Archive | October, 2010

Foxy Shazam on tour with Free Energy; Premiere new song, ‘Yesterday, Today, & Tomorrow’

Foxy Shazam on tour with Free Energy; Premiere new song, ‘Yesterday, Today, & Tomorrow’

The wild, glam rockers in Foxy Shazam just began a nationwide tour with . Both acts are billed as two of Spin Magazine’s ‘bands to watch’ in 2010.

The tour hits this Thursday, Oct. 21 at the Record Bar and is not something to be missed. You never know what surprises these guys will pull out in a live show.

As part of the celebration for the tour kickoff, debuted a called “Yesterday, Today, and Tomorrow,” which you can check out here.

with Free Energy:
10/18, Columbus, OH (The Summit)
10/19, Nashville, TN (The End)
10/20, St. Louis, MO (The Old Rock House)
10/21, City, KS (Record Bar)
10/22, Dallas, TX (The Loft)
10/23, , TX (Mohawk)
10/25, Phoenix, AZ (Rhythm Room)
10/26, Pacific Beach, CA (710 Club)
10/28, Los Angeles, CA (Troubadour)
10/29, San Francisco, CA (Slim’s)
10/30, San Jose, CA (Blank Club)
11/10, Portland, OR (Doug Fir Lounge)
11/11, , WA (Crocodile Café)
11/12, Vancouver, BC (The Media Club)
11/14, Edmonton, AB (Pawn Shop)
11/15, Calgary, AB (Republik)
11/16, Saskatoon, SK (Amigos)
11/17, Winnipeg, MB (Pyramid Cabaret)
11/18, Minneapolis, MN (400 Bar)
11/19, Chicago, IL (Lincoln Hall)
11/20, Indianapolis, IN (Radio Radio)
11/21, Cleveland Heights, OH (Grog Shop)
11/22, Albany, NY (Valentine’s)
11/23, Boston, MA (Paradise)
11/24, New York, NY (Bowery Ballroom)
11/26, Brooklyn, NY ( Hall of Williamsburg)
11/27, Philadelphia, PA (The Theater of Living Arts)
12/1, Washington, DC (Rock and Roll Hotel)

Posted in Concerts, Kansas City, mp3 Minute, Music NewsComments Off

Frightened Rabbit with Plants and Animals, Bad Veins @ the Showbox, Seattle, WA

Frightened Rabbit with Plants and Animals, Bad Veins @ the Showbox, Seattle, WA

(Photo straight out of camera. I’m quite proud, if I do say so myself.)

Even though my night ended up with me being stranded outside the Showbox because my car got locked in a parking garage, I look at it as a “glass-half-full” night. Because a.) Frightened Rabbit was in town again to start off their fall tour, and b.) the lighting at the Showbox was better than I’ve seen it in at least a couple of months.

Starting out the night was the adorably lo-fi , who definitely deserved to be higher on the bill. Just the two guys on stage made for a different kind of performance, because I’m so used to at least four people on stage. It makes you pay attention to each band member more closely because there are so few of them. Lead singer Benjamin Davis basically stood in one place, but amped it up with an altered mic stand featuring an old-school corded phone that fed into an equally as old school voice recorder which sat in the middle of him and drummer Sebastian Schultz, who made up for the lack of people on stage with his charming effervescence.

I figure the phone-recorder set up was the cheaper alternative to an actual talk box, and it worked really well with the laid-back, hook-laden retro indie pop. “Falling Tide” and the lovely “Gold and Warm” and “The Lie” are alone enough to go buy their debut , out now. Seriously. Do it.

were up next, who weren’t bad. They just left me, as well as the rest of the audience, a little bit cold. The songs seemed to drag on in the middle of the set, and we were all pretty anxious to see some of our favorite Scotsmen. And Bad Veins were just so darn good.

“Undone Melody” was a beautiful 6-minute epic, though. That’s partially why their set seemed to drag – because on average, their songs were 2 minutes longer than Bad Veins’ songs. The one thing I did like particularly about Plants and Animals was the instruments they used. Lead guitarist Matthew Woodley played several different guitars throughout their set, but one specifically was so weathered that it matched up perfectly with their on-record sound. Plants and Animals only records to tapes, so it could easily sound like it was recorded now or in 1975, which is a refreshing change-up from the digital world that we currently live in. And the live show almost lived up to the feeling, but just fell short of the analog-only sound.

Walking on stage still with an internal body clock that said it was 7 a.m., pushed through the lack of sleep to put on an amazing show. And not just for Thursday. It would have been equally as amazing if it were on a or Saturday.

Starting off with the first track from their third album A Winter of Mixed Drinks, “Things” had just the right amount of positive vibe to set the mood for the show. After that came “The Modern Leper,” “Nothing Like You,” and “The Twist,” all intermixed with some particularly nice words from Scott for one of our local radio stations KEXP, which was in the midst of a fundraising week.

“KEXP is the most important U.S. radio station for fledgling British bands,” he said, which was then met by a huge round of applause and “woop-woop”s. It was nice to hear some praise for one of the only stations around that doesn’t have commercial motives, and hasn’t fallen into the cliché “ ” trap (i.e. playing at least one Pearl Jam and Alice in Chains song every hour, often the same one several times a day). But all of Scott’s gushing for Seattle was completely sincere, which is one of the things that I enjoy so much about Frightened Rabbit – that they’ll cuss like sailors, play after being awake for an obscene number of hours, but love every minute of it.

“We played this stage about three years ago, when we came through supporting Pinback, and we thought that this room was fucking huge,” Scott said, “And well, it still is, I suppose. But thanks for filling it up!”


The last time Frightened Rabbit played Seattle wasn’t actually all that long ago – in May at Neumo’s, which is a considerably smaller venue, but this time the show wasn’t any less intimate.

During “Foot Shooter,” most of the band – , , – sat idly for Scott to perform a particularly beautiful acoustic version of the song with brother on drums.

“When you play a song this many times, you wanna change it up sometimes.” Amidst the complete silence, it actually sent some people into tears.

As a prelude to “Be Less Rude” off their first album Sing the Greys, Scott told a lovely story about when he wrote the song.

“I wrote this when a friend of mine was dating this girl, who was a complete dick. This song was about her.”

How could you get a more simpler plea than “be less rude?”

I failed to mention already that a friend of mine, Susie – who lives in Scotland and has seen Frightened Rabbit close to 30 times – was staying awake through the night to read my tweets from the show because she was “living vicariously through [me].” One of the things that surprised her was the rearrangement of the band’s setlist. I guess for the last two years they’ve been finishing the night with “Keep Yourself Warm” in the encore, but this tour that was no longer the case.

The final song of the normal set list was “Keep Yourself Warm,” the heartbreaking lament off The Midnight Organ Fight which featured a large majority of the crowd singing along to “It takes more than fucking someone to keep yourself warm” before the ascending outro where Andy, Scott, Gordon, Billy, and Grant all played as if it were still the last song of the night. But glancing at the set list, I knew that there were still two songs to go.

Scott started the encore with the stripped-down “Poke,” a beautiful ballad that almost sounded like a lullaby, and like “Foot Shooter,” the audience responded with complete silence. And immediately the rest of the band came on stage after that to play the final song – “The Loneliness and the Scream,” in which Andy gestured for everyone to start clapping along to the driving beat. I didn’t expect for us to be clapping through the entire song, but even though “The Loneliness and the Scream” isn’t a short song, everyone in this awesome crowd threw their hands together the whole time. And nearing the end of the song, our clapping was met with the accompanying “oh whoa ohh whoaaa” to finish out the 19-song set joyously.

I explained it to Susie afterward, who had a hard time comprehending the set list change. Seeing that A Winter of Mixed Drinks was considerably more positive than The Midnight Organ Fight, Frightened Rabbit probably wanted the finale of the live show to be as uplifting as the new album.

They definitely achieved that. Waiting until the end of the show and leaving too late to get my car out of the parking garage before it closed – thus me having to sleep on my friend’s couch and pay an extra $20 the next morning for overnight parking – was totally worth it.

Set List:

  1. Things
  2. The Modern Leper
  3. Nothing Like You
  4. The Twist
  5. I Feel Better
  6. Fast Blood
  7. Foot Shooter
  8. Old Old Fashioned
  9. Swim Until You Can’t See Land
  10. The Wrestle
  11. Good Arms vs. Bad Arms
  12. Head Rolls Off
  13. My Backwards Walk
  14. Be Less Rude
  15. Yes, I Would
  16. Living Colour
  17. Keep Yourself Warm

Encore

  1. Poke
  2. The Loneliness and the Scream

Posted in Concerts, Local Scene, New York, Reviews, SeattleComments Off

KJHK’s Farmer’s Ball 2010 announces Lawrence competition line-up

KJHK’s Farmer’s Ball 2010 announces Lawrence competition line-up

Every year, University’s radio station, , throws a local band : The Farmer’s Ball. The Farmer’s Ball features local bands from the / area in a wide array of genres.

This year’s Farmer’s Ball begins Thursday, Oct. 21, and continues to a final round of competition on , Oct. 22. Both nights are at the Jackpot in Lawrence and begin at 7 p.m.

Bands are voted for by the audience members in attendance to determine a winner.

This year’s Farmer’s Ball participants:








You can learn more about the Farmer’s Ball here.

Posted in Concerts, Kansas City, Music NewsComments Off

Austin City Limits: Day 1 – Joshua’s Point of View

Austin City Limits: Day 1 – Joshua’s Point of View

One would think that after 9 festivals and a handful of trips to , I’d have the hang of how this whole thing worked. I’d be grounded and prepared for the pros and cons of festival life. Yet, when my alarm sounded at 3:45 in the morning on Oct 8, I still cussed, tripped over my cats and chucked my alarm across the room. Regardless of it being a day filled with the possibility of 44 different bands and my choice of 6th Street bars, 4 o’clock in the morning still pisses me off quicker than Obama sets off the Republican Party.

Following two flights ( City to Dallas, Dallas to Austin) I touched down at the airport to be rescued by our new weekend Craigslist roommate. After dropping off my belongings at the house and sitting down for a quick veggie friendly meal at the snack bar, I checked into press around 12:30p.m.

The day started at the BMI stage with Ponderosa, who’s set started at 12:40. While we certainly didn’t intentionally make our way directly to their stage to catch their set, their voices and folky sound reminded me enough of Drive-By Truckers to stop me on my way to ’s Austin Kiddie Limits HEB stage set. Their sound was certainly strong enough that I look forward to seeing what they can manage following the 2011 label debut, Moonnight Revival. I expect to hear from these guys again.

Following a short and disappointing stint with The Verve Pipe, I shifted my way through the early morning crowd towards the great indie band The Mountain Goats. John Darnielle and company owned their set, playing to the crowd better than any other band on ’s bill. Standing barefoot in front of a fairly large 2:00 p.m. crowd, the band shined through old favorites and revealed new songs, like “For Charles Bronson.” Throughout their hour long set, they swapped jokes and stories with the crowd resulting in an overall feeling in the crowd that this wasn’t a festival set where the band simple rushes through their motions as much as a giant soapbox to story tell from. For those who failed to get to the festival or get out of bed by this band’s set, you missed the best set of the day.

Following The Mountain Goats, I wondered over to the BMI Stage to kill some time before ‘s set. What I found there was . This Nashville, Tennessee band is a cluster of complication. Sounding like a blended version of hair bands, alt. country and Guns and Roses, it becomes somewhat hard to wrap your head around what exactly The Kills are. My first impression, mainly coming from the big ass guitar solos that distract throughout a majority of their songs. When it all comes down they’re just a glorified frat band no different than that playing your local dive. Having heard enough, I head towards the Honda stage.

However, the downward spiral would continue through the next two sets. As well over a handful of people gathered for Miike Snow’s extremely early set, it dawned on me that Bonnaroo has figured something out that Austin City Limits hadn’t. This was the fact that dance sets do not really work when the sun is up. However, the set itself seemed pretty musically collected, including creepy Eyes Wide Shut masks and a special appearance by Vampire Weekend’s , who helped the band cover his group’s song “The Kids Don’t Stand A Chance.” Overall, a very entertaining set that could have easily been the best set of the festival day had the conditions been right.

Billed as the possible best band of Austin City Limits, I must confess were a huge letdown to me. Their set seemed very lackluster to me, almost as if something were missing. While the vocals were excellent and the instruments were on for the most part, the stage seemed to dominate the duo. Maybe it was the outside elements which sometimes tend to make sounds simply disappear. At the end of the day, The Black Keys set simple was not worth the struggle and fight of the lawn chair jungle. While I know it will be a very unpopular vote, my advice would be to simply stick to the band’s CDs where they shine.

However, one duo who did shine at Austin City Limits was Sup-pop’s . Their dreamy set filled the air causing a spontaneous dance party that left drunken hipsters skipping around the wall of bright blue festivals that lingered near the Honda stage. ’s beautiful voice stood out as one of the top of the day as the band frantically made their way through their set. I expect bigger things from this band than they’ve already accomplished, which already is pretty impressive.

I bolted from the area, dodging ’s set for the time being to catch . With one of the best voices in , this folk meets jazz crooner’s set was easily worth the time it took to get to the Austin Ventures stage. With a sense of calm and charm that is second to none, he undoubtedly found his way into the hearts of more than a handful of the mid-sized crowd that had found its way to his stage.

Following Lee, the time had come for me to face my fear of Spoon. Now, don’t get me wrong, it isn’t as though I’m not a fan of Spoon. In fact, I own all of their records on both compact disc and vinyl. Furthermore, it’s always exciting seeing a hometown kid () make good. However, the two previous times I’ve seen Spoon play, I was bored out of my mind. They were not very crowd interactive and were back lit to the point that it was like watching shadow cut outs of spoon on stage. Needless to say, I hadn’t picked their set as one of my most anticipated for Austin City Limits.

But to be fair, they proved me wrong. I’d simply be lying if I didn’t say that I walked away from the AMD stage impressed with their performance. Their usage of horns on “The Underdog” was one of the most memorable moments of the 2010 Austin City Limits.

For historic purposes I made my way towards the Honda Stage to check out for the second time this year. While I must admit that they can still hold their own after almost 30 years of making music, a full day of festival life on very little sleep left me somewhat disinterested. Roughly halfway through the set, I made my way to Vampire Weekend in hopes of finishing up my day.

Personally, Vampire Weekend and I have some issues. We’ve had a very rocky relationship throughout their very short and extremely hyped career. It’s hard for me to stomach the popularizing of Afro-pop by a bunch of rich, upscale Ivy League grads. Now, the problem that  I have realistically has very little to do with the band itself. Honestly, I hate their fans. It’s the same group of hype blinded Urban Outfitter junkies who’ll buy anything that American Apparel deems worthy.

However, in the name of unbiased journalism, I decided to swing by and see exactly how the band sold that day’s performance. Things I took away from the set that could be deemed positive are as follows:

1. They were musically tight at a festival. This is impressive in an outdoor setting when sounds can sometimes vanish.

2. They’ve got a great deal of energy. Their set was free of any downtime and dull moments.

3. They managed to draw one hell of a crowd, even against legends Sonic Youth.

However, I found myself annoyed by the uninformed crowd of high school girls and drunken frat boys that surrounded me, stating comments like “yeah! Vampire Weekend is the most talented band at the fest,” and “They are so unique.” Unable to keep myself from pointing out all the flaws in those theories, I decided, instead, to leave.

Having seen once in my life (at Bonnaroo), I opted to never do so again. So I sat up to catch a bit of The Strokes, whom I’d never seen.

Starting a few minutes late with “Is This It” the crowd seemed to forget having to wait for the set. Their undeniably infectious tunes appeared to outshine their New York swagger and hipster bastard attitude.  , for example, belted out to the crowd, “I can’t see shit because like an asshole, I wear sunglasses at night.”

Regardless of the between song cockiness, I must begrudgingly admit that The Strokes hour-long set was pretty effective. They kept my attention, provided plenty of hits and managed to squeeze in a decent set in a somewhat short amount of time. Besides, it could have been worse. I could’ve been watching the endless guitar solos of .

Once was enough, thank you.

Posted in ACL, Austin, Concerts, Music News, PopWreckoning NewsComments Off

Ticket Giveaway: Portugal. The Man at the Bottleneck, in Lawrence, Oct. 20

Ticket Giveaway: Portugal. The Man at the Bottleneck, in Lawrence, Oct. 20

It’s time for more tickets from . This time we’re giving away 2 sets (4 total) of tickets to The October 20, 2010 Portugal. The Man show at The in , KS. The show is all ages.

Winning can be done as follows:

1. Be sure you are following @popwreckoning on and use your to post the following comment: Hell yes! @popwreckoning is giving me the chance to see @portugaltheman in Lawrence!

Seriously, how simple is that?!

Contest ends at noon on Oct. 18.

Now go! Get to work! Score free things. And be sure to check back with us for more free tickets in the future.

Posted in Concerts, Contests, Kansas CityComments Off

Austin City Limits: Day 1 – Casey’s Blog

Austin City Limits: Day 1 – Casey’s Blog

 

!!

Day 1, Thursday night/

Let me preface with a few facts:
I live in City which happens to be a 13-hour drive from .
I drive a teal ’99 Chevy Cavalier.
She is 3,000 miles overdue for an oil change.
Her name is Teal-a Tequila.
I drove her to Austin.
Before we left KC, we had no idea where we were staying.
This was my first time in Austin.

Alright, time to get started.
3:00PM (Thursday) – The trek begins! My friend Tricia and I load up Teal-a and get situated for the long ass night ahead of us. Luckily, my parents live 3-hours from en route to Austin. So of course, we stop there for a free meal then hit the road again around 11.

6:00AM (Friday) – After switching on and off for most of the drive, neither one of us could stay awake for much longer. Time to sleep in a parking lot of a gas station? Yes, please.

8:00AM – Get back on the road!

10:00AM – Woooooo finally! Arrive in Austin! We head straight to downtown to the shuttle pickup. Brushed our teeth, changed and got ready in a parking garage then boarded the shuttle.

Noon – Was supposed to meet Josh to pickup our press credentials. Of course, he didn’t get there until 1. So we waited outside in the shade.

This is where things just sort of run together for me. The first hour or so, we mainly just walked around and figured out where things were. We did manage to catch the middle of the Mountain Goats set.

2:30PM – Interview with , who is now my newest musical crush. He was seriously great. Check out the !

3:00PM! I love this guy. Unfortunately, I was only able to stay for 3 songs before heading back to the press tent. That’s okay though, because he rocked it. Although, as you’ll see later – most of the dancier sets were during the day. This caused them to lose a sort of charisma that coincides with dance.

3:30PM – PodWreck with . They in fact, have seen a bear before.

4:30PM – Done with interviews for the day! Time to listen to some tunes. Saw the last of set from afar then watched most of which had great energy and the crowd loved it.

6:00PM – AMOS! I was lucky enough to see his set. He blew me away. I had heard his stuff before but hadn’t seen him live. Now I know why he’s one of those people that you have to see. Great stage presence and his voice is…. Magical.

8:00PM – We decided to stay for a few songs of . Now I can say I’ve seen them live. Even though their live stuff is just as monotonous as their albums, they still put on a good show.

This is the point where we should have been heading to the car to sleep in a parking lot or some random place along those lines. BUT thankfully, our good friend Brandon has a brother that lives in Austin and offered us a place to stay. We couldn’t be happier to find out that he wasn’t crazy.

That night Jason (who we were staying with) took us to an Austin staple: . Late night eats that are actually good! We highly suggest the Kerbey Queso.

Day 1 Video Recap

Posted in ACL, Austin, Concerts, Festivals, Podwreck, Reviews1 Comment

Bad Books – self-titled

Bad Books – self-titled

I am doomed to remember two boys with haunting voices – not because of their voices, or because they were responsible for my favorite live moment, or even because they were the instruments of ’s death, but because they are the reason I still believe in pop/indie music; I am a continued indie music fan because of Bad Books.

[Note: this is the altered first sentence from the novel A Prayer for Owen Meany by John Irving, a book everyone should read at least five times. Also, neither nor have plans to kill Jesse Lacey, though I do feel they are partially responsible for the decline in the popularity of Lacey’s music as they have picked up and ran with the torch he once held proudly…but I digress.]

The above may have been a hyperbolic statement, but as with most good hyperbole, there’s a lot of truth to be found there. Let’s talk first about Andy’s and Kevin’s voice(s). Separately, they each sing with a distinctive and vulnerable style that can easily switch to an aggressive yell if necessary (see Exhibit A: “Cotton Crush” by Kevin Devine and Exhibit B: “100 Dollars” by Manchester Orchestra). Together though, they sound alternately like Elliott Smith doubling his own vocals on “Needle in the Hay” or like Guy and Ian trading shouts during Fugazi’s heyday. Sounds too divergent to be true? Give a listen to “I Begged You Everything” and “Please Move” in succession (Tracks 7 and 8 respectively) and you’ll understand completely.

Of course, two great voices (even those that mesh so wonderfully) nary a band or an make. The attribute separating Mr. Hull and Mr. Devine (and thus this collaborative project) from so many others is their songwriting prowess; in fact, their unparalleled ability to write basically whatever kind of song that they wish is what prompted me to think of and my belief in indie music. You want a catchy, sing-along pop song about something seemingly dark (an abortion maybe?)? You’ve got Baby Shoes.” How about a sad song of introspection with just a voice and an acoustic guitar?You’re A Mirror I Cannot Avoid is waiting for you. A quirky pop song with melodies that have more in common with 1969 than 2009? Holding Down the Laughter fits the bill. And on it goes; this album is as varied as it is brilliant, and I would feel as confident playing it for my 9 year old goddaughter as I would for my jaded too-cool-for-school music snob friends. And you, dear reader, will enjoy this album as well. Unless you’re an asshole or something. You’re not an asshole, are you? I didn’t think so.

One final thought (aside from wondering why I use so many parenthetical statements): collaborations always pose unique questions that put them in a different category than other albums. Primarily, people want to know if the whole is greater than the sum of its parts. If I haven’t answered this question in so many words, then I haven’t done my job. YES! The answer is a resounding, enthusiastic YES! Don’t miss this album. You’ll only kick yourself in ten years when cool indie kids are citing it as an influence for their overwrought songs that will be easily forgotten. I’ve already written several.

Posted in Albums, Music News, ReviewsComments Off

Preview: Steel Train @ the Bottleneck, Lawrence KS

Preview: Steel Train @ the Bottleneck, Lawrence KS

ATTENTION: concert-goers!

Steel Train is playing the on Oct. 14th. Who would want to miss that?

PLUS . is headlining!

In case you are unaware of how cool are, here’s a video for “Turnpike Ghost.”

Oh, and you’ll get to see frontman in both bands! As he is a member of headliner, fun.

Posted in Concerts, Kansas City, Music NewsComments Off

Recoil (Alan Wilder) Announces Fall North American Tour

Recoil (Alan Wilder) Announces Fall North American Tour

used to be the keyboardist of ’80s synthpop legends . (You may recall a little tune called “Enjoy the Silence”? It was Wilder who turned ‘s demo into a dance track and one of the most commercially successful songs in the band’s history. Certainly one of my favorites.) These days Wilder is recording under the name , writing and producing less pop, more experimental than was “allowed” in his Depeche days. The results are trippy and haunting, in a good way. Catch Wilder live on the dates below.


Oct 16 – Trees / Dallas (with and of )
Oct 18 – Triple Door /
Oct 19 – Aladdin Theatre / Portland, OR
Oct 21 – Mezzanine / San Francisco, CA
Oct 22 – El Rey / Los Angeles, CA
Oct 23 – Anthology / San Diego, CA
Oct 24 – Galaxy Theater / Santa Ana, CA (with Martin Gore DJing)
Oct 26 – Metro / Chicago (with )
Oct 27 – Opera House / Toronto
Oct 28 – Club Soda / Montreal
Oct 29 – This Ain’t Hollywood / Hamilton
Oct 31 – Bourbon Street / Baltimore
Nov 01 – Highline Ballroom / New York City

Recoil: website | myspace

Posted in Music NewsComments Off

We Are Scientists release “I Don’t Bite” digital single

We Are Scientists release “I Don’t Bite” digital single

Right in the middle of a worldwide tour, released the third off their latest this week, “I Don’t Bite.” Currently it’s available on iTunes on the UK and on 7Digital.com

Seeing that the guys have been touring mainly with (ex-Chairlift ), they seemed to find the time to have Pfenning record a b-side for the single – a low-key, ethereal version of “Nice Guys.” As well as the cameo from pal Pfenning, , a.k.a. also did a oddly spectacular digitized cover version of “Rules Don’t Stop” as another b-side. The three tracks are certainly different from each other, but the single did employ some of Brooklyn’s finest, I must say.

And if that wasn’t enough, Alexa Chung actually drew the album art.

All of it is a bit inexplicable, but does anything We Are Scientists ever does make complete sense? Not really, but that’s part of their charm.

There’s no official US release date yet on an iTunes single (let alone a physical single), but once it’s announced, we’ll be sure to update this post.

Or for all the latest news on We Are Scientists, head over to What’s the Word, as the webmaster Renee is way more punctual than Keith or Chris is ever.

We Are Scientists official website

Posted in Music News, New Music TuesdayComments Off

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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