Tag Archive | "kaiser chiefs"

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

As much as I love music, sun and Chicago, it is a very fortunate thing that Lollapalooza is only a weekend long. Next year I am wearing a pedometer just so I can see how much I walked, although I’m not sure why this festival was so much more brutal when I have survived SXSW, Bonnaroo and even Lollapalooza before.

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Though it was early in the morning and the final day, a large crowd had already amassed for . Canadian flags with pot leaves in place of the maple were in no shortage as the jam rockers played their songs. While I doubt that I’d go out of my way to buy an album, it was fun to pick up on the choruses and singalong._MG_7501

was next on my agenda and I must say that the Brits (oh , why couldn’t you play every day?) and all the other European bands that crossed the great pond for this fest owned it. Friendly Fires didn’t have that large of a crowd, but they had everybody dancing as they sang “Jump into the Pool” and other tunes. It was difficult to pull away from their set, but I knew my beloved string players in had started their set at the opposite end of the festival.

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Usually when watching Ra Ra Riot, I geek out over the strings, but today I finally saw how talented of a performer singer is as he was practically skipping about then even ran out to sing as close to the crowd as he could get from the barricade. Even though lyrically they can be a downer band, I was beaming as I watched his glee at performing at Lollapalooza.

tried to mystify with ethereal vocals, creepy angel dolls and shiny spandex.  The only thing I was really mystified by was why she played the piano by just poking it with her pointer fingers. I mean even if that’s all the song needs, the norm is to record the pattern then let it loop. It was just confusing. But she does have a great voice. I do think their stage show just might fit a little better in a foggy club than the bright outdoors.

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I really wanted to see after Joshua told me their Bonnaroo made him think they were the next . Not only were they late to the stage, but it was just a messy performance. I couldn’t even force myself long enough to hear the radio tune “Ain’t No Rest for the Wicked”.

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Severely disappointed, I went to the Airborne Toxic Event, whom have always impressed me in the past. The sound seemed off and I was in need of some more tunage that wasn’t so nostalgic, so I again band jumped to the .

I had an interview scheduled far too many blocks away, so I missed the next few acts, which was a bummer because I couldn’t even find the band I was supposed to interview and by this point, all the walking was making me feel like I would never move again (I later learned that my body aches were a bit more severe than I thought and not quite from the walking, but other problems. Eeks!).

greeted me as I walked back into the fest. Finally, a band that was worth the hype! The vocals were amazingly powerful and I immediately was bummed that I didn’t run to see them in their entirety. Alas! Perhaps in the future, they’ll swing through my neck of the woods.

Preppy indie darlings came out in thick shades and brightly colored shorts in contrast to their usual khakis and cardigans. A more appropriate dress choice in the unbearable heat. They started off with a new number, but one I had heard before and as Ezra led the crowd through his little yelps and he rocked up on his toes, there was one clear thought I had about this band: they have the most tone deaf fans ever. The audience tries really hard to singalong with this band. They try really, really, really hard, but they are awful. At least the band is good. I know that it is just as popular to hate on this band as it is to love them. I happen to love them and find them and their tunes absolutely adorable (plus I’m a communications major and let’s be real–who gives a fuck about an oxford comma?).

The next bit of the festival is a bit of a blur as severe dehydration started to set in, my leg problem worsened and Ezra’s brilliant idea to make the crowd dance turned into a mosh pit that caused me to get pushed all the way to the front of what would later be a 200,000 person crowd. Exciting, but scary. To be honest, I wasn’t sure how I felt about my new spot by the barricade. On one hand it was exciting. On the other, it was sad because there was no way I could get back through the crowd and see bands on other stages.

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I did get to hear and , but I couldn’t really see them. It was hella fun to be stared down by ‘s guards on stage and be able to see his phenomenal drummer. I have to hand it to Snoop, he really knows how to work up a crowd (especially considering everybody up front seemed to be waiting for .

I guess I missed out on some excitement at the other end of the venue. went well over his set time, cutting into ‘ set. A pissed off crowd apparently yelled “Fuck off, Lou” and “Boo,” but Band of Horses politely started their set and even kept playing after “The Funeral” ended and Jane’s Addiction started.

I doubt that anybody is surprised that I wanted to see the Killers over Jane’s Addiction and reports of crowd sizes between the two headlining stages make it sound like I was not in the minority. It also sounds like from other reports that I picked the better of the two shows. Perry may have started this festival, but it has outgrown him and his gaudy tactics.  A helicopter shined a spotlight on the audience, the band was joined by vaudevillian (cough prostitutes cough) characters and even invited ‘s guitarist to join them for “Jane’s Says”. Yes, I am very glad I missed that abuse of music.

The Killers have a big stage show and lights, but at the heart of their performance, they don’t rely on the gimmicks that the night’s other headliner used. Their stage show was more so used to compliment the theme and vibe of the latest album. It enhanced the music instead of detracting. They had their palm trees and lights, and in the heat, it really did feel like the Killers transported all of us from Chicago to their home of Las Vegas.

The band has really grown into their element and while they have headlined countless European festivals, just this past year have they received that same honor in the States. I think this might have been their largest audience on U.S. soil.

As the Killers played, each song got better and bigger than the last. Singer seemed especially chatty and happy this night as he told the tale of how he and first met and wrote “Mr. Brightside” (true story) to a mystical tale of the band’s travels to get to Lollapalooza (slightly exaggerated). Flowers’ extra happiness might be attributed to the fact that his second son was born the week prior to the festival.

Though I’ve seen this band many times before, they still brought out a few surprises like an extra verse addition to “Bling”, a song that was never a single, but has easily become one of their most popular live hits. And while there was no Lou Reed guest spot as many–myself included–speculated, this set still took Lollapalooza out with a a nice “twist with a shout.” Reference to obscure? Get yourself to an iPod or a Killers show asap.

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Lollapalooza: Sunday in summary:
Best set of the day: We know I loved the Killers. What a great way to end the fest. I guess I’ll throw Friendly Fires a bone here, too.
Best surprises of the day: Aerosmith members during Jane’s is a surprise, but not a good one (please don’t let them headline 2010 like Perry joked). Band of Horses making up for Lou Reed stealing their set time and playing against Jane’s Addiction is pretty awesome.
Breakthrough of the day: Friendly Fires.
Biggest let downs of the day: Cage the Elephant. Ugh. Lou Reed. And no Lou Reed at the Killers, but my understanding is that again was Lou Reed’s fault and the Killers tried to get him to join them. Oh and that the root of my pain was not all the walking, but was a spider bite that has caused my leg to swell, turn red, give me a fever and is serious enough that I need to go the ER like asap.
Crazy crowd moment: Let’s just say that Snoop Dogg made some people who had just met feel extra close. I feel a bit scandalized.

Lollapalooza: website | schedule | set lists

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Kaiser Chiefs – Off With Their Heads

Kaiser Chiefs – Off With Their Heads

Off With Their Heads? More like Off With Their Ears!

If you’re in the market for indistinguishable Brit rock to pad your collection, feel free to add Leeds’ own to the mix. Their third studio release is perfect for fist-pumping frat boys in Hoboken bars who want to prove they have some semblance of indie rock cred but are far too lazy to research something a little less generic and slightly under the radar. That would require thinking, but then again so does most subterranean music of the indie rock persuasion that is actually worth listening to.

Not to say that Kaiser Chiefs don’t deserve their success. Employment (2005) was a stellar debut that flirted with new wave and 70’s style punk, but since then it seems a desire for commercial success has made their sound mass produced for, well, mass appeal. And quite frankly, fuck marketability if it is at the expense of losing that certain something that put them on the musical map in the first place. Even the help of , who has produced brilliant songs for the likes of , and , did little wonder for this derivative music except give it a shiny, polished sound.

“Spanish Metal” is their “badass” intro. Upon first listen, the vocals excited me since they were reminiscent of , particularly lead singer (may he rest). Alas, the excitement left as quickly as it came since all the song did was ultimately make me want to turn on Jar Of Flies, not so much continue with Off With Their Heads. With a catchy sing-a-long chorus and watered down Gallagher (see: ) vocals, first single “Never Miss A Beat” is actually one of the more tolerable tracks. But if blatant un-originality and banal lyrics tire you out, this song will put you to sleep faster than Nyquil. Then there’s a whole mess of uninspired songs like “Can’t Say What I Mean” and “Good Days Bad Days,” boasting lyrics that are equal parts cliché and utterly annoying. And dare I say forgettable?

Oh, and then there’s the cardinal music sin: pilfering the winning style of other musicians yet pawning it off like it’s your own creation. It seems the aforementioned is a refuge for the current unimaginative state of Kaiser Chiefs. The punchy guitar that punctuates the intro of “Like It Too Much” is nothing but a “I Turn My Camera On” baseline knock-off, but not in a good way. And I’m not even a huge Spoon fan! To add insult to injury, “You Want History,” with its wailing guitars and big background vocals, is a melodic mélange of sounds from a whole mess of forgettable 80’s bands not even worth the lackadaisical mention.

Overall, this album misses the very beat they claim to “Never Miss.” These Leeds lads aren’t exactly covering new ground. Had they opted to cover familiar territory from a unique vantage point maybe they could have developed more worthwhile lyrics, but no dice. Plus, the music has been done before… and better. Sometimes cheap imitations work IF they are done well, as with the case of The Maccabees, who sound like ’s younger, lesser-known brother. The only difference here is at least their emulation is listenable, even if it isn’t particularly groundbreaking. Eh, it is what it is. And suffice it to say, I’ve seen fake Prada wallets sold by New York City street vendors with more style and originality than Kaiser Chiefs.

Off With Their Heads will be released on October 28th through Universal Records.

Tracklisting:
01. Spanish Metal
02. Never Miss a Beat
03. Like It Too Much
04. You Want History
05. Can’t Say What I Mean
06. Good Days Bad Days
07. Tomato in the Rain
08. Half the Truth
09. Always Happens Like That
10. Addicted To Drugs
11. Remember You’re A Girl

Kaiser Chiefs: website | myspace

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
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Nov 25, 2011
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Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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