popwreckoning

Day 2 – Saturday

A full day off to enjoy the festival and beautiful weather? YES.

We didn’t plan on getting to ACL until 2:00 so Jason showed us around town.

Know the way to a girl’s heart? Take her to the most amazing grocery store she’s ever seen. Central Market in Austin is a place for food lovers, beer lovers, soda lovers, oh and especially cheese lovers. This place seriously has it all. They even had a Boulevard Brewery section!

Well and after you take her to Central Market, make sure you check out the highest point in Austin. It’s beautiful and overlooks the entire river, along with downtown.

Onward to Zilker Park for the fest!

As we were walking in the gates, Lucero’s distinct vocals were blaring over the crowds. We stopped for a minute to catch a song, then walked the distance of the park to the Budweiser stage where Gaslight Anthem were.

I absolutely love Gaslight Anthem, and this was no exception.

This is where I rant about how amazing Manchester Orchestra was: HOLY SHIT! I’ve seen them a total of 4 times now and each and every time they just get better. Opening with “Shout It Out” and even quoting friend/bandmate in Bad Books, Kevin Devine towards the end. The only set that I could actually stay for the whole time and loved every minute of it. Guitarist, Robert McDowell looked into the camera to say hi to his grandmother since the performance would be airing on the internet. Andy Hull then leaned into the mic, “guess what, Grandma? Robert’s drunk!”

Okay, you get the picture. They rocked it.

Walked over to see the end of Silversun Pickups, who were awesome, then on to the Austin Ventures Stage for the majority of the night.

Local Natives blew me away. I knew they were good, but I didn’t expect them to be this good. One of my favorite bands of the day.

The other favorite band of the day? Monsters of Folk, of course. I absolutely love Conor and have since the day I heard a Bright Eyes song way back when.

Opening with their single, “Say Please,” MoF immediately got the crowd involved. Throughout their set, members switched instruments and roles between every song. For their second song, Conor took over. “Soul Singer in a Session Band” moved the crowd in such a way that I haven’t seen in awhile. Beautiful.

Next – LCD Soundsystem! Once again, would have been much better at night instead of 6:30 in the evening. Even still, there was tons of dancing. A perfect warm-up for Deadmau5 who played directly after on the neighboring stage as the sun set.

On our way over to see headliner, M.I.A., Matt and Kim were shutting down their set. They were in the middle of a cover of Mario’s “Just A Friend.”

Halfway through M.I.A’s set (which she was super energized and awesome to see live), we decided to beat the rush out of the park and head back.

We then tried out 6th Street for a bit, which is a whole story on it’s own.

Read Day 1 here.

Fall in Philly is a beautiful thing—especially when the soundtrack to the season is one that includes M. Ward, Mike Mogis, Jim James, Conor Oberst AND Bob Dylan. The city has seen itself nearly taken over by both contemporary and classic folk musicians this November—first with Dylan’s performance at the Liacouras Center and then Monsters of Folk festival at the Academy of Music (on the same night, no less.)

To wrap up this folk-themed month, Popwreckoning’s Jess McGinley and her roommate (yours truly) braved the rain-slicked streets of Fishtown Thursday night to see recent MP3 Minute feature and local folk hero Langhorne Slim perform a sold out show at Johnny Brenda’s.

And when I say local, I do mean local: a mere 24 miles up I-95 North lies the little town of Langhorne—a Philadelphia suburb Sean Scolnick (better known as Langhorne Slim) and I both call home [Ed note: proof below]. Slim sums it up perfectly in his song “Hello Sunshine”–“There’s a place I know in Pennsylvania / If you never want to go, well darling I can’t blame ya.” Poignant lyrics, when you consider we’re best known for a Sesame Street inspired water park and the planet’s largest auto dealership.

Langhorne the musician, though, offers much more than our hometown. Perched precariously on a packed balcony above the stage, I watched Slim and company perform in support of their new album Be Set Free.

Sort of like Tom Waits without five decades worth of cigarette smoke, Slim successfully crooned and yelped along with his band for a full two hours. For me it mostly felt like a drunk sing-along with some townies at the Langhorne Hotel bar (better known as the black and white building in the beginning of the music video for “Restless”).

Although his backwoods brand of blues/folk seemed like inauthentic posturing at times, (C’mon man-you’re from Bucks County) there were genuinely beautiful, touching moments throughout the set (“Restless,” “Worries”) and songs that left me teetering back and forth on my bar stool. It was nearly as good as the Dylan concert—if only he’d broken out the harmonica.

Langhorne Slim: website | myspace | @ acl 2008 | interview with

Words: Jennifer Robnett
Photos: Jessica McGinley

What is there to say about this show? Having the pleasure of seeing three of the best singer/songwriters music today share the stage was a surreal experience that I will treasure for the rest of my life. Going into this show, I really didn’t know what to expect, not having seen any of the acts in any capacity, but the show atmosphere setup and atmosphere had the feel of seeing Dylan- you knew you were seeing/experiencing truly special.

Something really to admire is how the show is structured, shifting from tracks from their self-titled, Monsters of Folk, into songs from each other’s extensive back catalogue of indie-rock classics. Each of the three, Conor Oberst, M. Ward and Jim James had mini sets of acoustic songs with a combination of another member (M. Ward and Jim James harmonies were full of such soul). Of the three M. Ward was the one I was the least familiar with, only knowing him from She & Him, but his solo set made me a believer and left the crowd in awe as his solo set, receiving a standing ovation and me making a personal note, “For the love of God, as soon as you get home, get some M. Ward albums.”

As the show hit the 2 hour mark, the M.O.F really hit their stride as Jim James steals the show (with his stellar white boy dance moves that would give Dave Matthews a run for his money), as he leads the band through My Morning Jacket‘s Smokin’ From Shootin’ and Monsters of Folk’s Losin’ Yo Head. Not to be outdone, Conor Oberst adds some punch to his verse of Smokin From Shootin’ as M. Ward holds down the keys and guitars rather masterfully.

This is a show that completely blew me away: plain and simple. After three hours, Jim James added, “Boy Chicago, you sure know how to treat a lady.” Chicago experienced something truly special that I will proudly recall for years to come.

Set List:
Say Please
The Right Place
Soul Singer in a Session Band (Bright Eyes)
Slow Down Jo
Ahead of the Curve
Lullaby + Exile (M. Ward)
We Are Nowhere and It’s Now (Bright Eyes)
The Big Picture (Bright Eyes)
Golden (My Morning Jacket)
Baby Boomer
Bermuda Highway (My Morning Jacket)
Look at You (My Morning Jacket)
Man Named Truth
Vincent O’Brien (M. Ward)
One life Away (M. Ward)
Wonder (The Way I Feel) (Jim James w/ M. Ward)
Lime Tree (Bright Eyes)
Dear God
Temazcal
To Save Me (M. Ward)
Goodway
Smoke Without Fire (Bright Eyes)
One Hundred Million Years (M. Ward)
Chinese Translation (M. Ward)
Bottom of Everything (Bright Eyes)
The Sandman, The Brakeman and Me
Map of The World
Smokin’ From Shootin’ (My Morning Jacket)
Hit The Switch (Bright Eyes)
Losin’ Yo Head
//
At Dawn (My Morning Jacket)
Whole Lotta Losin’
Another Travelin’ Song (Bright Eyes)
His Master’s Voice

Monsters of Folk: website