Prior to Thursday night, the last time I caught a show at Merriweather Post Pavilion was back in 1998. I don’t really like the place all that much; after you’ve seen great shows in smaller, intimate clubs where you can have a connection with the band that’s performing, the lack of intimacy in an outdoor amphitheatre like Merriweather is startling. The crowds also tend to be very different than those you encounter at club shows – Columbia is quite a drive from Washington or Baltimore, so you will mostly run into older patrons and their spouses drinking beer or parents with their underage kids in tow. Pulling into the parking area, my friends and I looked at the pretty empty field and were worried that there wouldn’t be a good turnout. Thunderstorms had moved through the area earlier, making the walk around the grounds a soggy adventure. I might not go to Merriweather to see most bands, but I will make the exception for Keane.
The pavilion is pretty empty when the first opening act, Fran Healy, begins his one-man acoustic set. Frontmen are all going solo these days – Brandon Flowers of the Killers, Kele Okereke of Bloc Party, and more recently, Paul Smith of Maximo Park. Healy is better known as the frontman for legendary Scottish alt-rock group Travis. He’s putting out his first solo album, Wreckorder, in October, so touring with Keane is a good way for Healy to preview tracks from his forthcoming release. He is very funny, at one point dedicating the 1999 Travis hit “Why Does It Always Rain on Me?” to the unfortunate souls who have lawn seating, and at another point, saying that bugs were biting him and asking if Columbia had mosquitoes, saying, “back in Scotland, we call them ‘midges.‘” In his Scottish accent, it was adorable to say the least.
He also told the story about how he successfully invited Beatle bassist Paul McCartney to play on his solo song “As It Comes” and trying to come up with an appropriate way to thank the Cute Beatle, decided he and his family would go vegetarian in honor of him. (McCartney later mailed Healy three of his late wife’s vegetarian cookbooks in recognition of the gesture.) The older crowd is appreciative of the Travis numbers sprinkled in the set like “Why Does It…” and “Sing” as they are played alongside new songs like the set-ender, “Buttercup.”
The second opener was bespectacled indie pop/folk singer Ingrid Michaelson, backed by a full band. Most of the time Michaelson, dressed in a frilly, small black dress, sang while strumming a ukulele. I’m not really a fan of her music, but even I cannot escape the radio play of her songs “Maybe” and “The Way I Am.” She is obviously a talented singer/songwriter, so I think I would have been more impressed with her performance if she hadn’t played so many covers. Michaelson’s version of Radiohead‘s “Creep” – just her warbling voice and her playing ukulele – was odd to say the least. Perhaps the strangest moment of the night was her saying goodbye with her version of Britney Spears‘ “Toxic”, including a choreographed dance sequence that ended with Michaelson on the shoulders of her bandmates.
Ingrid Michaelson Set List
Soldier
Poker Face (Lady Gaga acoustic cover fragment)
Die Alone
Parachute
The Hat
Creep (Radiohead cover done as an acoustic solo)
Maybe
Locked Up
The Way I Am
The Chain
Toxic (Britney Spears cover)
Keane‘s incidental music before they came onstage was a winner, including Two Door Cinema Club, Everything Everything (the Manchester quartet who recently opened for them on their sold-out Forest Tour of the UK), and Florence and the Machine. It got me appropriately psyched up for what was a fabulously tight set of songs from the English trio. From their recently released EP Night Train, Keane rather smartly only played the best tracks from the r&b-leaning release, including “Clear Skies,” “Stop for a Minute,” and “Your Love.” The latter is now famous as the only song in Keane‘s pretty substantial back catalogue that pianist / principal songwriter Tim Rice-Oxley sings on, and it is a great showcase of Rice-Oxley’s voice. One can only hope that he will share more lead singing duties with Tom Chaplin in the future.
This is not to say Chaplin did not keep up his end of the bargain. As usual, Chaplin’s beautifully compelling voice soared on the Keane ballads we all know so well, including “Everybody’s Changing” and “Somewhere Only We Know,” while being inexhaustible for the more fun, up tempo numbers, like “You Haven’t Told Me Anything” and “Spiralling.” I am torn between Thursday night’s versions of “This is the Last Time” and “Perfect Symmetry” as to which gets my vote for best song of the show. Both are tear-inducing when you hear them live, just gorgeous pieces of piano-driven pop. Going to see Keane is an event. An event you don’t want to miss.
Keane Set List
House Lights (instrumental)
Again and Again
Bend and Break
Everybody’s Changing
Nothing in My Way
Clear Skies
This is the Last Time
Stop for a Minute
Try Again
You Haven’t Told Me Anything
Spiralling
Bad Dream
Is It Any Wonder?
Your Love
Perfect Symmetry
Somewhere Only We Know
Bedshaped
//
My Shadow
Crystal Ball
Tour Dates
Aug 07 – Mann Center / Philadelphia
Aug 10 – Riverside Theatre / Milwaukee
Aug 11 – 1st Ave. / Minneapolis
Aug 13 – Fox Theatre / Boulder
Aug 14 – Mile High Festival / Denver
Keane Photos by Catherine Sexton
Keane: website | myspace | @ Constitution Hall | Keane to Release Expanded Version of Their Debut Album, Hopes and Fears | Keane announces North American in support of new album, Night Train
Fran Healy: website | myspace
Ingrid Michaelson: website | myspace | Everybody review | “Maybe” video
