Tag Archive | "goldfrapp"

Former Verve Members Return; The Black Ships Release Kurofune EP

Former Verve Members Return; The Black Ships Release Kurofune EP

Founding members of iconic band , and reveal the first material from their new project . They will be joined by (, ) and (whose string compositions have been used by The Verve, , and ). You can download the entire debut Kurofune here for free.

Their first live appearance will take place at Kings College, on Thursday June 2nd. Limited tickets available here.

Here’s what Nick McCabe has to say about the new project/EP:

“You just know when things are right. The four of us met in various circumstances and each meeting was accompanied by this feeling of “we’ve absolutely got to do more together”. And here we are. The joy of : what does that really mean? Living and breathing it. Obsessing about detail whilst discovering the beauty in chance, and then doing what is necessary to give it life. All the peripheral activity, traditionally taken out of your hands in service of the big organisations of yore becomes a joy in service of the . It is undoubtedly the hardest work we have collectively put into any band, but the satisfaction is already huge.”

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Treasure Island Music Festival-Day 1

Treasure Island Music Festival-Day 1

Nestled between Oakland and San Francisco is a small man made island built for the World’s Fair in 1940. Being that there’s less than 1,500 residents, it’s the perfect site for a festival since there’s no one to disturb. With two stages, no overlapping sets and attendance of 10,000 it was a great setup for people that wanted to enjoy without the big festival hassle. The highlights of the day was ‘ high energy like funk, , and .

I arrived to catch Chester French and spent most of my time scratching my head. The singer introduced one of the songs stating that it was about groupies. The hook was,”You can be my Puerto Rican Pamela Lee.” How much longer until TV on the Radio?

San Francisco by way of Brooklyn Aesop Rock was up next and the crowd treated him like family throwing their arms up at his frequent requests. They played a lean set that featured their DJ putting on a clinic towards the end.

Brooklyn’s Antibalas followed by opening with a sped up version of ‘s “Rat Race.” They didn’t stop the groove and made use of every second during their 45 minute set. Every member on stage had a massive grin throughout their set. They could have played for 4 hours and not broken a sweat.

The sleeper band of the weekend that blew me away was the Foals, they only had 30 minutes but I’m sure every member in the crowd was wanting more by the end. I don’t even know of any similar bands that I can compare them too, all I can say is they’re poised for greatness and won’t be playing second stages for much longer. Even with a solar power outage, they couldn’t stop playing. The drummer broke into a beat that got the other band members involved in a mini-percussion jam until power was restored. On a side note: to whomever is in charge of the solar panels next year, please aim the panels TOWARDS the sun, not away. Thank You.

Hot Chip arrived on stage to an anxious crowd and quickly broke into the multi-textured sound that’s impossible to classify. While they may be the reigning kings of the remix, they’re also a force to reckon with live.

Amon Tobin and Mike Relm sets were sandwiched around Hot Chip and Goldrapp. Amon Tobin’s set was built around ambient textures instead of beats, which fit the SF crowd perfectly. Although DJ’s are big draw these days, it’s hard for a performer to come off sincere if they’re staring at their laptop for most of their set. The highlight of Mike Relm’s set was breaking into Rage Against the Machine‘s “Killing in the Name of” then segueing into One Day as A Lion‘s “Wild International.”

took the stage in all white outfits as the sun set over San Francisco. With her hair and dress flying everywhere pranced the stage barefoot while loving every minute of it. Their set included all their hits and a near perfect mix of all the musicians on stage. There wasn’t any stage banter. Goldfrapp came there to play and the audience was there to listen and dance.

Touring behind their amazing new album, “Dear, Science”, TV on the Radio came on stage as darkness set. The light show accompanied their visual compositions, perfectly setting the table for a flooring performance. Hailing from what used to be Williamsburgh, Brooklyn they were backed by their neighbors, the horn section from Antibalas. Plenty of bands carry the “art rock” card these days but TVOTR is the genuine article. They incorporate so many genres of music within each song and their harmonies are surreal live. Sometimes bands can’t pull off their studio compositions live but TVOTR takes it to a another level, they are truly a phenomenal live band. Pardon for the lack of a full band shot but I had to put the camera down, it was just too good to not stand there and listen.

Stay tuned for the Day Two wrap up.

Treasure Island Festival: website | line-up

photos and writing by: Ajay Malghan

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Goldfrapp @ Radio City Music Hall

Goldfrapp @ Radio City Music Hall

A friend of mine won tickets to the show on Friday and decided to take me along. I’m not a fan, but I got my hands on a photo pass (otherwise, I wouldn’t have been able to get in, as I had all of my gear on me and there was no way in hell I would have made it home and back in time for the show). I’d never set foot in the venue prior, but understood its historical importance, much like that of the Apollo, which I first ventured into last week.

Whereas the Apollo is tiny, Radio City is massive, and I can’t, for the life of me, figure out how Goldfrapp got booked for such a venue. One word show review: boring. The stage setup was pretty, but the was yawn-worthy. To boot, I didn’t even get good shots because the artist requested that the photographers shoot from the side, which means that we all ended up shooting from stage left about twenty to thirty feet back from the pit. Gripe, gripe, gripe.

DeseRae Stage

Photos: Dese'Rae Stage

Goldfrapp: website | myspace | Seventh Tree review

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Goldfrapp – Seventh Tree

Goldfrapp – Seventh Tree

Trading in the techno dance beats of 2006′s Supernatural that was an advertising agent’s wet dream, opts for a 70′s style singer/songwriter inspired album on Seventh Tree, reminiscent of a Joni Mitchell record. Especially appropriate since singer Allison Goldfrapp‘s vocal style is very similar to Joni’s on several songs on the album, though you may never have noticed in the setting of the group’s previous albums.

I have to say, that despite my fondness for Goldfrapp and classic singer/songwriters, this album had few glowing moments for me, and those don’t start showing up until track seven. The brightest of these is “A & E.” Despite my first thought, this is not a ballad about a cable network. The romantic track lets Allison’s voice shine and has a melody that is more catchy that sleepy. The sweet intro has a simple hook that catches the ear almost immediately.

Next up would be “Caravan Girl,” which could be a big 80′s rock song of the guitars were a little louder and Allison’s voice were grittier. This is especially true of the driving drum and bass that run though the song.

Of course, unlike Joni Mitchell and her legendary singer/songwriter counter parts, this album as a whole goes beyond a laid back sound to down right sleepy. If they were trying to really make a statement with the lyrics, it all gets lost in vocals that are low and whispery in the mix, making you miss the soulful voice from Supernatural. Musically, the acoustic meets electronic sound makes no real effort to stand up and do anything, opting instead to just sit and be little more than background . Had there been just a sprinkling more pop it would feel very much like a Leona Naess album, but this lacks the hooks to quite make it.

Granted, this album has its place. It wasn’t meant to be a carbon copy of Supernatural, which personally I could listen to as what I call foreground entertainment, meaning I could listen to it and focus on the music to keep my mind busy. Seventh Tree is more background entertainment: it doesn’t so much stand on its own as enhance other things. It would certainly make a grand background selection for a dinner party or for an introspective car ride. I can easily see this being used heavily in movie soundtracks like Garden State II: The Mallrat’s Revenge. I’ve even taken to listening to it while reading. And though I’m not one to test it, it sounds like some of the albums I’ve heard heralded as soundtracks for taking a downer and staring at the ceiling, too.

On the other hand I can see this album being adopted by the hipster crowd, if for no other reason than an album cover that’s ripped from the pages of an Urban Outfitters catalog. That and certain flavors of hipsters tend to lean towards sleepy time music.

Don’t start accusing me of panning any artist who branches out and does something different. Quite the contrary! I have the utmost respect of Goldfrapp for going out of their comfort zone and trying something different. I much prefer experimentation to growing stagnate any day.

It should be said, that with only two really great tracks, it’s possible that this album may have been better served as an . It would have less time to get monotonous and cut down on a great deal of what feels like filler.

Goldfrapp: website | myspace

*Molly

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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