The third album from English folk songbird Laura Marling is called A Creature I Don’t Know and the approach this time around seems to be a mature one (like Marling’s second, I Speak Because I Can) but more raw and back to basics, more similar to Marling’s 2008 debut and Mercury Prize-nominated album Alas I Cannot Swim. Take, for instance, the opening track “The Muse.” A fast folk guitar, honky tonk piano, and drum brushes were adopted for this song, and the overall vibe is very laid back. Too laid back I think: Marling’s voice is jazzy, and it’s not really the best to showcase Marling’s otherwise beautiful singing voice. Check out “Don’t Ask Me Why” and “All My Friends” for clear evidence of this and Marling’s mastery of songwriting. The only problem I see with this album is that it is uneven in song quality.
The lead single for A Creature I Don’t Know is “Sophia,” which begins with spare guitar chords and a dry vocal from Marling. With beautiful backing singers harmonizing perfectly with her, it’s so gentle, as if you were in a boat going down a gentle river. But this doesn’t last long: confusingly two-thirds into the song, you are jolted back into reality when the song turns Mumford and Sons-ized. It’s a knee-slapper, folks. The first couple times I heard this song this summer on British radio, I was really unhappy with it because Marling is such a talented woman, I felt like she sold out trying to make it more radio-friendly. The song has grown on me since I’ve seen the video for the song (watch it below) because it feels less contrived when you see her and her band playing it in a church. The video is a nice preview of her upcoming tour at home in the UK, as she will be playing churches across the country.
“Salinas” appears to be a nod to John Steinbeck (the Nobel Prize-winning author’s hometown) and possibly his most famous work The Grapes of Wrath. The song speaks of strong women and questions of morality and mortality. Heavy stuff. Then again, no one ever said folk music was for the weak-hearted. Also see “The Beast,” which may be a reference to Satan and viewing sex as a sin. The instrumentation is probably the hardest we’re going to get from Marling – unless she does a complete 180 and completely gives up folk for hard rock, which I highly doubt – and while there have been aggressive tracks like “Devil’s Spoke” from her in the past, this one is a definite ratcheting up on the rockiness.
Unfortunately, if you’re more of a rock than a folk fan like me, the album plods along instead of continuing in a jaunty fashion. Things can get a little…well…boring. Marling is 21 now, has 3 albums under her belt, and has had two high profile relationships with fellow musicians Charlie Fink (Noah and the Whale) and Marcus Mumford. The question now is, how will Marling change as the years go on?
A Creature I Don’t Know will be released in the U.S. on September 12 on Ribbon Records. Catch Marling on tour in North America this month, starting on September 17 in San Francisco. The opener for the tour is Alessi’s Ark, another amazing female English singer/songwriter.
Track Listing
01. The Muse
02. I Was Just a Card
03. Don’t Ask Me Why
04. Salinas
05. The Beast
06. Night After Night
07. My Friends
08. Rest in the Bed
09. Sophia
10. All My Rage
Tour Dates
Sept 17 – Bimbo’s 365 Club / San Francisco
Sept 18 – Masonic Temple / Los Angeles
Sept 20 – Troubadour / Los Angeles
Sept 22 – Lincoln Hall / Chicago
Sept 23 – Great Hall / Toronto
Sept 24 – Corona / Montreal
Sept 25 – Brighton Music Hall / Boston
Sept 27 – Sixth & I Historic Synagogue / Washington, DC
Sept 28 – Webster Hall / New York City
Laura Marling: website | myspace
