I was incredibly nervous and intimated when I went in for a pre-show meet and greet with Julian Casablancas. Why? Well, wouldn’t you be about ready to wet your pants too if you were about to meet a musician you idolized, a guy that was about to headline the main stage at one of the US’s biggest festivals, an SNL sensation, a brilliant singer and songwriter and as if all that wasn’t enough, I was warned that Julian might be a little touchy if you brought up that “the “S” word band he sometimes performs with.”
In fact, in a soon to be posted interview with the California opening act Funeral Party, I was told that one of the guys in that band tried to bring up that “The ‘S’ word band” and got a death stare. Eeks!
Excited, but nervous, we were hustled into a hallway to wait while sound check finished up. A Julian Casablancas song melted into…yes, my ears weren’t deceiving me…a The Strokes song. It made me feel bolder and ready to meet the esteemed performer (and it made feel bold enough to finally type out ‘Strokes’).
Once Julian finally came over to us, I was completely taken aback by his genuine niceness and relaxed vibe. He shook hands with our group, his leather jacket riding up just enough to show a glimpse of a treble clef tattoo on his right wrist. A feather clip bounced around on his dark hair as he tried to make awkward small talk. This was the man I was so afraid of? The one I thought would bite my head off if I slipped up or proved not cool enough?
As the meet-and-greet wrapped up, Julian even jokingly quipped, “Don’t worry about sticking around for that second act. Funeral Party is where it is at. Does anyone even know the name of that second guy?” Modesty from one of the US’s biggest performers? Refreshing.
Funeral Party was an enjoyable set. Sparkly, reflective ‘F’ and ‘P’ cutouts adorned the stage as the guys danced around to their Head Automatica-esque grooves. They’re a fresh act from Cali, so there were a few moments where the identity got lost (um, not sure I was ready for that slip in of the Beatles), but I think if they tighten up some more they’ve got some potential to really explode int the scene.
Now, as much as I love Julian, I ignored and I stuck around for that no-name second act he told us to skip: him. He didn’t disappoint and now that he’s sobered up and gained more control over his performance, he even topped out that the time I saw him with the Strokes.
A lot of people like to criticize the Strokes for not having worked for their success, but the more I learn and see about the side projects, the angrier I become at those that would dare call these performers unworthy of their fame. Julian’s solo album is catchy, with fun dance riffs. It is similar enough to his other band that it doesn’t alienate all his old fans, but it adventures off into synth land enough as well as some other styles that it is a great push to test what he’s capable of. Live, he stands up to the album’s solid recording sound. Now, with him touring backed with a new band that includes two drummers, while he downplays his the Strokes connection, I don’t know how you could argue that he isn’t talented and working hard to establish himself.
Julian’s solo show is hard to stand still during. He is a confident performer: his vocals never waiver as he cups the microphone close. He is an obliging performer: he thanks the crowd, treats us to a new one, two songs by the Strokes and of course, the song we all wanted to hear even though it was April: the SNL Christmas cover. “Hard to Explain” was done acoustically and was a great sing along to with his signature yowls. It really get the crowd vamped up before exploding into single “11th Dimension.” This song even had extra quirks to make it stand apart from the rest: when he got to the line, “mind full of blank…” a cymbal crash filled in his next word, while he cocked his head to the side. Before announcing, “I Wish it Was Christmas Today,” Julian said, “I don’t know. We just do it. And people like it. So we do it. It’s the Christmas song,” and the crowd absolutely exploded. I can’t even get over how excited people were for this.
As much as the audience seemed to love that song, the tune I thought was unstoppable was the encore performance of “Out of the Blue.” Fittingly shadowed in blue lights, Julian finally stepped out from the microphone stand and reached out to the audience. For the first time this whole show, he not only came out of the blue, but out of his shell – he moved around more than I had ever seen him move. The crowd fed off his energy making this song extra fun.
I must say that I’m glad I ignored Julian’s advice during the meet-and-greet and I stuck around for that second performer. There’s still some dates left on this tour and if you don’t already have tickets, get them. You’ll probably never get a chance to see him in such an intimate setting again.
Julian Casablancas’ Set List:
New One
Ludlow Street
River of Brakelights
H2e (Hard to Explain – The Strokes)
11th Dimension
I’ll Try Anything (The Strokes)
Left and Right in the Dark
Xmas (SNL cover)
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Out of the Blue
4 Chords
(Tourist)






































