Blue Sky.” Both songs were upbeat, and elicited thoughts of bright, crisp aired mornings and happy times.

During the third song, “Where’s The Love,” many of the girls in the crowd began to dance (and push through the crowd, bumping into whoever blocked the path they choose. Grr). Whenever the band sang the lyrics “round and around,” many females made swirly hand motions and jumped up and down.

The band then began playing the sweet “Strong Enough To Break,” which incorporated light, airy guitar sounds.

After playing “A Minute Without You,” the band launched into “Great Divide,” which had a groove.

Hanson’s music has changed a bit over the years. While they’re still very pop on some tunes, many of the band’s new songs have a bluesy feel. The musicians seem to be writing more passionate lyrics, too.

During the last half of Hanson’s set, the band played “Been There Before” and “Hey.”

“Hey,” which came from the band’s 2004 album Underneath, had a light country rock feel, while “Been There Before,” which came from the 2007 album The Walk, had John Mayer guitar influences, and was filled with rich keyboard chords.

Hanson ended the show with its big pop hit, “MmmBop,” and the feel good, “If Only.”

So, what did I learn after attending a Hanson show?

1) The guys in Hanson are talented musicians, and are still able to write fun, rompy music.
2) The band has a loyal fan base who enjoyed the new and old material.
3) The band is doing a heck of a lot of good for the world.

Set list:
Worlds On Fire
Blue Sky
Where’s The Love
A Minute Without You
Great Divide
Carry You There
Strong Enough To Break
Cecilia
These Walls
Watch Over Me
Waiting For This
Crazy Beautiful
Hey
Been There Before
Hard To Handle ?
MMMBop
Lost Without Each Other
Something Going
If Only (update: listed, but not played)

Hanson: website | myspace
Take the Walk: website

Photo by: Joshua Hammond

Posted in Concerts, Kansas City2 Comments

Stream Dashboard Confessional’s New Single “Belle of the Boulevard”

Stream Dashboard Confessional’s New Single “Belle of the Boulevard”

is back with new release Alter The Ending due out November 10th via Vagrant Records. While waiting for the album’s release, check out the first single “Belle of the Boulevard.” Dashboard12v2

Dashboard Confessional: website | myspace

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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