Tag Archive | "Dev Hynes"

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Chris Taylor announces ‘CANT DREAMS COME TRUE’ fall North American tour

Following the release of his solo album in September, ’s , under his solo moniker of , will go on in North America in October. This comes after a short list of dates released for the UK in November with Blood Orange () opening. Now I don’t want to be presumptuous, but since Hynes will be opening on the UK tour, he has recently collaborated with Taylor on the CANT album, and Blood Orange is already on the bill for the LA date at the Troubadour, Hynes will more than likely be joining Taylor for the rest of the US tour.

We will keep updating this post if Blood Orange is confirmed, and if any other artists will be joining CANT. Tickets are on sale now.

:

October:
01  Doug Fir Lounge Portland, OR
02  Media Club Vancouver, British Columbia
03  Triple Door Seattle, WA
05  The Independent San Francisco, CA
07  Soda Bar San Diego, CA
08  Troubadour Los Angeles, CA
11  Urban Lounge Salt Lake City, UT
12  Larimer Lounge Denver, CO
14  The Bottleneck Lawrence, KS
15  7th Street Entry Minneapolis, MN
16  High Noon Saloon Madison, WI
18  Lincoln Hall Chicago, IL
19  Magic Stick Detroit, MI
21  Garrison Toronto, Ontario
22  Cabaret Mile End Montreal, Quebec
24  Middle East Downstairs Boston, MA
25  Bowery Ballroom New York, NY
27  Johnny Brenda’s Philadelphia, PA
28  Rock and Roll Hotel Washington, DC
29  Moog Festival Asheville, NC

For more information about the tour and CANT, go to http://warp.net/records/cant/north-american-dates-announced

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We Are Scientists release “I Don’t Bite” digital single

We Are Scientists release “I Don’t Bite” digital single

Right in the middle of a worldwide , released the third off their latest album this week, “I Don’t Bite.” Currently it’s available on iTunes on the UK and on 7Digital.com

Seeing that the guys have been touring mainly with (ex- ), they seemed to find the time to have Pfenning record a b-side for the single – a low-key, ethereal version of “Nice Guys.” As well as the cameo from pal Pfenning, , a.k.a. also did a oddly spectacular digitized cover version of “Rules Don’t Stop” as another b-side. The three tracks are certainly different from each other, but the single did employ some of Brooklyn’s finest, I must say.

And if that wasn’t enough, Alexa Chung actually drew the album art.

All of it is a bit inexplicable, but does anything We Are Scientists ever does make complete sense? Not really, but that’s part of their charm.

There’s no official US release date yet on an iTunes single (let alone a physical single), but once it’s announced, we’ll be sure to update this post.

Or for all the latest on We Are Scientists, head over to What’s the Word, as the webmaster Renee is way more punctual than Keith or Chris is ever.

We Are Scientists official website

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We Are Scientists with Bad Girlfriend and Lightspeed Champion @ Black Cat, Washington DC

We Are Scientists with Bad Girlfriend and Lightspeed Champion @ Black Cat, Washington DC

One very good option this past boiling Friday night in Washington was to head into the decidedly more comfy confines (read: well air-conditioned) of the Black Cat to see gig on the main stage. This time, they’d brought with them two opening acts, girl group and (aka ).

I tend to be overly critical of girl bands. Especially if they’ve got long blonde locks and are dressed in polka-dotted, super short dresses. But the truth is, they have so much to prove in the male-dominated music industry, and that means they have to really rock and prove themselves a hundred times over to audiences and critics. With the unsigned Brooklyn band Bad Girlfriend, I wasn’t too impressed with their vocals – a song titled “Blonde Rocket” isn’t really my thing – but their garage fierce guitar-playing leads me to think there’s something there, if it’s not obvious on the surface. The sound is very Californian – jangly guitars with vocals, kind of similar to what and are doing these days (somewhat aping ‘s vibe), but the songs aren’t as strong as those groups.

Next up was Lightspeed Champion. I first came to know of Dev Hynes‘s solo work by hearing the ‘tude-filled and hook-laden “Marlene” on , so I was expecting to hear this recent at this show. No such luck. Hynes, seemingly always wearing his New York Yankees baseball cap, played Friday night with nothing but his guitar and a Macbook for backing. If you’re into uncomplicated sweet pop songs, this would have been the set for you.

One girl at the front knew every word to every song Hynes played, so I’m glad she was up front, but I think I can speak for the rest of the crowd, we were mostly lost. For example, “Galaxy of the Lost”, with the lyrics of ” well kiss my open wounds, and add some ice, and choke on my sick vice,” is more heart-wrenching and probably would have worked better with a less happy-go-lucky, indie rock band than We Are Scientists. Hynes has a strong singing voice as evidenced by songs like “Midnight Surprise”, it’s just that the audience there that night at the Black Cat were mostly the kind who didn’t appreciate his type of mostly baroque pop.

We Are Scientists began their set shortly after 11. By this time, the club had mostly filled up and it was feeling a little cramped in the front. The Black Cat hosts mostly all-ages shows, so by now, those who could drink had already thrown back a couple and were being generally obnoxious. The band’s latest album was just released in mid-June so I knew they’d be playing songs from that album. The most disappointing thing about the whole night was that it became crystal clear to me that most people there didn’t have a clue that the band had new songs, let alone that they had a new album out. Um, there’s this thing called the internet? “Nice Guys” started the set with appropriate high energy, but the crowd wasn’t with lead singer / guitarist and bassist . I love the song, the way it’s frenetic and poppy. But the crowd wasn’t feeling it.

The next song, “This Scene is Dead” from their debut With Love and Squalor, went down far better, everyone in the club dancing along. As the night went on, it was obvious the old favorites – “Inaction,” “Dinosaurs”, and “The Great Escape” (introduced by Cain as their best dance song) just three examples – that the majority of the crowd had come to see. Peppered throughout the band’s set was Murray and Cain’s always funny conversations with each other and with the crowd; I’m not sure if all the joking was causing them to make count-in mistakes, but it really didn’t matter because like cats, they always landed on their feet with something terribly amusing to say to us and everyone forgot that there was a “mistake” in the first place. Another mistake I spied was by a girl who had pushed herself to the front and had elbowed all of us out of the way. In her effort to be “seen” by the band, she waved her arms frantically during the last third of the set, and then clapped enthusiastically to new song “Jack and Ginger,” blissfully unaware that she was clapping completely off the rhythm. She also stole a set list from the stage later, which all regular Cat gig-goers know is bad etiquette.

I don’t know about you, but to me, a We Are Scientists gig seems to be the last place you’d see canoodling. But there was a couple right up front, making out during “Nobody Move, Nobody Get Hurt” while me and new friends I’d made at the concert rolled our eyes and looked away to stop ourselves from getting sick. I guess if you had to choose a song to make out to, that would be the one. I just wasn’t expecting anyone to do it at a gig. I mean, really. Get a room. Or at least go to the side and get out of our way. We want to groove to “Chick Lit” and “It’s a Hit” and you’re really distracting us.

An aborted attempt of Cain’s to start encore song “Cash Cow” causes him to fool around with this bass, concocting several possible lines to be Murray’s “theme song” until Murray is happy with it and the audience cheers for him at the just the right moment. See, with any other band, five false starts would be cause for cat-calls and groaning. But not for our We Are Scientists. They’re funny, they’re real, and for goodness sakes, they play some great rock. And if you haven’t seen them live yet, go. You are in for a real treat.

We Are Scientists Set List
Nice Guys
This Scene is Dead
Inaction
I Don’t Bite
Impatience
Let’s See It
Nobody Move, Nobody Get Hurt
Rules Don’t Stop
Chick Lit
Pittsburgh
Ambition
It’s a Hit
Dinosaurs
The Great Escape
Jack and Ginger
After Hours
//
Cash Cow

Dates:
Jul 19 – Horseshoe Tavern / Toronto
Jul 20 – Blind Pig / Ann Arbor, MI
Jul 21 – Bottom Lounge / Chicago
Jul 23 – Larimer Lounge / Denver
Jul 26 – Doug Fir / Portland
Jul 27 – Biltmore Cabaret / Vancouver
Jul 28 – Neumo’s / Seattle
Aug 06 – Troubadour / Los Angeles
Aug 07 – Slim’s / San Francisco
Aug 08 – Cellar Door / Visalia, CA
Aug 10 – Kilby Court / Salt Lake City
Aug 12 – Record Bar / Kansas City, MO
Aug 13 – Old Rock House / St. Louis
Aug 14 – Basement / Columbus
Aug 15 – Brillobox / Pittsburgh
Sept 03 – Fountain Square / Cincinnati

We Are Scientists: website | myspace | Brain Thrust Mastery review | @ Johnny Brenda’s | @ Austin Music Hall | @ Electric Factory | @ Black Cat, January 2010 | MP3 Minute: “Rules Don’t Stop” | We Are Scientists Debut “Nice Guys” Single | Interview with: Chris Cain of We Are Scientists | Barbara review
Lightspeed Champion: website | myspace
Bad Girlfriend: myspace

Posted in Concerts, Local Scene, Washington D.C.Comments (1)

Lightspeed Champion – Life is Sweet! Nice to Meet You

Lightspeed Champion – Life is Sweet! Nice to Meet You

Completely departing from his first LP, , a.k.a. Lightspeed Champion has put out the beautifully composed , consisting of light and lovely folk and strong driving indie rock.

I’ll have to admit that I wasn’t crazy about Hynes’ debut 2008’s , but here he’s loaded his songs with more instrumentals and deeper harmonies. The album as a whole fits together very well, and there aren’t any songs that stick out. Every song feels like it needs to be there to make the album work as well as it does, interludes and all. You’d never think that Hynes had throat surgery that delayed this release, because it sounds delightfully smooth and lilting; and just as good, if not better, than on Falling Off The Lavender Bridge.

Starting with the melancholy “Dead Head Blues,” and into the hook-heavy “Marlene,” Hynes brings in the dance hall guitar riffs with the classical strings, and they don’t clash at all. In fact, Hynes breaks into a full-on Etude on track 13 with “Goodnight Michalek,” a less-than two minute ditty that sounds like it was meant for a Wes Anderson film soundtrack.

One of my favorites on the album, “The Big Guns of Highsmith,” also employs the classical piano, but a charming question-answer chorus of “it hurts to be the one who’s always feeling sad / oh just stop complaining!” It’s lyrics like that that keeps Life is Sweet! Nice to Meet You interesting and makes you want to come back for another listen. Another of my favorites is the 50s swing-inspired pop song “Madame Van Damme,” that proclaims several times throughout the song “kill me baby, won’t you kill me?” A terribly desperate question, but sung in such a matter-of-fact and cheery way demands like I listen to it over and over again. It takes a few to get over the irony of such an upbeat song, but it’s catchy, so that’s just fine with me to listen a dozen or so times.

At the halfway mark, Hynes slows it down with “Romart,” an earnest ballad that’s so big that you almost feel like it belongs in a renaissance fairytale, but a contemporary one. The other ballad on the album, “Smooth Day  (At the Library),” is jazzy and almost gloomy, but still romantic enough not to be depressing.

It was nice to have more than ten songs on this album, as it’s been the number of tracks I’ve seen lately on most new albums. Having fifteen tracks also added to the operatic feel of Life is Sweet! Nice to Meet You, slightly reminiscent of The Decemberists, with the folk storytelling with instrumental intermissions throughout the album.

The quirky lyrics and vast arrangements make Life is Sweet! Nice to Meet You a great release from Lightspeed Chamption – surely the best effort from him yet. And added to his already eccentric stage persona, I’m thinking that it will make for an interesting live show.

Track List:
1. Dead Head Blues
2. Marlene
3. There’s Nothing Underwater
4. Intermission
5. Faculty of Fears
6. The Big Guns of Highsmith
7. Romart
8. I Don’t Want to Wake Up Alone
9. Madame Van Damme
10. Smooth Day (at the Library)
11. Intermission 2
12. Sweetheart
13. Etude Op.3 ‘Goodnight Michalek’
14.            Middle of the Dark
15.            A Bridge and a Goodbye

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MP3 Minute: Lightspeed Champion “Heavy Purple”

MP3 Minute: Lightspeed Champion “Heavy Purple”


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