Tag Archive | "Dave Keuning"

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

As much as I love music, sun and Chicago, it is a very fortunate thing that is only a weekend long. Next year I am wearing a pedometer just so I can see how much I walked, although I’m not sure why this festival was so much more brutal when I have survived SXSW, Bonnaroo and even before.

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Though it was early in the morning and the final day, a large crowd had already amassed for . Canadian flags with pot leaves in place of the maple were in no shortage as the jam rockers played their songs. While I doubt that I’d go out of my way to buy an album, it was fun to pick up on the choruses and singalong._MG_7501

was next on my agenda and I must say that the Brits (oh , why couldn’t you play every day?) and all the other European bands that crossed the great pond for this fest owned it. Friendly Fires didn’t have that large of a crowd, but they had everybody dancing as they sang “Jump into the Pool” and other tunes. It was difficult to pull away from their set, but I knew my beloved string players in had started their set at the opposite end of the festival.

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Usually when watching Ra Ra Riot, I geek out over the strings, but today I finally saw how talented of a performer singer is as he was practically skipping about then even ran out to sing as close to the crowd as he could get from the barricade. Even though lyrically they can be a downer band, I was beaming as I watched his glee at performing at Lollapalooza.

tried to mystify with ethereal vocals, creepy angel dolls and shiny spandex.  The only thing I was really mystified by was why she played the piano by just poking it with her pointer fingers. I mean even if that’s all the song needs, the norm is to record the pattern then let it loop. It was just confusing. But she does have a great voice. I do think their stage show just might fit a little better in a foggy club than the bright outdoors.

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I really wanted to see after Joshua told me their Bonnaroo made him think they were the next . Not only were they late to the stage, but it was just a messy performance. I couldn’t even force myself long enough to hear the radio tune “Ain’t No Rest for the Wicked”.

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Severely disappointed, I went to the Airborne Toxic Event, whom have always impressed me in the past. The sound seemed off and I was in need of some more tunage that wasn’t so nostalgic, so I again band jumped to the .

I had an interview scheduled far too many blocks away, so I missed the next few acts, which was a bummer because I couldn’t even find the band I was supposed to interview and by this point, all the walking was making me feel like I would never move again (I later learned that my body aches were a bit more severe than I thought and not quite from the walking, but other problems. Eeks!).

greeted me as I walked back into the fest. Finally, a band that was worth the hype! The vocals were amazingly powerful and I immediately was bummed that I didn’t run to see them in their entirety. Alas! Perhaps in the future, they’ll swing through my neck of the woods.

Preppy indie darlings came out in thick shades and brightly colored shorts in contrast to their usual khakis and cardigans. A more appropriate dress choice in the unbearable heat. They started off with a new number, but one I had heard before and as Ezra led the crowd through his little yelps and he rocked up on his toes, there was one clear thought I had about this band: they have the most tone deaf fans ever. The audience tries really hard to singalong with this band. They try really, really, really hard, but they are awful. At least the band is good. I know that it is just as popular to hate on this band as it is to love them. I happen to love them and find them and their tunes absolutely adorable (plus I’m a communications major and let’s be real–who gives a fuck about an oxford comma?).

The next bit of the festival is a bit of a blur as severe dehydration started to set in, my leg problem worsened and Ezra’s brilliant idea to make the crowd dance turned into a mosh pit that caused me to get pushed all the way to the front of what would later be a 200,000 person crowd. Exciting, but scary. To be honest, I wasn’t sure how I felt about my new spot by the barricade. On one hand it was exciting. On the other, it was sad because there was no way I could get back through the crowd and see bands on other stages.

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I did get to hear Cold War Kids and , but I couldn’t really see them. It was hella fun to be stared down by ‘s guards on stage and be able to see his phenomenal drummer. I have to hand it to Snoop, he really knows how to work up a crowd (especially considering everybody up front seemed to be waiting for .

I guess I missed out on some excitement at the other end of the venue. went well over his set time, cutting into ‘ set. A pissed off crowd apparently yelled “Fuck off, Lou” and “Boo,” but Band of Horses politely started their set and even kept playing after “The Funeral” ended and Jane’s Addiction started.

I doubt that anybody is surprised that I wanted to see the Killers over Jane’s Addiction and reports of crowd sizes between the two headlining stages make it sound like I was not in the minority. It also sounds like from other reports that I picked the better of the two shows. Perry may have started this festival, but it has outgrown him and his gaudy tactics.  A helicopter shined a spotlight on the audience, the band was joined by vaudevillian (cough prostitutes cough) characters and even invited ‘s guitarist to join them for “Jane’s Says”. Yes, I am very glad I missed that abuse of music.

The Killers have a big stage show and lights, but at the heart of their performance, they don’t rely on the gimmicks that the night’s other headliner used. Their stage show was more so used to compliment the theme and vibe of the latest album. It enhanced the music instead of detracting. They had their palm trees and lights, and in the heat, it really did feel like the Killers transported all of us from Chicago to their home of Las Vegas.

The band has really grown into their element and while they have headlined countless European festivals, just this past year have they received that same honor in the States. I think this might have been their largest audience on U.S. soil.

As the Killers played, each song got better and bigger than the last. Singer seemed especially chatty and happy this night as he told the tale of how he and first met and wrote “Mr. Brightside” (true story) to a mystical tale of the band’s travels to get to Lollapalooza (slightly exaggerated). Flowers’ extra happiness might be attributed to the fact that his second son was born the week prior to the festival.

Though I’ve seen this band many times before, they still brought out a few surprises like an extra verse addition to “Bling”, a song that was never a single, but has easily become one of their most popular live hits. And while there was no Lou Reed guest spot as many–myself included–speculated, this set still took Lollapalooza out with a a nice “twist with a shout.” Reference to obscure? Get yourself to an iPod or a Killers show asap.

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Lollapalooza: Sunday in summary:
Best set of the day: We know I loved the Killers. What a great way to end the fest. I guess I’ll throw Friendly Fires a bone here, too.
Best surprises of the day: Aerosmith members during Jane’s is a surprise, but not a good one (please don’t let them headline 2010 like Perry joked). Band of Horses making up for Lou Reed stealing their set time and playing against Jane’s Addiction is pretty awesome.
Breakthrough of the day: Friendly Fires.
Biggest let downs of the day: Cage the Elephant. Ugh. Lou Reed. And no Lou Reed at the Killers, but my understanding is that again was Lou Reed’s fault and the Killers tried to get him to join them. Oh and that the root of my pain was not all the walking, but was a spider bite that has caused my leg to swell, turn red, give me a fever and is serious enough that I need to go the ER like asap.
Crazy crowd moment: Let’s just say that Snoop Dogg made some people who had just met feel extra close. I feel a bit scandalized.

Lollapalooza: website | schedule | set lists

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Under Cover: The Killers

Under Cover: The Killers

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So apparently, I have a bit of a reputation of being a Killers lover. This label was only reinforced by last week’s Under Cover: ’ “Mr. Brightside.” In my defense, I would like to say that I’m not one of those fan girls who has scribbled Mrs. Brandon Flowers all over my notebook (it wouldn’t matter; he’s married) and my love for the Killers is a lot more practical than how “hott” I rate him. No, I honestly can admit that what I appreciate about this band is a lot deeper than that. I actually love them for…their music! These guys are good musicians, so instead of doing another Under Cover where I look at other artists covering this band, I wanted to let them shine. Besides, with the rumors of a Killers cover album looking more and more like a reality, the public had better start getting used to this band doing covers. Now they’ve done plenty more than what I listed here including covers of The Beatles, Frankie Valli, Morrissey, Kenny Rogers, David Bowie and the Nebraska State Song. I’ve even heard that singer likes to cover ‘s “Total Eclipse of the Heart” when doing karaoke (links, anybody? I need footage!), but here I’ve listed some of my favorite Killers covers.

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’ “Romeo and Juliet” / 2007 – Abbey Road Acoustic Sessions

In 1981, The Dire Straits released “Romeo and Juliet” as a single from their album Making Movies. It quickly became one of their most successful and well-known singles and, like most good singles, spurred the creation of several covers. The Killers first covered this song live as part of their Abbey Road Sessions before later releasing it on their B-side album Sawdust. Front man Brandon Flowers described this song as “one of the best songs I’ve ever heard” and I couldn’t agree more. This is my favorite Dire Straits song and I love the version the guys put together of this song. The Killers have a reputation for being over the top with glitz and glam, probably a result of growing up in Vegas, but this cover stays true to the simplicity of the Dire Straits instrumentation and guitarist is the perfect man to play those classic arpeggiated guitar notes that define the song. It is all abetted by the rawness of Flowers’ voice. It’s kind of fun because he has a bit of a twang that you wouldn’t expect from him considering he usually has a reputation of sounding too British.

Flowers was actually sick during the recording of the Abbey Road Sessions, but I think it added a vulnerability to his voice that was perfect for the rendition of this song. For me the highlight of this is when he belts the line, “Juliet, when we made love, you used to cry I said, ‘I love you like the stars above, I love you till I die.‘ The rest of the song after that is almost sung in a whisper.

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’s “Girls Just Wanna Have Fun” / 2008 – Live @ Little Noise Sessions, Union Chapel

Some bands just wanna have fun. And that’s exactly what the Killers did for their cover of Cyndi Lauper‘s “Girls Just Wanna Have Fun.” I like this because bassist switches out his bass for a guitar and gets really into it (as in never looks up into it). This cover surprises me because they went acoustic instead of for their trademark Hot Fuss synth heavy sound, which the song loans itself toward. Though it is a simple cover, it is complex in the idea that the band didn’t go the obvious route with how to cover it.

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’s “Shadowplay” / 2007 – Control Soundtrack

Now what would this cover section be if I didn’t include perhaps the band’s most famous cover: Joy Division‘s “Shadowplay”?  “Shadowplay” was originally recorded by Joy Division for the 1979 album Unknown Pleasures. In 2007, a biopic, Control, about Joy Division’s lead singer was set to be released. The remaining members of Joy Division, aka , actually picked the Killers to do the cover for the film, which played during the credits. This was a huge honor for the Killers considering the band is heavily influenced by both Joy Division and New Order. In fact, the band’s name comes from New Order’s video for “Crystal,” in which New Order is under the guise of a fictional band called the Killers in the video. As further tribute to New Order, the Killers often play as fictional bands in their own videos ( and ).

This cover even had a music video made with clips from the movie mixed in. However, for me, it isn’t the studio recording that sticks in my head, but the live version. It became a tour staple for the Sam’s Town run and is still performed by the band on their current tour. With the Killers’ addition of “Ooh ooh oohs” and fist pumping, this cover kept the mood set by Joy Division, but took it to anthem levels.

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.’s “Ghostbusters Theme” / 1998 – Another EP?

So, this might be cheating, but this is too good of a cover to not share. In 1998, the Killers obviously were not around, but the individual members were still quite busy making music in other bands. Drummer was a member of some groups that met with some moderate success. Personally, I was a big fan of his ska punk group , which fans of would actually enjoy a lot. In fact, the band is actually confused with NOFX a lot and this particular cover can be found wrongly attributed to NOFX on YouTube. This aforementioned cover is none other than “Ghostbusters Theme.” I seriously couldn’t think of a better song that a punk group with brass could cover than this theme. Hilarious. Vannucci drives the band into double time at the end giving the theme their own personal spin.

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The Killers: website | myspace | Sawdust review | under cover: “Mr. Brightside” | @ magness arena | Day and Age review

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The Killers with M83 @ Magness Arena, Denver CO

The Killers with M83 @ Magness Arena, Denver CO


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