Tag Archive | "ra ra riot"

The Antlers to Tour with Editors

The Antlers to Tour with Editors

The Antlers pic, and - aka the Antlers – have announced a string of dates for this winter. The Brooklyn-based band will be touring support for English rockers during their February trek across North America. They will also play a one-off date with .

To get a feel for ’s vibe of coolness, watch the band’s performance of “Thirteen” and “Bear” for WEGL, Auburn University’s student radio station, taped in November 2009.

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Jan 29 – Legends of Notre Dame / Notre Dame, IN
Jan 30 – Musica / Akron
Feb 05 – Brooklyn Academy of Music Opera / Brooklyn*
Feb 08 – Warfield / San Francisco#
Feb 09 – House of Blues / San Diego#
Feb 11 – Wiltern Theatre / Los Angeles#
Feb 13 – Ogden Theatre / Denver#
Feb 15 – Vic Theatre / Chicago#
Feb 16 – Phoenix / Toronto#
Feb 17 – Il Motore / Montreal
Feb 18 – House of Blues / Boston#
Feb 19 – Terminal 5 / New York City#
Feb 20 – Trocadero / Philadelphia#
Feb 21 – 9:30 Club / Washington, DC#
* with Ra Ra Riot
# with Editors

Photo: Ben Ritter

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Princeton Announce LA Chanukkah Show

Princeton Announce LA Chanukkah Show

will play a special themed show in LA on Dec. 12 with guests . The show will feature surprise collaborations and eight hand-picked Chanukkah gifts to be given out to audience members over the course of the evening.

The show will also serve as a homecoming show for the band, who have just recently wrapped up a three-month tour supporting , and .

In addition to the show announcement, the band just released a new video for “Calypso Gold,” which you can view here:

Princeton: website | myspace | @ sxsw | @ black cat

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Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

Lollapalooza: Sunday, Day 3 @ Grant Park, Chicago IL

As much as I love music, sun and Chicago, it is a very fortunate thing that is only a weekend long. Next year I am wearing a pedometer just so I can see how much I walked, although I’m not sure why this festival was so much more brutal when I have survived SXSW, Bonnaroo and even before.

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Though it was early in the morning and the final day, a large crowd had already amassed for . Canadian flags with pot leaves in place of the maple were in no shortage as the jam rockers played their songs. While I doubt that I’d go out of my way to buy an album, it was fun to pick up on the choruses and singalong._MG_7501

was next on my agenda and I must say that the Brits (oh , why couldn’t you play every day?) and all the other European bands that crossed the great pond for this fest owned it. Friendly Fires didn’t have that large of a crowd, but they had everybody dancing as they sang “Jump into the Pool” and other tunes. It was difficult to pull away from their set, but I knew my beloved string players in had started their set at the opposite end of the festival.

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Usually when watching Ra Ra Riot, I geek out over the strings, but today I finally saw how talented of a performer singer is as he was practically skipping about then even ran out to sing as close to the crowd as he could get from the barricade. Even though lyrically they can be a downer band, I was beaming as I watched his glee at performing at Lollapalooza.

Bat for Lashes tried to mystify with ethereal vocals, creepy angel dolls and shiny spandex.  The only thing I was really mystified by was why she played the piano by just poking it with her pointer fingers. I mean even if that’s all the song needs, the norm is to record the pattern then let it loop. It was just confusing. But she does have a great voice. I do think their stage show just might fit a little better in a foggy club than the bright outdoors.

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I really wanted to see after Joshua told me their Bonnaroo made him think they were the next . Not only were they late to the stage, but it was just a messy performance. I couldn’t even force myself long enough to hear the radio tune “Ain’t No Rest for the Wicked”.

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Severely disappointed, I went to the , whom have always impressed me in the past. The sound seemed off and I was in need of some more tunage that wasn’t so nostalgic, so I again band jumped to the .

I had an interview scheduled far too many blocks away, so I missed the next few acts, which was a bummer because I couldn’t even find the band I was supposed to interview and by this point, all the walking was making me feel like I would never move again (I later learned that my body aches were a bit more severe than I thought and not quite from the walking, but other problems. Eeks!).

greeted me as I walked back into the fest. Finally, a band that was worth the hype! The vocals were amazingly powerful and I immediately was bummed that I didn’t run to see them in their entirety. Alas! Perhaps in the future, they’ll swing through my neck of the woods.

Preppy indie darlings came out in thick shades and brightly colored shorts in contrast to their usual khakis and cardigans. A more appropriate dress choice in the unbearable heat. They started off with a new number, but one I had heard before and as Ezra led the crowd through his little yelps and he rocked up on his toes, there was one clear thought I had about this band: they have the most tone deaf fans ever. The audience tries really hard to singalong with this band. They try really, really, really hard, but they are awful. At least the band is good. I know that it is just as popular to hate on this band as it is to love them. I happen to love them and find them and their tunes absolutely adorable (plus I’m a communications major and let’s be real–who gives a fuck about an oxford comma?).

The next bit of the festival is a bit of a blur as severe dehydration started to set in, my leg problem worsened and Ezra’s brilliant idea to make the crowd dance turned into a mosh pit that caused me to get pushed all the way to the front of what would later be a 200,000 person crowd. Exciting, but scary. To be honest, I wasn’t sure how I felt about my new spot by the barricade. On one hand it was exciting. On the other, it was sad because there was no way I could get back through the crowd and see bands on other stages.

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I did get to hear and , but I couldn’t really see them. It was hella fun to be stared down by ‘s guards on stage and be able to see his phenomenal drummer. I have to hand it to Snoop, he really knows how to work up a crowd (especially considering everybody up front seemed to be waiting for .

I guess I missed out on some excitement at the other end of the venue. Lou Reed went well over his set time, cutting into ‘ set. A pissed off crowd apparently yelled “Fuck off, Lou” and “Boo,” but Band of Horses politely started their set and even kept playing after “The Funeral” ended and Jane’s Addiction started.

I doubt that anybody is surprised that I wanted to see the Killers over Jane’s Addiction and reports of crowd sizes between the two headlining stages make it sound like I was not in the minority. It also sounds like from other reports that I picked the better of the two shows. Perry may have started this festival, but it has outgrown him and his gaudy tactics.  A helicopter shined a spotlight on the audience, the band was joined by vaudevillian (cough prostitutes cough) characters and even invited ‘s guitarist to join them for “Jane’s Says”. Yes, I am very glad I missed that abuse of music.

The Killers have a big stage show and lights, but at the heart of their performance, they don’t rely on the gimmicks that the night’s other headliner used. Their stage show was more so used to compliment the theme and vibe of the latest album. It enhanced the music instead of detracting. They had their palm trees and lights, and in the heat, it really did feel like the Killers transported all of us from Chicago to their home of Las Vegas.

The band has really grown into their element and while they have headlined countless European festivals, just this past year have they received that same honor in the States. I think this might have been their largest audience on U.S. soil.

As the Killers played, each song got better and bigger than the last. Singer seemed especially chatty and happy this night as he told the tale of how he and first met and wrote “Mr. Brightside” (true story) to a mystical tale of the band’s travels to get to Lollapalooza (slightly exaggerated). Flowers’ extra happiness might be attributed to the fact that his second son was born the week prior to the festival.

Though I’ve seen this band many times before, they still brought out a few surprises like an extra verse addition to “Bling”, a song that was never a single, but has easily become one of their most popular live hits. And while there was no Lou Reed guest spot as many–myself included–speculated, this set still took Lollapalooza out with a a nice “twist with a shout.” Reference to obscure? Get yourself to an iPod or a Killers show asap.

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Lollapalooza: Sunday in summary:
Best set of the day: We know I loved the Killers. What a great way to end the fest. I guess I’ll throw Friendly Fires a bone here, too.
Best surprises of the day: Aerosmith members during Jane’s is a surprise, but not a good one (please don’t let them headline 2010 like Perry joked). Band of Horses making up for Lou Reed stealing their set time and playing against Jane’s Addiction is pretty awesome.
Breakthrough of the day: Friendly Fires.
Biggest let downs of the day: Cage the Elephant. Ugh. Lou Reed. And no Lou Reed at the Killers, but my understanding is that again was Lou Reed’s fault and the Killers tried to get him to join them. Oh and that the root of my pain was not all the walking, but was a spider bite that has caused my leg to swell, turn red, give me a fever and is serious enough that I need to go the ER like asap.
Crazy crowd moment: Let’s just say that Snoop Dogg made some people who had just met feel extra close. I feel a bit scandalized.

Lollapalooza: website | schedule | set lists

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San Diego Street Scene – Aug 28th & 29th; Ultimate End of Summer Rock Block Party

San Diego Street Scene – Aug 28th & 29th; Ultimate End of Summer Rock Block Party

Produced in association with one of Southern California’s premier rock venues, The Casbah, San Diego heats things up on August 28th & 29th with their 25th Annual Street Scene in the East Village (and adjacent to Petco Park).  In essence, it’s the ultimate two-day musical block party and the perfect way to kiss summer goodbye.  So drop those world-famous fish tacos, hop in your car or on your surf board and get in on the excitement.  Last year they managed to score Beck, , and , among others, but it looks like they may have outdone themselves for this year (complete lineup here.).  Boasting over 40 bands, the multi-stage street set up features some of the biggest names in indie rock, alternative rock, hip hop and pop today that I’ll probably get into mutliple arguments with myself over which bands to check out.  Here’s a little taste of what to expect, if you can handle all the action:street scene

Friday, August 28th
, Modest Mouse, , Conor Oberst & The Mystic Valley Band, , Girl Talk, , , , , , ,

Saturday, August 29th
M.I.A., , , , , The Faint, , , , No Age, , !

The show is rain or shine (who are we kidding, when does it ever rain in beautifully sunny San Diego!?).  Doors open: 4pm – midnight, both nights.  For $65 bucks, you can see 20+ bands in one day and it’s totally worth it.  There are also two-day passes, or the option of  VIP treatment if you’re above all that recession talk.  For additional ticket information, go here.  So, come celebrate the end of summer at this killer rock block party.  See you there!

Street Scene: website | tickets

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Built To Spill @ The 9th Annual Siren Music Festival, Coney Island, NYC

Built To Spill @ The 9th Annual Siren Music Festival, Coney Island, NYC

After having been asked to headline the Village Voice’s infamous Siren Festival at the historic Coney Island for several years, finally accepted the honor, following in the footsteps of some of indie rocks latest and greatest such as , , , , , Cursive, Popwreckoning favorites , , and , to name a few. It’s generally speaking a who’s who of both up and comers as well as hard-hitting indie heavyweights and it’s FREE!builttospill

The last time I attended I was young 21 living in Williamsburg. It was the first year the festival took place. It was 100-plus degrees and by the end we were crispy, stuffed with zepolis, covered in beer and sand, and eventually everyone started to look like the side show freaks that Coney Island is famous for. That year we saw Peaches, , Guided by Voices, and Jon Spencer Blues Explosion. It was quintessential New York, one of those amazing days where you keep pinching yourself, “Do I really live here?” But for some reason, I never returned to Coney Island or the Siren Festival after that. Truth, Coney Island was dirty, run down and kinda sad. A forgotten NYC treasure with a giant price tag and an expiration date that every New Yorker was aware of. Coney Island was finished…or so I thought. In terms of the festival and it’s stellar lineup each year, I always thought to myself, ‘Well, I can catch them at The Bowery….right?’

I had a change of heart this year. Lured by the opportunity to see Built to Spill under the shifting sky, by the beach, at the end of a perfect Summer Saturday, I returned to Coney Island nine years later, and now I’m left wondering why I waited so long. This years lineup included Built to Spill, , Spank Rock, Frightened Rabbit, A Place to Bury Strangers, , , , , Japandroids, , Tiny Masters of Today, Bear Hands, The Blue Van, Justine D., and .

Grand Duchy is , a.k.a. , a.k.a. lead singer of The Pixies, and if you don’t know that…well shame on you, go do your homework before continuing. Anywho, Black Francis and his wife are Grand Duchy and they played songs on the main stage from their debut album, Petits Fours. The hooky songs feature vocals from Clark paired with Francis’s trademark storming guitar riffs. Clark, in an artist statement, describes the music as a set of opposites: “eclectic and consistent, raw and cooked, smooth and rough, punky and pop, guitar and synth, he and she…Dinner and dessert.” Anything Francis does, in my opinion is genius. See Teenager of the Year as reference. Grand Duchy is another feather in his hat.

Built to Spill took the stage to play the last set, just as the sky was changing from day to eve and the Cyclone lights flickered on. The band that inspired Modest Mouse, Death Cab, and the ubiquitous Northwest Sound that followed, played for over two hours. They played everything you’d ever want to hear, giving the crowd just what they came for. Everyone knew every lyric. You almost didn’t belong if you didn’t. The first note of “Carry the Zero” dropped and the hardcores were high-fiving. turned four-minute songs into eleven-minute epic guitar jams busting string after string as fireworks blossomed in the purple sky overhead and lovers clutched each other closer. It was ridiculously magical. People were literally turning to the stranger next to them with Cheshire cat grins. And again, nine years later, I’m asking, “Do I really live here?”

Coney Island hasn’t changed much in nine years. It’s still run down, forgotten, and kinda sad, but that’s what you love about it. It buzzes with nostalgia for a time when everything was hustling and bustling, when honey roasted almonds were five cents on the boardwalk, when the skyline mattered, and people believed in two-headed snake babies and one hundred pound rats. To visit Coney Island is a suspension of disbelief. Seeing Built to Spill in this context is a somewhat of a similar act, so good it must be fiction.

Built to Spill: website | myspace
Siren Fest: website

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Discovery – Discovery LP

Discovery – Discovery LP

 

Remind me why we need another indie-pop super group? Members of and populate Discovery and that’s a bad place to start. But the real burning question is why do these guys think that it’s okay to make R&B music the hipsters can jive to? It’s not. Now they have some hooks, that’s for sure; you’ll hum some of this and it can be downright maddeningly catchy. But it’s so trite, so immediate and embarrassing in its guilty pleasure-ness that I have a hard time ever believing that someone would cop to actually owning or listening to it…at least not someone from the massive circles of fans that orbit around their day job projects. discovery

Discovery is a derivative version of ’s solo output blended with ’s 808s and Heartbreak. It’s , but substitute misguided posing for actual ambition. While Discovery has a trick or two up their sleeve, they seem fine with bludgeoning those tricks to death. Like the circular arpeggios—I playfully dub them “digital waterfalls”—that dart around “Osaka Loop Line”; solid idea, but when used constantly, it loses the intrigue. “I Wanna Be Your Boyfriend” sports an ear-turning, choppy female hook reminiscent of that song everyone is in love with right now. Except that it also features some awkward lyrics (given the voice singing it) and you eventually have to listen to the rest of the tune. Ohh, and if you’re as tired of autotune as I am, don’t even bother with “Carby”. These guys didn’t get the memo from Jay-Z.

The album is mercifully short, clocking in at around 36 minutes, but the length just reminds you of how much drivel is actually here. I mean, did we really need an electro-twee remake of “I Want You Back” by the ? This would have worked way better as an EP. The even shorter length would have forced the guys to distill the quirky, indie-dance vibe they were going for into something actually appealing and worthy of more than a cursory spin or two.

Discovery – “Osaka Loop Line”

Tracklisting:
01. Orange Shirt
02. Osaka Loop Line
03. Can You Discover?
04. I Wanna Be Your Boyfriend (featuring )
05. So Insane
06. Swing Tree
07. Carby (featuring )
08. I Want You Back
09. It’s Not My Fault (It’s My Fault)
10. Slang Tang

Discovery: website | myspace

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MP3 Minute: Discovery “Osaka Loop Line”

MP3 Minute: Discovery “Osaka Loop Line”

 

discoveryep of has teamed up with of to create Discovery. Available here for download is “Osaka Loop Line” and you can listen to “Orange Shirt” on the band’s MySpace page, the only other tune available for listening.

While “Osaka Loop Line” has some interesting twinkling computer effects going on, the synthetic beats, vocal distortions don’t really do much for me. Overall I find this track as bland as I find Vampire Weekend’s live show. I find it to be a case of indie rockers jumping on the electronic bandwagon.

Discovery – “Osaka Loop Line”

Discovery: myspace

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Death Cab for Cutie @ the Holland Performing Arts Center, Omaha

Death Cab for Cutie @ the Holland Performing Arts Center, Omaha


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