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New Music Tuesday from the Music Editor

New Music Tuesday from the Music Editor

As PopWreckoning’s Music Editor, I strive to post things that may or may not have been heard by the world. Most of the time, the posts on this site reflect the musical taste of each writer, I love that. We are a creative site that works toward bringing music to your ears and we hope that you enjoy it. With that said, here is a list, including silly notes, of some of my favorite bands right now (that you may not have heard of, yet).

(Omaha, NE) – a three-piece with an attitude. quick, poppy, and so much fun. It’s like lo-fi punk and catchy imperfection, all while being perfect.
Noteworthy lyrics, “that girl is the bomb/that girl is the bomb/but that bomb was a DUD” – from “Dudcats”
Download their Demos for free:
millionsofboys.bandcamp.com

(Colorado Springs/Nashville) – slow, ambient harmonic vocals meet pedals with soothing tunes. perfect driving music through mountains and amazing scenery.
Download both of their EP’s for free:
nightbedsmusic.bandcamp.com
www.nightbeds.org 

 (Bloomington, IN) – upbeat rock that includes claps and deep vocals. think a bit like Cake without all of the horns. the entire keeps heads bopping and feet tapping along.
Buy their self-titled album!
sleepingbag.bandcamp.com
sleepsleepingbag.com

Last Year’s Men (Chapel Hill, NC) – garage rock with traces of blues and soul. see these guys live if you have the chance, the energy and emotion will blow you away.
Sidenote: super nice guys all around. talk to them at shows and buy them sandwiches.
lastyearsmen.bandcamp.com

 (Chicago, IL) – soooo . soooo awesome. songs about friends, and girls, and life. on (who also has great emo bands).
Digital download for whatever you want to pay, vinyl for $5:
dowsing.bandcamp.com

 (Long Island, NY) – side project of Adam Tomlinson from other LI band, Sleep Bellum Sonno. acoustic with his heart poured into the lyrics. there’s happy lyrics, and sad. something for any mood.
Noteworthy lyrics, “if not for you, I would have given up by now/I wouldn’t have made it to the door./If it was for me, I’m sure I’d mess things up.”
Get the EP with a tape:
morethanskies.bandcamp.com 

I also know it says but these aren’t necessarily new releases, these are bands that I hope are new to you as a listener and reader of our site. Enjoy!

Posted in Features, Kansas City, Local Scene, Music News, New Music Tuesday, New York, OmahaComments Off

h-thepostelles3

The Postelles with Ambassadors and the Dig @ Red Palace, Washington DC

An all bill went down at DC’s Red Palace Saturday night. were in town to celebrate the release of their debut on on Tuesday. With them were their buddies Ambassadors and a band that surprisingly they had never run into back home, . I wasn’t about to miss a Postelles show; not counting this gig, I’ve seen them three times, and they never disappoint. Saturday’s show in Washington was as good of an excuse as any for the band to party with what lead singer/guitarist counts as one of his favorite cities to play in.

Ambassadors was the only act of the night I’d never seen live before. I try not to overuse the word “eclectic” in any of my writing, but I don’t know how else to describe this band’s music. Their song “Bodybag” could have easily fit in ’ repetoire. In another song, lead singer Sam Harris was using a bow on his bass guitar: unusual, no? Their closing number sounded more . Lead guitarist Noah Feldshuh had a Nord in front of him, which seemed strange considering Harris’s brother Casey is their dedicated keyboardist. They have some good songs, but I think trying to focus on one general genre would probably serve them well, so they would have a better chance at hawking their debut album (to be released sometime in 2011) around to labels.

Having seen the Dig open for two great British bands ( and ) last year, I knew I was in for a treat. Personally, I feel that the Dig should have a larger profile on the American music scene, already having released a very good debut album last year (Electric Toys, review here). Their hard rock yet fun sound is the kick in the pants that American rock stations need. In addition to playing “Two Sisters in Love,” “You’re Already Gone,” and “Look Inside,” the band also played some new material that I hope will be released on a new EP or album sometime in the very near future.


Then 11:30 rolled around and it was time for the main event. The Postelles’ debut album has 12 songs, yet they only played 8 of them, which was a little disappointing to me, since I love the entirety of The Postelles. “Sleep on the Dance Floor” was peerless, as were “1, 2, 3 Stop” and “Hey Little Sister,” the latter with Balk asking the crowd to sing along at the end on the “hey little sister!” refrain. I don’t know how it’s possible, but the band sound tighter each time I hear them play, and it’s been great seeing their progression from support to headliner. I can’t wait to see where these guys go.

My only complaint: maybe the band is bored of playing the songs off the album, because they played what I considered two completely non sequitur cover songs. In the middle of the set, they played the late ’70s Wreckless Eric hit “(I’d Go the) Whole Wide World,” a song by an English singer/songwriter than I’m sure very few patrons present had even heard of. This was later followed by a cover of the Rivieras‘ “California Sun,” which is a fun summer song for sure, but I never put surf pop and the Postelles in the same sentence, so it seemed a little out of place. Still, it was a really enjoyable show, and it was obvious that the crowd was enjoying it as well. Loud, drunk girls shouted as to how hot bassist s vest and drummer ‘s v-neck t-shirt were. Is this the kind of reception got in their early days?

Oddly, the sets grew shorter as the night progressed, with the Postelles only playing about 35 minutes, including the encore. I found out after the show that this had to do with a curfew (rats) but I was promised by Balk that they would return. Whenever the Postelles do, they will have a fanatical crowd waiting for them, no doubt about it.

The Postelles Set List
Stella
She She
Sleep on the Dance Floor
Looking Glass
Hey Little Sister
(I’d Go the) Whole Wide World (Wreckless Eric cover)
1, 2, 3 Stop
Running Red Lights
California Sun (the Rivieras cover)
Can’t Stand Still
White Night
//
Boy’s Best Friend


Jun 15-16 – NXNE / Toronto
Jun 17 – Schubas / Chicago
Jun 18 – Summer Soulstice Music Festival / Milwaukee
Jun 20 – Tractor Tavern / Seattle
Jun 23 – Popscene @ Rickshaw Stop / San Francisco
Jun 28 – Echo / Los Angeles
Jul 07 – T.T. the Bear’s / Cambridge, MA

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night” | The Postelles Announce Fall North American Tour | @ Red Palace, February 2011 | The Postelles review
Ambassadors: myspace
The Dig: myspace | @ 9:30 Club | The Joy Formidable / The Dig Live Performances / Webchat on May 10 | Thrice announce 2nd leg of Summer tour w/Kevin Devine, Bad Veins & The Dig | Electric Toys review

Posted in Concerts, Local Scene, New York, Washington D.C.Comments Off

The Postelles – The Postelles

The Postelles – The Postelles

It’s taken a long time, but are finally releasing their their eponymous debut this upcoming Tuesday (June 7). The good time rock ‘n’ roll band – comprised of lead singer/guitarist , lead guitarist , bassist , and drummer – are close friends and this is reflected by the musical harmony heard on The Postelles. Does this sound familiar to you? It should. They consider the a big influence musically, which should come as no surprise when you listen to the record. Major keys to the Fab Four’s success were excellent songwriting skills, equally excellent musicianship, and enough charm and charisma to send millions of hearts a-flutter. The Postelles already have #1 and #2 in the bag. It’s only a matter of time before #3 becomes a reality for them.

Strong songs and strong music is where The Postelles is at. This is an album that will get your toes tapping and put a smile on your face, because this is a band that excels in crafting the pop tune. It should also be noted that this album was produced by of , so you know there was good work done behind the scenes. If autotune (um, ) leaves you cold and you’re tired of style over substance (um, ), than this is the album for you. The most “high-tech” gadgets used on here are the maracas on “She She.” I used to think that this genre of rock was just a throwback to the ‘60s, but giving that label is doing a great disservice to the Postelles. It’s not easy in this day and age to write songs like they did back then. There’s so much pressure these days to use fancy thingamabobs in the studio. Why? Because they are there and you can. But when you’ve got songwriting chops and don’t need all that electronic wizardry, why use it?

The Postelles specialize in straight-forward rock ‘n’ roll: guitars and drums paired with lead vocals, augmented by tight harmonies. Seriously, how often do you go to a gig and not see a Macbook or synthesizer hooked up somewhere? The Postelles don’t need them. Take for example the single they released last year, “White Night.” Balk’s voice slinks up and down the notes effortlessly, with Dargahi’s backing vocals in response and in harmony just sound so sweet. If you’re like me and think Please Please Me was one of ’ best albums, this should be music to your ears.

And “Sleep on the Dance Floor” (watch the video below), the song that immediately follows “White Night,” is even better. This, along with so many others on the album, has a great singalong chorus. The Postelles want to entertain you, but they also want to engage you. Listen to this a couple times and before you know it, you’ll be crooning “fell asleep…on the dance floorrrrr…” along with Balk. Same goes for “Hey Little Sister,” featuring a rare lead vocal from lead guitarist Dargahi; and “Stella,” Balk telling off a girlfriend, finally leaving her, his bandmates shouting with gusto, “Stella, you’re on your own!

Most of all, I encourage you to listen to The Postelles closely. The bass line in “Can’t Stand Still” can’t be beat. “Hold On” (acoustic, pared down version above) demonstrates the band’s deftness with the ballad; it’s a good break from the other songs of a pretty brisk pace. And by the way, “brisk pace” and “good-time rock ‘n’ roll” do not mean these guys from are lightweights in the topical sense. A fact-based account of a former girlfriend of Balk and Cadden’s, “Boy’s Best Friend” is the realization that the girl you once went out with has now come out as a lesbian. “Whisper Whisper,” echoing ’s “When You Go to Bed” more than ’s “Janie’s Got a Gun,” provides insight into an abusive relationship.

Fifty years ago, the world was infatuated with the Beatles. Now it’s the time the world became infatuated with the Postelles.

The Postelles’ self-titled debut album will be released on July 7 in America on . The band will be touring the U.S. and Canada in June and July.


01. White Night
02. Sleep on the Dance Floor
03. 1, 2, 3 Stop
04. Boy’s Best Friend
05. Can’t Stand Still
06. Hold On
07. Stella
08. Hey Little Sister
09. Whisper Whisper
10. Sound the Alarms
11. Blue Room
12. She She

Tour Dates
Jun 07-08 – Mercury Lounge / New York City
Jun 10 – Kung Fu Necktie / Philadelphia
Jun 11 – Red Palace / Washington, DC
Jun 15-16 – NXNE / Toronto
Jun 17 – Schubas / Chicago
Jun 18 – Summer Soulstice Music Festival / Milwaukee
Jun 20 – Tractor Tavern / Seattle
Jun 23 – Popscene @ Rickshaw Stop / San Francisco
Jun 28 – Echo / Los Angeles
Jul 07 – T.T. the Bear’s / Cambridge, MA

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night” | The Postelles Announce Fall North American Tour | @ Red Palace

Posted in Albums, Local Scene, New YorkComments Off

Baby Teardrops, Lawrence and Leigh, The Numismatics and more at Local 269, New York

Baby Teardrops, Lawrence and Leigh, The Numismatics and more at Local 269, New York

Neeeeeeeeew York!

It feels like I always have to preface whatever review I’m doing. Weird right? Anyway, I’m currently tour managing for Kansas City locals . We’ve been out for five dates and still have 12 left. So far, it’s been completely awesome.

I’ve been trying to stay away from reviewing shows that we play because it seems a little biased since I’m on tour with them. BUT I could’t help myself for this show. The lineup is soooooo flawless.

The venue is in .

I missed the first act, but caught all of Chicago band . They reminded me a bit of Billy Talent with a touch of Atreyu-esque guitars. Catchy at times; straight up rock at others. They were fun to watch, especially the bassist and his sweet moves.

, whose name instantly reminded me of Kansas City DJ’s Nomathmatics. Their music, however, was dance-y and fun but completely different.  With a Violent Femmes vibe, the whole venue got out of their seats and danced along. I absolutely fell in love with their sound. All three are completely into what they’re doing and you can tell they’re just having fun with smiles on the whole time.

Ahh and Everyday/Everynight played next buuuuut since I’m on tour with them and I think their set is awesome every night, I can’t really say much about it without being biased. Check them out for yourself!

Girl/Guy duo Lawrence & Leigh pulled out an emotional set next. With only an acoustic guitar and piercing vocals, their songs had the normally chatty bar crowd on their seats, unable to look away. They had some folk-style songs and some that were more pop, overall a good mix. You could tell they truly enjoy the music they make,which is always nice to see.

Lawrence & Leigh did a Jeff Buckley cover and I’m pretty sure I saw a few people start to cry a little. That’s just how emotional their music would make anyone feel.

Jerad Tomasino, from Everyday/Everynight summed it up best when he leaned over to me and said, “They’re the kind of band you want to hug after their set. Not because you feel sad, but because you feel like you know them.”

Oh, did I mention that this lineup was AWESOME? It was a pretty great atmosphere too. Small bar with friends just hanging out enjoying the night.

headlined the night. They are the ones who got ED/EN on the show after meeting at . I had only heard a few songs from their website but was blown away after hearing them live.

It was hard for me to make this sentence into something that would sum up Baby Teardrops. So, I took the following straight from my notes: fun fun fun. Fun to watch. Fun to listen to. Catchy rock. I feel like that should be a new genre, it’s not pop but it’s not hard rock. It’s fucking sweet is what it is.
All photos courtesy of StudioN8 — www.studioN8.com

LINKS:
Athel | facebook
| facebook
The Numismatics | bandcamp | facebook
Baby Teardrops | website | facebook

 

 

Posted in Concerts, Music News, New YorkComments Off

Interview with: Acrylics

Interview with: Acrylics

 

Ethereal Brooklyn act  had a busy schedule at 2011′s , but they found some time to catch up with PopWreckoning. The synth heavy duo,  and , chats about new , Super moon vibes and the influence of “. Check the full out below: 

PopWreckoning: You just played a set here at SXSW, earlier, right?
Jason Klauber, Acrylics: Yes.
PW: Was that your first SXSW performance ever?
Molly Shea, Acrylics: First of this year.

PW: You’re a fairly new band and you just had an EP that came out on ‘s ‘s label – the first to come out on his label. How did you get hooked up with him?
JK: Pretty much we’re a part of that Brooklyn band cesspool. We’ve crossed path Chris over the years and he thought it’d be fun to have us record some sessions. These sessions ended up being put out as an EP, so they just put it out. At the time they were just doing singles, and we were just going to record a single, but it stretched out into a 5-song thing. It was really casual. We spent about a week in a church that he records out of. It was really fun to do that. That was our first release and we’re putting out a new record – well it just came out.
MS: It came out March 1.
JK: We’ve been working on it for so long that it’s hard to say – to put it in the past tense, but it did come out.

PW: It’s still pretty new. Present tense. Now on that record, you did a song with Chairlift‘s .
MS: She’s just a friend that we met three or four years ago just through musicians in Brooklyn. It’s really true about Brooklyn, I guess.

PW: Well how would you describe that Brooklyn scene? Is it like just being in a family or…?
MS: It’s so huge that there’s so many different groups of bands that know each other. It’s hard to classify the whole sphere.
JK: It’s more of a social thing. Musicians like to hang out with musicians, and there’s a lot of them in Brooklyn. It’s as simple as that. With Caroline, she came to visit us in the studio one day and we had that song going.
MS: Very casual event.
JK: Yeah, we said you want to sing some backup vox? And she said yes, so next thing you know she’s singing.
MS: We thought it was the perfect song for her.
JK: She did some vocal athletics at the end of the song and it’s very atmospheric. Like, “ah-ah-ah-ah,” so we thought she deserved a feature and credit on it.
MS: It was a vocal solo.
JK: She’s a phenomenal singer, so it’s just fun to have her lend her talents to what we were working on.

.” ft. Caroline Polachek

PW: So for people who haven’t heard your music, why should they check your record out?
JK: It’s a good record.
MS: We put our hearts and souls into it. I know it sounds corny, but it’s true.
JK: I think there’s some good songs on it and it’s produced in a way that makes it a great record to listen to by yourself in an intimate space. It was created much with that type of intimacy. It’s like watching a movie that takes you from place A to place B while you’re lying in bed. I think you can achieve something similar if you run through the course of our record a few times as well.
MS: It’s a personal, intimate record. I imagine people listening to it on their headphones.
JK: It’s certainly not for everybody, but I think that people who will connect to it, will connect and have connected, in a very sincere and meaningful way. That’s what it’s about for us.

PW: Who are some of your influences on the record?
MS: Tough question.
PW: That’s supposed to be one of the easy questions.
JK: Haha, yeah. We didn’t want to sound like anybody else, but if we ended up sounding like everybody else, it can be a good thing, you know?
MS: We listen to a lot of different – I mean, I love a lot of 60s psychedelic music. I love a lot of loud, hard rock. That might not have come across in an obvious way on the record, but it’s there. We have a lot of punk rock roots that we feel are strong.
JK: I was in the middle of the “Twin Peaks” series when we were making the record so a lot of the Angelo Badalamenti scores for that project had some influence over the sound. In terms of the songwriting, we were just taking from everywhere. For me – most of those songs are just written on acoustic guitar in your bedroom. You decide as just two people how to build up your sound. I think we were interested in cinematic, rich, layered textures. When we were making this record, I wanted something that was connected to a classic, rooted American feeling, but we also wanted to bring in other worldly elements, so that together you’re home, but also somewhere else. You know, that feeling when you come home from being away and you feel great to be home, but at the same time, home looks different than how you remembered it. That sense of being somewhere else when you’re somewhere familiar. That sort of weird – we were going for that.

PW: Since we’re talking while at SXSW and this is kind of a huge and crazy festival, what are some of the coolest and craziest things you’ve seen while here?
JK: A fight! We saw a really crazy fight.
MS: We walked really far into East Austin to check out our friends Das Racist play yesterday. It took us about on hour to get there and it was in a strange part of town and a fight broke out after the show.
JK: Like someone getting his head stomped kind of fight. Very scary. Everyone ran out. It was like walking out into rural Arkansas in the 1960s. We live in the ghetto of , so…
MS: We love that kind of shit. We love to go on adventures like that.
JK: We lapped it up like a cat.
MS: We saw all sorts of strange things happen the other night.
JK: There’s this thing called the extreme super moon, which is coming on Saturday. It means that the moon is the closest to Earth that it’s been in 18 years. I think this stuff happening coincidentally with the super moon, is dark vibes.
MS: So everyone be vigilant.
JK: We thrive off those sorts of vibes. We wear black on the outside because black is how we feel on the inside. Haha. I say with a smile. Haha.

PW: Haha. So what’s next for you after South by?
MS: We’re going on a national tour, late April to May, with JunipJose Gonzalez‘ band. So we’re super stoked about that because we’ve never done a full tour.
JK: We’re bringing the message to the people. We’re in the process of writing a new record as well.

PW: One record just out and you’re already doing the next one?
G: Absolutely. We stay working. All the time. Writing. That’s what we do.

You can find more about the Arcylics, including , at myspace.com/acrylicsnyc.

Posted in Interviews, New York, SxSWComments Off

Interview and NYC Ticket Giveaway with: The Nowherenauts

Interview and NYC Ticket Giveaway with: The Nowherenauts

upcoming CD Release party next week in NYC at .  PW readers a pair of tickets to the CD release show

NYC-based indie trio formed during their early teen years, brother and sister Anders and were introduced by Guided By Voices drummer, Kevin March, to . Along with live drummer Tony Franco, the three songwriters and musicians have been hailed by The Times as “effective miners of late-80s and early-90s indie rock, with a ferocious lead guitarist…and a kinetic lead singer.” They have played various legendary NYC venues, including The Living Room and The Bowery Ballroom, where they opened for art-punk heroes, Shudder to Think. The band is set to release their long-awaited, debut at The Knitting Factory in NYC on Wednesday, May 4, 2011. PopWreckoning chatted with the trio about how the band formed, their first show, and what we can expect from The Nowherenauts in the future. 

Also, The Nowherenauts are giving one lucky PopWreckoning reader the chance to win a pair of tickets to the CD release party. In the below, the Nowherenauts share their favorite NYC venues. To enter, comment and tell us your favorite venue by May 2 at 2  p.m. EST. We’ll pick a winner then. Please use a valid email address.

Brianna Hernandez, PopWreckoning: You hail from NYC and met when you were very young. How did you meet and how old were you?
Hunter Lombard, The Nowherenauts: I met Sofie and Anders at a music school in the city when I was 12 years old.
, The Nowherenauts: Sophie and I met Hunter in like 2006 or 2007. So at this point, we’ve all been playing music together in some capacity for at least four years.

PW: When did you each start playing an instrument? What are your musical backgrounds?
Hunter: I started playing guitar when I was 10. Jack White was a huge influence as a guitar player.
Anders: I started playing bass in 6th grade. A bunch of my friends had a cover band together, and, feeling left out, I borrowed a shitty bass from my friend’s dad so I could learn to play. My musical evolution pretty much followed that of your typical rocker kid; I started playing and loving classic rock like and Pink Floyd, and through the years my tastes and playing style have gravitated more toward modern sounds.
Sofie Kapur: I started playing violin when I was in second grade, but stopped around the time I started singing and taking piano lessons, when I was eleven. My dad’s dad played jazz piano and my mom’s dad loved classical music so there’s a little bit of both influences there. Also, my parents always loved music and played pretty much everything they liked when we were younger, like: , The Who, Dar Williams, and Ella Fitzgerald to name a few. It was a very wide range though.

PW: How did Kevin March of Guided By Voices influence you to start a band?
Anders: Kevin taught at the music program where Sofie and I met Hunter, so I guess he recognized our potential from our time there. Kevin brought us all together as a sort of “music experiment,” and we kind of grew into our own from there. He’s been a huge help and we wouldn’t be where we are without him.
Sofie: Kevin’s vision and inspiration is what got us together in the first place, otherwise Anders and I may have never played with Hunter.

PW: What is the story behind the name, The Nowherenauts?
Anders: Well, we had a different name, Blame the Patient, but due to some unfortunate, unforeseen circumstances we had to change it. So we’d be on stage and people would yell “What band are you guys?” and someone else would shout, “They’re Blame the Patient!” And we’d say, “No we’re not!” That evolved into NowhereNauts, and it stuck.

PW: Critics have noted your 80′s and 90′s sound. Is that how would you describe your sound and style?
Hunter: As a band, we’re definitely influenced by music from the 80s and 90s, but each of us has such different tastes in music that we like to think that our sound isn’t pigeonholed into one era or genre.
Anders: I guess it’s a fair comparison, because that stuff definitely does influence us. But I don’t know how I’d describe our sound. It’s difficult. There are a lot of influences in there. We’re just trying to make music that everyone can enjoy!

PW: What was your first show like?
Anders: Our first show was a mess. We were all in high school back then, and we played this showcase at the Cake Shop with a bunch of other high school bands from around NYC. Pretty much every other band there wanted to borrow a piece of our gear, we couldn’t hear ourselves, and I’m pretty sure I broke a bass string in the middle of the set. But it was still a fun experience. Hey, you gotta start somewhere.
Sofie: It was nerve-wracking primarily because we had never played our own music for anyone before. We had practiced together and were used to that, but playing a song you wrote for complete strangers can be scary, especially when it’s a new experience.

PW: NYC is a such a great hub for live music. What have been some of your favorite places to play? How are The Nowherenauts able to stand out among all the other NYC bands?
Hunter: My favorite place to play, so far, has been the Bowery Ballroom. We played there opening for Shudder to Think a few years ago. The Knitting Factory in Brooklyn also has a really cool stage and great sound.
Anders: NYC is THE place to be if you’re a musician. We’ve had the opportunity to play at the Bowery Ballroom and the Mercury Lounge, which are both awesome venues that are also humbling to play as well. But we’ve also played smaller and more intimate shows at places like Spike Hill (in Williamsburg) and the Rock Shop that are always a lot of fun too. So far, we’ve mostly played in opening slots, so our goal for those shows is to make our act impossible to follow. The comment I keep hearing is “You guys are really tight!” It comes from college students, 20-something hipsters, elderly, high school kids, small children, scenesters, metalheads, people who just happen to be hanging out at the bar at the venue we’re playing…. If that broad a range of people care enough to tell me that after our shows, I figure we must be doing something right!

PW: If you weren’t playing music in The Nowherenauts, what would you be doing?
Hunter: I would still be making music. I would probably have another band and hope that everyone loved playing music as much as I do.
Anders: That’s a possible scenario? I guess I’d have to be playing music is some other band.
Sofie: I honestly have no idea. Possibly perpetually competing with my twin sister.

PW: What is your creative process like when you are writing a song and creating music?
Hunter: It varies. Sometimes one of us will bring in an idea and we’ll all work on it, but other times we’ll just get to rehearsal and jam until we have a song.
Sofie: Usually we come up with music and melodies and the lyrics follow. Everyone suggests ideas and plays around until we hit on something we like. It’s not until we have the basic idea that we start to really give the song a form and meaning lyric-wise.

PW: Who/What inspires your music and lyrics?
Hunter: Television and movies. I came up with the riff for “Delightfully Distracted” while I was watching Hannah and Her Sisters. I like to write lyrics with a specific character or relationship in mind, but personal experiences and people I know always help too.
Anders: We all have very different backgrounds, and I think that comes through in our writing. Hunter’s guitar playing is very influenced by Jack White and St. Vincent. I like to think of my bass playing as halfway between and Matt Sharp (from Weezer). And nobody can seem to pin Sofie’s influences down, which makes for something very original and interesting.
Sofie: For a lot of my melodies I listen to other singers and if there are little hooks or stylistic things they use I’ll try to capture the essence of those bits. I also try to write some lyrics as I work on melodies and polish them later. They come from books I’m reading and ideas I have. I also try to take my point of view on a situation and twist it or flip it so what I’m singing is more interesting. In fact, sometimes I even combine thoughts or experiences in one song or line to get the right mood.

PW: Who/What are you currently listening to?
Hunter: Recently I’ve been listening to Austra, Tune-Yards, Twin Shadow, Washed Out, The Avalanches, and Fever Ray.
Anders: Maybe it’s a reaction to everyone comparing us to bands from the 80s and 90s, I don’t know, but I’ve gotten more and more into that music recently. So a lot of Pavement, Dinosaur Jr., New Order, Wire, early Weezer, stuff like that. I’ve also been getting deep into a wide range of Brazilian music. But no matter what it is, rock, folk, psychedelic, samba, cheesy popular dance music like Forró, it’s all united by a strong rhythm section. As a bass player, I’m really drawn to that
Sofie: I just recently bought three albums down in Chapel Hill, NC. One was a Yeah Yeah Yeahs album and I’ve been listening to that nonstop for the past week. I tend to listen to albums I like to death. Then I listen to them some more

PW: What does the remainder of 2011 have in store for The Nowherenauts?
Anders: We have our record release on May 4 at the Knitting Factory, so after that, just gigging around and seeing where the year takes us! Writing and recording perhaps? A second album? I’m excited for whatever comes our way.
Sofie: The show is a looming event. We’re working like mad to be ready for it. After that we’re hoping we can keep playing and building our fan base. We have to get our music out there so that’s priority number one at the moment; let people listen and hope that they like our sound.

Posted in Concerts, Contests, Interviews, New YorkComments Off

Kitsune and Cooperative Music ink deal with Downtown Records to release music in North America

Kitsune and Cooperative Music ink deal with Downtown Records to release music in North America

Influential Paris dance label , winning the prize for being the first to sign now internationally-acclaimed acts , and (just to name three), and international label group have extended their international license deal to include America and Canada.

On this new partnership, Kitsune founder Gildas Loaec has said, “For the past eight years, we’ve been sharing our passion for music through our now worldwide known compilations and singles. Two years ago we entered a label deal with Cooperative Music in Europe as to start developing artists and release their albums in the best way possible. The success that Two Door Cinema Club are experiencing now with nearly 200,000 sales just in Europe and a gold record in the UK is the perfect example that we made the good choice. This is why extending this label deal to the United States and teaming up with Downtown on top was a logical step. I’m really proud to join , Josh Deutsch and his great team to develop Kitsune projects in the States and I feel that the collaboration between Kitsune / Downtown will create the perfect dynamic for our forthcoming Kitsune artist releases [for] and .

So what exactly does that mean for us on this side of the Atlantic? Well ladies and gentlemen, this means Cooperative Music will be releasing Kitsune’s artists and compilations through its new understanding recently launched in conjunction with -based Downtown Records. The first release will be from Is Tropical, who you may know through their “Come Back Home” remix on Two Door Cinema Club‘s Tourist History deluxe edition (review here). The masked London trio will be releasing their debut album Native To here on June 14. For a free taste of Is Tropical, you can download their new single “The Greeks” for free from Kitsune‘s website here.

Two months later will be the release of the second album from French rock / pop duo Housse de Racket. The 11-track album, called Alesia, was produced by superstar producer Philippe Zdar, who has worked with , Two Door Cinema Club, and . Kitsune is pretty famous for their dance compilation albums. Both of these acts contributed tracks to the 11th Kitsuné Maison compilation album The Indie Dance Issue, to be released in the States on May 16. Keep your eyes and ears open for more from this exciting business partnership.

Kitsune: website
Is Tropical: website | myspace
Housse De Racket: website | myspace

Posted in Local Scene, Music News, New YorkComments Off

Holy Ghost! – Holy Ghost!

Holy Ghost! – Holy Ghost!

The ! story begins in 2007 – when and , childhood friends and mutual lovers of dance beats, released a song that quickly became a dance classic, “Hold On.” It’s hard to believe it took them four years, but here we are in 2011, and the dance duo is finally releasing their self-titled debut . No surprise they’re releasing it on their good friend ‘s . Actually, you can trace James Murphy‘s influence in this first release of Holy Ghost!‘s: Murphy asked Frankel and Millhiser to tour with in 2010, which forced the duo out of their comfort zone (usually presiding over the decks at dance clubs as DJs, never playing live) to come up with a Holy Ghost! live show. Magazine has called their sound, “ meets at a 1979 disco.” Right up my alley.

Indeed, songs from their debut album are currently being played while the duo, with three additional musicians, are opening for Melbourne’s on their North American tour, now in progress. However, Frankel has said, “I didn’t want to limit myself to making an album that could only be played in clubs,” with Millhiser adding, “we were trying to make something that people would want to listen to, front and back, at home.” Their self-titled debut album is a testament that this can be done – and can be done well. Two of the 10 tracks on this effort (“Static on the Wire” and “Say My Name”) are from the band’s Static on the Wire EP released last year, and the aforementioned “Hold On” also figures on this album. All three are superb tracks; it’s not hard for me to imagine these being played for sweaty masses on a dance floor, albeit possibly in clubbier, more drawn-out versions.

But you’d be remiss to only focus on those tracks. The album opener, “Do It Again,” is mesmerizing, with its relentless driving rhythm and shimmery synths. “Wait and See,” which is giving away as a free download on Soundcloud, is clear evidence of the band’s ’70s disco / ’80s new wave and electropop sensibilities. “Hold My Breath” is cut from a similar cloth. “Jam for Jerry” is an upbeat yet wistful tune, likely to be a loving homage to the late , drummer of LCD Soundsystem and , disguised as a dance love song.

The best track on here is “It’s Not Over” – here is where I’m guessing any New Order comparisons began. The synthesized bass line sounds like it was yesterday that was surreptitiously pushing out of the band with programming, only that with Alex Frankel’s soulful vocal delivery and tribal drum patterns, it’s something very unique that you won’t quickly forget. As a dance record, Holy Ghost! is not in your face, and that’s a good thing. Most dance recordings are overproduced, overwrought jumbles of sound with no direction. This one hits all the right buttons.


01. Do It Again
02. Wait and See
03. Hold My Breath
04. Say My Name
05. Jam for Jerry
06. Hold On
07. It’s Not Over
08. Slow Motion
09. Static on the Wire
10. Some Children

Holy Ghost!‘s self-titled debut album will be released on April 12 on DFA Records. The band is currently on tour as support for Cut Copy. The band will also make appearances this month at on April 15 and at a headlining gig at Brooklyn’s Music Hall of Williamsburg on April 29.


Apr 04 – House of Blues / Boston*
Apr 05 – Club Soda / Montreal*
Apr 06 – Terminal 5 / *
Apr 07 – Sound Academy / Toronto*
Apr 08 – Riviera / Chicago*
Apr 09 – First Avenue / Minneapolis*
Apr 12 – Showbox SoDo / Seattle*
Apr 15 – Coachella / Indio, CA
Apr 16-17 – Grand Ballroom @ Regency / San Francisco*
Apr 20 – Granada Theater / Dallas*
Apr 22 – Stubbs / Austin*
Apr 23 – Republic / New Orleans*
Apr 29 – Music Hall of Williamsburg / Brooklyn*
*supporting Cut Copy

Holy Ghost!: website | myspace | Friendly Fires / Holy Ghost! – 12” Split Single| Interview with: Alex Frankel of Holy Ghost! | @ U Street Music Hall | @ 9:30 Club | ‘I Know, I Hear’ video | DFA Records Curating NYC DJ Residency Free to the Public

Posted in Albums, Concerts, Local Scene, New YorkComments Off

Freelance Whales and Foals Go Out On the Road Together This Spring in North America

Freelance Whales and Foals Go Out On the Road Together This Spring in North America

City’s folk pop band (pictured right) and Oxford, indie dance rock band will be touring North America together in April and May. In several markets (San Francisco, , Philadelphia, and Washington, DC) the two bands will be co-headlining. The support act for this tour is Auckland, New Zealand electropop band .


Apr 10 – Commodore Ballroom / Vancouver*
Apr 11 – Showbox at the Market / Seattle*
Apr 12 – Wonder Ballroom / Portland*
Apr 14 – Great American Music Hall / San Francisco (Freelance Whales co-headlining with Foals)*
Apr 19 – Fitzgerald’s / Houston*
Apr 20 – Loft / Dallas
Apr 21 – La Zona Rosa / Austin*
Apr 23 – Firebird / St. Louis*
Apr 25 – Varsity Theater / Minneapolis*
Apr 26 – Metro / Chicago (Freelance Whales co-headlining with Foals)*
Apr 27 – Outland Live / Columbus*
Apr 29 – Beachland Ballroom / Cleveland*
Apr 30 – / Toronto*
May 01 – Le National / Montreal*
May 02 – Paradise / Boston*
May 04 – Terminal 5 / New York City (Freelance Whales co-headlining with Foals)*
May 05 – TLA / Philadelphia*
May 06 – 9:30 Club / Washington, DC (Freelance Whales co-headlining with Foals)*
May 07 – Ottobar / Baltimore*
May 08 – Met / Pawtucket, RI*
*with the Naked and Famous

Freelance Whales: website | myspace | @ Rock ‘n’ Roll Hotel
Foals: website | myspace
The Naked and Famous: | myspace

Posted in Concerts, Local Scene, Music News, New YorkComments Off

The Postelles with Dinosaur Bones and Snowmine @ Red Palace, Washington, DC

The Postelles with Dinosaur Bones and Snowmine @ Red Palace, Washington, DC

In Washington last year, two adjacent businesses on H Street Northeast, the tiny live music venue Red and Black Bar and the burlesque house Palace of Wonders joined forces to create a combined venue, the Red Palace. I’d seen some shows at the Red and Black and while it was intimate, the ambiance was nothing to write home about. The new and improved Red Palace, I am happy to report, is a revelation. The performance space is on the top floor of the place and is as intimate as my other favorite venue in the city, DC9 (no wonder, it’s owned by the same folks) and it cleans up real nice. For my first show at Red Palace, I was there Saturday night to see the band who provided my best gig of 2010, of City.

There were two opening acts for the night. Toronto rock band was up first. Bass player endeared them to the audience by starting their set, whispering, “We’re Dinosaur Bones. And we’re from Canada. We’re a long way from home.” Enter the “awwws.” Interestingly, he was the one delivering the jokes for this band (not their singer Ben Fox), commenting how much he loved Washington, saying, “my favorite [thing to see in DC] is the Washington Monument, because everyone knows what it looks like, no dicking around.” Laughter.

But let’s talk about the music. Listening to them live the first time, I had trouble thinking of how I would describe them. They’ve got riffs; disaffected, post-grunge ()-like vocals, and the occasional feel of ? “Royalty” was a sure highlight, what a sexy bass line and great guitars accompanying it. It’s also worth nothing their lead guitarist has an uncanny resemblance to ‘s . Make of that what you will. The band’s debut , My Divider, will be released soon.

, the other opener, is a Brooklyn psych pop band. When I think of “Brooklyn” and “psych pop” I think of . Similar, but Snowmine has a more tropical vibe. Think Bear in Heaven meets . If Jurassic Park had a house band, it would sound like Snowmine. Their first track, “Danger in the Snow!”, began with prehistoric programmed rumblings. But most of their songs involve maraca and tambourine shaking and big beats, and I also thought of the new wave of and ‘s “Africa” as possible reference points. Cool vibe. I was definitely into the more upbeat numbers like “Penny” and “The Hill.” They also have an album coming out soon, called Laminate Pink Animal. Check ‘em out.

It’s hard for me to comprehend that the guys of the Postelles are barely into their twenties. I’ve seen them three times now (once, opening for Hockey, and twice as a headliner), and they play like seasoned veterans. It may be because of the many times they’ve played in our town, they always get an amazing reception, and who doesn’t play a great show when you have a great audience? Their debut album has been delayed for a long while but rumor has it that it will finally be released in April; physical copies of The Postelles were available at the DC show.

They previewed two songs newer than those on the debut album, “Bum Bum Bum” and “Running Red Lights,” both of which were in the standard Postelles vein of classic rock ‘n’ roll. In these days of high-tech gadgets, programming, and autotune, it was so nice to see four guys singing and playing guitars, bass, and drums without relying on electronics. Their songs are so poppy and peppy, it’s impossible not to have a good time letting while this band is playing. The crowd, while interested in seeing the band, appeared stiff at the start of their set, but everyone was dancing by the time the band got to “Sleep on the Dance Floor” (with its killer bass line) and “White Night,” right before the encore. It wasn’t much of an encore, because as quickly as they had jumped offstage, they jumped right back on, singing “Boy’s Best Friend” (an ode to a ex-girlfriend who turns out to be a lesbian) and a raucous rendition of “Beat on the Brat” by the Ramones that will forever be cemented in my mind. (It’s not every day a faithful blogger like me gets to duet with one of my favorite bands!)

The Postelles Set List
Bum Bum Bum (new song)
Looking Glass
1, 2, 3 Stop
She She
Stella
Hey Little Sister
Hound Dog (Elvis Presley cover)
Running Red Lights (new song)
Sleep on the Dance Floor
White Night
//
Boy’s Best Friend
Beat on the Brat (Ramones cover)


Feb 16 – Maxwell’s / Hoboken
Feb 18 – First Unitarian Church / Philadelphia

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night” | The Postelles Announce Fall North American Tour
Dinosaur Bones: myspace
Snowmine: website | myspace

Posted in Albums, Concerts, Local Scene, New York, Washington D.C.Comments Off

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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