Wait a second…is that…sun?
Yes, the second day of Monolith saw some sun. Though I must stress “some.” Granted “some” was a significant improvement to the cold, icy rain that drizzled on concertgoers the entire day before.
Feeling encouraged by the slight appearance of sun, Monolith’s second day promised to be good.
We Were Promised Jetpacks // Woxy.com Stage @ 1:40-2:20 p.m.
I started off with Scottish group We Were Promised Jetpacks. I couldn’t decide what I liked more. Their music or their stage banter with the audience.
During a brief break in their set, a girl shouted out, “Say four,”
“Whore?” asked Adam Thompson, causing the audience to erupt with laughter. “I’m not some kind of Scottish circus freak. I can’t roll into town and say whatever you want.”
The group just released their debut this past summer and while they cite their influences as Frightened Rabbit and Twilight Sad, I’d say they have mainly the accent in common and while I like those other two bands, I think We Were Promised Jetpacks had the most enjoyable live show after seeing all three at Monolith.
“I’m going to let you in on a secret,” said Thompson near the end of their set. “This might be our only good song. We peaked.”
I wouldn’t let Thompson’s modesty fool you. All their songs are good.
Rahzel // Esurance Music Stage @ 2:30-3 p.m.
I was a bit disappointed with the arrangement of the next options at the festival. I could either see DJ rapper The Pirate Signal or hip hop artist Rahzel. These genres are not really my thing and I was disappointed that there weren’t any alternative genre options when the rest of the line up was pretty good about having variety at different stages.
I decided to sit at the top of Red Rocks and watch some of Rahzel. Rahzel, is perhaps better known either as the “beat boxing champ” or as a member of The Roots.
The first ten minutes were painful. I find having a DJ yell, “We’ve got the champ; we’ve got the champ” over and over while some other guy simply talks kind of lame. That “warm-up” part was something I could have done without.
But then, Rahzel finally showed off his beatboxing skills. First it was White Stripes‘ “Seven Nation Army” then a little Justin Timberlake and countless other popular tunes. And that was bad ass.
Neon Indian // Woxy.com Stage @ 3-3:40 p.m.
Now Neon Indian was more my speed with its synth heavy lo-fi pop. It is the project of Alan Palomo of VEGA.
Monolith was the first ever live performance of the band, but as Palomo’s bold movements and twists of the microphone cord made it look like they had been performing forever. His female bandmate on keys was a bit more timid though and I’m not sure if that was her personality or nerves.
I expect this group to blow up soon because let’s be honest…who doesn’t love the synth?
Monotonix // Southern Comfort Presents Stage @ 3-3:30 p.m.
So I didn’t intend to see any of Monotonix and then I accidentally ended up seeing too much. 
After emerging from the depths of Red Rocks, I was surprised to see a large crowd huddle in front of the Southern Comfort Stage, yet no one was on stage nor did it look as though anybody had been on stage. Crews were already setting up for the next band. Yet there was some weird sort of rap rock…I’m not quite sure how to describe what was going on soundwise…coming form the middle of the croud.
Suddenly, from the depths of the crowd, a skinny, shirtless man with long hair was lifted on to the shoulders of the crowd. This was Monotonix and the people were just eating his performance up. I finally got to see him, but this is also when I saw too much of him.
It wasn’t long before he was mooning the crowd and I decided it was time to take my leave from the spectacle and check out another band.
The Dandy Warhols // Esurance Music Stage @ 3:30-4:15 p.m.
Maybe it was the singer’s stripped shirt, but there was a definite sailor swagger to the Dandy Warhols. 
They seemed happy to be playing, but there was also an aloofness that made it a little difficult to connect with their live show.
The group was at their best when songs called for extra percussion effects like on “The Legend of the Last of the Outlaw Truckers.” The band sounded better and seemed happier on songs like that.
Set List:
Burned
Trucker
Junky
Good morning
I Love You
Holden Me Up
The Last High
Bono
Get Off
U2BF
Wasp
P/Boys
The Love Language // Radius Earphones Stage @ 3:40-4:20 p.m.
Looking at the stage set up for The Love Language, my first thought was that two separate bands were going to duel for the ownership of the drummer. Two keyboardists faced each other and two singers stood side by side. It was crowded for such a tiny stage. 
But once I heard the band start to play, it was quite clear that something different was happening on stage. Instead of two separate bands battling for control of the drummer, siamese twins would be a better image to conjure up. The band was a single entity, but at the same time, as they switched from song to song, they showed different personalities. The Love Language are Siamese twins, not joined at the hip, but at the drummer.
Aside from walking away from this review with that weird imagery, know that soundwise, they really are the language of love. They are just happy-sounding and sweet and tons of other things that make you want to curl your toes with glee. There was a carefree nature about the music and the performance, so carefree in fact, that the band hardly flinched when all their foot-stomping knocked one of their keyboards off the stand.
Set List:
2 rabbits
providence
nocturne
blood
brittney
blue angel
sparxxx
manteo
lalita
hello mary lou
The Thermals // Southern Comfort Presents Stage @ 4-4:45 p.m.
I’ve had the privilege of seeing The Thermals before.
I just love the nasally stretch of the singers vocals, “Nooooow weee cannnn see,” the bassists growth from nonchalance to lost-in-the-moment jumping, and the unabridged enthusiasm of the constantly smiling drummer. 
Yet, since I had seen them before, I regrettably had to pull myself away to catch some acts I had never seen before. Next time, Thermals. Next time.
Set List:
Return
Afraid
Future
Trivia
Let go
How Know
Call Name
Back Gray
Sick
Trip
100 %
Strosa
Pillar
Culture
We See
Bad Veins // Woxy.com Stage @ 4:20-5 p.m.
Two guys, flowery wood boxes, a big film machine and a telephone. Sounds like the beginnings to a weird sitcom, but really this was just the beginnings of Bad Veins, a duo that features a tape machine named “Irene.”
The guys and “Irene” produced a really full sound, but I’m not entirely convinced I understand the purpose of the telephone bit.
While I’m sure many in the audience inadvertently wandered in, they stayed because they group was unique and good.
HEALTH // Radius Earphones Stage @ 5-5:40 p.m.
HEALTH – OMFG.
I can’t decide if I love the festival organizers for booking some amazing bands or hate them for booking some amazing bands in ridiculously small rooms.
If you were one of the lucky few who didn’t get shut out of HEALTH’s set, you know how amazingly fortunate you were to witness them live. Each band member was all over the stage, jumping and thrashing. I’ve never seen so much energy from a electronica rock band.
If you were unfortunate enough to get shut out, get in your car and drive somewhere to see them even if that means driving to an airport.
This is a band everyone must witness once in their life.
The Twilight Sad // Woxy.com Stage @ 5:40-6:20 p.m.
The Twilight Sad rounded out the Scottish trio performing at the fest.
A schedule change moving Savoy earlier and shifting Passion Pit and Phoenix later due to a cancellation from illness in MSTRKRFT‘s camp made it so I wasn’t conflicted with choosing between Twilight Sad and Passion Pit.
The set was hauntingly beautiful, but a bit of a downer. A technical hiccup in the set lightened the mood a bit as the band awkwardly stated, “Wish we knew some jokes.”
They were talented, but awkward and shy, which I suppose is fitting for their music. Plus, they had accents, and who doesn’t love a good accent.
Set List:
Doonstairs
Faster
Hit Single
Eyes Oot
Mooth
Rabbit
Sheepdng
(not typos, just how they wrote it out on the set list)
Tigercity // Radius Earphones Stage @ 6:20-7 p.m.
Tigercity was some smooth, easy-listening and I unfortunately was ju
st too revved up to go see Passion Pit to truly enjoy this group.
It wasn’t that Tigercity was bad and they had the recipe for everything I love–synth! It was just that it was more so something that was more appealing to an older crowd that still wanted to be hip than what I’m into. Sorry Tigercity.
Set List:
Fake Gold Other Girls
Graz 75 B
Ancient Lover
Power Stripe Solitary Man
Red Lips D Water
A Better Place James
My Type
Let Her Go
?
Mallory
Passion Pit // Southern Comfort Presents Stage @ 7-7:45 p.m.
OK, again, I don’t know why the festival organizers didn’t put Passion Pit on the main stage because the entire day this was the band that I heard everybody talking about going to.
They were good the last time I saw them, but I can’t get over how much the stage presence has improved. Every band member was all over the stage, jumpi
ng off monitors and the kick drum and falling on the floor.
The crowd makes a Passion Pit set. They know all the right times to respond and sing back the vocals.
High-pitched vocals have the potential to be obnoxious, but in Passion Pit’s case, it is pure fun and add the electronica beats and you have a non-stop dance party.
I could have been content to end the night here, but some of my favorite French rockers were getting ready to take to the main stage.
Set List:
make light
i’ve got your number
let your love grow tall
little secrets
to kingdom come
better things
sleepyhead
smile upon me
…can’t remember what was played here…
the reeling.
Phoenix // Esurance Music Stage @ 7:45-9 p.m.
Phoenix has been in the music game for a long time, but it wasn’t until Wolfgang Amadeus Phoenix that the States finally took notice of these French rockers.
Yes, the lyrics don’t always make sense (remember English is not their first language), but they sure sound good and are tight musicians.
Think Air with a dash of Daft Punk–this comparison shouldn’t be too hard considering all these artists are part of the Versailles scene.
Phoenix started strong with “Listzomania” and even stronger with “1901,” a song that blew audience away when performed on SNL.
My night ended with Phoenix. Sorry Mars Volta, but I had an eight hour drive that had to be completed before my roomies’ class the next day.
But it doesn’t matter. I couldn’t hope for a more perfect end than Passion Pit and Phoenix.
Set List:
Listzomania
Long Distance Call
Consolation Prizes
Lasso
…sorry, blanking on this part of the set…
Girlfriend
Rome
Too Young
1901
Monolith: website | day 1
