Philadelphia’s Good Old Warwill play ten shows with Alison Krauss in June, beginning with a stop at Los Angeles’ Greek Theatre on June 23rd. The band will then join Gomez for four east coast dates.
The trio’s self-titled album debuted at #2 on Billboard’s Heatseekers Chart, reaching #1 on iTunes Singer/Songwriter chart and #1 overall at Amazon. They’ve now sold over 40,000 albums on their independent label, Sargent House. Good Old War is currently recording their third album, expected to be released in late 2011.
Good Old War with Alison Krauss
06/23 Los Angeles, CA @ Greek Theater
06/24 Santa Barbara, CA @ Santa Barbara Bowl
06/28 Jacksonville, OR @ Britt Pavilion
06/29 Troutdale, OR @ Edgefield
07/01 Boise, ID @ Idaho Botanical Gardens
07/04 Calgary, AB @ Jack Singer Concert Hall
07/05 Edmonton, AB @ Northern Alberta Jubilee Auditorium
07/07 Vancouver, BC @ Vancouver Island Music
07/08 Redmond, WA @ Marymoor Amphitheater
07/09 Bend, OR @ Les Schwab Amphitheater
07/10 Stateline, NV @ Lake Tahoe’s Harvey’s Outdoor Arena
Good Old War with Gomez
07/12 Boston, MA @ The Paradise
07/14 New York, NY @ Terminal 5
07/15 Philadelphia, PA @ Theater of Living Arts
07/18 Washington D.C. @ 9:30 Club
Portugal. The Man have explored their distinct post-rock vision across (now) six full length albums; and that vision is full of promise. This newalbum,American Ghetto, is experimental, but “experimental” in the safest sense of the word. Fans of previous offerings will find much to celebrate and new listeners will have a great starting point.
Whereas The Satanic Satanist had a more dominant guitar sound, the name of the game for American Ghetto is layers. “60 Years” is propelled by a distant acoustic guitar hook that is enshrined with lead guitar, synths and drums—with varying degrees of percussion interspersed. “Fantastic Pace” centers mostly on a head-nodding piano part before bringing in familiar layers. These textures bear resemblance to Remain In Light: a core is established and instruments drift over the soundscape.
While the hip-shaking appeal of previous albums remains, hips will be shaking to new-wave- dirges. Many of the songs float with an airy creepiness, often aided by Zoe Manville’s haunting backing vocals and emblazoned through lyrics that focus on shallowness and washed up idols. Case in point: “Dead Dog” kicks the album off with a halting break-beat and a cautionary tale—
I gotta warn you/these people/ they didn’t try
And they lie/the lie/they lie
The level of production brought by Anthony Saffrey and Adam Taylor creates the notion of a more mature sounding band. American Ghetto is thick. The producers (who also handled mixing with the assistance of Paul Kadrie) bear mentioning if only due to the amount of time it must have taken to give each instrument its own voice within the mix. There is a sense of cohesion, perhaps aided by the appearance of a familiar character on the album cover.
Each Portugal. The Man release captures the band at a different point while retaining similar elements. American Ghetto is a welcome addition—a release that purrs with layers of vocals, synthesizers, and guitars. No lie.
Track Listing:
1. The Dead Dog
2. Break
3. 60 Years
4. All My People
5. 1000 Years
6. Fantastic Pace
7. The Pushers Party
8. Do What We Do
9. Just A Fool
11. When The War Ends
After taking the nation by storm during Warped Tour last year, old and new fans alike have been waiting for an announcement of the next installment of Innerpartysystem’s unique brand of musical sound. After a ground-breaking EP (The Download EP) and a full length self-titled album, fans are more than ready for new material after an 18 month hiatus from the Industrial Rock/Electronica trio.
Between leaving their label, Island Records, in June 2009 and the recent loss of Jesse Cronan (backup vocals, synthesizer, lighting design), those last 18 months have been nothing but boring, according to the band’s blog. They have posted new remixes of both Cobra Starship‘s “Hot Mess” and 3Oh!3’s “Don’t Trust Me” on their MySpace, as well as remixes of old material of their own, such as “Last Night in Brooklyn” and “Obsession.” While these mixes kept fans satiated long enough for the band to get their bearings and start recording the album, the 2010 teaser was born.
Posted on February 22, the teaser, shows the band’s monetary-esque logo and the simple words “Get Hype,” along with a simple download button. Sparse, almost utilitarian, but plain and simple, and exactly what the fans want- a taste of the new Innerpartysystem sound.
Along with the teaser mix track that is making everyone’s skin crawl with anticipation, comes a video of Patrick and fellow band mates working on the new album, recording new mixes, playing around with new sounds for their live stage sets, tracking vocals, and… well… breaking things.
Although it is not a finite date for the release of their newest chapter, it will at least keep us on the edge of our seats until that information is revealed. For both old fans and new, Innerpartysystem will hold something new, exciting, different, and most of importantly, dance worthy. Check it out on the band’s YouTube page or on their blog, and well- Get Hyped. I know I sure did.
Animal Collective has released yet another video that will take several views to take it all in. “Brother Sport” off Merriweather Post Pavilion is directed by Jack Kubizne.
Odd Blood by Yeasayer is the follow-up to the band’s 2007 debut release, All Hour Cymbals, for which the band garnered much-deserved acclaim. All Hour Cymbals is filled with urgent and complex songs driven by thick electronic ambiance and shouted/sung vocals which often lay low in the mix, requiring you to listen more forcefully (and rewarding you for your efforts). Odd Blood is scheduled for release on February 9, 2010.
The album begins promisingly enough; the first track (entitled “The Children”) lets the listener know that they are in for, if nothing else, a strange but fun and interesting journey. The last 45 seconds of this track are especially stellar, with a thudding bass backing a hauntingly catchy synthesizer riff and relentless percussion. Track two, named “Ambling Alp,” is a song that some may be familiar with due to its early online release. This is an engaging and easily accessible song with a sing-along chorus and affirmative and positive lyrics: “You must stick up for yourself, son; never mind what anybody else done.” “Madder Red” follows and is easily the stand out on this album. This track is energetic and highly danceable, yet multi-layered and intriguing enough for a “headphones in your room” listen. The bass rattles and rolls its way through piercing guitar licks and barely audible backing synthesizers. The vocals suit the song perfectly, and the “ooh ooh” refrain is catchy beyond belief. “Madder Red” is dance party ready and well-equipped for longevity.
After this highlight, however, Odd Blood seems to lose its way. “I Remember” ambles through four minutes of electronic noise, building and promising a crescendo that never really comes. “Grizelda” offers more of the same, burying earlier driving percussion in the mix and leaving the listener wanting. Patience with the album will occasionally be rewarded; “Love Me Girl” delivers a giant pay-off in the closing minute in the form of a start-stop bass line and soaring vocals, and “Mondegreen” is a caffeine-fueled romp that dares you to sit still. However, these moments can be easily lost amidst weaker and ultimately forgettable offerings.
Overall, Odd Blood is often charming and exciting–and often frustrating, and it ultimately shows more potential than it delivers. With every effort to put the band’s previous album aside and gauge this album on its own merits without comparison, it’s still difficult to be more than mildly enthusiastic about this release. Is this disc worth a listen? Definitely. The strong parts of the album are well worth the price of admission. Just remember: patience is a virtue.
Track Listing:
1. The Children
2. Ambling Alp
3. Madder Red
4. I Remember
5. O.N.E.
6. Love Me Girl
7. Rome
8. Strange Reunions
9. Mondegreen
10. Grizelda
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Concert Calendar
Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO
Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS
Philadelphia’s Good Old War will play ten shows with Alison Krauss in June, beginning with a stop at Los Angeles’ Greek Theatre on June 23rd. The band will then join Gomez for four east coast dates.
