Tag Archive | "Cage the Elephant"

Kanrocksas Announces Remaining Lineup and Single Day Tickets

Kanrocksas Announces Remaining Lineup and Single Day Tickets

has announced the remaining acts and the start of single-day tickets sales for the two-day festival on August 5 and 6. The festival has confirmed a total of 24 acts, which include national bands, DJ’s and live electronic acts, with headliners and .

Newest additions include , , and among others.

Single day tickets will go on sale beginning Wednesday May, 25 at 10AM starting at $89.95.

Check out the official Kanrocksas website for a complete .  www.kanrocksas.com

Posted in Music NewsComments Off

O’Brother Performs New Song Acoustically with Manchester Orchestra’s Andy Hull

O’Brother Performs New Song Acoustically with Manchester Orchestra’s Andy Hull

Currently on tour with and , O’Brother is gearing up for a late summer release, as well as touring throughout the year. The band just released a new song performed with of Manchester Orchestra. Check out the video below:

http://vimeo.com/23962007

www.myspace.com/obrothermusic

Posted in Music NewsComments Off

An Interview With: Chris Freeman of Manchester Orchestra

An Interview With: Chris Freeman of Manchester Orchestra


I had the opportunity to ask of a few questions. The band is currently in the midst of a national tour with co-headliner .

Devon Mueller, Popwreckoning: How does it feel to be releasing your third Simple Math?

Chris Freeman, Manchester Orchestra: It feels great. We’re really very proud of this record and we’re just happy that it’s finally out. After sitting on this thing for as long as we did, one begins to gain a growing desire for feedback. You start to get into your own head about the whole thing in hopes that people will like it.

DM: Did you ever imagine the band being where it is today?

CF: Everybody hopes to be the biggest band in the world, or at least I think they do. On the slow climb that we’ve been on for the past few years, there are always moments of disbelief when we realize that we’ve been blessed enough to be able to do what we do and be successful at it.

DM: How does the writing and recording process work for you guys as a whole? Lyrics, instrumentation, live recordings, etc.?

CF: It varies a lot, but the constant is Andy writing the basic ideas for everything that we come out with; Sometimes he brings in a riff, or a fully fledged out song and we just sort of write parts around whatever he brings to the table.

DM: One could consider you a multi-instrumentalist. Is there a certain instrument you’re particularly fond of?

CF: I really enjoy playing the vibraphone. Sounds stupid but it’s a really versatile instrument; it can sound very beautiful or very haunting. We didn’t get to use one on Mean Everything To Nothing but I jumped at the chance to use one for this record.

DM: During Manchester Orchestra’s live Facebook chat/premiere of “Virgin,”  Andy said the songs on Mean Everything To Nothing were meant to scare people. What is the main focus and goal of Simple Math?

CF: We just wanted to make the best record that we could. It’s definitely an experience as a whole album and each song speaks for itself in their own unique ways. Its a growth album and that growth is evident in the sequencing and we just wanted to bring people along with us in that growth for us as a band.

DM: Any weird pre-show rituals?

CF: We started doing this high-five thing, like in the NBA where they slap hands really low and then immediately pull back. We do that now.

DM: If you could interview any band, dead or alive, who would it be and what’s the one burning question you’d ask?

CF: I’d ask if he’d show me how he found those grooves on Remain In Light and Speaking In Tongues. I just want to know what they started with in the building process of the songs on those records.

DM: Funniest tour moment?

CF: I saw Tim slip today outside of the bus and then I yelled “NERD!!!” That was really funny.

DM: Where do you see yourself in five years?

CF: Hopefully still making records with my friends, playing shows, and living in .

DM: If you weren’t making , what would you be doing?

CF: Probably crying in a closet in somewhere.

Manchester Orchestra’s website: www.themanchesterorchestra.com

Posted in Interviews, Music NewsComments Off

Lollapalooza 2011 reveals lineup

Lollapalooza 2011 reveals lineup

Lollapalooza is celebrating its 20th anniversary and as promised, the recently announced delivers some pretty hefty acts. 

Eminem, , , Muse, My Morning Jacket, and A Perfect Circle will headline the annual event in Grant Park from August 5-7, 2011.

If you missed Death From Above 1979‘s Coachella reunion, Lolla gives fans another chance. There’s also many other classic acts such as The Cars to up and comers The Naked and Famous. You can see the rest of the announced below:

Eminem, Foo Fighters, Coldplay, Muse, My Morning Jacket, Deadmau5, A Perfect Circle, Cee Lo Green, Damian “Jr. Gong” Marley & Nas, the Cars, Ween, Bright Eyes, Arctic Monkeys, Big Audio Dynamite, Deftones, Beirut, Explosions in the Sky, Death From Above 1979, Ratatat, Crystal Castles, Flogging Molly, Atmosphere, , Lykke Li, Cage the Elephant, OK GO, Local Natives, The Kills, White Lies, Portugal. The Man, Two Door Cinema Club, Ellie Goulding, , Beats Antique, Mountain Goats, , Manchester Orchestra, Smith Westerns, Best Coast, Grace Potter and the Nocturnals, , Black Lips, Fitz & the Tantrums, , City and Colour, Ryan Bingham and the Dead Horses, , Noah and the Whale, Sam Adams, J. Roddy Walston and the Business, Tinie Tempah, , Dom, , , Titus Andronicus, , Chico Trujillo, The Naked and Famous, Phantogram, , Friendly Fires, Dale Earnhardt Jr. Jr., Reptar, Maps & Atlases, Fences, Tennis, An Horse, Young the Giant, Los Bunkers, Imelda May, Grouplove, Wye Oak, The Joy Formidable, Lord Huron, Disappears, Walk the Moon, Gold Motel, Iration, Ryan Leslie, Tab the Band, , Christina Perri, , The Pretty Reckless, Boy and Bear, Patrick Stump, Kids These Days, Young Man, The Kingston Springs, Lia Ices, , Ximena Sarinana, Typhoon, Electric Touch, Kerli, Ruby Jane, Julia Easterlin, and DJ Mel.

On Perry’s Stage:

, Pretty Lights, Kid Cudi, the Bloody Beetroots Death Crew 77, AfroJack, Modeselektor, , Perryetty vs. Chris Cox, Chuckie, The Glitch MOb, Busy P, Joachim Garraud, Super Mash Bros., Jay Electronica, 12th Planet, Daedulus, Feed Me, JackMaster, Collie Buddz, , Kyle Lucas and Captain Midnite, Ana Tijouxana, Midnight Conspiracy, L1ght, and Lady D.

Early Bird tickets have already sold out, but you can now buy regular priced tickets for $215 while supplies last. VIP Passes and Travel Packages are also available. A limited number of
Single Day tickets will go on sale June 7. Go here to buy tickets.

Organizers are expecting over 240,000 people.

 

Posted in Concerts, LollapaloozaComments Off

Cage The Elephant – Thank You, Happy Birthday

Cage The Elephant – Thank You, Happy Birthday

To understand Cage the Elephant you have to first view them as a work in progress.

Unlike most musicians, (vocals) and brother (lead guitar) grew up vastly underexposed to due to the strict religious views of their parents. It wasn’t until Matt was in high school that he was able to grab his first , Jimi Hendrix’s Live At Woodstock, which went largely unnoticed thanks to the fog of the divorce his parent were going through. With those conditions it is a wonder that even managed to exist, let alone take their self-titled debut album into the top 100 of Billboard’s chart.

Seriously take a second and imagine beginning anything from scratch at that age. For example, let’s say on your 16th birthday you set off on your quest to learn how to read. No one would honestly expect you to crank out the great American novel within the next five years and somehow manage to have it work its way onto the New York Times Bestseller list. Yet, that’s basically what Cage the Elephant has done in their respective field of music.

However, fans of the self-titled release shouldn’t worry themselves that this departure will leave them missing a band they once loved. Cage the Elephant is absolutely still Cage the Elephant. This will most likely remain true as long as the Shultz brothers are in the band. Their music is a reflection of themselves.

Thank You, Happy Birthday without question retains enough of that “Ain’t No Rest For The Wicked” sound to link the self-titled debut to their sophomore effort. Both cuts focus heavily on the ills of humanity and the social shortcomings of people. In fact, “Always Something,” the opening track from the newest album reminds me very much of “Ain’t No Rest For The Wicked” in terms of story presentation.  Nevertheless, Cage the Elephant has taken that signature energetic sound that encompasses them and built on it. Think of it as an addition.

Thank You, Happy Birthday is a direct reflection of the band’s rapid growth.  Having had limitless time to sit on a spinning records and discovering bands, it is blatantly obvious that Cage the Elephant’s influences have multiplied. Expanding drastically from the 1990s grunge revival for which their self-titled debut waved the banner, their sophomore effort supplies a stronger, punk meets Pavement feel to it at times.  With their guitar riffs seeming slightly more spry and the in song changes appearing more dramatic, references to the next Seattle movement should start to dissipate, making way to praises including words like CBGBs and do it yourself. Frankly, tracks on Thank You, Happy Birthday sound very similar to songs John Cusack would put on a soundtrack. That’s a pretty good thing right?

Cage The Elephant’s Thank You, Happy Birthday hits shelves January 11, 2011. For more information on the release (and to play with their super fun painting pad) please check the bands webpage.

1. Always Something
2. Aberdeen
3. Indy Kidz
4. Shake Me Down
5. 2024
6. Sell Yourself
7. Rubber Ball
8. Right Before My Eyes
9. Tangled
10. Sabertooth Tiger
11. Japanese Buffalo
12. Flow
13. Shiver

4.5 out of 5 stars

Posted in Albums, Music News, SeattleComments Off

Night the Buzz Stole Xmas 1 & 2 @ the Midland, Kansas City MO

Night the Buzz Stole Xmas 1 & 2 @ the Midland, Kansas City MO

Nothing quite says, “It’s the holidays” like a radio show extravaganza and outdid themselves this year. Instead of just one night of amazing alternative , they gave listeners two festive nights at ’s majestic Theater.

The first day of the featured , (last minute replacement for ), and . I must admit, Sleigh Bell’s cancellation made me a little bitter toward the openers for this show. I had just brushed those bands off as “stoner music,” but then The Dirty Heads, the band that should have been the ultimate stoner music with their Sublime-esque sound, blew me away with a surprisingly rocking set that featured some killer covers. Of course, the audience really lit up when Jimmy Eat World took to the stage. The group’s latest effort didn’t really wow me like some of their previous stuff, so I was pleased to see a good mix of older songs in the set so that it wasn’t too new song heavy. The biggest treat of their set was the festive cover of “Last Christmas” near the end of the set. These guys are still as fantastic live as they were when I first saw them years ago.

Gallery photos from Night 1 are courtesy of photographer Ryan Davis.

Jimmy Eat World Set List:
Bleed American
Praise Chorus
My Best Theory
Coffee and Cigs
Futures
Little Thing
Big Casino
Action Needs an Aud.
Pain
Hear You Me
Last Xmas
Blister
Work
Get It Faster
Middle
Sweetness

Night 1 was the sit back and relax to good music evening, but Night 2 demanded that you stand up in dance. Local rockers the started the evening with front woman Alicia Solo strutting her stuff in a peacock costume. Then revved up the crowd with their dance rock similar to the style of the Faint. screamed out for the younger crowd to come forward and mosh (this was a drink break for some of the older crowd that doesn’t really do the whole screamo thing). Then finally, took to the stage with their anthem-packed alternative rock songs. With how much the band embraces the whole concept thing, I was a bit nervous that some songs wouldn’t be able to stand up on their own, but their wasn’t a down moment to their set. They quickly proved to me that it’s true. they’re not ok…they’re fantastic.

Gallery photos from Night 2 are courtesy of photographer Todd Zimmer.

My Chemical Romance Set List:
Na Na Na
Venom
Planetary (Go!)
Not OK
Prison
Sing
House of Wolves
Only Hope
Mama
Black Parade
Teenagers
Ghost
Destroya
Helena
//
Cancer
Kids

Posted in Concerts, Kansas City, Local Scene, Music NewsComments Off

Cage the Elephant in Photos @ the Beaumont Club, Kansas City MO

Cage the Elephant in Photos @ the Beaumont Club, Kansas City MO

The Kentucky rockers in Cage the Elephant, popular for hits such as “In One Ear” and “Ain’t No Rest for the Wicked,” played City’s with a high energy set filled with big guitar solos and bluesy vocals. Photographer Todd Zimmer captured the event:

by Todd Zimmer

by Todd Zimmer

Posted in Concerts, Kansas CityComments Off

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

As much as I love , sun and Chicago, it is a very fortunate thing that is only a weekend long. Next year I am wearing a pedometer just so I can see how much I walked, although I’m not sure why this festival was so much more brutal when I have survived SXSW, and even before.

IMG_4392

IMG_4456

Though it was early in the morning and the final day, a large crowd had already amassed for . Canadian flags with pot leaves in place of the maple were in no shortage as the jam rockers played their songs. While I doubt that I’d go out of my way to buy an album, it was fun to pick up on the choruses and singalong._MG_7501

was next on my agenda and I must say that the Brits (oh , why couldn’t you play every day?) and all the other European bands that crossed the great pond for this fest owned it. Friendly Fires didn’t have that large of a crowd, but they had everybody dancing as they sang “Jump into the Pool” and other tunes. It was difficult to pull away from their set, but I knew my beloved string players in had started their set at the opposite end of the festival.

_MG_7505

_MG_7507

Usually when watching Ra Ra Riot, I geek out over the strings, but today I finally saw how talented of a performer singer is as he was practically skipping about then even ran out to sing as close to the crowd as he could get from the barricade. Even though lyrically they can be a downer band, I was beaming as I watched his glee at performing at Lollapalooza.

tried to mystify with ethereal vocals, creepy angel dolls and shiny spandex.  The only thing I was really mystified by was why she played the piano by just poking it with her pointer fingers. I mean even if that’s all the song needs, the norm is to record the pattern then let it loop. It was just confusing. But she does have a great Bjork voice. I do think their stage show just might fit a little better in a foggy club than the bright outdoors.

_MG_7509

I really wanted to see Cage the Elephant after Joshua told me their Bonnaroo made him think they were the next Nirvana. Not only were they late to the stage, but it was just a messy performance. I couldn’t even force myself long enough to hear the radio tune “Ain’t No Rest for the Wicked”.

_MG_7515

Severely disappointed, I went to , whom have always impressed me in the past. The sound seemed off and I was in need of some more tunage that wasn’t so nostalgic, so I again band jumped to the .

I had an interview scheduled far too many blocks away, so I missed the next few acts, which was a bummer because I couldn’t even find the band I was supposed to interview and by this point, all the walking was making me feel like I would never move again (I later learned that my body aches were a bit more severe than I thought and not quite from the walking, but other problems. Eeks!).

The Raveonettes greeted me as I walked back into the fest. Finally, a band that was worth the hype! The vocals were amazingly powerful and I immediately was bummed that I didn’t run to see them in their entirety. Alas! Perhaps in the future, they’ll swing through my neck of the woods.

Preppy indie darlings came out in thick shades and brightly colored shorts in contrast to their usual khakis and cardigans. A more appropriate dress choice in the unbearable heat. They started off with a new number, but one I had heard before and as Ezra led the crowd through his little yelps and he rocked up on his toes, there was one clear thought I had about this band: they have the most tone deaf fans ever. The audience tries really hard to singalong with this band. They try really, really, really hard, but they are awful. At least the band is good. I know that it is just as popular to hate on this band as it is to love them. I happen to love them and find them and their tunes absolutely adorable (plus I’m a communications major and let’s be real–who gives a fuck about an oxford comma?).

The next bit of the festival is a bit of a blur as severe dehydration started to set in, my leg problem worsened and Ezra’s brilliant idea to make the crowd dance turned into a mosh pit that caused me to get pushed all the way to the front of what would later be a 200,000 person crowd. Exciting, but scary. To be honest, I wasn’t sure how I felt about my new spot by the barricade. On one hand it was exciting. On the other, it was sad because there was no way I could get back through the crowd and see bands on other stages.

_MG_7518

I did get to hear Cold War Kids and , but I couldn’t really see them. It was hella fun to be stared down by ‘s guards on stage and be able to see his phenomenal drummer. I have to hand it to Snoop, he really knows how to work up a crowd (especially considering everybody up front seemed to be waiting for .

I guess I missed out on some excitement at the other end of the venue. Lou Reed went well over his set time, cutting into ‘ set. A pissed off crowd apparently yelled “Fuck off, Lou” and “Boo,” but Band of Horses politely started their set and even kept playing after “The Funeral” ended and Jane’s Addiction started.

I doubt that anybody is surprised that I wanted to see the Killers over Jane’s Addiction and reports of crowd sizes between the two headlining stages make it sound like I was not in the minority. It also sounds like from other reports that I picked the better of the two shows. Perry may have started this festival, but it has outgrown him and his gaudy tactics.  A helicopter shined a spotlight on the audience, the band was joined by vaudevillian (cough prostitutes cough) characters and even invited ‘s guitarist to join them for “Jane’s Says”. Yes, I am very glad I missed that abuse of music.

The Killers have a big stage show and lights, but at the heart of their performance, they don’t rely on the gimmicks that the night’s other headliner used. Their stage show was more so used to compliment the theme and vibe of the latest album. It enhanced the music instead of detracting. They had their palm trees and lights, and in the heat, it really did feel like the Killers transported all of us from Chicago to their home of Las Vegas.

The band has really grown into their element and while they have headlined countless European festivals, just this past year have they received that same honor in the States. I think this might have been their largest audience on U.S. soil.

As the Killers played, each song got better and bigger than the last. Singer seemed especially chatty and happy this night as he told the tale of how he and first met and wrote “Mr. Brightside” (true story) to a mystical tale of the band’s travels to get to Lollapalooza (slightly exaggerated). Flowers’ extra happiness might be attributed to the fact that his second son was born the week prior to the festival.

Though I’ve seen this band many times before, they still brought out a few surprises like an extra verse addition to “Bling”, a song that was never a single, but has easily become one of their most popular live hits. And while there was no Lou Reed guest spot as many–myself included–speculated, this set still took Lollapalooza out with a a nice “twist with a shout.” Reference to obscure? Get yourself to an iPod or a Killers show asap.

_MG_7538

_MG_7523

_MG_7524

_MG_7529

_MG_7536

_MG_7542

_MG_7546

Lollapalooza: Sunday in summary:
Best set of the day: We know I loved the Killers. What a great way to end the fest. I guess I’ll throw Friendly Fires a bone here, too.
Best surprises of the day: Aerosmith members during Jane’s is a surprise, but not a good one (please don’t let them headline 2010 like Perry joked). Band of Horses making up for Lou Reed stealing their set time and playing against Jane’s Addiction is pretty awesome.
Breakthrough of the day: Friendly Fires.
Biggest let downs of the day: Cage the Elephant. Ugh. Lou Reed. And no Lou Reed at the Killers, but my understanding is that again was Lou Reed’s fault and the Killers tried to get him to join them. Oh and that the root of my pain was not all the walking, but was a spider bite that has caused my leg to swell, turn red, give me a fever and is serious enough that I need to go the ER like asap.
Crazy crowd moment: Let’s just say that Snoop Dogg made some people who had just met feel extra close. I feel a bit scandalized.

Lollapalooza: website | schedule | set lists

Posted in ConcertsComments (3)

Bonnaroo Update Day 4: Sunday, June 14

Bonnaroo Update Day 4: Sunday, June 14

I love , but it is lucky that it is only four days. I don’t think my body could have moved if it had been a fifth day. Part of the reason for my extra soreness might have been due to sleeping in the car instead of the tent. My camp partner kept moving the tent despite it being five in the morning and in frustration, I just crashed in the car. Seat belts in the back are not much more comfortable than sleeping in the ground. Feeling extra gross, I actually paid the five dollars for a cold shower before I was ready to take on Sunday.

Joshua caught the first act of the day, , which he describes as “This generation’s .”

cage the elephant

Following Cage the Elephant in energy and in craziness was Dillinger Escape Plan. The screaming is not really my cup of tea, but as they climbed over amps, the guys continued to keep their musicianship tight.

dillinger

We calmed down a bit with the songwriter stylings of . Though really a solo project, her drummer came very close to outshining her.

jlm

jessica mayfield (19)

jessica mayfield (20)

Another lady rocked our hearts after Mayfield. The buzzed about YouTube queen, delivered hits and covers on her sharpie-decorated guitar and ukulele. Nunes and her friends whipped out sunglasses to look like true “douches” when covering a “douche” song before playing a cover of ‘s “Don’t Trust Me”. After witnessing her humor in person, it is easy to see why she became such a YouTube sensation.

julia nunes (58)

julia nunes (25)

Josh and I again parted ways after Nunes. He had yet to witness the masterful sounds of ‘s whistling and violin playing, so he went to the Which Stage.

andrew bird

Meanwhile, I ventured over to the Other Tent for my first time in the entire festival. The there was warm and I don’t mean the muggy Tennessee weather. The people and workers there felt more like a family than the other tent. It probably had a lot to do with the line up there, too. As the bare footed, , jammed and danced away on stage, it was hard to not feel like you were at a party with your closest friends.

Brett Dennen’s Set List:
Someday
When You Feel It
So Far From Me
San Fran
Darlin
Who Do You Think
She’s Mine
I’m Strong
Heaven
Crazy
Blessed

brett dennen (11)

brett dennen (20)

brett dennen (30)

After Dennen, was next up. Will Sheff really is an amazing songwriter, but I had never really given him credit for his stage presence until this performance. As he passionately gripped the microphone, he danced around the stage.

okkervil river (12)

okkervil river (50)

okkervil river (24)

Josh and I briefly crossed paths as he worked his way over to catch Arizona rockers at the Troo Lounge. They’ve been busy on the festival circuit and have their performance down to a science.

dear and the headlights

dear and the headlights 1

I worked my way over to What Stage to catch none other than . He was sporting some bling, but his set lacked the usual paraphernalia I had seen with it. joined him for some numbers, but while everyone else buzzed about that, I could not help getting excited over Snoop’s drummer. With a flick of the wrist the guy was artfully drumming and tossing sticks everywhere. I guess I didn’t give rap and hip hop drummers enough credit, but this guy was better than all the drummers I had seen the entire festival.

snoop dogg (7)

snoop dogg (32)

‘ gentle tunes were warming up the Which Stage as I walked over to see Neko Case. She showed she had a sense of humor by doing a duet with the Insult Dog.

neko case (7)

Josh watched one of the best sets of the festival by Coheed and Cambria. Big hair and tongues wagging, these guys embodied what it meant to be a rock star. I had never seen them with a girl before, but as she picked up some of the higher notes, I soon learned her purpose. has enough on his plate without having to keep up the breath support to do his signature falsetto the entire time. For example, he was busy teaching the audience that it was in fact possible to play an instrument using your hair.

coheed

Ending the festival, just as they began it by headlining, was . Phish fans celebrated before their set with a tortilla fight. Then as Phish jammed, one final festival surprise awaited. had stuck around to do a final guest appearance. Since he’s The Boss, Phish played a few Springsteen songs with him before bidding him goodnight and jamming some more. Fireworks heralded the end of the festival and people flocked back to their tents and back to their homes.

phish (15)

phish (32)

phish (59)

Bonnaroo 2009 was a huge success filled with classic and new talent thanks to Big Hassle. While I think I might settle on hotel instead of a camp, I’m excited already thinking about the next year. Here’s to Bonnaroo 2010!

Bonnaroo: website | Day 1 | Day 2 | Day 3 | Of Montreal @ This Tent | Spotted: Drew Barrymore | Quick News 1 | Quick News 2

Photos by: Bethany Smith and Joshua Hammond

Posted in ConcertsComments (2)


Like us!

Advertise with PopWreck!

To keep this site up and running, we reserve the sidebar for ads. In that case, put your ad here. All that's needed is for you to fill out this lovely form.

disclaimer

All media content contained within PopWreckoning is meant to enhance reader appreciation for the art and medium. Please support artists you discover here by purchasing albums, attending shows and buying merch.
Contact us should you wish for certain media to be removed from PopWreckoning.

Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
"PopWreckoning is better than Pitchfork." - Shawn Fogel

PopWreckers

Publisher ::
Nick Davis (Kansas City)

Editor-in-Chief ::
Joshua Hammond (Kansas City): email

Music Editor ::
Casey Osburn (Kansas City)

Literature Editor ::
Devon Mueller (Columbia, Mo)

Movie Editor ::
David Womeldorff (Kansas City)

Music Contributors ::
Mary Chang (DC)
Melissa Cowan (Kansas City)
Jeffrey Whitelaw (Kansas City)

Staff Photographers ::
Todd Zimmer (Kansas City) Scott Spychalski (Kansas City)

Music Submissions ::
Music Contact

Movie Submissions ::
Movies Contact

Literature Submissions ::
Literature Contact

Comics Submissions ::
Comic Book Contact

Television Submissions ::
Television Contact