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An Interview With: Chris Freeman of Manchester Orchestra

An Interview With: Chris Freeman of Manchester Orchestra


I had the opportunity to ask of a few questions. The band is currently in the midst of a national tour with co-headliner .

Devon Mueller, Popwreckoning: How does it feel to be releasing your third album Simple Math?

Chris Freeman, Manchester Orchestra: It feels great. We’re really very proud of this record and we’re just happy that it’s finally out. After sitting on this thing for as long as we did, one begins to gain a growing desire for feedback. You start to get into your own head about the whole thing in hopes that people will like it.

DM: Did you ever imagine the band being where it is today?

CF: Everybody hopes to be the biggest band in the world, or at least I think they do. On the slow climb that we’ve been on for the past few years, there are always moments of disbelief when we realize that we’ve been blessed enough to be able to do what we do and be successful at it.

DM: How does the writing and recording process work for you guys as a whole? Lyrics, instrumentation, live recordings, etc.?

CF: It varies a lot, but the constant is Andy writing the basic ideas for everything that we come out with; Sometimes he brings in a riff, or a fully fledged out song and we just sort of write parts around whatever he brings to the table.

DM: One could consider you a multi-instrumentalist. Is there a certain instrument you’re particularly fond of?

CF: I really enjoy playing the vibraphone. Sounds stupid but it’s a really versatile instrument; it can sound very beautiful or very haunting. We didn’t get to use one on Mean Everything To Nothing but I jumped at the chance to use one for this record.

DM: During Manchester Orchestra’s live Facebook chat/premiere of “Virgin,”  Andy said the songs on Mean Everything To Nothing were meant to scare people. What is the main focus and goal of Simple Math?

CF: We just wanted to make the best record that we could. It’s definitely an experience as a whole album and each song speaks for itself in their own unique ways. Its a growth album and that growth is evident in the sequencing and we just wanted to bring people along with us in that growth for us as a band.

DM: Any weird pre-show rituals?

CF: We started doing this high-five thing, like in the NBA where they slap hands really low and then immediately pull back. We do that now.

DM: If you could interview any band, dead or alive, who would it be and what’s the one burning question you’d ask?

CF: I’d ask if he’d show me how he found those grooves on Remain In Light and Speaking In Tongues. I just want to know what they started with in the building process of the songs on those records.

DM: Funniest tour moment?

CF: I saw Tim slip today outside of the bus and then I yelled “NERD!!!” That was really funny.

DM: Where do you see yourself in five years?

CF: Hopefully still making records with my friends, playing shows, and living in .

DM: If you weren’t making music, what would you be doing?

CF: Probably crying in a closet in somewhere.

Manchester Orchestra’s website: www.themanchesterorchestra.com

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Podwreck featuring Manchester Orchestra

Podwreck featuring Manchester Orchestra

is back and this time Melissa and Casey caught up with the multi-talented of Manchester Orchestra to talk about life, the universe and everything...Or well, everything relating to life in .

Freeman provides keyboards, vocals and additional percussion to the popular Georgia indie rock band know for hits such as “I’ve Got Friends” and “Shake It Out.”

Check out the full interview below:

 

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Lollapalooza: Friday, Day 1 @ Grant Park, Chicago

Lollapalooza: Friday, Day 1 @ Grant Park, Chicago

After already popping my Lollapalooza cherry in 2008 and coming back home actually looking like a cherry, I came prepared to Lollapalooza 2009 with lots of sunblock and summer dresses. However, Friday quickly showed that 2009 would not be like 2008 in that regard. As a cold rain trickled throughout the day, I spent the entire day shivering uncontrollably and cursing that I had left my sweatshirt 30 minutes away at the Catholic worker house that I was crashing at. In an attempt to warm up, I even tried to buy one of the absurdly expensive festival sweatshirts, but every booth was sold out, leading me to curse some more.

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I was not alone in my cursing of the way events transpired that day. As kicked off the day over at the PlayStation Station, severe technical difficulties cut their set abruptly short. The large crowd which had gathered to hear the band that has exploded onto the scene since JC Penny started playing them in a commercial was disappointed, but Hockey tried to make up for the sound problems by jamming out with an impromptu drum solo and then throwing beer into the crowd (which I am sure made security happy as who knows how many minors caught those cans).

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It was a tough call to choose between and . Manchester Orchestra is a band I’ve seen several times before and they have always impressed, but Hey Champ has been getting a lot of buzz lately, so I wanted to see them too. I watched a few Manchester Orchestra songs first. I was impressed with how extra intense the yowls of were and how extra beardy he looked. Despite Hull’s chops, always steals the show with alternation from keyboard playing to air guitar.

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I dashed over to catch some Hey Champ and as I was walking up, they warned the front row to “cover your faces because this next song will make them melt.” Now, while there wasn’t a re-enactment of Indiana Jones: Raiders of the Lost Arc, the electropop rock of Hey Champ might have at least rocked socks if they didn’t melt faces. I’m not sure I saw enough to decide if they were worth all the hype, but they are worth looking into further.

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were next on my schedule. Despite not being a part of the usual genre that I like, it was fun to watch as the hip hop/rap crew invited fans on stage then proceeded to teach us how to do a dance and “put it in the air.” Despite the unnecessary swearing and the confusion of what song was about to be played (they would start a song, say it didn’t feel right and play something else), it was a blast to be in the crowd.

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I was again torn at 2:00 p.m. as to whom I should see. I started with a bit of Jersey rockers . I’m not sure if if was them, sound problems or the weather, but something was just off and I left early, unimpressed. I went to the opposite end of the venue to watch some White Lies, which started to lift my spirits in the cold rain, but still was not enough to wow me.

The “wow” band was soon to come. And I caught tucked away on the BMI stage. The crowd wasn’t the largest of the day ( was a few stages over and was getting ready to play as a special guest over at Kidzapalooza), but the people there were excited to see him. I was especially excited to see him get his own set at Lollapalooza this year after he surprised us last year by joining on stage for their performance. Kevin sang his heart out, but the crowd got distracted when they noticed Manchester Orchestra’s Andy Hull sitting on stage mouthing along to the set. As the overzealous crowd yelled for a guest performance, Hull eventually left the stage to let Kevin enjoy his moment in the spotlight. Hopefully no hard feelings, the crowd did not mean to make diminish his performance with their request.

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I took a break to do an interview and got back in time to catch some . His piano chords carried throughout the streets and as  I heard “You Don’t Know Me” start, I ran over in hopes of seeing a surprise guest of some sort do the part. The song was great, but I was disappointed to see that no guest would be joining him and a recording track would take care of the part. Alas.

The perfect harmonies of the warmed me up a bit, and I especially enjoyed their good humor as they joked about their beards. I would have liked to have heard some more new songs, but like many Lollapalooza bands, they stuck to what people knew and shied away from anything that was still in the works.

Tummy grumbling from a long day, I skipped the , whom I heard were a bit of a let down, and walked past the jams of Thievery Corporation to grab some food and wait for .

As I expected, Of Montreal owned the day with their clusterfuck of a stage show. Costumed characters, balloons, confetti, trippy videos, glitter and more, they not only were tight as musicians, but they were the best performers of the day, really interacting with the crowd. They even had the best surprises. Janelle Monae joined for a few numbers, some of the stage performers surfed the crowd in an inflatable boat and to end the set, the singer tossed his guitar up in the air twice. When it didn’t break he just handed the whole guitar to a kid in the front row. Imagine going to a festival and leaving with a souvenir that was an entire guitar. Mind-blowing.

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It was actually really hard to be super impressed after that set. were kind of boring for a follow-up to Of Montreal. was cool, since they’re fairly legendary and influential to some of my personal favorite bands (Killers at Lollapalooza on Sunday!!!), yet again, they couldn’t beat out Of Montreal as my most memorable act of the day.

Lollapalooza doesn’t end at 10 p.m. People flooded off in all directions to hit up after parties, both official and unofficial. I hit up one that was supposed to feature and the Knux and an open bar (holla!). After a bit of a Nick and Norah’s Infinite Playlist moment–where’s bunny–they told us we had the wrong entrance and the line of people mad dashed to the other side, we finally got into this party. The acts did show, but went relatively unannounced and only did like one number, but the open bar was still pretty ace. The only performer who was there the whole time was a very intoxicated , but he was just enjoying the party.

Lollapalooza: Friday in summary:
Best set of the day: Of Montreal
Best surprises of the day: Of Montreal giving away an entire guitar, Janelle Monae, LeAnn Rimes
Breakthrough of the day: Kevin Devine
Biggest let downs of the day: Kings of Leon, Decemberists
Crazy crowd moment: Saw a woman taking a dump in the middle of the crowd at Depeche Mode…ew!!!

Lollapalooza: website | schedule | set lists | saturday

Posted in ConcertsComments (3)

Manchester Orchestra @ The Record Bar, Kansas City

Manchester Orchestra @ The Record Bar, Kansas City


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