Tag Archive | "lady gaga"

Bonnaroo Recap: Day 3, Saturday

For those sitting at home, wondering how Bonnaroo kids survive on practically no sleep for the entirety of the fest, the answer is simple: it’s too hot to sleep. Though most had been up until 4 a.m. Friday night with LCD Soundsystem, the humidity made it hard to sleep past 7 a.m. Which kind of sucked because there wasn’t too much going on at Bonnaroo until the early afternoon. And it especially sucked because the day was only going to get hotter.

The high temps didn’t damper the spirits of Pennsylvania’s Langhorne Slim. Langhorne Slim is like a non-pop version of Jason Mraz, which I would argue, is the better version. Langhorne’s music was laid back folk rock. Even the surprise appearance of a little kid dancing around the stage didn’t disrupt their good-mood. In fact, it improved it. Langhorne incorporated the kid into the act, dancing with him, lowering a mic to his height and even giving him a high five. Adorable.

Next, it was time for perhaps one of the biggest buzz acts of the fest: Conan O’Brien. Conan’s band performed an introductory jam that had them all out playing their saxophones and trumpets out in the audience, and giving high fives in between notes. The band returned to their spots and a video appeared projecting Conan: bearded and in a fat suit. He looked like Santa’s cousin. The video followed Conan around looking miserable and being depressed: he was eating junk, ignoring his daughter, etc. But then he gets a call: “Want to do a tour? Are you in shape?” Within moments, the beard was trimmed and the fat suit dropped. Then Conan himself appeared in the flesh. The jokes were a mix of being kicked off TV quips and jokes about Bonnaroo…and of course, some that combined both:

“In six months, I’ve gone from hosting the Tonight Show to performing at a refuge camp.”

The set was also highlighted by the appearance of Andy Richter, Dion Cole, a Triumph the Insult Dog video message, and of course, the infamous Walker Texas Ranger clips. Although, the Walker clips did inspire the audience to chant “aids, aids, aids,” which might not be the most appropriate thing ever. Other cute moments included when Conan took the time to take a picture with a fan in the front row.

This being a music festival, there were also plenty of musical aspects, too. Joke songs and White Stripes covers (just two days before, Conan recorded a live album with Jack White). There was even Meatloaf‘s bat out of hell inflatable. Hideously awesome.

When the show ended, the audience demanded more, so Team Coco obliged with a cover of The Band‘s “The Weight.” During an instrumental break, Conan went out to give hugs and high fives to the audience. A nice gesture, but one that almost got him killed as people swarmed him for a chance to touch that infamous red hair. But he handled it well and was all smiles as 15 minutes later he worked his way back to the stage. Too funny; too cute.

Conan O'brien  By Joshua Hammond

When I came out from the Comedy Theatre, the soulful singer and pianist Norah Jones was performing on the Which Stage. Unfortunately for the talented writer, her tunes aren’t the best to experience in the sun outdoors. They became swallowed up in the dead air and she became more like bore – ah Jones, not Norah.

Disappointed with Jones, I returned back to the trusty comedy tent to catch the Bonnaroo Roast with Roastmaster Jeffrey Ross. Ross did a funky walk out to to some jam music freezing to point at an audience member, “Ugly,” then the sign interpreter at the front, “Deaf,” then himself, “Fat,” before going up to twirl with his attractive female stagehand, “Yeah.” The Roast was pretty funny and Jeff took the time to make fun of Bonnaroo bands, people in the audience, himself and even the heads of Superfly productions: “Nice work, guys. Really. You got thousands and thousands of people to come, but only have seven bars of soap.” He even took a jab at Jay-Z: “Think he’ll perform Empire State of Mind for like the millionth time? Always ripping off “New York State of Mind. He’s not Jay-Z. He’s fucking lazy.” Also, I must say, that sign interpreters have the hardest job at the fest. The comedians sure put this interpreter through some uncomfortable hand gestures.

As fun as it was to take a laugh at ourselves, I ventured out of the Roast a little early to catch some of the talented Avett Brothers. They’ve got some beautiful harmonies going with their blend of bluegrass rock and I love their use of strings on their songs.

The Avett Brothers by Joshua Hammond

Speaking of great harmonies, Mumford and Sons owned That Tent with their performance. The UK group absolutely blew me away and I think it is just a matter of time before these labelmates of Phoenix blow up. They play pretty mellow folk music a la Noah and the Whale style, but they still brought plenty of rock, with one member lifting his upright bass above his head while playing it…those things aren’t light. The band seemed to be having a great time and so did the audience. This was just one of those feel good performances and perhaps one of my top performances of the fest.

Mumford and Sons by Joshua Hammond

Jack White’s current project, The Dead Weather, with The KillsAllison Mosshart soon took over the What Stage. Jack White primarly plays drums in this project, proving that the man can and will do absolutely everything in music with near perfection. He does come out from behind the set to sing and even play guitar. However, with how big of a name as White is, Mosshart was the star. The woman prowled the stage while singing, cigarette down to her side, making her look and even soundlike the classic movie image of those smoky lounge singers – and I do mean that as a compliment. I love how her voice fits into this southern rock style. In fact, I like her much more in this than I do in the Kills, and from the looks of it, she seems to enjoy this more, too.

Allison Mosshart if The Dead Weather by Joshua Hammond

Weezer is not how you typical think of rockers, with their frontman Rivers Cuomo being a Harvard graduate and a stereotypical image of a geek as opposed to one of those high school drop out rock stars that don the leather jackets and always have a flask of Jack Daniels at their side. But I’m glad this band has managed to defy stereotypes to become one of the biggest, and longest lasting groups around. Almost every song in their very long set list has been successful on the radio – these guys just know how to write a catchy tune. Their set was also improved by the change that has come over Rivers in the last six years. When I first saw the band in 2005, though the songs were familiar and catchy, the performance was stale. The band just did not seem into it. Now, six years later, it is like they’re a whole new band. Rivers has a renewed energy and wonderment – almost like a kid at an amusement park. “Hello, plane. Hello, plane with banner behind that plane!” shouted Rivers. At another point, he stole the camera from a photog in the pit and snapped a crowd shot. Then, his quirkiness hit a new extreme during the encore when the band played a mash of “Kids” by MGMT and “Poker Face,” by Lady Gaga. When he got to the Gaga lyrics, Rivers put on a blonde wig and began thrashing around. Hilarious. I love when music is simply fun.

Weezer by Joshua Hammond

Speaking of fun, how about the epicness that is Stevie Wonder? The crowd at Bonnaroo tends to run a little younger, so the demographic here kind of missed out on Wonder’s prime, but that doesn’t mean everyone wasn’t still excited about the legend’s performance. I think everyone was surprised by how many of the tunes we all knew and Wonder did a great job of helping the crowd singalong.

Kanye. This is how it is done. Rapper Jay-Z started about ten minutes late. That’s it. And it was Stevie Wonder’s fault for starting his set late. Then Jay-Z played a set full of his hits and he was nice about it. No attitude. He thanked Wonder, fellow artists like Alicia Keys for their help on his record. We bounced with him. We froze him. We sang with him. It was great. The only disappointment was that with Beyonce side stage for all the set, it was a bit of a bummer that she didn’t come out and join him for any of the female vocal spots on his tunes. It’s not like we were promised that, but it would have been cool.

Jay-Z by Joshua Hammond

As hard as it was to part from Jay-Z, there will some other great performances getting ready to start over at the tents.Thievery Corporation got people dancing with a blend of India-influenced DJ beats and their singer’s strong vocals amping the crowd up. However, this performance couldn’t even begin to compare to the crazy dance parties that were about to erupt over at This Tent.

Dan Deacon Ensemble was interesting to say the least. The stage was covered with xylophones and drums and keyboards as well as a glowing, green skull. Like I said, interesting. Before even playing a song, Dan Deacon tried to put everyone in the same mood: “Put your fist in the air. Then point your finger. Now put your left foot just behind your right foot. Now rock back and forth. Now rock down so you’re on your knees.” We all obliged, chuckling. Well, we all obliged save one guy in a white hat: “Too cool for this,” said Deacon. “Everyone point at this guy. Now stare at this guy.” It was weird, but bizarrely fun. After this “crowd bonding” moment was over, the ensemble finally exploded into their crazy dance jams. At some point in your life, go see Dan Deacon with the full ensemble. It will probably blow your mind and be one of the best moments of your life.

Dan Deacon wasn’t the only one with crazy stage theatrics. Gwar was playing a stage over from Deacon. The nordically clothed rockers began with a video history of their odd inception. Then the costumed warriors appeared, showering everyone in waves of blood and rock. Even the Bonnaroo Fountain got in on the crazy Gwar action and was turned red for the night with LED lights.

But for those wanting to dance into the twilight hours, the party was at This Tent. DJ Deadmau5 was playing the his beats well past 5 a.m. to an enthusiastic crowd covered in glow sticks. The mysterious Deadmau5 wore giant mouse ears and sat high up on the stage in DJ booth. It was like he was the electronic lord and we were his dancing minions. He held such power. With a raise of his arms, we’d dance harder and faster. He was still going strong by the time I finally made it back to my tent to rest for the final day of Bonnaroo.

Check back for more photos and recaps from Bonnaroo. View a recap of Thursday here and a recap of Friday here.

Posted in Bonnaroo, Concerts, PopWreckoning NewsComments Off

Lady Gaga premieres video for ‘Alejandro’

“Alejandro” has arrived! Watch the highly anticipated video for Lady Gaga’s third chart-topping single from The Fame Monster right now. For the full experience, watch at LadyGaga.com.

We’d love to know what you think: what’s the best Gaga video?

Posted in Music News, VideosComments Off

PopWreckoning Spotlight: PS22 covers (Marina & the Diamonds, Phoenix, Beach House, etc.)

You should already know that those of us at  PopWreckoning love a good cover song. Now, usually we spotlight other indie acts covering fellow today we want to give special attention to a group delivering great cover after great cover: The PS22 Chorus.

If you’re unfamiliar with the PS22 Chorus, it is an elementary school chorus from Public School 22 in Graniteville, Staten Island (New York). Director Gregg Breinberg formed the group of 60-70 fifth graders and blogs about their experiences and covers here. Since their formation, they’ve received attention from artists such as Matisyahu and Tori Amos, as well as television attention. They’ve even performed for President Obama. Perhaps you remember hearing their vocals on Passion Pit‘s debut album Manners?

Though the group has already exploded on the interwebs and you might already be aware of them, we wanted to share of few of their covers of some of PopWreckoning’s favorite artists.

Enjoy!

The group’s latest cover of Marina and the Diamonds‘ “I Am Not a Robot.”

Beach House‘s “Zebra”

Phoenix‘s “Lisztomania”

Lady GaGa‘s “Just Dance”

“My DriveThru” originally with N.E.R.D., Santogold, Julian Casablancas and Pharrell

Posted in Featured Item, New York, PopWreckoning News, Under Cover, VideosComments Off

Lollapalooza Lineup 2010 Announced

The lineup for the 2010 Lollapalooza Festival at Grant Park in Chicago on August 6-8 has been officially announced on their website. Some of this year’s headliners include newly reformed Soundgarden, last year’s hugely successful Frenchmen Phoenix, and the return of The Strokes and Arcade Fire. See below for the full lineup or head over to Lollapalooza.com for more information on ticketing and the latest news on the festival.

(Screen shot from Lollapalooza.com)

We’ll keep you updated on any changes made to the lineup before the festival in August.

Posted in Concerts, Festivals, Music NewsComments Off

Lollapalooza continues letter a day clues – o,i and r given

The organizers  behind music festival Lollapalooza continue revealing clues to the 2010 line-up.

So far, fill-in-the-blank line-up has clued in the following letters: O, R, I.

The headliners are for the most part agreed upon: Soundgarden, Green Day, Lady Gaga, Arcade Fire, The Strokes and Phoenix.

However, forums still have a few blanks leaving them stumped.

Here are the guesses from the folks over at the official Lollapalooza forums. The bands in bold, while not confirmed, are the most likely guess:

1. soundgarden * green day * lady gaga * arcade fire * the strokes * phoenix
2. social distortion * mgmt or ween or cake or sade or… ? * jimmy cliff * hot chip * the black keys
3. the national * spoon * devo * cypress hill * cut copy * the new pornographers
4. slightly stoopid * grizzly bear * gogol bordello * chromeo * wolfmother
5. yeasayer * x japan * mutemath? * metric * dirty projectors * afi
6. mavis staples * matt & kim * the xx * drive-by truckers * blues traveler
7. edward sharpe & the magnetic zeros * the temper trap * jamie lidell
8. frightened rabbit * fuck buttons * deer tick * blitzen trapper * stars
9. raphael saadiq * the cribs * minus the bear * switchfoot * the walkmen?
10. mumford & sons * wild beasts * rogue wave * los amigos invisibles
11. the big pink * the dodos * hockey * cymbals eat guitars * sloan or B.o.b or aloha? * YACHT or dawes… ?
12. warpaint * the antlers * the soft pack * rebelution * balkan beat box? * K’Naan or…? (6spaces)
13. american bang * the ike reilly assassination * company of thieves * YACHT or dawes or wheat…?
14. harlem * the constellations * miniature tigers * mimicking birds
15. the kissaway trail * K’Naan or…? (6spaces) * delphic * the morning benders * foxy shazam
16. violent soho * royal bangs * neon trees * freelance whales
17. semi precious weapons * the heavy or hey champ? * the band of heathens * dragonette
18. my dear disco * buddy miller or…? * the heavy or hey champ? * jukebox the ghost
19. these united states * mynameisjohnmichael *  “and many more!” or…?

perry’s
1. 2manydjs * empire of the sun * digitalism * perry farrell * tiga
2. felix da housecat * rusko * erol alkan * kaskade or malente… ? * flosstradamus
3. wolfgang gartner * joachim garraud * mexican institute of sound
4. caspa or MANDY or benga? * peanut butter wolf * dirty south * darko or nervo?  * cut copy (dj set)
5. beats antique * steve porter * didi gutman of brazilian girls
6. _ _ _ / _ I _ * team bayside high * dani deahl * dj mel?
7. _ _ _ *  _ O _ _ _ _ _ _ _ * only children * _ _ _ _ _ / _ _ R _ _ _ R O _ _

Posted in Concerts, Festivals, Music NewsComments Off

Lollapalooza clues in line up revealing with an ‘o’ – further support for Soundgarden, Green Day, Lady Gaga, Arcade Fire

Time to call up your old hang-man partner or your Wheel of Fortune loving friend. Lollapalooza is set to officially reveal the 2010 line-up on April 6, but in the meantime, the festival organizers are teasing fans with a fill-in-the-blank line-up board viewable here.

The only letter given so far: ‘O’.

So how far can that single letter get you? Pretty far actually. From counting blanks and using the clued in O’s, it looks like rumors of  Soundgarden, Green Day and Lady Gaga are correct for the headliners. That fourth blank? Arcade Fire fits perfectly.

Previously confirmed The Strokes fill in the fifth blank.

Advanced pre-sale VIP tickets went on sale Tuesday for the festival.

What other guesses do you have? Comment and let us know.

Posted in Concerts, Festivals, Music NewsComments Off

Lady Gaga Announces 2010 North American Summer Tour

Lady Gaga has announced her highly anticipated return to North America on the heels of her sold-out European Tour. The 2010 North American leg of The Monster Ball Tour, presented by Virgin Mobile, hits 31 top arenas and a host of new cities in the US and Canada through the summer and fall.

In keeping with Lady Gaga’s flair for the theatrical, as well as her innovative and creative spirit, the second leg of the tour promises to push the limits of the live concert experience, bringing fans a spectacle even more eye-popping than what they experienced during the thrilling first leg of The Monster Ball.

Virgin Mobile Presents THE MONSTER BALL TOUR STARRING LADY GAGA with special guests:
June 28 – Montreal, QC / Bell Centre
July 01 -  Boston, MA / TD Garden (On sale March 22)
July 04 – Atlantic City, NJ / Boardwalk Hall
July 06 -  New York, NY / Madison Square Garden (On sale March 19)
July 11 – Toronto, ON / Air Canada Centre (On sale March 19)
July 14 – Cleveland, OH / Quicken Loans Arena
July 15 – Indianapolis, IN / Conseco Fieldhouse
July 17 – St. Louis, MO / Scottrade Center
July 20 – Oklahoma City, OK / Ford Center
July 22 – Dallas, TX / American Airlines Center
July 25 – Houston, TX / Toyota Center
July 28 – Denver, CO / Pepsi Center
July 31 – Phoenix, AZ / US Airways Center
Aug. 03 – Kansas City, MO / Sprint Center
Aug. 11 – Los Angeles, CA / Staples Center (On sale March 20)
Aug. 13 – Las Vegas, NV /  MGM Grand
Aug. 16 – San Jose, CA / HP Pavilion (On sale March 19)
Aug. 19 – Portland, OR / Rose Garden
Aug. 21 – Tacoma, WA /  Tacoma Dome
Aug. 23 – Vancouver, BC / General Motors Place (On sale March 19)
Aug. 26 – Edmonton, AB / Rexall Place
Aug. 30 – St. Paul, MN / Xcel Energy Center
Sept. 01 – Milwaukee, WI / Bradley Center
Sept. 04 – Detroit, MI / The Palace Of Auburn Hills
Sept. 05 – Pittsburgh, PA / Consol Energy Center
Sept. 07 – Washington, DC / Verizon Center
Sept. 08 – Charlottesville, VA /  John Paul Jones Arena
Sept. 14 – Philadelphia, PA / Wachovia Center
Sept. 16 – Hartford, CT /  XL Center
Sept. 18 – Charlotte, NC / Time Warner Cable Arena
Sept. 19 – Raleigh, NC / RBC Center

Posted in Music NewsComments Off

Remix Monday: Lady Gaga “Bad Romance”

       

.Lady Gaga – “Bad Romance”
Now I’m not a huge fan of this track. It starts off with creepy “Ra Ra Ah Ah, GaGa” gurgles, followed by Lady GaGa singing in a deep, tough voice. The music is subtle, with a hefty drumbeat and subtle keyboards for an eerie feel. The song certainly picks up during the chorus, becoming more poppy with Lady GaGa singing in a lighter tone, matched to lighter music.
lady_gaga_bad_romance

.Grum Remix
Grum does a great turn on the song. He leaves out the creepy gurgles and focuses on the poppier side of the music while simultaneously adding his thick electronic tweaks. They come in fast forms and slow, churning, thick forms. He adds to the song rather than altering it much, highlighting its better parts to something more suited for normal people.

.Starsmith Remix
The Starsmith remix is the most dancey of all of them and only because it’s the quickest. It features 80s sci-fi laser sounds, plenty of synths, electro pops and light percussion. It speeds through rather fast till the end, wear it slows for a typical trance build up, bursting into an odd rap.

.Hercules & Love Affair Remix

Hercules & Love Affair turn this into a style that is a complete aesthetic of what they do. They slow it down, bring it to a walking pace of cool disco and funk beats. The one bubbling bass line pours throughout the song, added by light xylophone taps. The mix really showcases Lady GaGa’s vocals as they are louder than anything else in the mix. It’s a softer and perhaps more pleasant working.

Lady Gaga: website | myspace

Posted in Remix MondayComments (3)

Interview with Innerpartysystem

Innerpartysystem‘s always down with cereal…and that wasn’t the only knowledge Kris Barman (programming, guitar, synth) and Patrick Nissley (vox/programming) of Innerpartysystem dropped on me. We talked about their current Pac Sun Tour, upcoming album plans, cereal and they explained what “Butt Rock” is. Check out the full interview below:
Bethany, PopWreckoning: This tour just started about two weeks ago. How has it been treating you so far? It is a pretty diverse line up. Has that changed the audience reactions to your set?
Patrick Nissley, Innerpartysystem: We have a tendency to win people over. Our show is really high energy so rock kids will like it. We have some heavier sounding beats. I think hip hop kids like it. At least that’s what we’re going for. They might hate it.

PW: I know that your guys’ set is highly influenced by the light show, how involved are you in the planning of that?
Kris Barman, Innerpartysystem: Yeah. We built that. We did all that stuff. I’m serious. We went to Home Depot. Bought wood and bought lights. Then we figured out how to sync it all up with the computer. So we built that and Jesse [Cronan] (synthesizer, sampling) actually designed the light show.
PN: Yeah. We don’t actually have an ld. It is all synced to our computer.
PW: Yeah. That’s awesome and your light show is awesome and it seems like everyone else always hires their own light guy.
KB: We try to be as DIY as possible. We want to save money. We don’t want to pay anybody.innerparty (3)

PW: Nice. I know you just released a “Winter Mixtape.” Tell me about that.
KB: A majority of that is Jared [Piccone] (drums). Jared does all the mixtape stuff. We just like putting more shit out there for kids to listen to. Music is free pretty much nowadays, so the more stuff you can put out and get them to listen to, well it’s just cool to let them here what we’re listening to and what we’re hearing. It is kind of what we’re listening to now and what we think is cool.

PW: So what are some of the bands you’re sampling now or listening to now?
KB: Listening to now… I’ve been listening to the same bands forever. There aren’t any new bands. I should listen to new music, but I don’t.
PN: I’m really into Hall and Oates right now.
KB: Hall and Oates is something you’re always into though.
PN: Um. Usually a lot of really obscure electronic shit that a bunch of dudes from Sweden do that no one has heard.

PW: Now, you’re all from Pennsylvania, right?
IPS: Yeah.
PW: It seems like you don’t hear too much about electronic-based bands from Pennsylvania. Is there a scene that I just don’t know about?
KB: Where we are from, the only scene is cover bands.
PN: I think Gwar. Gwar’s the scene.
KB: Gwar does all of it.

PW: So how did you guys get into it?
KB: I personally, I’ve been doing it since I was really young. I got into programming beats from I don’t know, 27 down, so I’ve always done it. I’ve always had an interest in it. I don’t know where it came from. When you sit at home on your computer, what else are you going to do? I love music, so I learned how to make music and I was like, oh this is really cool. I’ve been doing it ever since.
PN: For me it kind of started with like fruity loops in high school.
PW: Fruity loops?
KB: It’s like a really sh-well, actually, it’s not shitty at all, it is a beginner program, but it can do a lot of stuff. It is like beginner to pro. So you can make music.
PW: OK, I for some reason was thinking cereal.
PN: No.
KB: Haha, no. Totally different. I’m always into cereal though.
PN: I’m always down with Fruit Loops. That’s how I got into electronics. Cereal. Can we quote that in your thing, so it is a little blurb here?
PW: Innerpartysystem loves cereal.
KB: Cereal. What drives Innerpartysystem.

PW: Haha. We’ll see. My mom lives in Scranton, so that’s about as familiar as I get with Pennsylvania.
PN: There’s a lot of butt rock in Pennsylvania.
KB: Yeah.
PN: I’m going to say it is safe to say we coined the term “butt rock.”
PW: I would say that’s safe to say.
PN: Butt rock is where the drummer has the gotee and the lengthy hair. Always the ripped guitar player with the white beard and they play like a cover band.
KB: They do the “Jugh jugh jugh jugh jugh ooo.”
PN: Like really shitty breakdowns. There’s a lot of that in Pennsylvania.
PW: I really wish this was a video interview right now. So it has been about a half a year since you parted with Island. Is that a decision that has been good for you? Have you learned a lot since then? Do you still find major labels relevant?innerparty (5)
PN: I’m about to drop some knowledge on you. We’re not on Island anymore.
PW: Right. It has been about half a year.
PN: Oh, right. Fuck me. I’m not dropping shit. It was a mutual thing. Island wasn’t doing anything for us. Obviously we didn’t sell three million records and become the biggest band in the world. We’re not fucking Lady Gaga. For us, it is more of an indie route and we’re trying to find that way.
KB: It’s nice now that we don’t have a label to talk to for the “big single” and all that shit.
PN: Yeah.
KB: We could make a song out of fart sounds if we wanted. No more of the chorus needs to be “bigger.” Make it “big.”
PN: A&R people say that a lot. “It’s just not big enough.”

PW: “Don’t Stop” was pretty popular in Kansas City.
IPS: Was it?
PW: Yeah. Last year you played our Christmas show.
KB: Oh that’s right. The Buzz.
(crazy announcer voices)
PN: You’re listening to the Buzzzzz.
KB: The Buzzzz. 93.3
PW: Haha, oh no. Not that. They’ll kill you. 96.5.
KB: 96.5 the Buzzz.
This continues for quite awhile
KB: AM Radio.

PW: So no label plans for the future, or sticking with DIY?
KB: Maybe. It depends.
PN: There are some people looking at us, but really we need to write the next record and see where it goes.

PW: Have you started planning it out at all?
KB: A little bit. It really needs to come to fruition. Like that word?
PW: How do you, well, you do a lot of remixes vs. original music-how do you draw the line between the two or is there a preference?
PN: Remixing is easy.innerparty
KB: Yeah. We love remixing.
PN: A lot of the things we create and I get most excited about are remixes. I don’t know if there is even a line to draw. It is just whatever rules. We could be writing a song and working on our remixes at the same time. We don’t spend like three days on a song and stop. We get bored on one thing and we move on. We have A.D.D.

PW: To wrap up since it is still pretty loud and I’m sure you want to get back to the show, do you have a favorite musical memory of the “Naught Decade?”
PN: Personally or music in general?
PW: Personally is fine.
KB: Last ten years?
PW: Yeah. You don’t have to be cliche too and say KC is the best or something. Just a favorite memory. Super easy.
PN: Favorite musical place or?
PW: Just favorite musical memory?
PN: Just playing a huge show.
KB: We played Projekt Revolution in the UK and there were 49,000 people there. That was huge for us.

PW: Are your UK crowds pretty different than your US crowds then?
KB: Yes.
PN: Yeah. For some reason, we did way better over there. “Don’t Stop” hit radio really hard and MTV and all that crap, so yeah.
KB: I think shows are better there. Kids just flip shit. Drinking age is lower, too. That loosens them up and fuels the fire. Kids, well, music is still thriving over there and radio is still good over there. They just know music better than in America. Americans can be boring or listen to just down music.
PN: Another way to answer that question: I think it is great the way electronic music is coming to the pop culture now. Definitely in the last five or six years, a lot more bands are using a lot more electronics, which I love since we are all huge electronicheads. A lot of the bigger bands, bands like Daft Punk and Justice, are getting huge.
PW: I’ve noticed that too. Sweet. Well, we’re wrap up there since it is loud and cold.
IPS: Cool.
PW: Thanks so much.
IPS: Nice to meet you.

Innerpartysystem: website | myspace | @ afentra’s vd party

Posted in Interviews, Kansas City, PhiladelphiaComments (1)

Lady Gaga ‘The Fame Monster’ Tracklisting

Lady Gaga has finalized the tracklisting for the re-release of her debut album The Fame. The re-release, entitled The Fame Monster, has eight new songs and a duet with Beyonce. gaga

The new tracks are:

• “Bad Romance”
• “Alejandro”
• “Monster”
• “Speechless”
• “Dance in the Dark”
• “Telephone” (duet with Beyonce)
• “So Happy I Could Die”
• “Teeth”

A collector’s edition of the re-release will come with a numbered art book that also includes the following:

• A lock of Lady Gaga’s hair
• A collectible puzzle
• Pictorials
• A behind-the-scenes look at Lady Gaga’s creative process
• Pull-out posters
• Themed fanzines
• A Lady Gaga paper doll collection
• 3-D glasses to view forthcoming visuals
• Personal notes from Lady Gaga

Look for this Dec. 15, 2009.

Lady Gaga: website | myspace

Posted in Albums, Music NewsComments Off

Like us!

Advertise with PopWreck!

To keep this site up and running, we reserve the sidebar for ads. In that case, put your ad here. All that's needed is for you to fill out this lovely form.

disclaimer

All media content contained within PopWreckoning is meant to enhance reader appreciation for the art and medium. Please support artists you discover here by purchasing albums, attending shows and buying merch.
Contact us should you wish for certain media to be removed from PopWreckoning.