Tag Archive | "Little Boots"

VV Brown @ Liberation Dance Party, DC9, Washington DC

VV Brown @ Liberation Dance Party, DC9, Washington DC

2010 just might be the year female English singers break through big in America. Just like electropop goddesses and , (Vanessa) VV Brown is already a major deal at home in . But she’s cut from a slightly different cloth. Originally from , the 5-foot, 11-inch tall songstress is a model (recently scoring an advertising deal with UK supermarket chain Marks and Spencer) and has her own online vintage clothing store, in addition to being a successful songwriter not only for her own music but for other artists as well. Friday night Brown played to a packed club during at Washington’s DC9. D.C. was just one of four stops on her first-ever headlining tour of America.

One of my picks for best bet in town, Liberation Dance Party goes on at DC9 every Friday night. I love it because , the DJ / compère, does his research and always spins great dance, pop, and electronic tracks, mostly stuff I know well and mostly English. Right up my alley. Here’s a short list to give you an idea of what kind of music they played:

– “Papillon”
- “I Feel Stupid”
– “Under the Sheets”
– “Hold On” (! cover)
– “Halcyon”
- “You Overdid It Doll”
- “Hollywood”
Florence and the Machine - “You’ve Got the Love” ( / cover)
- “Sleepyhead”
– “Magic”

Brown and her three-piece band arrived on stage to loud, appreciative cheering. Her headgear should have been my first clue that this show was going to be as crazy as a Mardi Gras celebration, just 3 days late. I was a bit disappointed that her trademark retro hairdo and most of her face was obscured by a red, glittery, feathered headdress. But this was just part of the VV Brown spectacle. During her less than 40-minute set, she played most of the songs off her debut album released last year in the UK, Travelling Like the Light, written about a failed relationship.

She has excellent stage presence, giving insight into her songs, and effectively pumping up the crowd. Brown described one of her major hits, “Crying Blood,” as “the first song I ever wrote, the first song I ever released on 7″, the first song I ever wrote on a one-string guitar.” This is a good example of her music, with Brown’s punchy vocals, driving drums, and an overall infectious retro sound that mixes elements of pop and soul. After playing this, she talked about her background – her mother is Jamaican, and her father is Puerto Rican – and in honor of her heritage did a shortened version of the song in a reggae style, encouraging everyone in the club to raise their hands in the air and sway along to the island beat. “Back in Time,” a song about love and time travel, was prefaced with Brown’s cheeky insistence, “I would date Albert Einstein if I could.

The most surprising moment of the night? Brown asking the audience, “Do you like hip hop? Can I do a cover of ‘s ‘Best I Ever Had’? Will you all go fuckin’ crazy?” What kind of questions are those for a D.C audience? Of course the crowd went crazy as she launched into her take of the Drake hit. The best moment of the night? Hands down it was “Shark in the Water,” the whole crowd bouncing to the rhythm and singing along to the fun chorus of the unconventional poppy love song. The smile on Brown’s face made me melt. Check out this live performance of the song on ITV’s “This Morning” show from last year.

After Brown and company left the stage, Spieler reappeared, encouraging us to make some noise for Brown and her band. The crowd’s efforts at hooting and hollering worked; they returned for a one-song encore to play what Brown admitted was a complete improvisation. (I really don’t think she was expecting this kind of reception in D.C. at all and looked sincerely touched by the adulation.) But it didn’t matter: with all arms waving in the air and gig goers shouting back lyrics to Brown, it was clear she had already won over the crowd with her animated live act.

It was sheer magic to witness the realization of a dream for the young woman standing before us. Years ago she wrote songs, alone in her bedroom, hoping for success one day. The audience’s excitement was not lost on Brown, who after the show Tweeted, “this was an absolutley [sic] fuckin unbelievable gig !!! sold out gig, absolutley [sic] amazing !! Im totally on a high !!! big time !!!!” And I agree. If Friday’s show was any indication, Brown is ready to take on the world.

VV Brown has another headlining date at the Great Scott in Allston, Massachusetts, on Monday before going on tour as a supporting act for Swedish electronic band starting in March. If you can’t see her live on this go-around, no worries, you’ll be able to see Brown on the small screen in the near future: she announced at the DC9 show that she and her band will be appearing on Jimmy Kimmel Live!, the Late Late Show with Craig Ferguson, and the Late Show with David Letterman soon.

:
Feb 22 – Great Scott / Allston, MA
Mar 22 – Rapture / Charlottesville, VA*
Mar 25 – Music Hall of Williamsburg / Brooklyn*
Apr 01 – Lincoln Hall / Chicago*
Apr 04 – Walnut Lounge / Denver*
Apr 05 – Urban Lounge / Salt Lake City*
Apr 09 – Nectar Lounge / Seattle*
Apr 11 – Wild Buffalo / Bellingham, WA*
Apr 12 – Mississippi Studios / Portland*
Apr 13-14 - Independent / San Francisco*
* supporting Little Dragon

Posted in Concerts, Local Scene, Washington D.C.Comments Off

Little Boots Announces First Headlining Tour of North America

Little Boots Announces First Headlining Tour of North America

Little Boots mirrorballElectropop / dance artist (real name ) has announced her first headlining tour of North America for this Spring. Last year she won the ’s Sound of 2009 poll, pretty much ensuring that everyone in Britain would know her name.

Lest you surmise that her voice can’t stand alone without electronic backing, think again: at , ’s last July, she performed an unplugged version (just piano and voice) of “Remedy” for Radio2 presenter that totally stunned and blew me away. I wanted to kick myself for missing her late-night set at the Dot to Dot Festival in Nottingham on May 24, 2009 (thanks a lot, Mistress Jetlag). If electropop is your poison and dancing is your “Remedy”, I suggest checking out the promo video for the song below.

:
Mar 03 – Highline Ballroom / New York City
Mar 05 – Venue / Vancouver
Mar 06 – Neumo’s / Seattle
Mar 07 – Hawthorne Theatre / Portland
Mar 09 – Fillmore / San Francisco
Mar 10 – El Rey / Los Angeles
Mar 12 – Glass House / Pomona
Mar 13 – Casbah / San Diego
Apr 18 – Coachella / Indio, CA
Apr 22 – Masquerade / Atlanta
Apr 24 – Voyeur / Philadelphia
Apr 30 – Phoenix Theatre / Toronto
May 01 – Metro / Chicago

Little Boots: website | myspace

Photo: Tom Oxley

Posted in Music NewsComments Off

La Roux – La Roux

La Roux – La Roux

I used to listen to my mom’s old 80s cassette tapes and records, merely because I hadn’t developed my own taste in music. Even if I was born in the latter half of 1989, I can still say that I’m a child of the 80s. is a fellow child of the 80s, but listening to hela rouxr and recording partner ‘s debut (in French meaning “red-haired one”), you wouldn’t expect the self-proclaimed “ginger boy” to be just 21. Released in the States Sept. 29, the music that Jackson and Langmaid turn out sounds more like the old 80s cassettes I stole from my mom than the hits coming through the airwaves these days, and it’s incredibly refreshing.

Sure, electro-pop has gotten its second wind in 2009 with and sending everyone into a tizzy, but La Roux‘s sound takes advantage of the distinctly 80s synth they’ve adopted. Starting off the record, “In For The Kill” sends us straight into Jackson’s falsetto and a complete track void of bass, giving a youthful, tinny introduction to a outstanding debut. Most artists wouldn’t have the cojones to sing falsetto on the first song, but Jackson succeeds her age in most aspects on the record.

Both the second song on the record, “Tigerlily,” and the second single released in the UK months ago, “Bulletproof,” surely show another side of Jackson’s voice, and another attitude. “Tigerlily” is both sassy and sexy, with a killer beat on Langmaid’s part. And as upbeat and danceable as “Bulletproof” is, it’s essentially Jackson telling a gent that she’s not going fall for his crap anymore. It’s modern-day girl power, even if Jackson’s persona is indisputably androgynous.

From there, La Roux dives into tracks featuring synthed steel drums, so reminiscent of and , you almost forget you’re listening to someone who’s 21 years old right now. The lyrics are the one giveaway that Jackson is still young – but not immature. The ideas aren’t dated, or clichéd, and relatable without being pedestrian. The one thing, musically, that La Roux does differently than their much older influences is the vocal layering – especially on “In For The Kill,” “I’m Not Your Toy” and “Reflections are Protection.” Those songs – as well as the rest of the album – are best when listening to them on large, doughy headphones that cover your ears completely. It’s just too bad La Roux isn’t coming anywhere near Seattle on their next tour, as I’d like to hear how to these songs sound live.

It seems that this “red-haired one” and her partner have become the new leaders of the 80s comeback. If you haven’t realized that yet, I highly recommend finding their album.

British magazine The Fly says: “With this superb self-titled debut, which is every bit as good as the hype hinted at, the flame-haired Brixtonite has managed to paint sublime pictures of love and loss with squelchy synths, clipped beats and shimmering electronics.

Tracklisting:
01. In for the Kill
02. Tigerlily
03. Quicksand
04. Bulletproof
05. Colourless Colour
06. I’m Not Your Toy
07. Cover My Eyes
08. As If By Magic
09. Fascination
10. Reflections Are Protection
11. Armour Love

La Roux: website | myspace

Posted in AlbumsComments Off


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Concert Calendar

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Nov 25, 2011
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Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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