Tag Archive | "John Legend"

Bite Sized Reviews

Bite Sized Reviews

Here at PopWreckoning, we’ve officially hit a level of mail that makes it impossible for us to give full reviews to every band. However, this does not mean we believe that these bands shouldn’t be granted some for of press. It simply means we have to scale it down a bit. Therefore, we have opted to create a feature called Bite Size Reviews, which shall appear several times a week. This feature will contain 5 reviews each under 100 words and links to the albums website, MySpace page or label. We believe this is the best use of our mail and hope you too enjoy the reviews. They are as follows:

Know Better Learn Faster thao

With a 33-second intro of a chain gang chant, complete with handclap poignancy, you’ll expect a jumper and a revolutionary from albums past. Well, let’s just say that the split they did earlier in the year for Record Store Day was a preemptive move, since you have a little of the Thermals pop persistent throughout. Maybe even edging out their Alterna-Folk ground that was evident on We Brave Bee Stings And All. Social-mixer-and-mix-tape-friendly, with even a few tracks to dance to, like “Easy” and “Body.” “Fixed It!”, however, is a song made for Wednesday night group karaoke.

website | myspace | @ First Unitarian Church | @ Electric Factory | @ Terminal 5 | interview with | @ Liberty Hall

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1372 Overton Park

This album should be taken with a box of tissues, as Lucero rounds a hill of ragged southern blues to its repertoire. Word is, that this record sounds more like Rebels, Rogues & Sworn Brothers and Tennessee, but those slower unrefined drawls bring on an even stronger Memphis soul, with a seriously smoky edge. True, that “What Are You Willing To Lose” maintains that upbeat organ choir uprising, but the album is a toying game between emotions—rebellious cries both amorous and longing. At least with Tennessee the instruments were creative and full, whereas 1372 just sounds like you’re outside a motorcycle rebel dive bar or a truck stop diner.

website | myspace

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Entropy

Panther begins by playing a little with your mind. The first track, “Latitudes For Centuries” sounds a bit like a Broadway warm-up, with an echo of ethereal vocals overpowering an introduction of piano. From there, it’s anyone’s guess. True to its history, the play-through sounds like it was a one-man (Charlie Salas-Humara) act that gathered a partner and a brand new direction. This adventure is just that, less electrical and more dancy-melodic. “Control Yr Ships” will quickly be an album favorite—the echo-ey voices returning with definite vociferous and keys presence. “Springwater” gets a bit too for me in a short chorus, but what’s left off the record is sincerely intelligent fun.

website | myspace | @ berbati’s pan

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Sort of a Revolution

This is technically an artist doing the a.k.a. deal, whose real name is , and whose day job is songwriter, producer, and DJ. A Sort of Revolution is masterfully crafted, from the writing to the production, and given his resume we’re not very surprised. The fourth album strings along Greenall’s beautiful rhythm and blues voice in matching syncopation with intensely focused acoustic guitar plucking. Simply speaking, a record made for chilling out with a slicker vibe. This definitely isn’t folk, so take that you acoustic demographic. And in a flawless addition to his already stellar collection of full-lengths, you’ll be happy to know that it was a collaboration that set this record to a new tier of awesome.

website | myspace

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Austin City Limits: Day 1 in Review

Austin City Limits: Day 1 in Review

My day began with Google maps getting me lost, eventually finding my bus and away I went on a rather beautiful day to begin my experience. After checking in at the media tent, I made my way to catch the wonderful bluegrass/punk stylings of the who kicked off my day with a bang, mostly taking material from their recently released I and Love and You (which shall go down as one of my favorite records of 2009). yyys3

After the close of their set, I made the trek to the XBOX 360 stage to discover one of my surprises of the festival and that was . Let me just say that I had no idea what to expect, but I was left rather impressed by ’s stage presence as The Walkmen incorporated a rather wonderful horn section, bringing their material to another level.

To my liking, I didn’t have to do all that much walking after seeing The Walkmen as I wandered over to the AMD (West) stage to see the French stylings of . Their dance/pop wowed the crowd as they kicked things off with “Lisztomania,” sending the crowd into a dance frenzy which didn’t stop for the remainder of their set.

After a break to rehydrate, and load up on delicious all natural snack in the media area, I made my way back to the AMD stage to catch the last few minutes of who brought the soul, setting the mood for to take the mainstage right after Saadiq’s performance.

After enjoying Legend’s serenading of the lovely ladies at ACL, I made my way to what had to be the most-hyped performance of the festival, . Three words come to mind when asked to describe this new band of , and and those three words are, heavy as fuck. Grohl’s child-like grin throughout the set just showed how much he enjoys being behind the drums again. Homme’s solos danced around Jones’ heavy bass lines with Grohl setting the fast tempo. Homme is often the overshadowed member of the band and to his credit, he holds his own on the guitar and with vocals that pack a punch.

Following that kind of performance is quite the feat that was left upon the shoulders of Day 1 headliners, and . After seeing Kings of Leon just a few days before in St. Louis, I decided to finally experience the visual craziness that is in person. Heavy on costumes, spit takes and growls, Miss O danced around with an infectious smile closing Day 1 with songs mostly from It’s Blitz, not that I’m complaining, it’s my favorite YYY’s album. After their set, I made my way off the grounds and discovered the joy that was free shuttle service to my hotel. For that, I must confess my love to you Austin and was left looking forward to Day 2 after a night of well-deserved rest.

Austin City Limits: website

Posted in Austin, ConcertsComments (2)

John Legend @ Austin City Limits 2009

John Legend @ Austin City Limits 2009

Songwriters Hall of Fame inductee is beautiful, soulful and, as if you needed to see a list of his collaborations, nominations and awards, exceptionally talented. He performed at this year’s to hundreds of fan, pulling off a fantastic performance.

John Legend: website | myspace

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Built to Spill, Brandi Carlile, Ingrid Michaelson, Thievery Corporation, Joshua Radin and Sondre Lerche join (RED)Nights concert series

Built to Spill, Brandi Carlile, Ingrid Michaelson, Thievery Corporation, Joshua Radin and Sondre Lerche join (RED)Nights concert series

, , , , and are the latest artists to join the (RED)NIGHTS concert series. They join , , Santigold and others for ’s series of 26 concerts in the U.S. to help fight AIDS in Africa.rednights A portion of the proceeds from each show goes directly to the Global Fund.

For the first set of shows, Fall Out Boy, Katy Perry, Gomez, Santigold, O.A.R., , , and K’Naan each turned one of their concerts (RED) to bring the (RED) experience to life in a new way. At each of these shows, (RED)NIGHTS and the community of acclaimed artists aimed to inspire fans to participate in (RED)’s mission to eliminate AIDS in Africa by pausing to highlight the many ways to get involved and encouraging those in the audience to share the message and experience with others.

“I believe no person deserves to suffer from a preventable, treatable disease simply because they can’t afford medicine,” said Marc Roberge of O.A.R. “If bringing awareness to what (RED) is doing helps one person receive antiretroviral treatment and live a healthy life, we have accomplished our goal.”

Ultimately, it is the goal of (RED)NIGHTS to build a community—of artists, concertgoers and music fans everywhere—that is passionate about helping to fight AIDS in Africa. A portion of the proceeds of each (RED)NIGHTS concert goes directly to the Global Fund.

“(RED) was looking to engage more people in its mission, to help eliminate AIDS in Africa. The (RED)NIGHTS series is an innovative concept that combines the power of Live Nation’s live music platform and venues to use people’s passion for music to raise awareness and, ultimately, generate more money to help eliminate AIDS in Africa.” said Russell Wallach, President of North American Alliances for Live Nation. “We’re building a great line up of artists for (RED)NIGHTS, and believe we can help (RED) successfully deliver its message by connecting them with music fans all over the country.”

(RED)NIGHTS arrives on the heels of (RED)WIRE ™, the innovative new digital music service from (RED). The (RED)NIGHTS artists join an impressive community of (RED) artists who are participating in (RED)WIRE, including , Coldplay, , Jay-Z, , John Legend, , , , , , , Michael Franti and many more. (RED)NIGHTS and (RED)WIRE mark the first time (RED) has moved into the music arena and are a mutual extension of (RED)’s mission, whereby the music community is coming together as a vehicle to raise awareness and funds to help fight AIDS in Africa.

Tour Dates:
Aug 19 – Fall Out Boy @ The Pageant / St. Louis, MO
Sep 12 – Ingrid Michaelson @ The Paradise / Boston
Sep 13 – Sondre Lerche @ The Paradise / Boston
Sep 24 – Joshua Radin @ House of Blues / Chicago
Sep 25 – Brandi Carlile @ House of Blues / Chicago
Oct 03 – Ingrid Michaelson @ House of Blues / San Diego
Oct 04 – Thievery Corporation @ House of Blues / Dallas
Oct 09 – Thievery Corporation @ The Fillmore / Miami
Oct 31 – Built to Spill @ The Fillmore / San Francisco
Nov 01 – Built to Spill @ The Fillmore / San Francisco

(RED) Nights: website

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Interview with: Adam Schlesinger of Tinted Windows

Interview with: Adam Schlesinger of Tinted Windows

So, if you’ve been paying attention, and my guess is you haven’t, you’ve most likely heard about —A power-pop Supergroup consisting of , ’s , ’s , and ’s Bun. E Carlos. And I’ll be the first one to say it….they’re good. Really good. Popwreckoning’s Los Angeles writer, Sara Swiecki, got the chance to talk to Schlesinger for a bit, and here’s what came of it!

PopWreckoning, Sara Swiecki: So, how did the whole group come to be? Everything I’ve read says that James is the one who put it together. Is that true?t14
Adam Schlesinger, Tinted Windows: Uh, well no. Not exactly. I think it was actually my idea, but James and I were partners in a recording studio in New York and working together on a lot of stuff. So, I kind of mentioned it to him to see if he’d be interested. “Y’know,” I said. “We could do something with Taylor,” and he said, “Yeah, definitely.” And I had known Taylor for many years, so I just called him and said, “What do you think of this idea of doing a band? You’d be the singer. We’d get James to play guitar. We’ll look for a drummer,” and he said, “Yeah.” And that was about three years ago. And then we started working on it in little bits and pieces, and eventually, when we started talking about drummers, we came up with the idea of trying to contact Bun E. and, uh, and he said, “Yes.”

PW: Well you do realize that this is kind of an eyebrow-raising group of musicians you guys got goin’ together? Kind of an unlikely quartet…
AS: Um, I mean, I think it seems weirder than it actually is, just because there’s a big range of ages within the band, and each of the bands we come from maybe have different reputations. But, um, musically, I think we all kind of come from the same place. I mean, I think we’re all kind of fans of guitar-based pop music. And y’know, melodic music. And it seemed like a pretty natural fit on a musical level right away.

PW: Very cool. Um, do you think that with Taylor, there’s a certain stigma that he’s bringing over because Hanson got so much crap back in the day for being, like, y’know, the early ?
AS: (laughs) Well, I think people understand. I mean, first of all he was a teenager at that time and he’s 26-years-old now.
PW: Yeah.
AS: The other thing is that, I mean, I don’t really know why you would give him crap. I mean, how many kids his age when he was 15 or whatever wrote a number 1 single in 28 countries or whatever it was (laughs)? It gives you a pretty good sense of accomplishment.
PW: Oh no, I totally agree, I’m a Hanson fan! I defend them all the time. I’m just saying what other people are thinking.
AS: Well, I think, I mean, certainly there’s a curiosity factor for people who maybe haven’t thought about Taylor for a long time because they haven’t seen him in any other context. But as you know, if you’re a Hanson fan, he’s been making music all along, and he’s a fantastic singer and a fantastic songwriter. So, I don’t think it’s that unusual for him to be playing with us.

PW: Ok, cool! Um, Do you think that this…y’know you were previously with Fountains of Wayne, James was previously with Pumpkins and everything…
AS: Oh, I’m still with Fountains of Wayne. Nobody’s quit their day jobs! Although James hasn’t been with the Pumpkins for close to ten years (laughs). But I’m still with Fountains of Wayne, Taylor’s still with Hanson, and Bun E.’s still with Cheap Trick. This is just something that we’re doing in addition to that.
PW: Well, yeah. But, where I was going with it, though is do you think that this is–doing a group like this is easier because you’re already established musicians? Or does it make things harder because it’s hard to disassociate?
AS: Well, I don’t really know how to answer that question. It’s not particularly hard. I mean, the only hard thing has been, sometimes just the scheduling of it, because everybody’s really busy. But I think our motivation in doing this, really, is just to have fun. It was intended to be something to do just for the fun of it, and that’s really how we’ve approached it. With your first band, there’s so much intensity and so much pressure and this is the opposite of that. This is something nobody was really expecting, and nobody really had any particular expectations about. So it’s really just something we did to have a change of pace, and get a chance to work with some friends, and just to have a good time.

PW: Ok. So you’re the primary songwriter, yes? Did it just happen that way, or…?
AS: We didn’t really plan it that way. I mean, James wrote some and Taylor wrote some. But I wrote more. But it’s still very collaborative and making the record was very collaborative.

PW: Ok. Why did we decide on the name Tinted Windows? Did it just sound cool? Does it mean something?
AS: It was just kind of a goofy name. It was almost a joke at the beginning and it kinda stuck. I mean, I think we thought it sounded slightly hokey, and I think we liked that about it. It sounded like a cover band or something (laughs). t7

PW: (laughs) It kinda does, yeah! You were recently nominated for an Emmy, yes?
AS: Yes.
PW: Do you want to tell us a little bit about that?
AS: Sure! Well, I worked on a show called “A Colbert Christmas,” which was a Christmas special.
PW: Yeah, I saw it!
AS: And I wrote a bunch of song with a guy named , who is a friend of mine and who also works at “The Daily Show.” That’s his day job. And it was a really fun project. We got to work with a lot of cool people like and and , ….uh, and Stephen Colbert, obviously. So it was just a fun…a fun one-time project.

PW: That’s cool. That’s very cool. Um, for Tinted Windows, for the band or for your songwriting…What would you say, like, what other bands or what other style is your primary influence? Y’know, for people who haven’t heard it yet.
AS: I think we were thinking about a lot of power-pop bands from the late 70’s and early 80’s. I mean, was one of my favorite bands. Obviously Cheap Trick was a big influence, and the fact that we got their drummer was kind of a miracle (laughs). We love Cheap Trick. We were also thinking of some of the pop-punk bands from that period, too. , mainly, and stuff like that. But I think there’s also….Y’know it’s got a retro vibe to it, but I think there’s also some modern rock guitar sounds on it that aren’t completely retro.
PW: Right.
AS: As an album, I think we mostly just wanted to have a high-energy record and have the songs be very direct. And I mean, hopefully they’re catchy.

PW: They are! What are your favorites, I mean if you had to pick two or three favorites from the album, what would they be?
AS: Oh, it’s hard for me to be objective…
PW: It’s like picking one of your favorite kids!
AS: Well, I really like “Messing With My Head.” That was one of the first ones we did.
PW: That’s my favorite.
AS: And I think it came out really well. I think that one of the songs James wrote, which is called “Back With You,” which is kind of a ballad, is really strong. And the song which is last on the record which is “Take Me Back,” which is one that Taylor and I wrote together. That was also an early one that we wrote, and I like that one a lot. We kind of kicked that one out in an afternoon at his house in Tulsa. So I have good memories of putting that one together.

PW: Alright. Do we have plans to tour anytime soon?
AS: Well, we’ve got some shows coming up in August. We’re doing shows primarily on the East Coast. We’ve got like a Boston, a D.C., a Philly show. There’s one in Connecticut. And then we have a San Francisco show a few weeks later. And we’re going to try to do some more after that. We’re talking about going to Japan. That hasn’t been officially booked yet, but we’re working on it. But all the are up on our website, which is tintedwindowsmusic.com.

PW: Ok. You guys actually made your debut at South By Southwest this year. Correct?
AS: Yep.
PW: Alright, what do you think? What what the popular reaction?
AS: I thought it was really positive. I mean, y’know, the record wasn’t out at that point, and it was such a curiosity once people heard that the band existed. So, I think a lot of people turned up just to see what it was about. But I feel like it went really well. Y’know we went down there and played like three shows, and we got really positive feedback from people.

PW: Great! I think that wraps everything up. Is there anything else you want to say or wanted to be known about Tinted Windows?
AS: No, I think you covered it!
PW: Ok great! Thank you so much, Adam!
AS: Yeah, I appreciate you doing the site!
PW: Yeah, no problem! Have a good one!
AS: You, too.
PW: Bye!
AS: Bye!

Tinted Windows: website | myspace | @ Pangaea, SXSW

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MSTRKRFT – Fist of God

MSTRKRFT – Fist of God


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