Archive | September, 2011

Download A.A. Bondy’s new song Surfer King

 

photo by Ted Newsome

Believers, the newest and third album from A.A. Bondy, was released on September 13 by Fat Possum. Now, you can download his song “Surfer King” for free.

Catch him on tour throughout the US and Europe September – December.  Dates are listed below.

“Surfer King” MP3: http://cobracamanda.com/MP3/05SurferKing.mp3

 

Tour Dates:
9/28/11 – San Diego – The Casbah
9/29/11 – Los Angeles – The Bootleg Theatre (no eagle rock show) 
10/1 – 10/2 – San Francisco – Hardly Strictly Bluegrass
10/4/11 – Portland, OR – MIssissippi Studios
10/6/11 – Seattle, WA – The Tractor Tavern
10/7/11 – Vancouver, B.C. – Media Club 
11/1/11-  Salt Lake City, UT-Urban Lounge
11/2/11-  Denver, CO- Hi-Dive
11/4/11-  Omaha, NE- Waiting Room
11/5/11-  Minneapolis, MN- 7th St. Entry
11/7/11-  Madison, WI- High Noon Saloon
11/8/11-  Chicago, IL- Lincoln Hall
11/10/11- Nashville, TN- Mercy Lounge
11/11/11- Little Rock, AR- Sticky Fingerz
11/12/11- Dallas, TX- Prophet Bar
11/13/11- Austin, TX- The Parish
11/15/11- Oxford, MS- Proud Larrys
11/16/11- Atlanta, GA- The Earl
11/17/11- Knoxville, TN- Pilot Light
11/18/11- Charlottesville, VA- The Southern
11/19/11- Washington, DC- Rock Roll Hotel
11/21/11- Philadelphia, PA- First Unitarian Church
11/22/11- New York, NY- Bowery Ballroom
11/29/11 – Munich, DE – Freiheiz #
11/30/11 – Frankfurt, DE – Batschkapp #
12/01/11 – Koln, DE – Gloria #
12/02/11 – Hamburg, DE – Ubel & Gefahrlich #
12/03/11 – Berlin, DE – Postbahnhof #
12/06/11 – London, UK – Koko #
12/07/11 – Manchester, UK – Manchester Academ 2 #
12/09/11 – Glasgow, UK – ABC #
12/10/11 – Belfast, UK – Spring & Airbrake #
12/11/11 – Dublin, IR – Academy #
12/12/11 – Birmingham, UK – Institute #
12/14/11 – Brussels, BE – AB Box #
12/15/11 – Utrecht, NL – Tivoli #
12/16/11 – Gronigen, NL – Oosterpoort #
12/18/11 – Nijmegen, NL – Doornroosje #
# – w/ Felice Brothers

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Download the Kansas City Mixtape for free

In March, we put together a mixtape of Kansas City artists and gave them out at SXSW. Well, now everyone can have this wonderful composition of songs to themselves. For FREE! Yup, free. Completely and utterly free. Just head over to popwreckoning.bandcamp.com and download.

This was made possible by the awesome Element Recording Studios for partnering with us and by N8 for the artwork.

If you must have a hard copy, email casey@popwreckoning.com and we’ll send you one. Also, for free. A little gift for our amazing readers.

Posted in Albums, Kansas City, Music NewsComments Off

Musicfest Northwest: Four venues, six bands, one night.

This was perhaps the busiest Thursday night I’d ever experienced. I went to four different venues within Portland and saw six bands.

Let’s get this started, shall we?

I ventured to the Wonder Ballroom, which sits in the middle of a suburban neighborhood, for headliners Brand New. However, I’d completely forgotten that the Joy Formidable was opening for them, but I’m thankful I got there as early as I did, because the Joy Formidable rocked my socks off. I mean seriously. I’d only heard one of their songs before this show, and I was an instant fan. This was the afternoon that I realized that the girl rockers were back. By the end of the festival, I noticed that only three of the bands didn’t have girls playing with them.

Ritzy Bryan is a fierce front woman, even though she stands about 5’3” in heels. Rhydian Dafydd (and that’s a Welsh name, so I guarantee ‘Dafydd’ isn’t pronounced that way) sweat through his shirt by the middle of the set, but then again it was at least 90 degrees in there.

This is a band to watch. I’m sure of it.

To be honest, after the Joy Formidable’s set, Brand New wasn’t all that special for me. It was nice to see a band that I’ve liked (on and off) since I was 13, but after the first three or four songs I was satisfied. I’m not big on too much screaming anymore like I was when I was in junior high, but Brand New put on a show worthy of 90-degree weather, from what I caught.

Thankfully the next venue I went to had air conditioning – the Doug Fir. I can’t tell you how much I love that place. It is comfortable, roomy, the food is good, there is free water, the bathrooms are relatively clean, and that places gets some amazing bands. And as well as a music venue and restaurant upstairs – the Doug Fir is also connected to a hotel, the Jupiter. Oh and did I mention that there is free street parking? Yeah, I love this venue.

On this particular evening, I went to the Doug Fir to see Portland’s own Brainstorm, whom I knew absolutely nothing about other than what the MFNW site said, and I was pleasantly surprised with the results. It’s an odd mixture – two well-coifed blonde guys, one on guitar and one on drums and both singing – doing catchy surf rock. Think Surfer Blood but switch out Florida for Portland, and that’s what you get with Brainstorm. Also, a few songs into their set, they brought out a female keyboardist. That’s one more on the list of bands with girls in them!

After Brainstorm was Purity Ring, kind of an inexplicable band. When they started playing I wasn’t sure if I was going to like it or not, but that’s mainly because the lighting was stressing my out trying to get photos. But they were surprisingly polished and unique. Purity Ring consisted of a female vocalist and percussionist and male instrumentalist – and I say instrumentalist because I don’t even know what he was playing. He was beating on a set of pipes that lit up at the end, making different toned with each strike, so I’m not sure what to call it, but I just know it was cool.

I debated staying the entire evening to see Phantogram later that night because the Doug Fir was at capacity, but I had a couple more places I wanted to go.

First was Holocene – a venue I’d never been to – for Twin Sister. I saw this band open for the Morning Benders last year and they were Fantastic with a capital F. I fell in love with their sultry sounds at Neumos, but I was so disappointed with their set at Holocene. I didn’t think my tastes had changed that much in a year, but I just was not feeling their vibe on Thursday. Singer Andrea Estella looked wide-eyed and confused and awkward on stage, and their chillwave melodies were almost too chillwave so the rest of the band was half awake.

So either their set at Musicfest was a fluke or I was on a different wavelength last year. It probably didn’t help my attitude that night that a guy spilled his green minty drink on me. I smelled like toothpaste for the rest of the night.

Since I skipped out on Twin Sister early, I headed over to the Bunk Bar  – another venue I was unfamiliar with – to see one of my hometown heroes Damian Jurado. This guy is one of those Seattle musicians that hovers around open mics and you’ll see him everywhere, and because he is so good you feel a bit starstruck but considering how close the Seattle music scene is, you feel sort of silly acting starstruck. The Bunk Bar is a small bar with absolutely no light, but a friendly vibe and a great view from the outside window. It was especially awesome when several members of Seattle’s Pickwick and Sharon Van Etten walked in. That’s one thing that I really love about Musicfest Northwest – you’ll see one band at a different band’s set, like it’s a completely normal thing. But I guess in a city like Portland, that is a normal thing.

Posted in Concerts, Festivals, Local Scene, Music News, Portland, ReviewsComments Off

Thrice – Major/Minor

Thrice has always been a band full of surprises, with each album sounding radically different from the one before it. Just when you think you have their sound pinned down and figured out, they find a way to go above and beyond your expectations. While their bold shifts in style may have alienated a handful of fans, if you’ve stuck around over the last decade it’s something to marvel at. Their early work is more punk while Vheissu takes an experimental turn. And then there’s The Alchemy Index, a rather lofty project that in my opinion is a true showcase of the band’s talent and one of my favorites. Beggars just didn’t do it for me and seemed rather forgettable, so I was really excited to see what the band would come up with next.

Major/Minor not only met my expectations but exceeded them. It feels like a natural follow up of all their releases to date and they may have finally settled into a comfortable sound. “Settling” and “comfortable” can be negative descriptors when it comes to bands and new albums, but that couldn’t be farther from the truth in this case. This album is cohesive and strong and is an excellent culmination of all their albums thus far. Thrice has found a sound they like and are going steam ahead with it. Better get on the train before you’re left behind.

“Yellow Belly” is a heavy, grungy opener and I can’t get enough of it. What a great way to start an album. Tell me your head isn’t bobbing and I’ll have to call you a liar. Lead singer Dustin Kensrue’s gritty vocals command attention and right off the bat it’s intensity from here on out. The grunge theme manifests itself throughout the album, particularly on “Blinded” and “Cataracts.” We get a taste of their softer side in the first half of “Call it in the Air” which is reminscent of their experiments with Air and Water of The Alchemy Index and it finishes strong and dark with nods to Fire. “Anthology” by far is the real gem of this album. It’s completely different from what we’ve heard from Thrice before as it has clear emo guitars and a post-rock feel. “Disarmed” closes the album nicely on a calmer note with choir-like vocals and melancholy guitars fading into silence. Clocking in at forty-eight minutes with most songs in the five to six minute range, it sounds like a dense piece of work, but it flies by once you put those headphones on.

Thrice seems to have found their sound and I dig it. With a soft spot in my heart for The Alchemy Index and a nostalgic spot for Artist in the Ambulance, I can definitely find room for Major/Minor‘s stellar achievements in sound.

Track list:

1. Yellow Belly
2. Promises
3. Blinded
4. Cataracts
5. Call It In The Air
6. Treading Paper
7. Blur
8. Words In The Water
9. Listen Through Me
10. Anthology
11. Disarmed

www.thrice.net 

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Alternative Press put Title Fight on the cover and stream full album

Title Fight will be streaming their newest release Shed for the next 24-hours on Alternative Press.

They will be on the AP Tour this year, alongside Four Year Strong, Gallows, The Swellers and Sharks. Title Fight has been chosen for issue #280 out in November, promoting the upcoming tour. There will also be a subscriber’s only issue featuring members from all AP Tour bands, including Title Fight’s own Jamie Rhoden.

To stream the full album Shed click here. And for more information on the upcoming AP Tour, visit the website, and check out their tour dates below.

 

Title Fight Links:

www.titlefight.net
Facebook
Twitter

 

Tour Dates:

Oct. 13 – Allentown, PA at Crocodile Rock Café
Oct 14 – Baltimore, MD at Rams Head Live
Oct 15 – Philadelphia, PA at The Trocadero
Oct 16 – Boston, MA at House Of Blues
Oct 18 – Clifton Park, NY at Northern Lights
Oct 19 – New Haven, CT at Toad’s Place
Oct 20 – Montreal, QC at La Tulipe
Oct 21 – Toronto, ON at Phoenix Concert Theatre
Oct 22 – Columbus, OH at Newport Music Hall
Oct 23 – Pontiac, MI at The Crofoot
Oct 25 – Milwaukee, WI at Eagles Ballroom
Oct 26 – Chicago, IL at The Metro
Oct 27 – St. Paul, MN at Station 4
Oct 28 – Kansas City, MO at The Beaumont Club
Oct 29 – Denver, CO at The Summit Music Hall
Oct 31 – Boise, ID at Knitting Factory
Nov 01 – Seattle, WA at El Corazon
Nov 02 – Portland, OR at Hawthorne Theater
Nov 04 – San Francisco, CA at The Regency Ballroom
Nov 05 – West Hollywood, CA at House Of Blues
Nov 06 – San Diego, CA at Soma
Nov 08 – Pomona, CA at The Glass House
Nov 09 – Mesa, AZ at The Nile Theater
Nov 11 – San Antonio, TX at White Rabbit
Nov 12 – Dallas, TX at The House Of Blues
Nov 13 – Houston, TX at Warehouse Live
Nov 15 – Orlando, FL at Beacham Theater
Nov 16 – Ft. Lauderdale, FL at Culture Room
Nov 17 – St. Petersburg, FL at State Theater
Nov 18 – Atlanta, GA at The Masquerade
Nov 19 – Charlotte, NC at Amos’ Southend Music Hall
Nov 20 – Norfolk, VA at The NorVa
Nov 22 – New York, NY at Irving Plaza
Nov 23 – Sayreville, NJ at Starland Ballroom
Nov 25 – Pittsburgh, PA at Altar Bar
Nov 26 – Cleveland, OH at House Of Blues

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Blitzen Trapper – American Goldwing

Blitzen Trapper, with three previous Sub-Pop albums under their belt, have produced quite the wide array of sounds. 2007′s Wild Mountain Nation sounds as if it was thrown together with reckless abandon, a giant mish-mash of sounds and passions. There were indie-rock melodies and folky boot-stomping tunes with a healthy dose of country twang. 2008′s Furr leaned more to the pop-rock side of the spectrum with Americana intertwined through and through. And next was Destroyer of the Void which took on a new sound altogether with prog-rock guitar sounds and a mellower tone. So who could really predict what would be next? At first listen, American Goldwing is a nice homage to Furr with influences of traditional Southern rock. It’s blatantly alternative-country and maybe a little bit indie. If anything, it showcases the band’s versatility to record whatever they want and turn it into an album. And it sounds great.

There’s a flurry of noise from multiple different instruments throughout the entire album – heavy bass, buzzing and sliding guitars, banjos, harmonicas, pianos… you name it, there’s probably an appearance. The album is lively and an entertaining and engaging album from start to finish. Noodling guitars and the southern drawl of lyrics keeps it light-hearted and energetic.  It’s rare to find a songwriter who can take such a large swath of influences and put them together, and it’s exciting when they sound so great together.

“Fletcher” is an ambling blend of backwoods country with its drunken escapade lyrics grounded by Earley’s sweet, Southern Comfort delivery and the guitar sounds by Marty Marquis. Marquis is a great asset to the group,  generating edge and bite in contrast with Earley’s gentleness and flowing songwriting. “Street Fighting Sun” is his best of the album, a showcase  guitar power that growls and shrieks and provides great depth to the song. The chemistry of these two musicians creates a unique sound that paves most of “American Goldwing’s” middle ground, creating an easygoing sound stylistically country but instrumentally classic rock. “My Home Town” and “Girl In A Coat” are a welcome breather from the upbeat frenzy of the rest of the album, with acoustic-y guitars, banjos, and the occasional piano. Things pick right back up though and the self-titled track aptly mirrors the overall feel of the album.

With loads of praise from Rolling Stone and Spin Magazine, Blitzen Trapper are destined for great things in the world of indie, alt-country tunes and American Goldwing is a solid addition to their catalog of tunes.

Track list:

1. Might Find It Cheap
2. Fletcher
3. Love The Way You Walk Away
4. Your Crying Eyes
5. My Home Town
6. Girl In A Coat
7.  American Goldwing
8. Astronaut
9. Taking It Easy Too Long
10. Street Fighting Sun
11. Stranger In A Strange Land

www.blitzentrapper.net 

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Musicfest Northwest 2011: The Kills kill it at the Crystal

Pardon the pun.

I couldn’t resist.

But seriously though, as the kick-off to this year’s Musicfest Northwest (or MFNW for future reference), The Kills at the Crystal Ballroom were awesome. I caught maybe five minutes of their set at Bumbershoot, but this venue was so much better for them, with the smoke machine and creepy paintings of cherubs on the walls. The only downside was the fact that it may have gotten to be over 100 degrees in there at some point.

For some ungodly reason Portland was in the low 90s all weekend, and you know what that means for music venues – they’re even hotter. But surprisingly, I didn’t see anyone pass out the whole time I was there.

But back to the music, shall we? Eleanor Friedberger, of the Fiery Furnaces, opened for the Kills, with an understated, but stellar performance. It was virtually just herself up on the stage, and she was very well-received by the possibly-dehydrated crowd, and it made for a lovely opening set.

I’m just amazing that she survived that stage wearing all that denim. It was refreshing to see her without her brother Matthew, though her style stayed true to the sound we all know from her – gritty garage blues, but solo Eleanor had a bit more sassy pop to her. I liked it.

After the temperature of the room went up like… at least ten degrees, more smoke machines were turned on and even more people crowded in. Thank god for the free water station at the back of the room.

I will start off by saying – Alison Mosshart is one of the best front…women? I’ve ever seen. No, one of the best frontpeople – because she can stand next to Anthony Kiedis any day. I’m serious. This chick can rock her ass off – and it doesn’t hurt that her hair on this particular occasion was flaming red.

She’s crazy. Crazy awesome that is. She and guitarist Jamie Hince have all the chemistry two people need on stage, but it was so unspoken and understated that you almost forgot that there were two separate people on stage.

The Kills’ live performance was much bluesier than one would expect from the bands’ earlier albums. I guess Mosshart’s time with the Dead Weather rubbed off a bit, because the new songs were much heavier than previous albums, but just as good and just as sexy. And the opening number with “No Wow” was definitely not ‘no wow.’

Oh come on, I couldn’t not do it.

By the end of the evening, I was thoroughly satisfied with the Kills’ live show, even if I was a bit sweaty. Alison Mosshart might be my new favourite person to photograph. The girl does not stop moving!

Posted in Concerts, Festivals, Local Scene, Portland, ReviewsComments Off

Alessi’s Ark – Time Travel

In the wide world of female performers, you have two camps: one that values extravagant style over substance (e.g., Lady Gaga, Beyonce, recent upstart Kreayshawn) and the other valuing substance over their own understated style (the folk singers, generally). Of the latter category is 20-year old Alessi Laurent-Marke, who records under the name Alessi’s Ark. Laurent-Marke will be getting her first widespread North American debut as the Londoner supports Laura Marling on a 2-week tour of our continent.

She will also be promoting her first full-length release in America, Time Travel, scheduled for release on September 27 on Simon Raymonde’s Bella Union label. (The album was already released in the UK in April, and there are some songs on Spotify [some old, some new] to tide you over until the actual release of the album here.) I am quite pleased that Alessi’s Ark is finally getting attention on this side of the Atlantic, as I’ve been keeping tabs on Laurent-Marke since her first album, Notes from the Treehouse, was released in Britain in 2009.

Alessi’s Ark songs generally follow one rule: they’re all very short. On Time Travel, only the title track and “Stalemate” go over 3 minutes, with some of the other songs not even going past the 2-minute mark. This can be good or bad; in the good sense, Laurent-Marke’s thoughts are put into small, compact compartments, like something you want to scuttle away in a dark corner of your pocket and save for a rainy day. But in the bad sense, you’re left wondering where the song would have gone, had she decided to soldier on with her thoughts. The best example on the album is “Wire” (download it from Bella Union here, video below). It appears to be a cryptic love letter to an important woman in her life (her mother? a lover?) that is now dearly departed. Yet there is also clear the acknowledgment that she feels lost, forsaken, and misunderstood (“I’m tired of walking this wire / it keeps me awake for heaven sake / I was made for this girl / I feel lonely / my friends don’t seem to know me / like I thought they did / I thought they did, but they don’t”). The angst of growing up is of course a common theme across many genres of music, but I’d like someone to come up with a song as elegant as this.

The beauty does not end there. “Run,” barely clocking in at a minute and a half, is the musical equivalent of seeing the moon’s reflection in a still lake. In “On the Plains,” Laurent-Marke uses simple chord changes against her effortless vocals for a simple love song. Flutes add a level of whimsy to this track, and throughout the album, you will find also find brass instruments supporting the standard folk backdrop of thoughtful guitars and Laurent-Marke’s calm voice. It’s almost unbelievable that someone so young could have such great control over the sounds that come out of her mouth. Then again, remind yourself who she’s touring with: Laura Marling, merely 1 year her senior. In the tune “Stalemate,” she admits, “the only thing I’ve learnt is I like singing / all the lessons that the guitar is bringing.” Something America should learn – and quickly: all aboard Alessi’s Ark, and prepare to enjoy the ride.

Time Travel, the first American release for Alessi’s Ark, will be released on September 27 on Bella Union. Catch Laurent-Marke on tour, supporting Laura Marling, on the dates below.

Track Listing
01. Kind of Man
02. Wire
03. On The Plains
04. Must’ve Grown
05. Time Travel
06. The Fever
07. Blanket
08. Maybe I Know
09. Stalemate
10. The Robot
11. Run
12. The Bird Song

Tour Dates (supporting Laura Marling)
Sept 22 – Lincoln Hall / Chicago
Sept 23 – Great Hall / Toronto
Sept 24 – Corona / Montreal
Sept 25 – Brighton Music Hall / Boston
Sept 27 – Sixth & I Historic Synagogue / Washington, DC
Sept 28 – Webster Hall / New York City

Alessi’s Ark: website | myspace

Posted in Albums, Music News, ReviewsComments Off

Clay Hughes – The Whether Machine

What do hip hop, rock and country have in common?

Seemingly nothing. Except they each contribute to Clay Hughes’ genre-bending album The Whether Machine.

Released on June 7 through Sharp County Records, various Midwestern musicians came together for the project, including producer JKR70, Lennon Bone (Ha Ha Tonka) and Mac Lethal, to name a few.

This cross-genre collaboration is just partially the reason this album could appeal to a wide range of music lovers. The other reason: singer and guitarist Clay Hughes. His low, soulful voice could be featured over any backdrop, attracting indie kids with tracks like “The Love I Gave Ya,” which predominantly embraces instruments, and hip-hop fans with tracks like “Confessin’,” highlighting emcees Johnny Polygon and Jabee.The fluid movement is sure to keep you interested and engaged, even if the style is not something you usually listen to – I knew when I first saw Clay Hughes live that I had never heard music quite like his (and I’ve been hooked since).

You’ll want to experience this unique record for yourself. Pick up The Whether Machine at sharpcountyrecords.bandcamp.com and keep up with Clay Hughes on Facebook.

Tracklist:

1. Plaster (ft. The Phantom*)
2. The Love I Gave Ya
3. Bitter Pills (ft. Mac Lethal)
4. Walking, Understood
5. Confessin’ (ft. Johnny Polygon and Jabee)
6. Hippy Chic
7. The Replacement
8. Gotta Soul (ft. Lucid and Irv Da Phenom)
9. This Is Beautiful

Posted in Albums, Kansas City, Local SceneComments Off

Popwreckoning Announces Aggiefest Line-up with Festival Details

As previously announced, Popwreckoning will be hosting a Kansas City and Lawrence music showcase at Aggiefest 2011 in Manhattan, Kansas. This year’s festival has morphed into the 6th Annual Multi-Genre Live Music and 1st Ever Visual Arts Festival. In this post you will find details regarding the Popwreckoning line-up and the festival in general.

Have a look at the bands we picked!

Friday September 23rd:
Auntie Mae’s Parlor • 614 N. 12th St. • Manhattan KS • 785.539.8508

6:00pm to 6:45pm Lucky Graves
7:00pm to 7:45pm Not A Planet
8:00pm to 8:45pm Quiet Corral
9:00pm to 9:45pm Dead Girls
10:00pm to 10:45pm Janet the Planet
11:00pm to 11:45pm Spirit is the Spirit
12:00am to 12:45am Parts of Speech
1:00am to 1:45am YAM

Saturday September 24th:
Outside Stage at Triangle Park, Manhattan Kansas

4:00pm to 4:45pm Various Blonde
5:00pm to 5:45pm Sage n Sour
6:00pm to 6:45pm The Phantom
7:00pm to 7:45pm Vi Tran
8:00pm to 8:45pm BROKENMAST
9:00pm to 9:45pm Jillian Riscoe and the 21st Century
10:00pm to 10:45pm Bravefellow

Auntie Mae’s Parlor • 614 N. 12th St. • Manhattan KS • 785.539.8508
9:00pm to 9:45pm Jenny Carr
10:00pm to 10:45pm Sour Babies
11:00pm to 11:45pm Everyday/Everynight

Now, let’s get to the details.

Aggiefest 2011 will offer a plethora of shops, pubs & eateries which will feature art pieces from various local & regional artists.  Here you’ll have the opportunity to hob knob with the rich and famous (i.e. starving artists and Aggies) and pay them for their goods and services.

Let’s see how this shindig works.

Get a ticket from On the Wildside or Sisters of Sound in Aggieville.
$20 adults
$15 minors
$10 to bands to sell for a profit *stop by Sisters of Sound

Alright, just a few more steps for you to follow. Take your tushie to the festival, exchange your ticket for the appropriate wristband and partake in the lovely music and merch! You’ll find there are several all-ages venues for those of you who haven’t yet fermented to the ripe ol’ age of 21 (or 18)! The all ages venues include the Dusty Bookshelf, Bluestem Bistro, Radina’s, Triangle Park and Pat’s BBQ’s Backroom until 10pm. Campus Tavern and Ale House accomodates those who are 18 and over. O’Malley’s will be 18 and over until 8pm then go 21 and up only; Auntie Mae’s allows entry to those who are 21 and up. Check out this Map of Aggieville for your convenience.

But wait, there’s more! Enter the RAFFLE to win a quality quilt made from Aggiefest T-shirts of yore. The raffle proceeds will benefit Morning Star Inc., a company with a mission to provide consumers of mental health services with the resources needed to break through the barriers of stigma & isolation. Also, maps/schedules will be provided for both the music and the art fair, and will include the Aggiefest 2011 sponsors.

Finally, without question is the most important step of them all. Rock your ass off for 2 straight days with live, local music and art and show your support in Aggieville. We can’t wait to see you there!

 

Posted in Featured Item, Kansas City, Music News, PopWreckoning NewsComments Off

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