Tag Archive | "Gym Class Heroes"

Gym Class Heroes Cancel Remaining Tour Dates

Gym Class Heroes Cancel Remaining Tour Dates

Due to , are canceling their remaining dates.  and Gym Class Heroes have been co-headlining a tour since Oct. 9.  The Dirty Heads, however, will continue to play as sole headliners, with the exception of the Milwaukee show on Nov. 4 which has been canceled completely.

The Dirty Heads released a statement regarding the issue:

“While we hope Travie gets better soon (nothing worse than being sick on the road), the last thing we wanna do is cancel the whole tour.  So no matter what happens we wanna stay out and keep playing music and putting on the best shows we can for you guys. Whether it’s playing for 2 people, 20 people or 2000 people we are staying out. Thank you guys for your continued love and support. We love you peace!!!!  And it’s the first time we are playin’ some new songs!! Hope you enjoy.”

Gym Class Heroes also issued a statement on their website saying “We promise as soon as Trav is back on his feet, we’ll get back out soon to see you.” To read the full statement go to gymclassheroes.com.

Remaning Dates:
11/2 – Chicago, IL @ House of Blues
11/5 – Columbia, MO @ The Blue Note
11/6 - Kansas City, MO @ Midland Theatre
11/8 – Denver, CO @ Ogden Theatre
11/9 – Salt Lake City, UT @ The Complex/Rockwell
11/10 – Boise, ID @ Knitting Factory
11/11 – Seattle, WA @ The Showbox SoDo
11/12 - Portland, OR @ Roseland Theatre
11/14 – San Francisco, CA @ Regency Ballroom
11/15 – San Luis Obispo, CA @ Club Slo Brew**
11/16 – San Diego, CA @ House of Blues
11/17 – Tempe, AZ @ Marquee Theatre**
11/18 – Las Vegas, NV @ House of Blues
11/19 – Anaheim, CA @ The Grove of Anaheim
11/20 – Santa Barbara, CA @ UCSB – Hub**
** originally without Gym Class Heroes 

 

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gch

Gym Class Heroes Announce North American Tour

Decaydance/ recording group has announced plans for a major North American .  The dates – which see the alternative hip-hop superstars co-headlining alongside – will kick off on October 12th at Tampa, Florida’s Jannus Landing and then continue through mid-November.

A ticket pre-sale will begin on Thursday, August 18, and public on-sales will take place on Friday and Saturday, August 19 and 20, with the date varying by city.  In addition to general tickets, Gym Class Heroes will offer fans a special package which will include early entry, a pre-order of , a Gym Class Heroes t-shirt and autographed tour poster, and a commemorative VIP laminate in addition to the ticket.  For more information, visit the band’s website here: www.gymclassheroes.com.

The tour heralds Gym Class Heroes’ anticipated new album, “The Papercut Chronicles II,” which is slated for release October 25.  The album’s first single, “Stereo Hearts (featuring Adam Levine),” is quickly proving a summertime hit with top 25 airplay at CHR/Top 40 radio outlets nationwide Produced by Benny Blanco (, Wiz Khalifa, Ke$ha).


* All Dates w/The Dirty Heads
OCTOBER
12 Tampa, FL Jannus Landing
13 Ft. Lauderdale, FL Revolution
14 Orlando, FL House of Blues
16 Atlanta, GA Masquerade Park
18 Charlotte, NC The Fillmore
19 Baltimore, MD Ram’s Head Live
20 Philadelphia, PA Electric Factory
21 Sayreville, NJ Starland Ballroom
24 Boston, MA House of Blues
25 Albany, NY Northern Lights
28 Toronto, ON Kool Haus
30 Detroit, MI The Royal Oak
31 Cleveland, OH House of Blues

NOVEMBER
1 Columbus, OH Newport Music Hall
2 Chicago, IL House of Blues
4 Milwaukee, WI The Rave
5 Columbia, MO The Blue Note
6 Kansas City, MO The Midland Theatre
8 Denver, CO Ogden Theatre
9 Salt Lake City, UT The Complex
10 Boise, ID Knitting Factory
11 Seattle, WA Showbox SODO
12 Portland, OR Roseland
14 San Francisco, CA The Regency
16 San Diego, CA House of Blues
18 Las Vegas, NV House of Blues

 

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Under Cover – Sampling Edition, Part 1

Under Cover – Sampling Edition, Part 1

         

Welcome back, readers!  I don’t know about you but summer time usually makes me want to get back into hip hop and R&B music.  There’s something about summer jams, anthems (see: ‘s “Love In This Club“), and danceable hip hop that makes me want to get on the dance floor and get down.  As if creative lyrics and mystifying dance moves weren’t enough, I’m constantly impressed by the creativity and diversity of famous songs that are sampled.  Sometimes it can be brilliant, other times it can be a disaster.  Case in point: penning “Will 2K” that borrow from ‘s “Rock The Casbah”.  Stick to movies, Big Willy.  Today I’m featuring a handful of tracks that sample other artists in a unique way.  Enjoy!sampling_01

.Puff Daddy and (feat. ) – “I’ll Be Missing You”
Sample: – “Every Breath You Take
Who would have ever thought Puff Daddy was a Police fan?  Fresh pain over his dear friend’s death () got the creative juices flowing in this memorable tribute cover song.  Normally I’d be appalled at the idea of somebody ripping of The Police’s killer bass line, but Puff Daddy manages to make this song work.  I particularly love the addition of 112 to sing the -wrenching, repetitive chorus.

. – “Get It Shawty”
Sample: - “Pump Up The Jam
I absolutely love this song that was actually originally written for Usher.  Lloyd’s 2007 summer dance tune is the rare gem that got me out of my chair and on the floor that year.  In fact, I still get chills whenever I catch it on mainstream hip hop radio stations.  Recognize the chorus?  Any child of the 1980′s will be quick to scream “Technotronic!”

. (feat. ) – “Touch The Sky”
Sample: – “Move On Up
One of the more versatile hip hop artists of this generation, Kanye West turned my head with this incredible track that features a memorable rap by Lupe Fiasco, another one of my favorites.  He took Curtis Mayfield’s memorable tune, slowed it down, and turned it into a mega-watt hip hop anthem about climbing the charts.  This cover only proves the boundless imagination of Mr. Kanye West.

.Beastie Boys – “She’s Crafty”
Sample: – “The Ocean
Much like the audacity of Puff Daddy, Beastie Boys went back in time and enlisted the help of Led Zeppelin’s catchy guitar riff for “She’s Crafty” in a way that is oddly endearing and not the slightest bit offensive.  Perhaps the genius of this not so shameless pilfering is the fact that this was done over 20 years ago when the idea of mixing rock with hip hop was still a musical taboo.  Looks like “she” isn’t the only one who’s crafty.

. – “Clothes Off!”
Sample: – “We Don’t Have To Take Our Clothes Off
Hey, I love the original and I’m not ashamed I find the cover equally hysterical.  Gym Class Heroes take’s the world’s best abstinence anthem and spins it on his head.  Jermaine Stewart was quick to say “we don’t have to take our clothes off to have a good time” and instead offered above-the-clothes fun mixed in with a little cherry wine.  Apparently, this isn’t good enough for GCH as they insist “we have to take our clothes off” for all night partying and got Patrick Stump from to emphasize this in the high-pitched chorus.  I bet former classmates are sorry they picked lead singer last in gym class now!

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New Music Tuesday!

New Music Tuesday!

Star Spangled :: review

Chad VanGaalen Soft Airplane

:: review

Heartbreaker :: review

Brooke Waggoner Heal for the Honey

The Family Afloat

Jack’s Mannequin In Valleys EP

All Or Nothing

The Sound of Animals Fighting The Ocean and The Sun :: review

Now or Heaven :: review

Calexico Carried To Dust

Laughter :: review

Hawnay Troof Islands of Ayle

Meiko Meiko

People in Planes Beyond the Horizon

Okkervil River The Stand Ins :: review

Fujiya & Miyagi Lightbulbs

Young Widows Old Wounds

Joshua Radin Simple Times (digital)

The Silents Sleepwalker

Some Small History

Bears Simple Machinery

Cassettes Won’t Listen “Freeze and Explode”

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Gym Class Heroes – The Quilt

Gym Class Heroes – The Quilt

The idea of a patchwork quilt is that a bunch of different fabric patterns are sown together to form one unified work. However, in the case of ‘ newest release title , their patches seemed to clash together, making this work feel incomplete.

Sampled sounds and a ridiculous amount of guest spots beg the question as to what was the point of even having Gym Class Heroes show up in the studio. Don’t get me wrong, I love on the jazzy “Guilty As Charged” and it is great to hear continuing to lend his support not only as a producer, but on backing vocals for songs like “Catch Me If You Can.” It doesn’t really seen necessary to have , , , , , , Estelle and Stump sing and rap more than the group’s own .

It is actually quite hard to review this album because there is so little of the band shining through the layers of pre-recorded sound effects.

Lyrically, it disappoints. Nothing seems fresh, there’s the same list of girls and pop culture references that we’ve already heard on earlier releases. There’s no surprise when Stump, who sings on “Cupid’s Chokehold,” which borrowed lyrics from an older song repeats the same stunt as he sings “I Wear My Sunglasses at Night” during “Blinded By The Sun.” Gym Class Heroes seem to have run out of tricks. And don’t even get me started on the awful lyrics to “Cookie Jar.”

does stand out with some cool bass riffs on “Drnk Txt Rmeo” and “Home.” I like the vibe of “Like Father, Like Son,” which sounds like it should be the theme to an early 80s sitcom. While, I actually do enjoy “No Place to Run” and “Live A Little,” which both actually have real instruments, even these songs were a let down because they don’t even sound like they are made by the hip hop group.

There’s some interesting elements and Estelle‘s guest spot is especially lovely, but overall, I’m just confused as to what the band even did for this album. Sure, bands progress with each release, but The Quilt ended up rather patchy.

Gym Class Heroes’ The Quilt is released by Decaydance / on Sept. 9, 2008.

Tracklisting:
01. Guilty As Charged
02. Drnk Txt Rmeo
03. Peace Sign/Index Down
04. Like Father, Like Son (Papa’s Song)
05. Blinded By The Sun
06. Catch Me If You Can
07. Cookie Jar
08. Live A Little
09. Don’t Tell Me It’s Over
10. Live Forever (Fly With Me)
11. Kissin’ Ears
12. Home
13. No Place to Run
14. Coming Clean

Gym Class Heroes: website | myspace | live review

Written by: Bethany
Photo by: Joshua Neal

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Warped Tour @ Post Pavilion Gazette, Pittsburgh

Warped Tour @ Post Pavilion Gazette, Pittsburgh

Ah, Warped … every teenage scenester’s festival of choice. A sensory overload in the oft-blistering heat, as well as a bit of a surreal experience as it is sometimes difficult to believe one is seeing so many exceptional bands in one day.

Shwayze

I began by checking out MTV darling Shwayze, accompanied by the ever-greasy at the Hurley.com stage. The two work well together, psyching up the crowd with their cheesy, yet fun summer-friendly tunes. The hip-hoppers had an obvious backing track for their sung vocals, but the audience didn’t seem to mind. They cheered and sang along with every song despite the juvenile subject matter. Every song they performed was about, as the boys put it themselves “drinkin’, fuckin’ and weed!” I couldn’t bring myself to stay for the rest of their set, as truly stupid lyrics annoy me

Anberlin

At the MySpace tent, I managed to catch a couple songs in Anberlin’s acoustic set. For a Christian band, they show no preachy messages in their music and lead singer has a truly beautiful voice. I’m torn on the idea of having acoustic sets in the MySpace tent as being a good one or a bad one. While the small, intimate, and toned-down setting is a nice change, the tent itself is much to small for most concertgoers to catch much more than a small earful of these sets.

America’s beloved new sex-kitten (and ’s Travis McCoy’s girlfriend) Katy Perry emerged onstage to the intro of ’s “Barracuda,” and did not disappoint. Her energetic and entertaining stage demeanor was kept up throughout her entire set, including the bit where she insisted that it was so hot, that everyone should take off an article of clothing, Perry herself humorously shedding a shoe. On her recordings, Perry’s vocals tend to have a lot of production behind them, making me fear that her vocals could not deliver. I was very glad to hear the strong, pretty voice she had to offer us, with no backing track to be heard. The crowd for her set was fairly calm, but still clearly enjoying her performance, as she pranced her way through her songs, including “One of the Boys,” “You Can’t Afford Me,” and “Ur So Gay,” even strapping on a guitar for a few of the songs.

Schlepping back to the Route 66 stage, I caught ska legends Reel Big Fish. Being one of the oldest bands on the ticked, I was surprised to see that they had an even bigger crowd than the recently radio-friendly Gym Class Heroes and Katy Perry. They prove that they’re seasoned pros, tackling some wonderful harmonies. Spanning their catalog from “Everything Sucks” to “Suburban Rhythm,” their set is fantastically entertaining, peppering their onstage banter with quotes such as “I’m so rich! I was on MTV one time!” RBF is definitely a band that’s showing these youngsters how it’s done.

Reel Big Fish

Reel Big Fish

Now, I know you had already gotten a review of Chicago rockers The Academy Is… from our Kansas City Warped Tour coverage, but I decided I needed to see them for myself. TAI does not need to take lessons from RBF. They know how to play a show and work a crowd, playing as much for the audience as they do for themselves. Opening the set with “Neighbors” and going into this Popwrecker’s personal favorite “Slow Down” frontman is all over the stage, wielding his microphone stand like a weapon.

His vocals are impressive and clear as a bell, sounding better than they do on the band’s studio albums. Going into “Big Bang” and “Black Mamba” the whole audience is singing along as guitarist demonstrates his formidable guitar chops. Bassist , or as Beckett refers to him “Sisky Business” is almost a match for the svelte singer’s onstage manner. I was grateful that the band was awarded an extra 10 minutes for their set and cheered with the rest as they closed the set with “Almost Home.”

Staying at the Route 66 stage and pushing my way forward, I snagged a front and center position for one of my most highly anticipated bands, . Being a Warped Tour virgin, and not using my head, I realized this was a bad idea. The crowd rushed the stage the moment the band began to play their opening number “Attractive Today” and I was continuously assaulted by crowd surfers for the entirety of their set. Although, I wasn’t exactly able to see them most of the time, the band did not disappoint, playing songs spanning all three of their studio albums. From “The Future Freaks Me Out” and “My Favorite Accident,” to “Everything Is Alright” and “Broken Heart,” every song was completely en pointe.

Motion City Soundtrack

Motion City Soundtrack

Finally, I caught the up and coming closing the show at the Hurley.com stage. Earlier in the day the band and I sat down for some witty banter. As a matter of fact, attempting to interview these St. Louis boys gives you nothing but an exchange of witty banter. This year is their first time being on Warped Tour for longer than a week and they are absolutely loving it.

Frontman is the mouthpiece for the most part, saying, “This is the best tour ever. We get food, shows, a bus—it’s a better experience than we’ve ever had before.” The band, named for the loveable yeti-like character from ‘80s cult classic Labyrinth want their music to be “a home for runaway teens.” Volpe says, “We have this whole idea of our music entertaining people without making them stupider. But I think we’re failing. I watch people walk away after our shows just looking dumb.” He’s kidding of course… I think.

Ludo

Ludo

Although, keyboardist and bassist seem to be nodding in agreement. Volpe continues, “We get to be on the road with all these great bands: Reel Big Fish; ,” the rest of the band begins adding their favorites, including Oreskaband, , Story of the Year, Dr. Manhattan and The Aggrolytes. Convy picks up where he leaves off, “but we tend to listen to as little rock as possible in our down-time — a lot of old, acoustic stuff, trying t balance everything out.” When queried about their greatest moment as a band together, the band answers jokingly, “This right here. In this room. Doing this interview. With you.” As I laugh Convy adds in, “getting to do this…cool tours, with touring getting easier. We couldn’t ask for more.”

But Fanciullo seems to somewhat disagree. “I think you should recycle: glass; plastic; aluminum.”
“What about paper?” Volpe interjects.
“Nah. Fuck paper.”

Ludo’s set is just as entertaining as the one-on-five time I got to spend with them. The relatively young band has the stage presence of a group that has been around for much longer. Volpe’s vocals are fantastic, dripping with wit. Convy uses the entire stage when he’s not anchored to his keys, which seems to be as often as he can get away with. Their creative song-writing is comparable to Blue Album-era Weezer combined with Harvey Danger, including delectable lyrics such as, “You taste good tonight.”

If you combine 4-part harmonies with a sense of humor, you’re good to go in my book, and Ludo does just that. The 5 piece closes the show with a cover of ’s “Epic,” and while it was flawless, I wonder if it was the right choice for the crowd at Warped Tour. Although there were a few people here and there rocking the hell out, most of the younger, emo-concious listeners seemed confused, clearly not recognizing the tune.

I can’t lie. I was glad to leave when Warped Tour wrapped up for the day. I was hot, sweaty, tired, hungry, and overloaded with everything I had just seen, heard, and experienced. While festivals are a great idea, giving music fans the opportunity to catch so many of their favorite bands in one day, it’s definitely not something I, personally, would go for on a regular basis. I prefer evening breezes and longer sets to the sweltering mid-day sun and 30 minute previews that Warped Tour gives us.

Written by: Sara Bellum

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Warped Tour Rundown – Kansas City (Part Three)

Warped Tour Rundown – Kansas City (Part Three)

Here is the third installment of the Warped Rundown. Enjoy.

5:45 P.M. to 6:15 P.M. – Hurley.com Stage

Katy

I would be lying if I didn’t confess that I became relatively nervous while making my way to the Hurley.com stage for Katy Perry’s premiere Kansas City performance. PopWreckoning had worked with her several times (Review, Interview) in the past without fail, but following a fairly awful performance on Last Call with Carson Daily , I was somewhat unsure of exactly what type of a show I would be in for. It could honestly swing either way. She could turn out to be an amazingly talented woman with the ability to command a stage and capture the love and attention of the crowd, much like ’s . However, she could also turn out to be a talentless figure head with a pretty face standing in front of a group of world class musicians with the likes of Avril Lavigne. Either way, finding out the answer to these questions seemed like kind of a big deal.

The truth is Katy Perry did not let me down. While she remained a little pitchy and yelled instead of singing more often than she needed to, Katy’s set was pretty damn good. Her stage actions are fairly amusing and her songs are really entertaining. The presence of personality that she brings to the stage is completely responsible for her new found fame. She interacted with the crowd as well as anyone I had seen that day. Bottom line is, Katy Perry won me over. She is the real deal and worth your time.

Grade: B+

katy

5:50 – 6:20 – Highway One Stage

Rumor is that Cobra Starship is kind of a big deal. Everyone I met at had their name on the tip of their tongue, which says something about the group considering the hype from the movie Snakes on a Plane has long died down.

Instrumentally, the group has a tight set. For being known for providing the song to such a cheesy movie, they surprisingly have really interesting instrumentals, partly thanks to the addition of a keytar player. However, instruments may not be enough to win over the entire audience because you either love or hate lead singer ’s cocky antics, which range from dancing around the stage to brushing his own shoulder off.

The jury is still out on this group. Those of us here at PopWreckoning can’t decide if we want to give this group two fangs up or down.

Grade: B

6:50 to 7:20 – Highway One Stage

PopWreckoning reviewed Say Anything when they passed through Kansas City two weeks prior to Warped, but was left desiring a little more energy and enthusiasm from the group. After getting a second chance to see them, I feel the early assessment was pretty accurate.

Their songs are well-known and loved in Kansas City because of the heavy radio play they get here, but the group’s singer , seems to have lost his enthusiasm for their songs. It is a shame that the quirky lyrics weren’t enough to save this group from delivering a boring set. Although it was fun to see Say Anything joined by all their “friends” like Cobra Starship’s Gabe Saporta on “Belt.”

Grade: B

7:20 to Apocalypse – Route 66 Stage

Gym Class Heroes, much like their previously reviewed labelmates ,  have greatly improved over the years and they delivered one of the most impressive sets of the day, until it was sadly cut far too short by the apocalyptic thunderstorm that broke out during the Gym Class Heroes’ tour of the Papercut Chronicles.

Actually, the band could have sounded like shit and they still would have been entertaining. is one of the most entertaining frontmen in the industry with his great crowd interaction and wild facial expressions. Fortunately, the group sounded great, so it was a pleasing experience for both the eyes and ears.

Grade: A

Katy Perry: website | myspace
Cobra Starship: website | myspace
Say Anything: website | myspace
Gym Class Heroes: website | myspace

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Ditch The Pitch

Ditch The Pitch

As a journalist, there is a little thing that I firmly believe in called accuracy. Now as a journalist, I not only believe in holding myself to this accuracy standard, but I expect it of my competitors as well. Recently, one of our primary competitors in Kansas City, , majorly let us down by printing a series of errors in regard to Warped .

One of the first things they teach you in j-school is to double, even triple check names. That is to say you should know who or what you are covering. This is simple enough and makes sense. Now I can excuse the occasional typo. Sometimes your finger slips and you stick an extra t or s where it doesn’t belong, but as I was browsing The Pitch’s photo slides, I was dismayed at the repeated error in the spelling of ’s name.

Not only was the name misspelled underneath the photos, but the tags that appeared when the mouse hovered were also wrong: Reliant K. I know what you’re thinking, Relient with an e is less common, this mistake is understandable. Plus, we all know how much energy it takes to google things these days when you’re updating a website. I mean you might have to open a new window to look something up–terribly difficult and a sure way to clutter your screen. However, I know you’ll agree with me that it is unforgiveable to misspell the name when it is clearly spelled accurately in the photograph you are describing as can be seen here:

The background looks to be fairly in focus to me, so it seems like it would have been pretty easy to see the accurate band name for labeling the pictures. The mislabeling continues if you notice that the headline reads, “ at Verizon Wireless Amphitheatre.” The venue is actually called Sandstone Amphitheater at Cap Fed Park. I’m amazed the date is at least right.

As if the repeated error in poor Relient K’s name wasn’t enough, the writer made up information for The Pitch’s Wayward Blog that gave a rundown of the day’s events. Even though author admitted that he didn’t attend for the duration of the event, he still tried to give an account as though he remained until the last band got rained out.

The most problematic of his paragraphs was when he wrote, “This year, perhaps because of expected headliners like and , (both of which hit the stage after my daughter and her friends fled the event in the midst of a hail storm), the crowd seemed comprised of many more young women as well as more of a mix of a races.” First, Katy Perry wasn’t technically a headliner. They usually don’t have headliners play around 5:45 on one of the smaller stages. Second, the storm didn’t start until midway through Gym Class Heroes. There would have been no reason to miss Perry or a majority of Gym Class Heroes. Maybe if Alexander had mentioned the actual headliner, , whom actually did get rained out, I could have forgiven his statement. Granted, how was he supposed to know that he was inaccurate in this statement since he already admitted he left early, despite his continued attempt to report on this event?

I apologize if this post comes off as rude or mean. I do respect The Pitch more than other publications in Kansas City. It’s just a problem that a publication that has staff to catch errors like this would allow something like this to get published.

However, it does make me feel really proud that in one day, Josh and I did more than The Pitch’s reporters and did it better. As PopWreckoning readers, you should also feel proud that you are choosing to read the accurate coverage. An article where we know the bands we are covering and aren’t just taking some kid’s opinion. We were there for the whole time. We risked our cameras and recorders in the rain to bring you the most accurate Warped report we could.

If anybody from The Pitch reads this, please step it up a notch. As our competitors, I want you to actually give us some competition.


The Pitch
: Warped Article | main
Relient K: website | myspace
Katy Perry: website | myspace
Gym Class Heroes: website | myspace
Angels and Airwaves: website | myspace

Written by Bethany

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Interview with: Travis Clark of We The Kings

Surely you didn’t think we were done posting interviews after just two? Below is another one that Bethany did, this time with singer of indie power pop group :

Bethany, Popwreckoning: Hi, my name is Bethany, I’m with PopWreckoning.
Travis Clark, We The Kings:Travis. Very nice to meet you. Wait, PopRockoning?
PW: No, Pop-Wreck-oning.
TC: Oh, I was thinking like Pop. Pop Rocks. Popwreckoning.
PW: Yep, Popwreckoning.com. It’s a webzine. Sorry, I’m not as well-prepped for this as usual, this was kind of a last minute set up.
(It seriously was, I’m going into this interview completely cold-no research, no pre-written questions, nada. The people that were supposed to interview him didn’t show, so the coordinator asked if I could to an interview.)
TC: That’s fine.
PW: You guys were offered on iTunes as one of the free downloads and that kind of got you some attention on “Check Yes Juliet.” How did that affect you?
TC: Yeah, it was really weird because we had the CD and the kids who wanted had already gone out and got it. Then we had the single of the week and all of a sudden, the sales from the CD and especially that song were going up. But it wasn’t really sales on that song, but it looked like it we were doing really good, but then people kept getting it after it was taken off and it was a huge success. It was a song that we wanted to do a video for. It wasn’t like an amazing decision, but that we were fortunate enough to get that slot.
PW: And that’s your current single now. What were some of the inspirations for the songs on the album?
TC: Definitely our friends and family, the city that we grew up in. It is kind of like a love record, but it’s like uplifting and kind of puts a smile on your face.
PW: I know you guys are from Florida, but what city?
TC: We’re from Bradenton, Florida like right on the beach on the west coast, just south of Tampa. When we were writing, like obviously there’s so much stuff, so much depressing stuff going on like on the , that we just wanted to write on the opposite spectrum and write a real fun and happy record. So when you look at it is just like our friends and family and that relationship and stuff like that.
PW: How has S-Curve…you are signed to S-Curve, right? How has S-Curve been?
TC: It’s awesome. We had offers from a couple different record labels and they were the ones who seemed like they cared about us and who we were as people, not just as a band. The other labels were extremely nice, but I kind of got the vibe that possibly we’d be just another CD on the shelf rather than a full focus. I don’t know, it’s been a really good decision. We’d never take it back, you know, being eight months into it.
PW: This was your first debut, your first full-length album. Have you started working on the second album?
TC: Yeah, we have. I have like 16 to 17 songs. No, I love writing. So like immediately when we were out of the studio for the first record, I started writing, you know, it’s something that you don’t want to stop. You always have more stuff, more stuff, more stuff, and you’re just like, “Ah someday I’ll use it.”
I kept writing and now I have 16. I think one of the best parts about being in the music industry is that kids are developing ADD quicker, so they get sick of records very quick. It gives us the opportunity to put out another record, more songs and CDs. I think that some time next year, we’ll actually start recording it and maybe put it out the year after. I don’t know.
PW: How do you guys plan to avoid the dreaded sophomore slump?
TC: I don’t know. We’re going to keep doing the same thing. I mean with the songs that we’re playing now, a lot of people ask if we get sick of them. I don’t know, it’s just like a more entertaining thing, like we play a show and the kids hear the songs and it’s about entertaining them. It will be entertaining to play a show and throw some new stuff in: feel out each song and do each set differently. I would say we’re not dreading the sophomore slump. We’re just going to keep writing and doing things for the right reason. If it is a sophomore slump than it is, but I don’t think that it will be.
PW: A lot of bands also try to change their style a little bit for the next album are you going to stick with what’s working?
TC: The stuff that we have, a lot of people say you mature and stuff, and I don’t think that is the right answer. To be honest, we’re just friends playing in a band. None of us are really that good at our instruments so maybe we’ll make it a little more musical, if that makes sense. But I think we’re going to do a pretty big CD as far as like song-wise. Instead of the typical 10 songs, do like 15 or something crazy. I don’t know. I’d love to have like a weird song on the record.
PW: Weird?
TC: Weird like you know you’re writing and this doesn’t fit at all, but it’s awesome. That type deal. I guess people can look forward to that.
PW: Ok. How has Warped differed from other tours that you’ve done and in a good or a bad way?
TC: I think it’s differed amazingly. As a singer, you don’t know what time you play every day, so you have to be vocally ready every hour. From 9 a.m. when you wake up to whenever. You could go on in like an hour. It’s nice. And then also, there are so many of our friends’ bands and bands that we’ve looked up to and we’ve been inspired by that we get to meet.
Like when sitting in the catering line or going on stage next, it is really like a big band reunion. I like it better than most tours because there’s more, there’s never really a dull moment: BBQ every night and tons of kids that you could sit at your merch table the whole time and never have a dull moment without kids being there.
It’s just awesome.
PW: What are some of the bands that you’ve met or would recommend?
TC: We started playing soccer with some of the guys from , which is exciting because we’ve looked up to them and their stage presence. They’re just a stunning band. Our friends in , and , they’re on the and other bands like that.
I know is here, I know it’s not Blink, but . But when we were all growing up, we were huge fans, so it is kind of weird seeing him around and being on the same tour as every one. I know we’re not on the same level as band, but it is kind of cool to put yourself in the same category. And then , we’ve had a ton of fun with them and they’re really cool.
PW: Awesome. Last question: what’s playing on your iPod right now?
TC: Tha Carter III. . He just put out a CD and it sold over a million copies in a week, which is pretty amazing. But it is awesome. It’s like really good. That, , is another one. He’s like an indie artist, he’s like a spawn off the band the . Other than that it’s just a lot of my demos. They make it on the iPod.
PW: Cool. Well, thank-you very much. It was nice meeting you.
TC: Thank-you very much.

We The Kings: myspace

Posted in InterviewsComments (1)

Warped Tour 2008 Rundown – Kansas City (Part One)

Warped Tour 2008 Rundown – Kansas City (Part One)

As a journalist, Warped is something for which you have to train. With a set up structured to featured as many as 100 bands spread across as many as 10 stages, you simply have to have your ass in shape to maximize your ability to catch as many acts as possible. I often found myself running the entire length of Capitol Federal Sandstone Amphitheater to get shots of a band we had interviewed. While the bands themselves only play for up to 30 minutes, the schedule of 11:00 a.m. to 9:00 p.m. is unreal. Couple this with raging heat and limited resources for comfort, the day borders on over stimulation to the max. Furthermore, often times a band’s set will overlap other band’s, making it absolutely impossible to cover every act. The start of the day consists of picking and choosing which acts to cover and which acts will be shunned.

Below, I have listed the schedule of events from my and the notes taken throughout the day. While slightly informal, I hope you enjoy.

10:35 A.M. – Sign In, Set up Interview

After receiving credentials that allowed me to enter the venue, Bethany and I wandered back to the press room to check the list of bands that would be doing interviews throughout the day. After a long discussion of who we should pick, the Popwreckoning team narrowed it down to the following list: , , , , , Jack’s Mannequin, and . We also learned that our interview with had been canceled due to an incident the previous evening in St. Louis.

11:20 A.M. to 11:50 A.M. The Academy Is – Route 66 Stage

The Academy Is

I saw these kids years ago opening for and on a tour showcase. At the time I have to say that I left the venue relatively unimpressed by their performance. But the thing about music is that bands very seldom stay the same. Lineup changes and years of practice can make a fairly ignorable outfit become a pretty big deal on stage. With tight and catchy guitar riffs over very infectious vocals from the the band’s ridiculously charming front man, , The Academy Is not only did a splendid job opening Kansas City’s Warped Tour, they bordered on being one of the best bands to watch. Those of you who were stuck in line or just decided to come late, you missed one hell of a set.

Grade: A-

11:50 A.M. to 12:20 P.M Story of the Year – Highway 1 Stage

Story of the year

No lie, Story of the Year is the hardest band I have ever photographed in my life. Their movements are extremely quick and their set consists of a ton of jumps and spins. Keeping them in your lens is no small feat. The band puts on a fairly entertaining show for those who like to watch a lot of stage antics. I must confess that I was less than impressed with their musicianship, however. There simply seemed to be a lot of dropped notes and vocals slightly to extremely out of key. To me, it is very important to be able to play first, move later, and not the other way around. I was extremely disappointed and ended up leaving this band’s set early to steal a hot dog from the press room.

Grade: D+

12:45 P.M. to 1:15 P.M. Beat Union – Hurley.com Stage

Beat UnionBeat Union was the first band of the day that I had seen that I would willingly classify as a “punk” band. Their sound reminded me of a mixture between and . More than likely this familiarity had a lot to do with the group hailing from the United Kindom. With a slight feel of dirty rock surrounding them, this group seems to me to be the ideal band to catch in a dive bar like the now defunct CBGBs. Sadly, I only caught roughly a song and a half of what I imagine would have been an extremely entertaining set before having to rush over to snag an interview in the press room.

Grade: B+

1:15 P.M. to 1:45 P.M. – Smartpunk Stage

The Maine

Combining the sounds of power pop and arena rock, The Maine has a pretty nice set up going for them. Hell, my biggest complaint from their set was nothing more than the fact that two members of the group were sporting the same shirt on stage. Tacky! Thankfully, we were covering Warped Tour and not “America’s Next Top Model.”

While I only got to see four songs by The Maine before sprinting across the venue to catch The Briggs’ first three songs, their set left me wanting to see a lot more of them. Their vocals are quite catchy and the band hangs on the hooks they have constructed. This is the type of band that gets stuck in your head for days. I will be doing my best to catch them in the future.

Grade: B

The Academy Is: website | myspace
Story of the Year: website | myspace
Beat Union: myspace
The Maine: myspace

Posted in ConcertsComments (3)

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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