popwreckoning

A lot of controversy has arisen over Arizona’s SB 1070, which many say promotes racial profiling. As a result of SB 1070, many artists have joined together to form Soundstrike, in protest of the law. Leading Soundstrike has been Rage Against the Machine‘s Zack de la Rocha. Zack just held a press conference in LA explaining Soundstrike, Rage’s upcoming LA performance and the law in question. You can check out his statement and the full conference below:

Soundstrike Press Conference. Los Angeles, CA

July 21, 2010

Good morning, my name is Zack de la Rocha I’m the lead singer of Rage Against the Machine. Welcome to everyone here.

Friday July 23rd is a very important day for us, for a couple of reasons. One because it will be the first concert that Rage has played in Los Angeles in 10 years. It will be held here at the Palladium in a venue that will capture the spirit and the intent of our music and we are very proud to share the stage with Conor Oberst and The Mystic Valley Band, as well as the Jornaleros del Norte.

All three bands on the bill also reflect a spirit of solidarity and the fight for social and economic justice. Which brings up the second reason we have come together. This, during the week of national action in protest of the implementation of SB 1070 on July 29th.

Just minutes from my home I can quickly get to the 10 Freeway. A freeway that connects the communities that I have called home my whole life to the State of Arizona where decades ago my grandfather first crossed the US/Mexico border.

Several years ago I was asked by friends and activists to learn more about and join a battle brewing in Arizona.

Over the last few years I have learned to more fully grasp the conditions that hundreds of thousands of immigrants face in Arizona. In my visits to Arizona I was repeatedly in awe of the stories I heard that all centered around one man: Maricopa County Sheriff Apraio.

A Sheriff that does not want to merely detain immigrants, he wants to humiliate them and cause them pain and suffering and then parade them in prison chain gangs for a photo opp.

A Sheriff who proactively sought out and got an agreement with the Bush Administration for local immigration authority.

A Sheriff, who under the guise of saving money has housed detainees in tents in the extreme dessert heat of Arizona.

A Sheriff, who in his endless attempt to try to humiliate male immigrant detainees, has mandated that they wear pink underwear.

And then we heard the story of Alma Minerva Chacon who during what should have been one the most precious moment of her life was forced to give birth to her daughter handcuffed and chained to a gurney in a scene from periods of history I thought had been long gone.

This is everyday life under the reign of Sheriff Arpaio, A man that picks at the economic wounds of the pains that everyday people are experiencing in this deep economic crisis and infects it with hatred. This is the Sheriff that would enforce SB 1070.

The fight in Arizona has been conveniently defined by the media and politicians as a battle for and against SB 1070. But that fails to capture the alarming climate that runs deep into the fabric of the State that once refused to honor the birthday of the late, Dr. Martin Luther King Jr.

But Sheriff Arpaio is not the only culprit. There are many Sheriff Arpaios. People who have taken to local city, county, and state governments across the county the idea that immigrants are the problem. That immigrants are to blame.

· SB 1070

· 287(G)

· Illegal Alien

· Criminal

· Detainee

These words have become concepts that explain only a sliver of the reality and do not reveal the inhumane reality that they conceal.

No facts or stories that I could possible share with you today could illustrate the situation in Arizona as well as ONE LETTER that I was handed during a March in Arizona. I want to read to you excerpts from that letter.

To whom it may concern,

We attest that we are a group of desperate and frustrated women that are asking for someone to help us. We find ourselves detained in the Estrella prison of Maricopa County. There are lots of women that are unjustly being accused for crimes that we have not committed. We are all mothers of families — wives and daughters. And for this reason, we are asking for your help. Please have mercy on us. What you know outside of what’s taken place in here is nothing. We are treated like the worst delinquents, the worst criminals, only because we are Hispanic or undocumented. They treat us worse than anything that exists in this world. There are plenty of injustices and plenty of humiliations that we are experiencing. Some of us for wanting to work and make a better life for our children. . . .

Please help us. We find ourselves here in a tunnel without an exit, being treated like dogs that are not deserving of anything. We need help for our cases. Someone to listen to us and do something for the injustices that are being committed against us. Our children and our parents suffer our sentences the most. And we find ourselves with our hearts broken without knowing what’s going to happen tomorrow. We ask that you have the valor to take this document to a news agency or a radio or to any agency that can help Hispanics that are undocumented. Or to any place that can help us.

We are human beings, not animals. We are women, not criminals. Help us please. Listen to our pleas, so that our cases can come to light. So we have hope of coming out and being reunited with our families. Please, we ask for you. We beg you. We plead for your help. Gracias.

This letter had an impact on me I could never explain.

Once shaken by this letter how could we take the bond between our fans and our band into a State that causes the pain that comes out in this letter?

How could we not approach artists of conscious who share our feelings and concerns?

How could we not unite with artists like Coner Oberst, Juanes, MIA, Calle 13, Maroon 5, Kanye West, Tigeres del Norte and others to form the Sound Strike?

How could we not stand up for our fans in Arizona, many of whom come from immigrant families?

How Could Rage Against the Machine not do a show to help the brave leaders on the ground to get the needed resources to take on this fight?

How could Rage Against the Machine work with SoundStrike to spread the word, to get other artists involved, to take this issue to our fans and to tell Arizona that artists of conscious, professional athletes, cities and governments, students and universities will not be a part of these injustices?

Toxic ideas have led to a chain of events culminating in the passage of a law that says that we are not all equal. That it is ok to racially profile.

Yet still, this is not a Latino issue or an immigrant issue. This is a battle of basic human dignity. A battle that Rage Against the Machine, and the artists of SoundStrike are fully committed to win. We thank our fans, especially those in Arizona, who understand that we are also fighting for them.

Thank You,

Zack

Sound Strike Press Conference (Zack de la Rocha, Tom Morello, Conor Oberst) from Shaun Kadlec on Vimeo.

Rage Against the Machine‘s Zach de la Rocha is not a fan of the new Arizona anti-immigration law. He says it is hurting his fans and fans of other artists. In protest, Rage (and their many side projects) are boycotting the state. He posted his full reasons in the press release below and is urging other artists to join the movement:

We are reaching out to get your ear for a minute about this critical situation in Arizona.

If you haven’t heard, the Arizona state legislature passed a bill (SB 1070) that was signed into law by Governor Jan Brewer that legalizes and sanctions racial profiling. Straight up.

It forces the cops to hunt down and target anyone they “reasonably suspect” that may be undocumented. And if the people they harass don’t have proof that they were born in the U.S., they can be detained and arrested. This must be stopped.

Fans of our music, our stories, our films and our words can be pulled over and harassed every day because they are brown or black, or for the way they speak, or for the music they listen to. People who are poor like some of us used to be could be forced to live in a constant state of fear while just doing what they can to find work and survive. This law opens the door for them to be shaked down, or even worse, detained and deported while just trying to travel home from school, from home to work, or when they just roll out with their friends.

Some of us grew up dealing with racial profiling, but this law (SB 1070) takes it to a whole new low. If other states follow the direction of the Arizona government, we could be headed towards a pre-civil rights era reality. This unjust law was set into motion by the same Arizona government that refused to acknowledge Martin Luther King Jr. day as a national holiday.

When Rosa Parks refused to give up her seat, they arrested her. As a result, people got together and said we are not going to ride the bus until they change the law. It was this courageous action that sparked the Montgomery bus boycott. What if we got together, signed a collective letter saying, “we’re not going to ride the bus”, saying we are not going to comply. We are not going to play in Arizona. We are going to boycott Arizona?!

Signed,

Zack de la Rocha

Here’s a list of the courageous artists who have taken a stand for civil and human rights in this collective decision to boycott Arizona:

Cypress Hill
Juanes
Conor Oberst
Los Tigres del Norte
Rage Against the Machine
Cafe Tacvba
Micheal Moore
Kanye West
Calle 13
Joe Satriani
Serj Tankian
Rise Against
Ozomatli
Sabertooth Tiger
Massive Attack
One Day as a Lion
Street Sweeper Social Club
Spank Rock
Juanes
Sonic Youth
Tenacious D

We are asking artists the world over to stand with us, and not allow our collective economic power to be used to aid and abet civil and human rights violations that will be caused by Arizona’s odious law.

If you’d like to sign up, visit here.

The heat of the first day, replaced by the requisite layer of San Fran summer fog, brought the largest crowd of the three-day festival.

Street Sweeper Social Club
Coming off a successful supporting role with Jane’s Addiction and Nine Inch Nails on last year’s NIN|JA tour, SSSC was easily the best dressed band of the festival. With great machine-gun style and obvious DNA from Rage Against the Machine, Tom Morello and Boots Riley performed songs from their recently-released and self-titled album including “Fight! Smash! Win!” and “100 Little Curses.”

Mastodon
Performing with a formidable presence, fans at this live show know why this is one of the best heavy metal bands in the country. Mastodon’s progressive style is intricate and monstrously powerful, drawing from metal, metalcore and jazz influences. Their immense sound is even more potent when it is radiating from an outdoor stage.

Bat for Lashes
Though it was too early in the day and their stage was too small to contain them, UK’s Bat For Lashes dished up wistful songs for the crowd who shoe-horned themselves into the side stage area. Less cutesy and more dynamic than I expected, vocalist Natasha Kahn’s velvety voice was haunting, even in the light of the afternoon.

Black Eyed Peas
Supporting their latest release, The E.N.D., the Black Eyed Peas are determined to keep their fans happy. Creating a massive dance party in the middle of Golden Gate Park is certainly one way to do just that.

Deerhunter
Also coming off a supporting role with Nine Inch Nails on their Lights in the Sky tour, Deerhunter’s performance was a surprisingly subdued version of their usually moody punk-art-rock shows. Maybe it was the tiny stage or the complete lack of atmosphere but only a hint of Bradford Cox’s lo-fi brilliance was evident.

Dave Matthews
No stranger to massive shows in Golden Gate Park, Dave Matthews brought his quirky personality and prodigious catalog of music back to the live stage. After the recent band turmoil, including the death of founding member and saxophonist LeRoi Moore in 2008, fans were happy to be dancing with the GrooGrux King once again.

check back for Day 3!

Rage Against the Machine (and their fans) have been extra busy this week at the Republic National Convention and doing just like their name said they would: they’re “raging” against the “machine.”

The protests began Tuesday, Sept. 2, when the band attempted to play on the lawn outside of St. Paul’s capitol building. Police quickly pulled the plug citing that they didn’t have the proper permit for such a show.

This didn’t stop Tom Morello and Zach De La Rocha as they led the crowd in a capella versions of a few of their songs. Thanks to the amazingness that is Youtube, you can check out the historic protest now: [youtube=http://www.youtube.com/watch?v=CYwzW2QFnwo]

If you thought RATM was done causing trouble, then you most definitely thought wrong. The protesting continued as RATM held a concert in neighboring Minneapolis Wednesday night that coincided with some of the RNC’s more anticipated speeches.

After the show, fans took to the streets and started marching toward St. Paul. When the crowd size did not dissapate, police made several arrests.

RATM also had concerts during the DNC to show their support of Obama.

Rage Against the Machine: website | myspace

Golden Gate Park in San Francisco was the site to the inaugural Outside Lands Festival this August 22-24. The headliners were Radiohead, Tom Petty and Jack Johnson along with Beck, Ben Harper and Wilco filling out the bill. Golden Gate Park isn’t accesible by car or BART *(Bay Area Rapid Transit) so the only option was to park from afar or take the MUNI from the closest BART. I had to walk over a mile just to get to will call and the park is over 1,000 acres. Needless to say I was somewhat overwhelmed on how to navigate among the six stages with no additional press access to several of them.

I was looking forward to catching Black Mountain but I heard most of their set while waiting in line to get my credentials. What I did witness was pummeling drums combined with weaving guitars and organ. To me, they sound like Zeppelin and Sabbath meeting up with one of the Beach Boys‘ sisters.

Next up was political South American rocker Manu Chao. Chao and company sing in Spanish, French, Portugese and English while melding rock, folk and punk into their songs about injustice and freedom. He’s been winning fans over in the US since opening for Rage at last year’s Coachella as well as headlining Lollaplooza in 2006. There isn’t a dull moment on stage when this band is playing, they were the most energetic groups of the weekend.

I didn’t get to shoot Beck because there wasn’t any access for press on the stage he was playing. Trying to get through 10,000 people isn’t an easy task so I resorted to getting everything squared away for the next band.

Taking the stage at dusk, Radiohead became the first performers to play at night in Golden Gate Park. Traveling with their “green” light show, they lit up the whole park up with their near flawless set. Aside from a couple minutes where the sound cut out, the band had the crowd of 50,000 in the palm of their hand the whole set.

Setlist:
15 Step
Reckoner
Airbag
There There
All I Need
Nude
Talk Show Host
National Anthem
The Gloaming
Videotape
Weird Fishes/Arpeggi
Idioteque
Karma Police
Jigsaw Falling Into Place
Just
Exit Music (for a film)
Bodysnatchers
//
Pyramid Song
You And Whose Army?
Paranoid Android
Fake Plastic Trees
Everything In Its Right Place

Stay tuned for Day 2

I feel bad for anyone who was unable to attend American Eagle Outfitters’ first ever New American Music Union festival in Pittsburgh’s South Side Works.

That being said let me relay what you missed.

The festival differed from most in many ways. First of all, it was set right in the middle of the city. Concertgoers could shop and dine at any of the South Side Works’ many shops and restaurants, including American Eagle, BCBG, Tosca and The Cheesecake Factory. Upon entry, any general admission or student ticket was given a voucher for a festival t-shirt and a BPA-free water bottle, bearing the festival’s logo. I found this fantastic. Not only did we receive a fantastic musical experience, but there are free goodies, too! To go along with the water bottles, NAMU had two free water stations available, where you could fill your bottle with fresh, clean water at no charge whatsoever.

NAMU -- Photo: Melissa Franko for wyep.org

The setting was fantastic for more than just dining and shopping in the city. Once you entered the main stage area, you had the stage before you and turning behind you, were greeted with a breathtaking view of Pittsburgh’s hills and sky, University of Pittsburgh’s Cathedral of Learning jutting majestically from the lush greenery. One also could not have asked for better weather. Before the festival began on Friday, rain showers made it seem as through we’d have a soggy experience, but by 3 PM, the clouds parted and the rain had cooled the city, giving us a cool, clear, and calm 2 days to enjoy NAMU’s phenomenal line-up.

Opening the show were New York’s Tiny Masters of Today. The tween-aged family act left something to be desired, but was surprisingly adept for their age. Their songs were simple, but something you would expect from twenty to thirty-something hipsters, as opposed to a 12 and 14 year-old brother and sister. While the vocals seemed monotone and off-pitch to start, they improved as the set continued, leading me to attribute it to nerves. The crowd responded to them quite well, despite my suspicion that they are widely unknown to most of the concertgoers. Closing their set with a humorous, but accurate, cover of House of Pain‘s “Jump Around,” Tiny Masters of Today are, at this point, more of an endearing novelty group. However, I can see them evolving greatly with a few years time. Definitely one to watch out for.

Tiny Masters of Today: live at Death Disco -- Photo: Shara Shisheboran

I’ve expressed before the difficulty I have with watching a DJ spin a set and being able to review it like a band playing. Orange-jumpsuited duo NASA took this into account and made their set fantastically entertaining. Though the set was a bit too loud, it was far from disappointing. Weaving familiar songs such as Heart‘s “Magic Man,” Blur‘s “Song 2″ and Rage Against the Machine‘s “Killing In The Name Of,” they keep the audience interested in more ways than one.

NASA -- Photo: Melissa Franko for wyep.org

NASA -- Photo: Melissa Franko for wyep.org

Not only were our DJ’s fantastically animated and interactive, a few minutes into their se, a pair of girls painted green with silver swimsuits emerged, dancing along as NASA introduces their “Martian Ladies.” Eventually, they are followed by a pair of astronauts in blue jumpsuits. One of these astronauts was a straight up b-boy, while the other is clearly proficient in popping and locking. Finally, some sort of space monster showed up; another dancer wearing what appeared to be a bear suit, topped by a reptilian mask. If you like electronic music, but find yourself bored just watching a DJ manipulate some turntables and a laptop, NASA is a group to catch.

NASA -- Photo: Melissa Franko for wyep.org

Photo: Melissa Franko for wyep.org

Photo: Melissa Franko for wyep.org

Just as dusk rolled around, The Black Keys took the stage. The Akron, Oh. duo managed to steal the show not only for the night, but for the entire two-day affair. Somehow, they manage to make a guitar and a set of drums sound like so much more as frontman and singer Dan Auerbach writhed around the stage. The guitars were bluesy, soulful, and even a bit crunchy, prompting solos that can only be described one way: face-melting. There are not a lot of words that can be said, other than the Black Keys brought the house down and Pittsburgh to its knees on Friday night.

Photo: Melissa Franko for wyep.org

The Black Keys: Dan Auerbach -- Photo: Melissa Franko for wyep.org

The Black Keys: Patrick Carney -- Photo: Melissa Franko for wyep.org

Photo: Melissa Franko for wyep.org

Closing the night was Pennsylvania’s own hip-hop heroes, The Roots. While their set was flawless, they were still no match for The Black Keys but still managed to bring the crowd to frenzy; couples swayed and made out to their sultry beats and hands were in the air cheering them on. All in all, a good way to close the night.

The Roots -- Photo: Melissa Franko for wyep.org

The Roots: Black Thought -- Photo: Melissa Franko for wyep.org

The Roots: Owen Biddle and F. Knuckles -- Photo: Melissa Franko for wyep.org

The Roots: Kamal Gray -- Photo: Melissa Franko for wyep.org

The Roots: Capt. Kirk Douglas -- Photo: Melissa Franko for wyep.org

The Roots: ?uestlove -- Melissa Franko for wyep.org

Saturday’s first big draw was Gnarls Barkley. The full band emerged in matching, burgundy prep-school style vests with Cee-Lo and Danger Mouse standing out in gold blazers. Throughout the set, Cee-Lo lost articles of clothing, ending with his white dress shirt unbuttoned over a white tee, claiming, “my shirt ripped while rockin’ out for y’all!” This group is phenomenal, with every bit of instrumentation live, right down to the xylophone riff on “Gone, Daddy, Gone.” The entire set, the audience was unable to hold still, dancing along to every song.

Gnarls Barkley: Cee Lo -- Photo: Melissa Franko for wyep.org

Photo: Melissa Franko for wyep.org

Gnarls Barkley: Danger Mouse -- Photo: Melissa Franko for wyep.org

Gnarls Barkley -- Photo: C.C. Chapman

Gnarls Barkley -- Photo: Melissa Franko for wyep.org

Gnarls Barkley -- Photo: C.C. Chapman

Photo: C.C. Chapman

Photo: Melissa Franko for wyep.org

Photo: C.C. Chapman

Following was Spoon, who can only be described as hypnotic. In the same way it was impossible to ignore the group, it was also possible to completely lose yourself in them. The band had brought along live horns, which, frankly, I’m kind of a sucker for. The bass drum drove right into your core…

Spoon: Britt Daniel -- Photo: Melissa Franko for wyep.org

Spoon: Eric Harvey -- Photo: C.C. Chapman

Spoon: Rob Pope -- Photo: Melissa Franko for wyep.org

Spoon: Jim Eno -- Photo: Melissa Franko for wyep.org

Photo: C.C. Chapman

Photo: C.C. Chapman

Photo: Melissa Franko for wyep.org

The Raconteurs took the dusk spot on Saturday night, ushering in the night with—well, frankly–awesomeness. As the highlight of that evening, people in the all-access crowd pulled themselves on top of tour buses to watch them play. Jack White and Brendan Benson share the stage well, each aware of when it’s the others turn to shine. Their songs got longer and longer, the group working their way into a slow, haunting, bluesy feel with every guitar solo being absolutely incredible.

The Raconteurs -- Photo: C.C. Chapman

The Raconteurs: Jack White -- Photo: Melissa Franko for wyep.org

The Raconteurs: Brendan Benson -- Photo: C.C. Chapman

Photo: C.C. Chapman

Photo: C.C. Chapman

Photo: C.C. Chapman

Photo: Melissa Franko for wyep.org

Photo: Melissa Franko for wyep.org

Finally, the biggest draw of the entire festival, Bob Dylan took the stage…and was utterly disappointing. Not once did he pick up a guitar, being known for being a guitar-based songwriter. Dylan stayed on keys and harmonica for his whole set, barely moving and letting his band do all of the work. Sure, he’s known for not being a great vocalist: he’s actually known for being quite a bad singer. This was worse. Age has lent an extremely gruff quality to Dylan’s voice, making him sound as though he’s channeling Tom Waits, and causing his lyrics to be even less intelligible than usual. It was difficult figuring out what songs he was even playing.
What. A. Letdown.

Festival curator Anthony Kiedis expressed interest in keeping the festival going in years to come and I pray to God that he does. I can only hope that something like this gets bigger and better with each year, and if this groundbreaking first try is any indicator.

Anthony Kiedis -- Photo: C.C. Chapman

Anthony Kiedis -- Photo: Melissa Franko for wyep.org

Pittsburgh’s big new music festival can only go up from here.

New American Music Union: website | performances

Photos: C.C. Chapman for A.E./NAMU and Melissa Franko for wyep.org

Despite some rain late Thursday night, the weather in Chicago’s Grant Park was perfect for this year’s 2008 Lollapalooza festival. A nice breeze off the lake made this the perfect weekend to host the excellent and diverse lineup of music. The park was kept in pristine conditions as crews constantly walked around encouraging recycling and a cleaner environment. This festival knows what it’s doing and is one of the best organized and most considerate (they even had lots vegetarian options at the food booths!) shows in the business.

Lollapalooza by Jeff Gentner

The whole weekend was sold out for the first time in the history of the festival. Friday had a record-breaking turnout as headliners Radiohead drew a sold out crowd of 75,000. Although, the earlier portion of the day wasn’t quite as packed, a solid crowd showed up to see the fine bands performing at the different stages leading up to Radiohead.

Starting off my day was Butch Walker on the PlayStation 3 Stage. Walker started his set solo with some fun loops on two new songs off his highly anticipated new album Sycamore Meadows before his band joined him on “State Line.” Walker performed a solid set showing that he is just as good an artist as he is a producer. If the new songs from his set are any indication of his new album, it is going to be phenomenal.

Butch Walker by Adam Bielawski

Any act following up the strong set by Walker would have a hard time not falling a little flat. Sure enough, the next act on the Bud Light Stage The Go! Team did just that. Maybe it is all that jumping around, but just because you want to be energetic in your presence doesn’t mean you should let the vocals suffer. Instrumental tracks like “Junior Kickstart” were just fine, but anytime Ninja would open her mouth I kind of wanted to go ninja and karate chop her throat.

Ninja of the Go! Team by Alberto Trevino

After the poor pitches of the Go! Team, Welsh singer Duffy‘s soulful vocals were a welcome refreshment at the PlayStation 3 Stage. The young singer definitely has some pipes, but her stage presence could use a little work. Her hand motions quickly got repetitive, but maybe with a little experience, her set will get a little fresher.

[youtube=http://www.youtube.com/watch?v=6pmk_DTKpAw]

Following Duffy, I caught a few songs by rockers Louis XIV over on the Citi Stage. Despite a few technical difficulties, the crowd went wild over radio single “Finding Out True Love Is Blind.” I didn’t stick around too long for Louis XIV because I didn’t want to miss a second of gypsy punk group Gogol Bordello over on the AT&T Stage and this was definitely not the set to miss. This raucous set was exactly what the crowd needed as an energy boost to get through the rest of the day. After walking around all morning in the sun, Gogol Bordello brought the crowd back to their feet for a big dance party as the band played through their accordion rock set.

Gogol Bordello by Chase Agnello-Dean

Next up was Lawrence, Kansas indie rockers Mates of State. Their gentler set on the MySpace Stage was beautiful and it was a nice touch when the couple was joined by some strings. The crowd loved them, but it was hard to settle into their set after jumping around with Gogol Bordello.

[youtube=http://www.youtube.com/watch?v=x-3xCSSSkHA]

Playing at the same time as Mates of State across the venue at the PlayStation 3 Stage was songstress Cat Power. Cat’s voice was just as great live as it is recorded. It is a shame that her set had to be the same time as Mates of State because they attract the same crowd.

Cat Power by Alberto Trevino

Toward the end of Cat Power, the crowd quickly scrambled for a place to see The Raconteurs perform on the Bud Light Stage. Jack White and crew sounded great, but there was something a little off about their set. It could have been that they weren’t in their usual uniform, but street clothes or it could have been the technical difficulties causing Brendan Benson to drop out during the vocals of “Level,” but it just wasn’t as tight as their club performances.

Jack White of the Raconteurs by Stephanie Janisch

I stopped at the Citi Stage for a few songs from Brazilian electro group CSS. Lovefoxxx must be tired of looking sexy because she sported a bright red spandex outfit with ruffles wrapping around it. CSS sounded a lot better live than their recording, surprisingly, and the crowd loved dancing around to their beats.

CSS by Abbey Braden

Radiohead closed out Friday on the AT&T stage. Thom Yorke and the rest of the guys thrilled the crowd by combining their tight instrumental skills with an amazing light show and fireworks as they performed songs like “Airbag,” “Fake Plastic Trees” and “There, There.” Friday’s crowd went home pleased after Radiohead’s double encore.

The crowd during Radiohead by Alberto Trevino

Radiohead by Alberto Trevino

Radiohead wasn’t the only reason to attend this festival and Saturday looked just as packed. British group The Ting Tings was the perfect start to the day. Katie White (Interview at Diesel U Music Lounge at the Hard Rock Hotel) easily draws the eyes of the crowd as she energetically moves around singing their hits, but Jules de Martino should not be overlooked as he plays and sings with precision.

The Ting Tings by Alberto Trevino

There was a little lag after the Ting Tings. Dr. Dog took to the MySpace stage, but was unmemorable. Foals played some fun dance songs over at the Citi Stage, but didn’t stand up to the high standard for other electro dance groups set by the Ting Tings. MGMT sounded phenomenal live, but their disinterest in a majority of their own set detracted from the performance. They finally loosened up and started bantering by the end of their set.

MGMT by Abbey Braden

Brand New was the band to beat for best performance of the day, although Jesse Lacey‘s attitude may have detracted from the musical experience causing many to quickly forget just how good this performance was in actuality. Joined by Kevin Devine for their first song, they took to the AT&T Stage and put on the most powerful performance of the day. Jesse Lacey’s performance is better than ever, but he appears just as moody.
He seemed to be in a good mood at first as he seemingly jokingly told the crowd, “You should all be at Explosions in the Sky. You’re all fools.” But as the set progressed through “Sowing Season,” “Sic Transit Gloria,” “Jesus Christ” and a new song (tentatively called “Bride”), Lacey grew more and more frustrated with a pocket of disinterested crowd members before finally climaxing and throwing his guitar into the drum set and leaving the stage a full fifteen minutes before the set was meant to end. Despite this mishap, this was still one of the best performances of the day and the part of the crowd that was interested was left confused and chanting for an encore.

After Brand New, I caught some of Okkervil River‘s set across the venue at the PlayStation 3 Stage and their sweet indie rock was a nice respite. They were followed by Broken Social Scene over on the Bud Light Stage, but BSS is more suited for a smaller setting where their fun instrumentations can completely engulf the listener. As great as Okkervil and Broken were, they just couldn’t match the amphitheatric power of Brand New’s set.

Okkervil River by Amrit Singh

To be quite honest, the crowd gathering for Saturday’s headliners Rage Against the Machine didn’t really appeal to us and we headed out early to get a head start home, which is lucky we did because the Chicago Transit system got backed up by three hours from the large crowd leaving Lollapalooza.

Lollapalooza continued on to Sunday and featured the usual buzz acts like Black Kids, but the real buzz swarming the venue all weekend was the suspected appearance of democratic presidential candidate Barack Obama. Unfortunately, Obama didn’t put in an appearance, but there were still plenty of special guests present at the festival. While Stars member Amy Millan joined the boys in Broken Social Scene on the Bud Light Stage, guitarist Slash joined festival co-founder Perry Farrell for a few songs. Plus, there were plenty of celebrities to spot like Lindsay Lohan and the Wentzes if you just kept your eyes open. This festival was filled with fun surprises and definitely not a weekend to miss.

Lollapalooza: website | schedule | setlists

Written by: Bethany