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End of 2010: Patrice Jackson

End of 2010: Patrice Jackson

Top 3 Albums of 2010:

Best Show of 2010:

Seriously, Damon Albarn and Paul Simonon in the flesh, holy shite! Okay, not like I haven’t seen them in the flesh before (i.e. seeing The Good, The Bad and The Queen two years prior) but still… I remember it just being speculation that is was going to be a proper live show and Damon Albarn and company where in fact going to be performing. So my teenage self got all giddy, once again, seeing Damon Albarn appear on stage along with the badass Paul fucking Simonon. It was as massively epic show — there were videos for each individual song, a well-designed set, and no fewer than 42 performers in total. Quite the package I’d say. Gorillaz mastermind Damon Albarn gallivanted about the stage giving the audience everything they wanted and more. Relinquished from his animated cage, Albarn indeed again proved himself a masterful showman. Dancing and singing about with my good friends from England in the desert night, watching legends perform onstage was incredibly magical.

  • FOALS- San Diego at The Casbah

The last time I saw FOALS was in London with Bloc Party last year at Olympia Grand Hall. With a venue name like Olympia Grand Hall and opening for Bloc Party, you can imagine it was a rather intense show. We’ve all heard how rowdy fans can be across the pond. To actually experience seeing hundreds and hundreds of people screaming every word to each song and feeling the ground vibrate due to the intense amount of movement from the crowd was something not to forget. It was great to see them again in an intimate setting like the Casbah, where it felt more like a house show than a held in the venue. Saying the crowd was insane is a complete understatement. The whole night I was being pushed about, getting smashed up against the low stage where my knees took a good beating (note to self: seeing Foals in a dress is probably not the wisest decision) and being slammed over speakers, at least I was not the guy behind me who cut his foot on a broken piece of glass due to someone’s glass of whiskey falling on the floor… Needless to say, I gave up taking photos during the set and just enjoyed jumping about, dancing and sing along to new and old songs. Although, I woke up in the morning with bruises and my ears ringing, I loved every second of the show. It was my first time hearing the new material live and they fucking KILLED IT. Highlight of the evening was Foals front man Yannis, jumping on the bar continuing his performance of “Electric Bloom” whilst moving across the entire bar banging on things in rhythm to the song with his drumsticks.

Most Anticipated in 2011:

  • Fiona Apple –I’ve been listening to hear ever since I was an angsty tween and always seem to crawl back to her . Everything this woman does is magic and speaks to my soul. I can’t wait to hear wait to hear this new album.
  • Kanye West & Jay-Z – Watch The Throne – As a devout follower of whatever these two do I am rather excited to hear the final production of this collaboration. They could come out with a disco-thrash-rap album and I’d still listen to it.
  • Esben And The Witch – Violent Cries (a band from Brighton to definitely keep your eye and ear out for next year)
  • PUJOL – Whatever this band does next, surely it will be epic and not something to miss out on
  • Tristen- I have high hopes from this pop/folk singer hailing from Nashville. Seems promising.

Honorable mentions:

  • Dr. Dre – Detox
  • Cut Copy – Zonoscope
  • PJ Harvey – Let England Shake It’s fucking PJ HARVEY, okay?!
  • Smith Westerns – Dye It Blonde

Most Overrated in 2010:

  • Ke$ha
  • The Drums

Favorite Musical Memory of the Year:

I suppose this is where I am suppose to write about how cool it was to hang with this band or that band or meet this person or that person…I had my fair share amazing encounters and hang sessions with bands/people I truly admire but nothing compares to seeing one of your idols live.

Seeing Gil Scott-Heron at Coachella this year was definitely my favorite musical memory of the year. I’ve pretty much have been listening to Gil Scott-Heron ever since I was in my mother’s womb. My parents were both huge Gil Scott-Heron fans and constantly played him. Of course, as a kid it’s natural for you to rebel against having to listen to your parent’s lame “old school” music. Yet, once I was old enough to comprehend the message behind this man’s lyrics, I also became an instant fan. His words have guided me all phases of my life. I often found solace in his music, spoken word and writings. So when I heard that Gil Scott-Heron was one of the many artists to be performing at Coachella, I was not only shocked but also excited. I am not going to lie though, I was among many of the cynics thinking “there is no way he is going to show”. Scott-Heron aware of his past tendencies was first to make light of this stating once he got onstage in his typical deadpan manner, “For those of you who bet I would not be here, you lose.” Although 61 and looking extremely frail, Scott-Heron provided nothing less than a powerful performance that got me misty eyed. Being able to see whom I consider a living legend was a dream come true for me. Gil Scott-Heron didn’t play a single new song off his 13th album release this year “I’m New Here”. He stuck to the classics we all knew and loved like “The Bottle”, “Blue Collar”, “Home Is Where The Hatred Is”, “Is That Jazz?” and more. And if case you were wondering, you probably weren’t but I am going to pretend that you were and continue on…I did in fact call my mother during his set when one of her favorite songs was performed. Cue the “awwwws”.

Posted in Features, PopWreckoning NewsComments Off

End of 2010: Bethany Smith

End of 2010: Bethany Smith

Top 3 Albums of 2010:

  • Odd Blood
  • Jonsi – Go
  • Sleigh Bells – Treats

Honorable Mentions:

Best Show of 2010:

  • Jonsi @ Liberty Hall, Lawrence KS – I’ve never felt more motivated by than after seeing Jonsi live. I wanted to go climb mountains, paint a masterpiece, or simply bang on drums.
  • Lollapalooza after party with featuring Glassnote Records: Mumford & Sons, The Temper Trap, Phoenix DJ Set. Even after all the phenomenal music of Lollapalooza, this after party was a great treat. Mumford & Sons even joined Temper Trap for a song.
  • Brandon Flowers @ Park West, Chicago IL – I’m a huge Killers fan, so this was a special treat for me to see Brandon Flowers debut his solo music before the record’s release in a venue that the Killers had long since outgrown.

Most Anticipated in 2011:

  • Bright Eyes
  • The Get Up Kids
  • Cold War Kids
  • Givers
  • The Cherry Tree Parade
  • SXSW

Most Overrated in 2010:

  • Taylor Swift – I’m sure she’s a nice girl, but have you listened to her attempts to sing live? Or worse – her “Last Christmas cover? Why is she so popular again?
  • Ke$ha – the dollar sign alone is enough to make me dislike her.

Favorite Musical Memory of the Year:

  • Working with the crew, I got to sit in on an with Kevin Devine. He is really down to earth and it felt more like we were just hanging out rather than having a formal . As a special treat, he performed a new Bad Books song just for the four of us. This was in July, so it was well before anyone had really heard Bad Books’ material. I think Kevin must have had a good time with us as well because he used a pic that I took during the as his Facebook/MySpace avatar for several months.

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End of 2010: Alex Useman

End of 2010: Alex Useman

Top 3 Albums of 2010:

Best Show of 2010:

  • I want to, despite all of the great concerts this year, have Anberlin’s show the top on my for the year. I am a big fan of the band and love shows at either Showbox because of the venues’ intimacy. In regards to Anberlin, everything about it was good, the stage set-up, the sound, and the presence the band had on stage as well. Not only that, the entire night was great with Civil Twilight and Crash Kings opening for them. I feel that a show, as a whole, can lose some of it’s magic, even if it is your favorite band, because of an artist that doesn’t sit well with you or is just not that good, this did not happen at that show.
  • Runner ups include: Matt and Kim, Switchfoot and Arcade Fire. Those shows were all fantastic in so many ways, they just didn’t compare to everything the Anberlin show was.

Most Anticipated in 2011:

  • The King is Dead – The Decemberists
  • Killing Time – Bayside
  • Mine Is Yours – Cold War Kids
  • Different Time – Five O’Clock Heroes
  • Hi-Five Soup! – The Aquabats
  • In Memory Of… – D:Ream
  • Hardcore Will Never Die, But You Will – Mogwai
  • Turbulences – Rise Against
  • Kiss Each Other Clean – Iron & Wine
  • Thank You, Happy – Cage The Elephant
  • There Are Rules – The Get Up Kids
  • Showroom of Compassion – Cake
  • The People’s Key – Bright Eyes

This is a list of albums that I am excited for, not many concerts or tours have been announced yet, but I am going to be at as many as possible.

Most Overrated in 2010:

  • Hands down, Ke-dollar sign-ha

Favorite Musical Memory of the Year:

  • There has been so much, I am ultimately glad for the position that I got from because they have given me a good bit of new that I would have most likely not found before. From all of the shows I have been to, the friends I have made at them and the people I have known, I have gotten to know better at the shows, like Uproar Fest, Arcade Fire, Alex Band of The Calling, Deck the Hall Ball, and all the others we have gone to together.

Posted in Features, PopWreckoning NewsComments Off

End of 2010: Casey Osburn

End of 2010: Casey Osburn

Top 3 Albums of 2010:

Honorable Mentions (since I can’t make a solid decision on anything, and these albums are all amazing):

  • Stay Ahead of the Weather – We Better Get Goin’ If We’re Gonna EP
  • Broken Bells
  • Skybox – Morning After Cuts
  • Gorilla Manor
  • Sleigh Bells – Treats
  • Surfer Blood – Floating Vibes

Best Show of 2010:

  • Native and La Dispute @ Lemp Neighborhood Arts Center, St. Louis, MO

I’ve seen more shows this year than any other. However, the one show that sticks out most in my mind is when I went to St. Louis to see Native and La Dispute at the Lemp Neighborhood Arts Center

Granted I had seen them before when they played the Salt Walter Taffy House here in KC (which was also an amazing show). But I hadn’t seen them quite like this, especially Native. They started using samples in between songs which added a whole new dynamic to their live show. The Lemp was packed, the first and only time I’ve seen it sold out. La Dispute played with such passion, it was almost impossible to hear Jordan Dreyer over the crowd belting out his lyrics. So great.

Most Anticipated in 2011:

  • SXSW – it’ll be my first year attending and I’m super stoked on it.
  • The new Bright Eyes album

Most Overrated in 2010:

Favorite Musical Memory of the Year:

I had the opportunity to go to Denver with Bad Veins as a sort of interim tour manager for a night over Halloween weekend. Sure, the 8 hour ride kind of sucked because it was so long. But the show at the Bluebird definitely made up for it. It was the last night of the tour for Bad Veins; during their set Two Door Cinema Club came out and tried to pick Ben up, which didn’t work out so well at first.

Seriously, TDCC and Bad Veins are some of the best people I have ever met, and they have given me a night to remember for a lifetime.

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End of 2010: Melissa Cowan

End of 2010: Melissa Cowan

Top 3 Albums of 2010:

Best Show of 2010:

  • I have to pick two: mewithoutYou at the Granada and Foxy Shazam at the recordbar.

Most Anticipated in 2011:

  • Bright Eyes

Most Overrated in 2010:

  • Lady Antebellum (2010) and Train (2009). Let’s finally bury those shitty singles in 2011, shall we?

Favorite Musical Memory of the Year:

  • Seeing Cursive for the first time – I know, I can’t believe I hadn’t either – and interviewing Kevin Devine AND sitting there while he played two acoustic songs for us, one from Bad Books months and months before it was released.

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End of 2010: Xander Deccio

End of 2010: Xander Deccio

Top 5 Albums of the Year:

  • The Suburbs
  • Titus Andronicus – The Monitor
  • Brothers
  • The Gaslight Anthem – American Slang
  • Carney – Mr. Green Vol. 1

Best Show of 2010:

  • Stone Temple Pilots: This was by far one of my favorite shows to shoot this year. I grew up with this band all through Jr. High and High School and didn’t think they would be able pull this tour off but they did.

Most Anticipated of 2011:

  • Social Distortion
  • Bush
  • Dr. Dre (Not holding my breath on this, but it’s way overdue)
  • Radiohead
  • Death Cab For Cutie

Most Overrated of 2010:

  • We Are The World 2010: This was just a bad idea to begin with. I understand they were doing this for the devastation that happened in Haiti, but they could have thought of something more original than re-recording a song with a bunch of annoying entertainers and z-lister’s. Don’t even get me started on the overuse of auto tune.
  • : I am so tired of hearing this guy bitch. KANYE, STFU!
  • Carrie Underwood: She’s the main reason I will NEVER shoot a Country act ever again.

Best Musical Memory of 2010:

  • I’ve had quite a few this year and coming on with and shooting American Idol were big for me. But my favorite had to be hanging out with Alex Ebert of Edward Sharpe and the Magnetic Zeros, and shooting a portrait of him at Sasquatch.

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Austin City Limits: Day 1 – Joshua’s Point of View

Austin City Limits: Day 1 – Joshua’s Point of View

One would think that after 9 festivals and a handful of trips to , I’d have the hang of how this whole thing worked. I’d be grounded and prepared for the pros and cons of festival life. Yet, when my alarm sounded at 3:45 in the morning on Oct 8, I still cussed, tripped over my cats and chucked my alarm across the room. Regardless of it being a day filled with the possibility of 44 different bands and my choice of 6th Street bars, 4 o’clock in the morning still pisses me off quicker than Obama sets off the Republican Party.

Following two flights ( to Dallas, Dallas to Austin) I touched down at the airport to be rescued by our new weekend Craigslist roommate. After dropping off my belongings at the house and sitting down for a quick veggie friendly meal at the snack bar, I checked into press around 12:30p.m.

The day started at the BMI stage with Ponderosa, who’s set started at 12:40. While we certainly didn’t intentionally make our way directly to their stage to catch their set, their voices and folky sound reminded me enough of Drive-By Truckers to stop me on my way to ’s Austin Kiddie Limits HEB stage set. Their sound was certainly strong enough that I look forward to seeing what they can manage following the 2011 label debut, Moonnight Revival. I expect to hear from these guys again.

Following a short and disappointing stint with The Verve Pipe, I shifted my way through the early morning crowd towards the great indie band The Mountain Goats. John Darnielle and company owned their set, playing to the crowd better than any other band on Friday’s bill. Standing barefoot in front of a fairly large 2:00 p.m. crowd, the band shined through old favorites and revealed new songs, like “For Charles Bronson.” Throughout their hour long set, they swapped jokes and stories with the crowd resulting in an overall feeling in the crowd that this wasn’t a festival set where the band simple rushes through their motions as much as a giant soapbox to story tell from. For those who failed to get to the festival or get out of bed by this band’s set, you missed the best set of the day.

Following The Mountain Goats, I wondered over to the BMI Stage to kill some time before ‘s set. What I found there was . This Nashville, Tennessee band is a cluster of complication. Sounding like a blended version of hair bands, alt. country and Guns and Roses, it becomes somewhat hard to wrap your head around what exactly The Kills are. My first impression, mainly coming from the big ass guitar solos that distract throughout a majority of their songs. When it all comes down they’re just a glorified frat band no different than that playing your local dive. Having heard enough, I head towards the Honda stage.

However, the downward spiral would continue through the next two sets. As well over a handful of people gathered for Miike Snow’s extremely early set, it dawned on me that Bonnaroo has figured something out that Austin City Limits hadn’t. This was the fact that dance sets do not really work when the sun is up. However, the set itself seemed pretty musically collected, including creepy Eyes Wide Shut masks and a special appearance by ’s , who helped the band cover his group’s song “The Kids Don’t Stand A Chance.” Overall, a very entertaining set that could have easily been the best set of the festival day had the conditions been right.

Billed as the possible best band of Austin City Limits, I must confess were a huge letdown to me. Their set seemed very lackluster to me, almost as if something were missing. While the vocals were excellent and the instruments were on for the most part, the stage seemed to dominate the duo. Maybe it was the outside elements which sometimes tend to make sounds simply disappear. At the end of the day, The Black Keys set simple was not worth the struggle and fight of the lawn chair jungle. While I know it will be a very unpopular vote, my advice would be to simply stick to the band’s CDs where they shine.

However, one duo who did shine at Austin City Limits was Sup-pop’s . Their dreamy set filled the air causing a spontaneous dance party that left drunken hipsters skipping around the wall of bright blue festivals that lingered near the Honda stage. ’s beautiful voice stood out as one of the top of the day as the band frantically made their way through their set. I expect bigger things from this band than they’ve already accomplished, which already is pretty impressive.

I bolted from the area, dodging ’s set for the time being to catch . With one of the best voices in , this folk meets jazz crooner’s set was easily worth the time it took to get to the Austin Ventures stage. With a sense of calm and charm that is second to none, he undoubtedly found his way into the hearts of more than a handful of the mid-sized crowd that had found its way to his stage.

Following Lee, the time had come for me to face my fear of Spoon. Now, don’t get me wrong, it isn’t as though I’m not a fan of Spoon. In fact, I own all of their records on both compact disc and vinyl. Furthermore, it’s always exciting seeing a hometown kid () make good. However, the two previous times I’ve seen Spoon play, I was bored out of my mind. They were not very crowd interactive and were back lit to the point that it was like watching shadow cut outs of spoon on stage. Needless to say, I hadn’t picked their set as one of my most anticipated for Austin City Limits.

But to be fair, they proved me wrong. I’d simply be lying if I didn’t say that I walked away from the AMD stage impressed with their performance. Their usage of horns on “The Underdog” was one of the most memorable moments of the 2010 Austin City Limits.

For historic purposes I made my way towards the Honda Stage to check out for the second time this year. While I must admit that they can still hold their own after almost 30 years of making music, a full day of festival life on very little sleep left me somewhat disinterested. Roughly halfway through the set, I made my way to Vampire Weekend in hopes of finishing up my day.

Personally, Vampire Weekend and I have some issues. We’ve had a very rocky relationship throughout their very short and extremely hyped career. It’s hard for me to stomach the popularizing of Afro-pop by a bunch of rich, upscale Ivy League grads. Now, the problem that  I have realistically has very little to do with the band itself. Honestly, I hate their fans. It’s the same group of hype blinded Urban Outfitter junkies who’ll buy anything that American Apparel deems worthy.

However, in the name of unbiased journalism, I decided to swing by and see exactly how the band sold that day’s performance. Things I took away from the set that could be deemed positive are as follows:

1. They were musically tight at a festival. This is impressive in an outdoor setting when sounds can sometimes vanish.

2. They’ve got a great deal of energy. Their set was free of any downtime and dull moments.

3. They managed to draw one hell of a crowd, even against legends Sonic Youth.

However, I found myself annoyed by the uninformed crowd of high school girls and drunken frat boys that surrounded me, stating comments like “yeah! Vampire Weekend is the most talented band at the fest,” and “They are so unique.” Unable to keep myself from pointing out all the flaws in those theories, I decided, instead, to leave.

Having seen once in my life (at Bonnaroo), I opted to never do so again. So I sat up to catch a bit of The Strokes, whom I’d never seen.

Starting a few minutes late with “Is This It” the crowd seemed to forget having to wait for the set. Their undeniably infectious tunes appeared to outshine their New York swagger and hipster bastard attitude.  , for example, belted out to the crowd, “I can’t see shit because like an asshole, I wear sunglasses at night.”

Regardless of the between song cockiness, I must begrudgingly admit that The Strokes hour-long set was pretty effective. They kept my attention, provided plenty of hits and managed to squeeze in a decent set in a somewhat short amount of time. Besides, it could have been worse. I could’ve been watching the endless guitar solos of .

Once was enough, thank you.

Posted in ACL, Austin, Concerts, Music News, PopWreckoning NewsComments Off

Photo Gallery: PopWreckoning 3rd Birthday Show featuring Poison Control Center, O’Giant Man, Max Justus & Mansions

Photo Gallery: PopWreckoning 3rd Birthday Show featuring Poison Control Center, O’Giant Man, Max Justus & Mansions

PopWreckoning celebrated its 3rd with a party at the Record Bar. As part of the , we had some great national and local bands join us for a show.

joined local acts O’Giant Man and in opening up for the energetic rock of the . The brass-enhanced group was in Kansas City previously opening for Pavement, so it was fun to see them embrace a headlining spot.

Photographer Nick Davis was at the party and shares these photos from the event:

Thanks to everyone who came out to join us in the festivities!

Posted in Concerts, Kansas City, Local Scene, Music News, PopWreckoning NewsComments Off

PodWreck Featuring Not A Planet

PodWreck Featuring Not A Planet

locals, , joined in the studio before they head out for their second tour in November.

Listen below to hear how much we love Liam, Nathan‘s uncanny resemblance to a Jonas Brother, and John‘s unfortunate tour stories. They also play two brand new acoustic songs after the , for Larry.

 

Posted in Interviews, Kansas City, Local Scene, Podwreck, PopWreckoning NewsComments Off

The Republic Tigers @ Record Bar’s 5th Anniversary Celebration, Kansas City MO

The Republic Tigers @ Record Bar’s 5th Anniversary Celebration, Kansas City MO

Saturday in was quite the conundrum. What show to go to? Lawrence venues were filled with indie rockers for the Scion Fest, bros and hipsters mixed at at Starlight, and the edgier rockers checked out Alice and Chains. But not to be overlooked was the line-up at the Record Bar, which was hosting some of the best local acts Kansas City has to offer in of the ’s 5th .

The beautiful voice of songwriter started the night, followed by the Spanglish danceable songs of , then Lawrence’s showed off their new harmonies with their latest addition of Katlyn . Finally, headlining the night were local indie gods The Republic Tigers, whom had been absent from the live scene for nearly a year.

The Tigers have not been idle during their absence. They’ve been busy working on new material, some of which is expected due out on a EP hopefully later this year, and some of which is for a full-length album that the band hopes to release in Spring 2011. They started off their set with one of these new tunes, “Manny Feathers.” They played a few other new ones, including the two (“Whale Fight” and Kingsly”) that they had introduced at some of their prior shows. From what could be seen and heard from the first introduction to this material, is that the Tigers sound hasn’t gone through any drastic changes. There’s still plenty of keys, guitar solos and big drums. But the main change of note is that they have upped the amount of backing vocals being contributed to the songs, which is always a welcome addition.

The Tigers have definitely gained confidence in their overall performance capabilities. “Fight Song” continues to be the Tigers big show stopper with the demanding drum bangs of that song screaming ‘dance to me NOW!’ However, now, some songs that seemed a bit boring live before, came across as livelier and more passionate. Maybe it was the blinding light show (a rarity at this particular venue), an eagerness to play after the long break, the increased confidence or something else, but whatever this new quality is to their performance, it’s fantastic. Let’s hope it is here to stay.

Set :
Manny Feathers
Golden Sand
Feelin the Future
Made Concrete
The Drums
Merrymake It
Whale Fight
Lonely as I Was
Contortionists
Fight Song
//
Buildings and Mountains
Kingsly

Posted in Concerts, Kansas City, PopWreckoning NewsComments Off

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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