Tag Archive | "clap your hands say yeah"

Clap Your Hands Say Yeah Announce New Record ‘Hysterical’

Clap Your Hands Say Yeah Announce New Record ‘Hysterical’

has announced the upcoming release of its third album titled Hysterical. The band’s first album in four years is due in stores September 20th in the U.S. and September 12th in the , Europe, Japan, and Australia.

The band plans to celebrate its release of Hysterical with a series of live appearances, including festival performances at End of the Road Festival 2011 at the Larmer Tree Gardens, North Dorset, UK, on September 2nd – 4th, The Festival in , on September 9th – 10th, as well as ’s Outside Lands & Arts Festival on August 12th – 14th; ’ Sunset Junction Street Fair on August 27th – 28th. Clap Your Hands Say Yeah has also slated a number of European headline dates, with September stops set for Sheffield, Brighton, London, Berlin, Paris, Amsterdam, and Cologne with more shows in the US and abroad to be announced soon.

Check out the video teaser trailer:

Clap Your Hands Say Yeah / Hysterical from CYHSY on Vimeo.

www.clapyourhandssayyeah.com

 

 

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Alec Ounsworth of Clap Your Hands Say Yeah goes solo

Alec Ounsworth of Clap Your Hands Say Yeah goes solo

is excited to announce the upcoming release of Mo Beauty from celebrated singer/songwriter . The Philadelphia native, who earned acclaim with his band , recently recorded his debut solo record in the -steeped metropolis of New Orleans at the famed Piety St. recording studio.

For Mo Beauty, Ounsworth was backed by on bass, on drums, on keys, and on baritone and pedal-steel guitars, with additional help from some members of the diversely talented New Orleans community. The album was produced by veteran musician/producer and fellow Philadelphian Steve (Los Lobos, John Lee Hooker, The Replacements), who initially suggested the New Orleans setting.

“I met Steve while I was in New Orleans. He said, ‘Do you want to make a record?’ And I said, ‘Maybe.’ You see, I was just starting to work on the record, and was working on other projects as well. Nevertheless, it seemed I had some songs ready to be put forward (most old, some new) and so ‘maybe’ became ‘yes’ in relatively short order.

New Orleans informed the spirit of the record, as it should. It’s not a ‘New Orleans record,’ though, because, besides “Holy, Holy, Holy Moses”, most of the songs weren’t written specifically for New Orleans . . . Any record can be influenced by its location aesthetically, and some are more than others. So it was with this record . . .it is New Orleans, after all.” – Alec Ounsworth

Mo Beauty will be released on October 20, 2009.

Tracklistings:
01. Modern Girl ( . . . with scissors)
02. Bones in the Grave
03. Holy, Holy, Holy Moses (song for New Orleans)
04. That is not my Home (after Bruegel)
05. Idiots in the Rain
06. South Philadelphia (Drug Days)
07. What Fun.
08. Me and You, Watson
09. Obscene Queen Bee #2
10. When You’ve No Eyes

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Fun Fun Fun Fest 2008

Fun Fun Fun Fest 2008

(FFFun Fest) is a festival in , Texas that is a blend between both Austin City Limits (ACL) and South By Southwest (SXSW). FFFun Fest is a quad-fecta of punk rock , dance , indie , and standup comedy on four different stages located at Waterloo park in downtown Austin.

This year, FFFun Fest brought in a few bigger named bands that might appear at ACL, as well as some other smaller ones that you might find in the lineup of a venue during SXSW. However, since it is an Austin festival, and we do like to keep things on the weird side, this festival had it all. Everything that the concert goer might want at a , they could find at FFFun Fest. The festival was equipped with the good eats of Austin, a few local shops, the 101x radio crew booth, as well as a half-pipe for whom ever wanted to skate it between bands.

The first day was filled with music pleasurable to your ears with such bands as (8:40 pm – 9:40 pm), (7:35 pm – 8:35 pm), (6:30 pm – 7:30 pm),…And You Will Know Us By The Trail of Dead (4:50 pm – 5:35 pm), all of which played their hearts out. Whether it be lions and tigers masquerading on the stage during Deerhoof or the drunkenness of The National, everything went pretty smoothly, other than the technical delays that occurred after every single band that went on. However, it did not make that big of a difference in the waiting time between each band. Unlike most music festivals, there was no hour long wait between each band. Each one went on right after the other with only a five to ten minute wait between them.

Later in the day, after everyone was done wandering from stage to stage checking out the different kinds of music that Fun Fest had to offer, when …And You Will Know Us By The Trail of Dead came on, it was then that everyone started to stake out their own spot for the headliners that were to come on shortly thereafter. I must say Trail Of Dead put on quite the performance for their fellow Austinites. It was not until Atmosphere came on that first night that anyone could really tell how many people where there at the festival (or how dusty it had gotten from the loose dirt on the ground that everyone seemed to be kicking up). Everyone in the audience was ready and Atmosphere knew it. And like all great musical front men (or women), he knew exactly how to work the crowd and get them involved to feel like a part of the music.

Once the crowd used up the last of their energy that they had for the day, it was time for the National to come on to play their mellow indie rock, which would end the night on a perfect note. Having never seen them live, I was unaware of how much alcohol the band could consume in one night, which only added to their performance: fell over after trying to sit down on one of the monitors, randomly threw his mic stand into the audience in the middle of one of his songs, and ended the night by throwing his mic into the audience to fight over as he walked off the stage. No matter how drunk he might have been, the music was perfect. And that was only the end of the first night.

The second day was not as dramatic as The National’s performance, but was nonetheless entertaining. The headlining bands of the second night included (8:40 pm – 9:40 pm), (7:35 pm – 8:35 pm), (6:30 pm – 7:30 pm), and Bad Brains (8:45 pm – 9:45 pm). Starting with St. Vincent (whom I had the pleasure of meeting after her set, lovely lady!), goes above and beyond when playing everywhere that she goes. She played her music from her soul and everyone listening knew it. Unlike the day before, the technical delays of day two were minimal, so Minus The Bear went on right after St. Vincent with perfect ease. Having played several songs off their new EP, the feeling that people got from their music was contagious and spread like a wild fire in California. The night ended with Clap Your Hands Say Yeah. Perfect is about all I can say: it was beautiful.

Make the journey to Austin next fall to see what all Fun Fun Fun Fest is about!

Fun Fun Fun Fest: website | myspace

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Army Navy – Army Navy

Army Navy – Army Navy

Arguably the to ’s better known in the mid-90s band , front man has his work cut out for him if he hopes to make a name for himself solo. So far, judging from his new band’s self-titled debut, he sounds content to just play it safe, not so much following as driving parallel to the indie pop road paved by his former colleague’s Death Cab. The result is an amiable, but unremarkable effort that while ripe with potential to explore on future efforts, lacks distinctiveness in and of itself.

by Travis Schneider

by Travis Schneider

Despite being produced by — whose resume most notably includes albums by the likes of indie faves and !– the album has an acute Britpop feel, evoking memories of groups from early to early to . The sound of the former act is particularly prevalent in the opening trio of “Dark as Days,” “My Thin Sides” and “Saints.” All three songs rock with a breezy, Bandwagonesque propulsion that one hopes the rest of the album can deliver just as easily.

However, what follows slips not so much into a consistent groove as a comfortable rut. The songs are far from unappealing. In fact, many of them are catchy and downright enjoyable individually. The problem is that together, they are completely transposable, hence robbing the album of momentum. Perhaps tellingly, the only song that even mildly stands out from the rest of the pack is the song that most closely resembles Kennedy’s former Pinwheel partner: “Unresponsive Ears” has a undeniable jangly charm, laced with what sounds like glockenspiel and blossoming lovely layer after layer of guitar with each passing chorus. It would have sounded right at home on the last album, but it doesn’t help on a debut album struggling for a unique identity.

Regardless of the album’s innocuous, interchangeable nature, the band displays a seasoned prowess in its execution. Kennedy’s lyrics are appropriate for the sound if a little generic in subject matter, and he often sings like a more nasal (yet another American indie staple). Diverting but non-descript, these songs are the perfect fodder for teen movie soundtracks, which is fitting given how they’ve been tapped for the upcoming vehicle “Nick and Norah’s Infinite Playlist.” That will no doubt give them a modest boost for passing recognition, but they’ll need to push a little harder next time (and there’s enough raw talent on display here to justify a next time) for real longevity.

Army Navy’s debut album is released Oct. 14, 2008 by the Fever Zone.

Tracklisting:
01. Dark As Days
02. Jail Is Fine
03. Saints
04. Silvey Sleds
05. My Thin Sides
06. Unresponsive Ears
07. Slight Of Hand
08. Pocket Boys
09. Ignite
10. Snakes of Hawaii
11. In the Lime
12. Golden Pony

Army Navy: myspace | interview with

Written by:

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Choke Soundtrack Released September 23rd

Choke Soundtrack Released September 23rd

is proud to announce that the soundtrack to the subversively comedic film Choke, based on the novel by the same name, will be released on September 23, 2008. The album, a digital-only release, will have the seven songs from the film and eight others that are significant to actor, director and screen writer ‘s vision while he was making it. Highlights include previously recorded songs by the likes of , , , , The , The Twilights Singers and .

Most notable additions are the previously unreleased or rare tracks that appear on the record, among them “Orgasm Addict” by The as sung by the band’s original singer , a great version of The Doors‘ “Crystal Ship” by the incomparable , and the original version by s current hit single “Don’t You Ever.” In a very cool turn of events, the full tracklisting and comments on each song by Gregg are below.

Pictures and ATO Pictures present Choke, a /ATO Pictures Production. Actor-turned-director Gregg shows he is as adept behind the camera as he is in front of it with this wickedly comedic tale of Victor Mancini, con artist, sex addict, Colonial village re-enactor, angst-filled son, serial restaurant choke — and unsuspecting romantic antihero for our unsettling times.

Choke, which ran away with the Special Jury Prize for Best Work by an Ensemble Cast at this year’s Sundance Film Festival, is not only a cathartic and romantic satire about uncontrolled lust, lost faith, childhood trauma, mad addictions, bizarre fantasies and blockages both emotionally and literally, but also about second chances, redemptive moments and true love – that is, it’s about modern life.

The film will be in theatres on September 26th and features an ensemble cast including Sam Rockwell, , Kelly Macdonald, Brad William Henke and . composed the score.

Tracklisting w/ comments by Gregg:
01. Ben Kweller – “The Rules”

Ben Kweller kicks ass. These lyrics feel like Victor Mancini’s rowdy, pissed-off subtext. I love that it starts off the soundtrack with some slamming indie rock and that it comes in during the colonial village while we’re looking at all the puffy shirts and bonnets.

02. The Natural History – “Don’t You Ever” (rare)

I only found this band recently, but I listened to them all through post. Max Tepper’s vocals are superb. I actually prefer this version to the one by Spoon and I’m a huge Spoon fan. The band broke up a few years ago. I’m going to picket their houses until they get back together.

03. Fiery Furnaces – “Navy Nurse”

This groove just takes your breath away.

04. Radiohead – “Reckoner”

Like most people, I am a huge Radiohead fan. The adaptation took me years to write so I wrote it first to Kid A, then Amnesiac and then Hail to the Thief. Later, I learned from Chuck Palahniuk that he had written the novel while listening to their song, “Creep.” In Rainbows came out while we were editing and I used almost every track in my early temp cuts of the movie. They all fit really well, but I particularly loved “Reckoner.” The tension between Thom Yorke’s keening vocals and Phil Selway’s brilliant, driving drum track fit so perfectly that it worked almost like score. I was truly dreading the day when we’d have to take it out. Somehow ATO Pictures producer, Johnathan Dorfman persuaded their manager to show the band some footage and to our shock they were generous enough to let us use the song. It’s a monumental addition to the movie.

05. Alap Momin – “Sin Terror”

I love this jam. We needed for the strip-club scenes and supervisors Lyle Hysen and Ken Weinstein knew Alap Momin from the band Dälek and he was kind enough to cook this up just for the movie. He even tailored the tracks to the scenes. The driving discordant build they layered into this piece feels like it’s feeding the tension between Denny and Victor.

06. Clap Your Hands Say Yeah – “Satan Said Dance”

I loved their first album and we needed something dark but not too heavy for Victor’s sudden rollercoaster ride back to the dark side. Hysen and Weinstein pitched this song and when we saw it over the scene it was just right.

07. Buzzcocks – “Orgasm Addict” (rare)

This is the anthem. I sort of grew up loving The Buzzcocks, moshing my way through their songs in the East Village. I must have played it every day I was writing “Choke.” I always thought we’d open the movie with it, but it didn’t work out. In any case here is a cool alternate version with a more deadpan feel and at least it made it on to our soundtrack.

08. Death Cab For Cutie – “No Sunlight”

What can you say, they’re just really, really good.

09. Blitzen Trapper – “Wicked” (unreleased)

We listened to a lot of Blitzen Trapper during the crazed five-week summer shoot. It just seemed to fit with spending your 18-hour days in a sweltering mental hospital. They’ve got some excellent chaos going on.

10. Ms. Tyree Sugar Jones – “If You Feel It”

This plays in another tricky scene where everything we tried felt wrong. And then I got turned on to the soulful sexy stylings of Ms. Tyree “Sugar” Jones. You put this on and you know some clothes are coming off.

11. My Morning Jacket – “Touch Me I’m Going To Scream Pt 1″

We’re all big Jacket fans. Listened to them constantly during the shoot. Very proud to have them on here.

12. Shout Out Louds – “Bicycle” (rare)

Nothing like a little kick ass Swedish indie rock. They’re like The Shins’ attitudinal Scandinavian cousins.

13. – “There’s Been An Accident”

One of the producers, Contrafilm’s Beau Flynn, and I have been Greg Dulli fans for years. I listened to The Twilight Singers a lot when I was writing the script. The song is really moving in a haunting, portentous way that really works for the movie.

14. Nicole Atkins – “Crystal Ship” (unreleased)

Brilliant. She’s got a great torchy, Peggy Lee sound with just enough tongue in cheek to feel like a perfect citizen of the Palahniuk world.

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