popwreckoning

Released in the fall of 2008, Friendly Fires‘ self-titled album had me at hello. It was the sonic equivalent to the boy next door: a bit naive, a little rough around the edges, a tad tentative, yet completely unpretentious. It winked with the wide-eyed naivete able to win your heart but was sexy enough to make you feel like you were the prettiest girl in the room. Having had a love affair with its predecessor, I knew Pala had to really wow me like a knight in shining armor to even stand a chance against my darling Friendly Fires. Basically, it was an impossibly tall order.

The album was named after the fictional setting of the Aldous Huxley novel Island, and based on that alone, you can tell this album was conceived, written, and recorded with much thought. This time around, lead singer Ed Macfarlane took advantage of writing songs not just in their hometown of St. Albans like for those on Friendly Fires but also Rye in Sussex, the little village Yvetot in France, and New York. He’s talked about wanting to break out of the stereotypes that the media tried to pin on them after their first album, and certainly, no one can accuse them of writing a Friendly Fires pt. 2 with this effort. The problem? Pala is an example of how (usually) less is more. Despite the great care taken to make every sound on this album resonate beautifully (no doubt with producer Paul Epworth‘s help), there is so much going on here and in so many different directions that it’s hard to find continuity.

Having said that, there are some real winners on here. “Live Those Days Tonight,” the album’s first single, is a carnival. The first time I heard it, I hated it. I had already worried based on the “Kiss of Life” single released in the summer of 2009 that Edd Gibson‘s guitar work was going to be muted on their future recordings in favor of a heavier dance sound; for this song and most of Pala, I was right. But the song grew on me: it’s kind of hard to not eventually fall in love with it, because it’s so damn catchy. And if you’ve ever seen Macfarlane dance when the band performs live, the mental image of him swiveling his hips around to the music pops into your mind and is pretty mesmerizing. A good friend of mine just saw the band play at London’s intimate club venue Heaven on May 9 and assured me that the Friendly Fires live performance is better than ever and completely “lush,” and I take his word for it.

Let’s talk about the good. “Show Me Lights,” having a sensual r&b groove, is the stand out track on the album. Interestingly, when you compare this song’s chorus of “take me back / take me back / take me back in the darkness” to “Strobe” from the first album, which begins with the words “I see you / you come out of the strobe / you come out of the strobe,” you notice both songs are about winning back a love, just in opposite lighting situations. Comparing the new track to the old one side by side is like comparing apples and oranges, and in this case, I approve of the newer apple. “Pull Me Back to Earth” lets guitarist Gibson flex his musical muscles – thank goodness. Title track “Pala” is a fantastic slow jam; with Macfarlane’s dreamy vocals, it would have felt completely out of place on Friendly Fires. But it’s a perfect example of my “less is more” argument.

Less successful are the songs that sound like they’re from an earlier time. “Hurting” would have felt at home in the ’70s, and you almost feel compelled to do the hustle to it. The ’80s sounding “Hawaiian Air” has video game-like bleeps. Both this track and “True Love” (guest starring Holy Ghost!‘s Alex Frankel on clavinet) buzz along with Jack Savidge‘s relentless drumming leading the way, and for some reason, they just don’t ring true with me. I’m going to assume that these translate better live than on record, and I hope when the live Pala and I are formally introduced next week in Washington, we’ll get on like a house on fire.

Pala by Friendly Fires will be released in America on May 24 on XL Recordings.

Tracklisting
01. Live Those Days Tonight
02. Blue Cassette
03. Running Away
04. Hawaiian Air
05. Hurting
06. Pala
07. Show Me Lights
08. True Love
09. Pull Me Back to Earth
10. Chimes
11. Helpless

Tour Dates:
May 25 – Webster Hall / New York City
May 26 – 9:30 Club / Washington, DC
May 27 – Paradise / Boston
May 28 – Corona Theatre / Montreal
May 30 – Phoenix / Toronto
May 31 – Lincoln Hall / Chicago
Jun 01 – Varsity Theater / Minneapolis
Jun 04 – Venue / Vancouver
Jun 05 – Neumo’s / Seattle
Jun 06 – Doug Fir / Portland
Jun 08 – Independent / San Francisco
Jun 10 – Music Box @ Henry Fonda / Los Angeles
Jun 11 – Teatro Chino De Six Flags / Mexico City
Jun 12 – Escenica / Monterrey, Mexico

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | @ Paradise | Friendly Fires / Holy Ghost! – 12″ Split Single | Friendly Fires to Release Mix CD Including New Collaboration with Azari & III | Friendly Fires Announce Appearance at South by Southwest and Spring North American Tour, Album Due Out Soon

Lollapalooza is celebrating its 20th anniversary and as promised, the recently announced delivers some pretty hefty acts. 

Eminem, Foo Fighters, Coldplay, Muse, My Morning Jacket, Deadmau5 and A Perfect Circle will headline the annual event in Grant Park from August 5-7, 2011.

If you missed Death From Above 1979‘s Coachella reunion, Lolla gives fans another chance. There’s also many other classic acts such as The Cars to up and comers The Naked and Famous. You can see the rest of the announced lineup below:

Eminem, Foo Fighters, Coldplay, Muse, My Morning Jacket, Deadmau5, A Perfect Circle, Cee Lo Green, Damian “Jr. Gong” Marley & Nas, the Cars, Ween, Bright Eyes, Arctic Monkeys, Big Audio Dynamite, Deftones, Beirut, Explosions in the Sky, Death From Above 1979, Ratatat, Crystal Castles, Flogging Molly, Atmosphere, Cold War Kids, Lykke Li, Cage the Elephant, OK GO, Local Natives, The Kills, White Lies, Portugal. The Man, Two Door Cinema Club, Ellie Goulding, Delta Spirit, Beats Antique, Mountain Goats, Sleigh Bells, Manchester Orchestra, Smith Westerns, Best Coast, Grace Potter and the Nocturnals, The Drums, Black Lips, Fitz & the Tantrums, The Pains of Being Pure at Heart, City and Colour, Ryan Bingham and the Dead Horses, Cults, Noah and the Whale, Sam Adams, J. Roddy Walston and the Business, Tinie Tempah, Lissie, Dom, The Vaccines, Foster the People, Titus Andronicus, Mayer Hawthorne and the County, Chico Trujillo, The Naked and Famous, Phantogram, Rival Schools, Friendly Fires, Dale Earnhardt Jr. Jr., Reptar, Maps & Atlases, Fences, Tennis, An Horse, Young the Giant, Los Bunkers, Imelda May, Grouplove, Wye Oak, The Joy Formidable, Lord Huron, Disappears, Walk the Moon, Gold Motel, Iration, Ryan Leslie, Tab the Band, Skylar Grey, Christina Perri, Black Cards, The Pretty Reckless, Boy and Bear, Patrick Stump, Kids These Days, Young Man, The Kingston Springs, Lia Ices, The Chain Gang of 1974, Ximena Sarinana, Typhoon, Electric Touch, Kerli, Ruby Jane, Julia Easterlin, and DJ Mel.

On Perry’s Stage:

Girl Talk, Pretty Lights, Kid Cudi, the Bloody Beetroots Death Crew 77, AfroJack, Modeselektor, Skrillex, Perryetty vs. Chris Cox, Chuckie, The Glitch MOb, Busy P, Joachim Garraud, Super Mash Bros., Jay Electronica, 12th Planet, Daedulus, Feed Me, JackMaster, Collie Buddz, Savoy, Kyle Lucas and Captain Midnite, Ana Tijouxana, Midnight Conspiracy, L1ght, and Lady D.

Early Bird tickets have already sold out, but you can now buy regular priced tickets for $215 while supplies last. VIP Passes and Travel Packages are also available. A limited number of
Single Day tickets will go on sale June 7. Go here to buy tickets.

Organizers are expecting over 240,000 people.

While on holiday in England in April 2007, I saw the indie rock group Hot Club de Paris open for Carl Barat and Gary Powell‘s post-Libertines band, Dirty Pretty Things, at London’s Shepherds Bush Empire. I was very confused that the trio was singing harmonies with an English accent and not a French one. Turns out the band is from the Northwest of England, Liverpool to be exact (yes, the home of the Beatles), and is comprised of principal songwriter / lead vocalist / bassist Paul Rafferty and a pair of brothers, Alasdair (drums) and Matthew Smith (guitar). Songs like “Shipwreck” from their 2006 debut album Drop It ’til It Pops turned into singalongs that Sunday night at Shepherds Bush, confirming to me that even though they aren’t massive in Britain like, say, Coldplay, they’ve got a devoted fanbase at home and in Europe. And for a British band, that’s a major thing to have under your belt: it gives you the clout to keep making records.

Hot Club de Paris‘ last two EP releases in the UK, With Days Like This as Cheap as Chewing Gum, Why Would Anyone Want to Work? (released February 2010) and The Rise and Inevitable Fall of the High School Suicide Cluster Band (released May 2010), have now been combined into one album for their North American album debut, the whimsically titled Free the Pterodactyl 3. Their record label, Moshi Moshi, may not be familiar to you, but past acts like Florence and the Machine and Friendly Fires should be, having released their earliest works on the indie London label before moving on to bigger things.

Hot Club de Paris is an interesting amalgamation of punk and pop. They make music under their own terms, putting out what they want (which explains why they put out two EPs in the UK last year instead of one long player) and bowing to no one. The backstory of the title track of the album is described by Moshi Moshi as “a slow and wistful jam about singer Paul Rafferty’s scrape with the law whilst attempting the liberation of a 3-metre fibreglass pterodactyl from a derelict fun fair with a couple of friends.” Sounds like a punk, all right (watch the black marker and drum-centric promo video for the song below). Their sound is at times angry and angular as math rock, but also maintains a pop edge, making them accessible to anyone. I mean, really, what punk band can you name that regularly breaks out into three-part a cappella harmony at a gig? While I haven’t seen the band in four years, I imagine “The White Town Express (Get High, Stay Low)” would be perfect to showcase their gorgeous harmonies live.

My favorite songs from this band are of the winsome, up tempo variety. “I’m Not in Love and Neither Are You” and “Dog Tired at the Spring Dance Marathon” have fun guitar lines running underneath the insistent, shouted vocals. “Dance a Ragged Dance” has feel-good harmonies and the proof that well-read Rafferty is handy with choosing words (“…buildings / booked basement parties, sad times / the moonlight lit a kiss on the stairs…“) without abandoning punk (“we can either dance or die!“). The song also ends with xylophone, more Freelance Whales than punk.

Despite the name, “Biggie Smalls and the Ghetto Slams” is not a rap song at all but instead tells the story of young kids and their ill-fated band. If you haven’t figured this out already, Hot Club de Paris likes to be different, but not for the sake of being different: it’s just not in their nature to operate any other way. And I’m glad, because their sound is all that’s great about the young North. “The Rise and Inevitable Fall of the High School Suicide Cluster Band” and “Fuck You, the Truth” (with the question, “are you guys having a good time?“, and response from the crowd, “noooo!“) are more punk, but there’s something charming about the way the lyrics are shouted at you. You want to root for this band. It’s not hard to imagine fans at a gig shouting the words back at them, fists in the air. Me? I want to be a part of that.

While Free the Pterodactyl 3 is not a cohesive album (and if you’ve read this far, you understand why this is the case), it’s a good introduction to an exciting Liverpool band that deserves success on this side of the Atlantic.

Track Listing:
01. I’m Not in Love and Neither Are You
02. The Rise and Inevitable Fall of the High School Suicide Cluster Band
03. Fuck You, the Truth
04. Biggie Smalls and the Ghetto Slams
05. Free the Pterodactyl 3
06. Dance a Ragged Dance
07. Dog Tired at the Spring Dance Marathon
08. They Shoot Horses, Don’t They?
09. The White Town Express (Get High, Stay Low)
10. Three Albums and Still No Ballad
11. Noses Blazing
12. Extra Time, Sudden Death

Free the Pterodactyl 3 is available now from Moshi Moshi.

Hot Club de Paris: website | myspace

Friendly Fires, the St. Albans, England electropop band that got bodies moving with “Paris” and “Skeleton Boy,” have announced they will be appearing at South by Southwest in March and will be embarking on a North American tour starting in May. They will be playing two dates in February: February 7 at New York’s Bowery Ballroom and February 9 at the Roxy in Los Angeles.

The dance band’s highly anticipated sophomore album, tentatively titled Pala, is expected to drop sometime this spring on XL Recordings.

Tour Dates:
Feb 07 – Bowery Ballroom / New York City
Feb 09 – Roxy / Los Angeles
Mar 15-19 – South by Southwest / Austin
May 24 – First Unitarian Church / Philadelphia
May 25 – Webster Hall / New York City
May 26 – 9:30 Club / Washington, DC
May 27 – Paradise / Boston
May 28 – Corona Theatre / Montreal
May 30 – Phoenix / Toronto
May 31 – Lincoln Hall / Chicago
Jun 01 – Varsity Theater / Minneapolis
Jun 04 – Venue / Vancouver
Jun 05 – Neumo’s / Seattle
Jun 06 – Doug Fir / Portland
Jun 08 – Independent / San Francisco
Jun 10 – Music Box @ Henry Fonda / Los Angeles

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | @ Paradise | Friendly Fires / Holy Ghost! – 12″ Split Single | Friendly Fires to Release Mix CD Including New Collaboration with Azari & III

I knew that Two Door Cinema Club‘s May appearance on Jimmy Kimmel Live, a major American late-night television show on a major television network, was really going to help them break in America. What I didn’t expect was how far across the globe they actually were going to break: after playing festival dates all over the world this summer, the Northern Irish trio have over 193,000 fans on Facebook, and many of the dates on their current tour of North America this fall have sold out quickly. So it makes sense that after the initial release of their debut album Tourist History on Glassnote Records here in the U.S. on April 27 that they would release a deluxe, 2-CD version of the debut with some special features.

Disc #1 is identical to the original debut release, but for those of you who are not familiar with the album, here’s my review. A very interesting note: the tracklisting of the UK version of the album differs slightly from the American version, as the song “Undercover Martyn” appears as track 3 on the American pressing, and “Do You Want It All?” and all other tracks move forward in sequence. When I asked guitarist Sam Halliday about the change in track order, he said that it had been recommended to them that they move the more upbeat “Undercover Martyn” further up in the American tracklisting for a more immediate reaction. If you want, move the songs around on your mp3 playlist and see if it makes a difference in your personal listening experience of the band. For myself, I’m used to hearing “Undercover Martyn” as the closer in the one-two-three punch directly following “Something Good Can Work” and “I Can Talk,” so I prefer the UK tracklisting.

But let’s look at the CD as a whole. In general, Two Door Cinema Club songs have a good formula that works well every time. I’m not criticizing them or suggesting what they’ve done is simple; on the contrary, they know what each band member’s strengths are and use these strengths to build songs in the very best way they can. Red-headed lead singer/guitarist Alex Trimble has a voice that can be as gorgeously gentle: for evidence, see the softer bits of “Undercover Martyn”: “she spoke words that would melt in your hand / and she spoke words of wisdom.” I practically died the first time I heard that song. Skeptical? Watch the acoustic version of this song they did for ITN Music in January 2010 below.

But at the same time, he can also deliver sharp lyrics quickly , like the start of “I Can Talk”: “you won’t believe what I tell you / white clothes and clever minds will choose / you get a lot from this / loose tongue and arrogance / it’s not appropriate / don’t think that this is it.” My first impression of this lyric: it’s a slap in the face, in a good way. It makes you stand up and take notice. This is definitely not some frou-frou pop band. This is a band that writes songs with bite.

While you are probably most familiar with “Something Good Can Work” (played as background music on a Good Morning America photo montage) and “I Can Talk” (featured on the FIFA 11 soccer video game), there are some great non-single gems in Tourist History. “What You Know” begins with guitar chords, then beats come in, followed by Kev Baird‘s bass and Halliday’s incredibly melodic guitar, as if it’s another voice in the mix. Hands down it’s my favorite on the album. The bass is the star of “Come Back Home,” propelling the song along with Trimble’s expansive vocals. If you’re looking to fall in love, look no further than “Cigarettes in the Theatre.” If you want a bouncy number with less threatening lyrics than “I Can Talk,” go for “Eat That Up, It’s Good for You.” The only two songs that are not as engaging as the rest are “Do You Want It All?” and “This is the Life,” which break down a bit in the lyrics department. Thankfully, the guitars save the day.

Then we come to disc #2. It begins with the new track “Kids”, a song the band previewed when I saw them in Philadelphia in May. It’s classic Two Door Cinema Club: there are Trimble’s gentle vocal verses, then a fun, singalong chorus with Baird’s thudding bass and Halliday’s noodling guitar enjoying the spotlight during the instrumental bridge. It’s not as frenetic as “I Can Talk” but it’s a keeper. The rest of the disc are remixes, the most interesting one at the lucky number 7 position. This summer the band offered up the stems to “What You Know” and asked fans to submit their remixes of the song. The winning remix, as chosen by the band themselves, was by Sydney DJ and as described on a poster on his MySpace “fuuuuuuunky fresh Zulu synth warrior ” Cassian. As promised by the band, the remix was included on this deluxe edition. With the cowbell, it actually sounds like something that might have come out of the Friendly Fires studio.

What You Know (Cassian Remix) – Two Door Cinema Club by cassian88

The other remixes come from luminaries that you may not have heard of but you soon will. Manchester-based Everything Everything, a band who has turned everyone’s heads with their debut album Man Alive in August, remixes “Undercover Martyn.” “Come Back Home” is remixed by London’s Is Tropical, a band whose star is rising on the radio play of their forthcoming single “North Pacific” to be released in the UK in late November. The trio were recently signed to Kitsune Maison, the same French dance label that first discovered Two Door Cinema Club as well. Of all the remixes, probably the most fun is the Brazilian electronica duo the Twelves‘s take on “Something Good Can Work.” It’s what you would imagine Two Door Cinema Club would have sounded like if they had been making music during the disco era. In short, Tourist History is such a fun record, and the remixes just up the fun factor. Well done boys. We’re ready and waiting for your second album.

The deluxe edition of Tourist History, including a link to a special documentary, is available now. Two Door Cinema Club is currently on a tour of North America, ending on November 7 in Eugene, Oregon.

Tour Dates
Nov 02 – Music Box / Los Angeles
Nov 03 – Belly Up Tavern / Solana Beach
Nov 04 – Slim’s / San Francisco
Nov 05 – Hawthorne Theatre / Portland
Nov 06 – Neumo’s / Seattle
Nov 07 – EMU Ballroom / Eugene, OR

CD 1 Tracklisting
01. Cigarettes in the Theatre
02. Come Back Home
03. Do You Want It All?
04. This is The Life
05. Something Good Can Work
06. I Can Talk
07. Undercover Martyn
08. What You Know
09. Eat That Up, It’s Good for You
10. You’re Not Stubborn

CD 2 Tracklisting
01. Kids
02. Undercover Martyn (Everything Everything Remix)
03. I Can Talk (French Horn Rebellion Remix)
04. Come Back Home (Is Tropical Remix)
05. Undercover Martyn (Jupiter Remix)
06. I Can Talk (Moulinex Remix)
07. What You Know (Cassian Remix)
08. Come Back Home (Myd Remix)
09. Something Good Can Work (Ted & Francis Remix)
10. Undercover Martyn (Softwar Remix)
11. Something Good Can Work (The Twelves Remix)

Two Door Cinema Club: website | myspace | Two Door Cinema Club To Tour with Phoenix in Spring, Headline First North American Tour | “Something Good Can Work” video | @ Constitution Hall | Interview with: Sam Halliday of Two Door Cinema Club | @ Johnny Brenda’s | Two Door Cinema Club Announce Fall North American Tour | “Come Back Home” video | Two Door Cinema Club to Re-Release Debut Album with CD of Remixes and Special Documentary

Exactly 1 year after a manic sold-out show at Brooklyn’s Music Hall of Williamsburg, English electropop / dance trio Friendly Fires have announced details of a forthcoming mix CD to be released through Rough Trade Records. The CD is one of a humorously-titled series called Bugged Out Presents Suck My Deck that has welcomed dance music acts / DJs such as Simian Mobile Disco and Brodinski to provide similar mixes. The Friendly Fires edition includes New York’s Phenomenal Handclap Band and Scandinavian disco-pop duo Lindstrom and Christabelle. While the album won’t be released until September 27, you can pre-order it now on Rough Trade’s website here.

In addition to 18 tracks hand-picked by the band from other artists, the compilation includes “Stay Here,” a collaboration with Toronto’s Azari & III. The tune will make its radio debut today on DJ Annie Mac‘s Radio1 show tonight from 7 to 9 PM GMT (that’s 2 to 4 PM ET). No worries if you miss it today, it will available for 7 days after broadcast on the BBC iPlayer.

Friendly Fires have been previewing other new tracks while on the European festival circuit this summer. Their yet-to-be-titled sophomore album is due sometime in 2011, according to various media reports. Track titles include “Running Away” and “True Love”, and the band have divulged that the new release will feature the Brazilian cuíca (commonly used in samba music) and the African kalimba.

Mix CD tracklisting:
01. The Egyptian Lover – Freak-A-Holic
02. Bot’Ox – Bearded Lady Motorcycle Show
03. The Phenomenal Handclap Band – You’ll Disappear (Munk Remix)
04. Tom Trago – Lost In The Streets of NYC (Boris Werner Lost In Malta Remix)
05. Ryan Crosson – Metro Bunker (Original Mix)
06. Lindstrom and Christabelle – Baby Can’t Stop (Aeroplane Remix)
07. Rebotini – 777 (Discodeine Remix)
08. Tensnake – Coma Cat
09. Munk – La Musica (Azari & III Remix)
10. Friendly Fires and Azari & III – Stay Here
11. Redshape – Dog Day
12. The 2 Bears – Be Strong
13. Butch – No Worries
14. George Kranz – Din Daa Daa
15. Jody “Fingers” Finch – Jack Your Big Booty (BHQ No Acid Vocal)
16. BDI – City & Industry
17. Alan Fitzpatrick – Green Light
18. Boo Williams – Mortal Trance
19. Round Two – New Day (Club Vocal Mix)

Thumbnail Photo: Mary Chang

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | @ Paradise | Friendly Fires / Holy Ghost! – 12″ Split Single

D.C. finally has a new, inviting dance club to call its own in the form of the U Street Music Hall. Just two blocks from the now world-famous Ben’s Chili Bowl, it has a façade so minimalist that you could completely miss it when you’re walking east on U Street unless you’re keeping your eyes peeled for it. This was the first show I’d ever seen there; the venue just opened on St. Patrick’s Day this year, with Belgian DJs/producers Aeroplane (known to me as the guys behind the popular remixes of Robbie Williams’ “Bodies” and Friendly Fires’ “Paris”) leading the welcome of the venue to our city. I was assured by the congenial doorman that the sound system was world-class (this makes sense, as five of the six owners of the place are DJs), the bartenders were nice (and that he was possibly the meanest person that worked there, which suggested the rest of the staff had to be super sweet), and the dance floor was reinforced with cork as to provide more support to dancegoers’ aching tootsies. All definite pluses.

Saturday night was the first Washington appearance of electronic dance duo Holy Ghost! Until last month, Holy Ghost! the live experience consisted of longtime friends Alex Frankel and Nick Millhiser DJaying and spinning records. Holy Ghost! have just released an EP on DFA Records called Static on the Wire, and it’s their first official release despite having been together for a long while. Now after supporting their friends LCD Soundsystem on a North American tour, the two are on their first headlining tour of America with a three-member backing band. When the band was first booked for the Saturday night timeslot of 9 PM, I thought that had to be a misprint. But the venue’s website was clear on this, even encouraging everyone to show up early and not to miss the live set. Between the club and the band however, they made the smart decision to delay the set start until after 10 to allow for the club to fill up further.

Some guys up front at the show were definite diehards, yelling out “fuck yeah!” at the conclusion of each of the band’s numbers. “I Will Come Back,” the crown jewel of their recent EP, was a revelation live. It’s the audience participation, “raise your hands in the air like you just don’t care, and sway your arms from side to side” kind of song. Terribly difficult to write but somehow dance acts always know how to put these together perfectly, and Holy Ghost! is no exception. During the set, Frankel alternated between lead vocals, keyboards, and a percussion setup that looked especially impressive under U Hall’s lighting scheme, so when you watched him, it was like seeing a National Geographic time lapse film. Track “Static on the Wire” featured a drumming duel between Frankel and one of the backing band. Awesome.

And what is dance music without the mad beats? Nothing. Millhiser, wearing a t-shirt proclaiming “J DILLA CHANGED MY LIFE,” was inexhaustible on drums. I think it’s entirely possible that he could beat a drum machine in a face-off. At one point during new song “Slow Motion,” Frankel lost a drumstick and later another in the reckless revelry of hitting a tom. The devoted fans were also respectful, pushing the wayward drumsticks out of harm’s way (and out of the path of Frankel’s dancing feet), not shamelessly grabbing them as souvenirs as I’ve seen at other shows. When it came time for the band’s 2008 epic hit “Hold On,” bodies were bumping. Is the world ready for Holy Ghost! ? I think so.

Set List
Do It Again
It’s Not Over
Static on the Wire
Say My Name
Slow Motion
I Will Come Back
Hold On
New song (title unknown)

Tour Dates
Jun 24 – le poisson rouge / New York City
Jun 25 – Making Time / Philadelphia
Jun 26 – Club Vinyl / Denver (DJ set)
Jul 23 – Bushnell Park Pavilion / Hartford, CT
Jul 26 – 9:30 Club / Washington, DC#
Jul 27 – Trocadero / Philadelphia, PA#
Jul 29 – Bowery Ballroom / New York City#
Aug 02 – Capital Music Hall / Ottawa#
Aug 03 – Phoenix / Toronto#
Aug 04 – Central Park SummerStage / New York City^
Aug 05 – Majestic Theater / Detroit#
Aug 06 – Lollapalooza / Chicago
Aug 07 – First Avenue / Minneapolis#
Aug 10 – Flames Central / Calgary#
Aug 11 – Commodore Ballroom / Vancouver#
Aug 12 – Showbox Market / Seattle#
Aug 13 – Roseland Ballroom / Portland#
Aug 16 – House of Blues / San Diego#
Aug 19 – Twilight Concert Series / Salt Lake City
Aug 20 – Ogden Theater / Denver#
Aug 24 – Stubb’s / Austin#
Aug 25 – Palladium / Dallas, TX#
Aug 26 – Cannery Ballroom / Nashville#
Aug 27 – Masquerade / Atlanta#
* with Altered Egos
^ with Hot Chip
# supporting Chromeo

Holy Ghost!: website | myspace | Friendly Fires / Holy Ghost! – 12” Split Single | Holy Ghost! Touring with LCD Soundsystem, Plans for Headlining Dates and Tour with Chromeo | Interview with: Alex Frankel of Holy Ghost!

(Author’s note: Despite my securing prior approval from Holy Ghost!‘s people to take photos at the show, U Street Music Hall has a no photography during shows policy. For live photos from their first-ever live gig on May 15, 2010, at Under 100 in New York City, check out this post at Tastes Like Caramel.)

Alex Frankel, one half of New York City electronic act Holy Ghost!, was kind enough to lend his typing fingers and answer some questions for me while he and his partner in crime Nick Millhiser are busy touring North America as support for LCD Soundsystem. The duo recently released their first “album” of material, the Static on the Wire EP, and they’re set for a summer full of shows and festival appearances. I ask him about how they got into recording music, his philosophy behind “good” dance music, and their recent cover of Friendly Fires‘ “On Board,” amongst other things. Have a read.

Mary Chang, PopWreckoning: I’ve read that you two met in grade school.  Did you bond immediately over music, certain bands, in band class, etc.?  How did you become friends?
Alex Frankel, Holy Ghost!: Nick was more skateboardy and I was more, sweat pantsy? We did play in a band in 5th grade (ages 9/10, respectively) that practiced in “The Cage” [a storage space in their elementary school] and was instructed by our social science teacher, Mrs. Preston, who was a very cosmic lady seemingly stuck in the late 1970s. But yeah, we always were doing some music here and there together.

MC: I’ve also read that you were members of a short-lived teen hip hop act in the ’90s called Automato. What instruments did you play, did you sing…? What happened with it?
AF: Nick played drums, I played keys. It started when we were 15 but we did it until 2005 actually. It’s how we met James [Murphy] and Tim [Goldsworthy, founders of independent label DFA Records], who produced the record. It faded out, too many cooks in the kitchen, too long spent on the same bunch of songs…we’re all still friends.

MC: How did you get involved with spinning and the making of dance music? Do you each have a personal philosophy towards dance music and what makes it great for you? Is this philosophy different when you yourselves are enjoying the beats in a club vs. when you’re DJaying or performing live?
AF: I like music that I have a pleasurable physical response to. I usually go “oooooooohhh” if I like something. And that means some wiring in my brain has been stimulated by the sounds or chords or whatever. But I guess what makes it GREAT is when the physical thing is there, but additionally there is also something emotional that I relate to on top of the music…like lyrics. Like LCD Soundsystem. Or Chic. Or David Bowie. Or Talking Heads.

MC: There are so many great clubs in New York. What are your favorites to spin at? What about when you’ve got a day off and you just want to hear good music and/or dance?
AF: This is such an interesting question because everyone asks it and here’s the deal: New York clubs rotate their musical style on a night to night basis these days. Meaning, one night the same club has techno, the next night is ska-fusion night. So, there are no clubs that are ALWAYS good. Like Paradise Garage once was. So I don’t know anyone who just “goes out to dance” and “hopes it’ll be good.” We go to places we know our friends or artists we like listening to will be at. But that venue changes every night. Places of interest are le poisson rouge, Santos Party House, Glasslands.

MC: As for dance scenes, do you each have a favorite?  London?  Ibiza?  Berlin?
AF: I’m not sure how to answer that, I guess every place is different? I really love the classic sounds of New York City and Chicago and Detroit. The grit. But I also love the clean, sharp music from Germany, starting from Kraftwerk all the way up to today. We’re pretty open-minded.

MC: Your 2008 single “Hold On” has really taken on a life of its own.  During an informal trawling of the Web, I found evidence that fans of dance music think it’s one of those tracks that will live on in dance music history forever (for one, check this link out).  Did you have any idea that “Hold On” was going to blow up as big as it did?
AF: Absolutely no idea it would go beyond our circle of friends!!

MC: When you started writing and recording music as Holy Ghost!, did you already have an idea of where you wanted to go musically? Did you / do you feel influenced by any artists past or present, dance or not?
AF: We wanted to make something that didn’t embarrass our friends, and we wanted to make something that sounded like the music we liked. We wanted to make music that people could dance to but that also was in line with our love of pop music structures.

MC: Let’s switch gears and talk about your releases for this year. In March, you put out a split single with one of PopWreckoning’s favorites, Friendly Fires. The BBC and British music media did a pretty good job of covering their side of what happened on this came about.  Is it true that the idea came up over a drunken haze at Calvi on the Rocks in Ibiza last summer?  How do you guys know each other?  Tell us more.
AF: Haha! Yeah, me and Ed [Macfarlane] met at Calvi last year during our DJ set, and I think about 30 minutes later we had agreed on a cover swap. Just clicked right off the bat. Good bloke.

MC: I really liked what you did with “On Board”, the DFA Celestial Choir was a nice touch, as was the bounce of “don’t stop, don’t stop” in the middle.  How did you choose that track, and how did you approach doing this cover?
AF: Thanks!!! It took forever. There were a bunch of huge personal and technical setbacks during the recording, and it took about 6 weeks. In the end we were really happy with it, felt like we made it our own but kept their original ideas relatively intact. Really fun project.

MC: It must have felt really different doing a full-fledged cover than a remix, being so famous for doing remixes for such high-profile friends like Moby and James Murphy / LCD Soundsystem.
AF: Eh, not really. Our “remixes” are often times covers. See the Moby remix (“I Love to Move in Here”) for evidence, where not one sound from the original was used, including vocals.

MC: Your first album-type release, the Static on the Wire EP, was released last month (May 18) on DFA Records. Only four songs but I think it’s a great taster to get people into what Holy Ghost! the recording act is all about.  How long did it take to record them? Was it quick from start to finish or have these ideas been percolating since the days of “Hold On”?
AF: I don’t know, it’s hard to distinguish things in retrospect. But we’ve been working on a batch of about 13 to 14 songs for 2 or 3 years. These are four. The rest are on the album.

MC: Last month you played your first live, non-DJ gig at Under 100 on May 15. I didn’t have the privilege of being there but some friends were there and really enjoyed the show. What was going through your mind before you went on?
AF: STAGE FRIGHT!!!! (Alex provided us with the below YouTube link)

MC: What’s it been like touring with LCD Soundsystem on your first “tour” of the continent?
AF: AMAZING AMAZING AMAZING. BEST PEOPLE IN THE WORLD. BEST BAND IN THE WORLD. WE WAKE UP SO HAPPY EVERY DAY.

MC: You have some high profile appearances in Europe coming up this summer – Calvi on the Rocks to do a live set, London appearances at [the now endangered] Fabric club and the Groove Armada-founded festival Lovebox, and a festival slot at Germany’s Melt. Are there any particular shows that you are most looking forward to? I know I’m looking forward to your appearance in DC at the U Street Music Hall in less than 3 weeks.
AF: Actually, aside from Calvi, I’m most psyched for U Street. I’ve heard unbelievable things about the club! Oh, and Summerstage in Central Park because my mom and dad can walk from their houses.

MC: When will your first full-length album hit store shelves? (Or maybe “available for electronic download” is a more appropriate phrase.) Anything you can tell us about it now?
AF: It’s not dissimilar from what you’ve heard already. Some shorter, “poppier” songs, but not really. It’s funky. I hope. January [2011 release]?

MC: Some last questions. Your name Holy Ghost! with the exclamation point – who came up with it? Were you ever concerned about the obvious religious connotation?
AF: It’s from a Bar-Kays‘s song [a soul, r&b, and funk band founded in the mid-60s that had a single called "Holy Ghost Pt. I / Holy Ghost Pt. II" in 1975], we needed a name. We think it looks cool too.

Holy Ghost!‘s Static on the Wire EP is available from DFA Records now.

Tour Dates
Jun 04 – Hollywood Palladium / Los Angeles*
Jun 05 – Standard Hotel – Los Angeles
Jun 08 – Stubb’s / Austin*
Jun 09 – Palladium / Dallas*
Jun 12 – 88 Palace / New York City (DJ set)
Jun 18 – Sonar / Baltimore
Jun 19 – U Street Music Hall / Washington, DC
Jun 25 – Making Time / Philadelphia
Jun 25 – Vinyl / Denver (DJ set)
Jul 26 – 9:30 Club / Washington, DC#
Jul 27 – Trocadero / Philadelphia#
Jul 29 – Bowery Ballroom / New York City#
Jul 30 – MEG Festival / Montreal#
Aug 02 – Capital Music Hall / Ottawa#
Aug 03 – Phoenix / Toronto#
Aug 04 – Central Park SummerStage / New York City^
Aug 05 – Majestic Theater / Detroit#
Aug 06 – Lollapalooza / Chicago
Aug 07 – First Avenue / Minneapolis#
Aug 10 – Flames Central / Calgary#
Aug 11 – Commodore Ballroom / Vancouver#
Aug 12 – Showbox Market / Seattle#
Aug 13 – Roseland Ballroom / Portland#
Aug 16 – House of Blues / San Diego#
Aug 19 – Twilight Concert Series / Salt Lake City
Aug 20 – Ogden Theater / Denver#
Aug 24 – Stubb’s / Austin#
Aug 25 – Palladium / Dallas#
Aug 26 – Cannery Ballroom / Nashville#
Aug 27 – Masquerade / Atlanta#
* supporting LCD Soundsystem
^ with Hot Chip
# with Chromeo

Holy Ghost!: website | myspace | Friendly Fires / Holy Ghost! – 12” Split Single

Like Passion Pit, Hockey is an American band I was introduced to last winter not by American radio but by the lovely Nemone Metaxas, one of my favorite DJs on BBC 6music. I loved the exuberant “Too Fake” the first time I heard its electronic dance pop goodness through my computer speakers. My interest in the Portland band was further piqued when I learned they had toured in the UK in early 2009 as support for Friendly Fires. The problem was getting a chance to see the band stateside. The band has toured North America a couple times now, but had never played in D.C., so when I got the alert a while back that they would be playing the Rock ‘n’ Roll Hotel, I was chomping at the bit.

The opening act for the night were the Postelles, a New York City band that Rolling Stone has described as “channel[ing] Joe Jackson and Elvis Costello and – more recently – the Arctic Monkeys and the Strokes, building songs from brief guitar stabs and sounding like the wound-up early hours of what will be a long Saturday night on the town. There are elements of both mod and post-punk, but the Postelles have a sneering attitude all their own…” Interesting description. Frankly, they sound to me more similar to New York-based indie rockers Locksley and Sunderland, England’s Frankie and the Heartstrings, bands that have gone back in time to perfect the ‘60s pop / rock ‘n’ roll band model.

Make no mistake: the Postelles have a sound all their own and they sound great live, led by lead singer/guitarist Daniel Balk’s yearning vocals. Sometimes I wish I had the talent to come up with a good pop melody. The Postelles definitely can, as evidenced by the guitar-jangly “Sleep on the Dance Floor,” one of their set’s highlights. The title of the song “Hey Little Sister” sounds like it was written by Lennon/McCartney (do “Hello Little Girl” and “Little Child” ring any bells?), and I thought it was just amazing live, guitarist David Dargahi taking on lead vocals and mixing things up a bit. In a way, I was glad the Constellations canceled, because that meant we got a longer set from the Postelles than fans in other cities. The band’s debut EP White Nights was released the first week of March on Capitol Records / Astralwerks and is available now.

The Postelles Set List
Looking Glass
White Nights
She She
New song
Beat on the Brat (Ramones cover)
Stella
Hey Little Sister
Can’t Stand Still
Sleep on the Dance Floor
1, 2, 3 Stop

Hockey were supposed to go on at 10 (with the Postelles at 9) but they didn’t actually get on stage until 10:40, fortuitous for latecomers who crammed in at the front of the stage. When the band came on stage to tinker with their instruments, lead singer Ben Grubin flashed me a grin, so I knew I was in for a good show. Their debut album Mind Chaos is such a fun, fun record that I had way too high expectations, envisioning that they’d all appear dressed as colorfully as their record with hats and bandannas, and be jumping all over the stage. No such luck.

Instead, Grubin came on in a trademark hoodie but soon peeled it off to reveal a stripy white and orange tunic over black jeans. He was bopping around the stage excitedly and man-handling his microphone reminiscent of another of my favorite musicians, Londoner Patrick Wolf. Alternately between guitar, harmonica (for the folky “Four Holy Photos,” proving the band’s versatility), and a percussion set-up, he was clearly the star of the night. Seeing that Wednesday was St. Patrick’s Day and the crowd at the RnR was rowdier than normal for a weeknight, a new song that I think is called “DJ” seemed entirely appropriate, introduced by Grubin as “[Irish] jig and bluegrass music.”

“3 A.M. Spanish” was a high point of their set, the bass lines from Brian White and hot beats from touring keyboardist Ryan Dolliver just fabulous with Grubin’s hip hoppy vocal approach, punctuated by yelps for the chorus. They also didn’t disappoint with my absolute favorite song from Mind Chaos, “Song Away.” If there was ever a song that could lift your spirits, this is definitely it, with its refrain of “tomorrow’s just a song away.” And really, it is, isn’t it?

Check out this video of the song from their performance at Lollapalooza last summer. I hope this explains why I don’t have too many good photos of him, the man cannot keep still! Just thinking about it, I’m so eager to see the band again very soon.

Hockey Set List
Work
Learn to Lose
Rebels Marry Young (new song)
3 A.M. Spanish
Four Holy Photos
DJ (new song)
Curse This City
Song Away
Preacher
Wanna Be Black
Everyone’s the Same Age
Too Fake
Put the Game Down

Tour Dates
Mar 21 – Snug Harbor / Charlotte
Mar 23 – Mercy Lounge / Nashville*
Mar 24 – Drunken Unicorn / Atlanta*
Mar 25 – Cafe 11 / St. Augustine, FL*
Mar 26 – Club Downunder / Tallahassee, FL*
Mar 27 – Bottletree / Birmingham*
Mar 29 – Thirsty Hippo / Hattiesburg, MS*
Mar 30 – Spanish Moon / Baton Rouge*
Apr 01 – Warehouse Live / Houston*
Apr 02 – Emo’s / Austin*
Apr 03 – Loft / Dallas*
Apr 05 – Brewing Company / Santa Fe*
Apr 06 – Larimer Lounge / Denver*
Apr 07 – Kilby Court / Salt Lake City
Apr 08 – Neurolux / Boise*
Apr 10 – Wonder Ballroom / Portland*
Apr 16 – Coachella Music Festival / Indio, CA
* with the Postelles

Hockey: website | myspace | @ Lollapalooza 2009 | interview with | @ Midland
The Postelles: website | myspace

I have a love/hate relationship with BBC Radio1 evening show host Zane Lowe. He often gets on my nerves because he likes to shout. A lot. I chalk this up to the fact that he has the privilege of talking to rock stars on a regular basis, and should I ever get a cushy job like that, I would probably be overexcited and shouty as well. However, I digress. It’s thanks to Lowe’s regular choosing of the “Hottest Record in the World” (at 7:30 PM GMT most evenings Monday through Thursday) that I get to hear some of the most hotly-tipped songs before their official release. And here is a prime example of his good taste – PopWreckoning favorites Friendly Fires covering Holy Ghost!‘s now classic “Hold On,” which was chosen as a “Hottest Record” for February 4.

I’ve done research in the blogosphere and heard quite a bit about the backstory of this single from interviews the BBC did last month with Friendly Fires‘s Ed Macfarlane (vocals / bass / synths). What I’ve gathered is that the two acts ran into each other last summer at the dance music festival Calvi on the Rocks in Corsica. It’s unclear which parties were inebriated but Holy Ghost!‘s Alex Frankel made the suggestion of recording covers of each other’s songs. Macfarlane, a self-admitted fanatic of Holy Ghost!‘s work, concurred. Further, Macfarlane told a BBC 6music news reporter that he spent so much time and effort remixing Phoenix‘s “Fences” that given the choice, his preference with respect to Holy Ghost! was to do “a proper reinterpretation” of one of their songs rather than simply a remix.

You may wonder, “if they talked about doing this last summer, why is it taking so long for it to be released?” Further in the folklore is that Friendly Fires, so enthused about the project, got their cover finished quickly. However, Holy Ghost!‘s recording of their track was riddled by bad luck. Word on the street is that their already recorded session tapes and vocal tracks vanished, and they suffered a hard drive meltdown. It should also be noted that there was further delay caused by the untimely death of !!!/LCD Soundsystem drummer Jerry Fuchs. (Incidentally, the “On Board” track is one of the last recordings Fuchs played on.)

If you’ve listened to Friendly Fires‘s “Paris” as many times as I have, the intro to their cover of Holy Ghost!’s “Hold on” should sound welcome as an old friend. The pronounced bass line, as well as winning cowbell and agogô – hallmarks of tracks by this XL Recordings act – make this cover memorably different than the original. The disco dancefloor vibe and the short-sounding lyrics have gone, replaced by in-your-face percussion (thanks to surely one of music’s hardest-working drummers, Jack Savidge) and sexy as hell lead vocals. Edd Gibson‘s guitar riffs three-quarters of the way in are also a totally appreciated addition.

DFA Records duo Holy Ghost! decided they wanted to put their own stamp on the Friendly Fires‘s boisterous singalong “On Board.” (You may recall hearing the original on commercials for the Wii Fit and Gran Turismo 5.) Their take features, as should be expected from them, a disco sensibility; however, it also comes complete with angelic female voices credited as “the DFA Celestial Choir,” lending a vocal richness not present in the original. The lead vocal is more intelligible as well. (Sorry Ed Mac, but if someone hadn’t told me the lyrics included “without your own defiling / you’d backwards circle right above our heads“, I never would have guessed). I also really dig the tacking-on of the catchy, repeated “Don’t stop! Don’t stop!” squarely in the middle of the track.

Because of the mutual admiration Friendly Fires and Holy Ghost! have for each other, I think it’s safe to say that should these two dance music acts ever decide to go on tour together, that would make for one hell of a bill.

The “Hold On” / “On Board” double-A-sided single will be released on 12″ vinyl and digitally on March 8 by XL Recordings. Check out the original versions of both below (Holy Ghost! don’t have a promo video for “Hold On” so only audio is available for that one.)

Friendly Fires - “On Board”

Holy Ghost! - “Hold On”

Track Listing
1. Friendly Fires – Hold On
2. Friendly Fires – Hold On (instrumental)
3. Holy Ghost! – On Board
4. Holy Ghost! – On Board (instrumental)
5. Holy Ghost! – On Board (dub – on download version only)

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | Remix Monday: Phoenix’s “Fences” | NYLON Winter Music Tour Starring Friendly Fires with the xx @ Paradise Rock Club, Boston
Holy Ghost!: website | myspace | Remix Monday: Cut Copy “Hearts on Fire” | Remix Monday: Phoenix “Lisztomania”