popwreckoning

Dammit, Amy. Even your name forshadowed things to come.

Amy Winehouse died at her home in Camden, North London at the mythical age of 27. Cause of death is currently listed as “unexplained”, but who are we kidding? The explanation that will eventually come will shock no one as a sense of sad acceptance is already settling in. The woman who defiantly proclaimed “Hell no.” to rehab had demons and, more often than not, sought to exorcise them in some damned self-destructive ways with drink, drugs, and a bad marriage. Her recent European tour came to a screeching halt after, via the interwebs, the world watched and re-watched a Serbian gig where she was too wasted to perform.

One thing about musical artists that we music fans are grateful for and appreciate, in general, is their ability to translate the human condition through the songs. If we flex the awareness we were all born with, it’s hardly news that some of our- no, the world’s- most loved/beloved artists are/were immensely flawed characters. Basically they were pretty fucked up, and part of trying to un-fuckup themselves is via the music they create. “Frank” from 2003 was her acclaimed intro to the world, but Amy put her skeletons on worldwide display with 2006’s Back To Black; literally opened up a high alcohol content vein and let it flow. Habits, health, insecurities, and breakups…her head, soul, and heart were on her sleeve for the pleasure and pain of your listening with doo-wop, jazz, soulful precision, and a love of the vibe of girl groups of old. Hers was a voice that so many of us could hear the future of non-shitty music in. And we listened. Some of us still do.

Against all reason and repeated episodes that predicted otherwise (relapses, health problems, run ins with the law, more relapses), some of us held out the slimmest glimmers of hope that Winehouse would get it together and live to second or even eclipse the awesome of the Grammy Award-winning Back To Black but, oh well. So goes the power of addiction, excess, and self-abuse. But no matter how you saw her, what you thought of the past 3 years of her life, how many jokes you made about crack, boob jobs, or rat’s nest beehive up-dos, no one with a working set of ears was able to deny the heft of her talent. And it’s the lose of and unfulfilled potential of that talent, as well as the abrupt and pitiful end of a fragile human life, that will be mourned.

The second track on Back To Black right after “Rehab” is “You Know I’m No Good”. Sometimes I just hate it when art imitates like so damned precisely. Fuckery.

This always has been and always will be my favorite performance of hers. So simple, so right on: “Valerie”:

Thoughts and prayers are definitely with her family today. As for you Amy, keep singing your soul and rest in peace.

Editors Note: This post was written by Trina Green. She comes to Popwreckoning as a guest writer with content borrowed in partnership with High Voltage Magazine. Check them out!

In the Noughties, the British music scene was littered with female blue eyed soul singers; the ones that stood out in front were bad girl Amy Winehouse, doe-eyed lass Duffy, groovy Joss Stone, and the wild card, Adele, who managed a breakout hit here in the U.S. with “Chasing Pavements.” The London soul singer is back in 2011 with her second album. Like 19, her debut album released in 2008, this one is named 21, for the age she wrote these songs. Kind of unimaginative. Well, this is a woman who writes mostly ballads…and this album went straight to #1 on its first week of release in the UK in mid-January, and when it ain’t broke, don’t fix it.

I feel it necessary to start this review by saying Adele has a great voice. She really does. The problem I have with 21 is that all the songs are too similar. There are essentially two types of sound on here: there are delicate acoustic tunes, and there are over the top, over-orchestrated ones with backing soul singers. Then there’s only so many times you can hear a woman singing the sentiment, “what did I do wrong? I’ll change, if you [come back / stay with me].” See “Don’t You Remember,” “I’ll Be Waiting,” “One and Only,” and “He Won’t Go.” It’s not that I’m a cold, heartless stone. I’ve loved and lost, I can relate to the feelings, generally. I’m no feminist, but I chafe at hearing another woman singing how she’s going to give up everything for her man to get him.

Then there’s the opposite emotion, which I think comes across as more real. “Rolling in the Deep” was chosen as the lead single. And with good reason. The tempo is upbeat (thudding drums and banging piano chords), and when it comes to emotion, there’s nothing like a woman scorned. When she sings, “we could have had at it all / rolling in the deep / you had my heart and soul / in your hands / but you played it / to the beat” and “you’re gonna wish you / had never met me,” you feel it. Maybe it’s no “You Oughta Know,” but it’s close. “Rumour Has It” is cut from the same cloth, but the shouted “rumour has it!” over and over gets annoying after a while.

The strength of Adele‘s voice comes across winningly in “Someone Like You”; this is the one song on here I can overlook the cloyingness. Also included on this album is an inspired cover of the Cure‘s “Lovesong.” This could have gone terribly wrong, but Adele gives the ’80s classic proper reverence with a bossa nova interpretation that Robert Smith should be applauding. Like sappy ballads? This one’s for you.

21 by Adele will be released on XL Recordings on February 22. She will be touring North America in support of this album on the dates below.

Track Listing:
01. Rolling in the Deep
02. Rumour Has It
03. Turning Tables
04. Don’t You Remember
05. Set the Fire to Rain
06. He Won’t Go
07. Take It All
08. I’ll Be Waiting
09. One and Only
10. Lovesong
11. Someone Like You

Tour Dates:
May 12 – 9:30 Club / Washington, DC
May 13 – Electric Factory / Philadelphia
May 15 – House of Blues / Boston
May 16 – Olympia Theater / Montreal
May 18 – Kool Haus / Toronto
May 19 – Beacon Theatre / New York City
May 23 – Royal Oak Music Theatre / Royal Oak
May 24 – Riviera Theater / Chicago
May 26 – First Avenue / Minneapolis
May 28 – Ogden Theatre / Denver
May 29 – Depot / Salt Lake City
May 31 – Commodore Ballroom / Vancouver, BC
June 01 – Showbox at the Market / Seattle
June 03 – Crystal Ballroom / Portland
June 04 – Warfield Theatre / San Francisco
June 08 – Humphreys Concerts by the Bay / San Diego
June 09 – Wiltern / Los Angeles
June 12 – Stubbs Waller Creek / Austin
June 15 – House of Blues / Dallas
June 17 – Tabernacle / Atlanta
June 18 – Orange Peel / Asheville
June 20 – Ryman Auditorium / Nashville

Adele: website | myspace | Adele Announces May and June North American Tour, Album Stream Available on NPR