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Bonnaroo Recap: Day 3, Saturday

Bonnaroo Recap: Day 3, Saturday

For those sitting at home, wondering how Bonnaroo kids survive on practically no sleep for the entirety of the fest, the answer is simple: it’s too hot to sleep. Though most had been up until 4 a.m. Friday night with LCD Soundsystem, the humidity made it hard to sleep past 7 a.m. Which kind of sucked because there wasn’t too much going on at until the early afternoon. And it especially sucked because the day was only going to get hotter.

The high temps didn’t damper the spirits of Pennsylvania’s Langhorne Slim. is like a non-pop version of Jason Mraz, which I would argue, is the better version. Langhorne’s music was laid back folk rock. Even the surprise appearance of a little kid dancing around the stage didn’t disrupt their good-mood. In fact, it improved it. Langhorne incorporated the kid into the act, dancing with him, lowering a mic to his height and even giving him a high five. Adorable.

Next, it was time for perhaps one of the biggest buzz acts of the fest: Conan O’Brien. Conan’s band performed an introductory jam that had them all out playing their saxophones and trumpets out in the audience, and giving high fives in between notes. The band returned to their spots and a video appeared projecting Conan: bearded and in a fat suit. He looked like Santa’s cousin. The video followed Conan around looking miserable and being depressed: he was eating junk, ignoring his daughter, etc. But then he gets a call: “Want to do a tour? Are you in shape?” Within moments, the beard was trimmed and the fat suit dropped. Then Conan himself appeared in the flesh. The jokes were a mix of being kicked off TV quips and jokes about Bonnaroo…and of course, some that combined both:

“In six months, I’ve gone from hosting the Tonight Show to performing at a refuge camp.”

The set was also highlighted by the appearance of , , a Triumph the Insult Dog video message, and of course, the infamous Walker Texas Ranger clips. Although, the Walker clips did inspire the audience to chant “aids, aids, aids,” which might not be the most appropriate thing ever. Other cute moments included when Conan took the time to take a picture with a fan in the front row.

This being a music festival, there were also plenty of musical aspects, too. Joke songs and White Stripes covers (just two days before, Conan recorded a live album with ). There was even Meatloaf‘s bat out of hell inflatable. Hideously awesome.

When the show ended, the audience demanded more, so Team Coco obliged with a cover of The Band‘s “The Weight.” During an instrumental break, Conan went out to give hugs and high fives to the audience. A nice gesture, but one that almost got him killed as people swarmed him for a chance to touch that infamous red hair. But he handled it well and was all smiles as 15 minutes later he worked his way back to the stage. Too funny; too cute.

Conan O'brien  By Joshua Hammond

When I came out from the Comedy Theatre, the soulful singer and pianist Norah Jones was performing on the Which Stage. Unfortunately for the talented writer, her tunes aren’t the best to experience in the sun outdoors. They became swallowed up in the dead air and she became more like bore – ah Jones, not Norah.

Disappointed with Jones, I returned back to the trusty comedy tent to catch the Bonnaroo Roast with Roastmaster Jeffrey Ross. Ross did a funky walk out to to some jam music freezing to point at an audience member, “Ugly,” then the sign interpreter at the front, “Deaf,” then himself, “Fat,” before going up to twirl with his attractive female stagehand, “Yeah.” The Roast was pretty funny and Jeff took the time to make fun of Bonnaroo bands, people in the audience, himself and even the heads of Superfly productions: “Nice work, guys. Really. You got thousands and thousands of people to come, but only have seven bars of soap.” He even took a jab at Jay-Z: “Think he’ll perform Empire State of Mind for like the millionth time? Always ripping off “New York State of Mind. He’s not Jay-Z. He’s fucking lazy.” Also, I must say, that sign interpreters have the hardest job at the fest. The comedians sure put this interpreter through some uncomfortable hand gestures.

As fun as it was to take a laugh at ourselves, I ventured out of the Roast a little early to catch some of the talented Avett Brothers. They’ve got some beautiful harmonies going with their blend of bluegrass rock and I love their use of strings on their songs.

The by Joshua Hammond

Speaking of great harmonies, Mumford and Sons owned That Tent with their performance. The UK group absolutely blew me away and I think it is just a matter of time before these labelmates of Phoenix blow up. They play pretty mellow folk music a la Noah and the Whale style, but they still brought plenty of rock, with one member lifting his upright bass above his head while playing it…those things aren’t light. The band seemed to be having a great time and so did the audience. This was just one of those feel good performances and perhaps one of my top performances of the fest.

Mumford and Sons by Joshua Hammond

Jack White’s current project, The Dead Weather, with soon took over the What Stage. Jack White primarly plays drums in this project, proving that the man can and will do absolutely everything in music with near perfection. He does come out from behind the set to sing and even play guitar. However, with how big of a name as White is, Mosshart was the star. The woman prowled the stage while singing, cigarette down to her side, making her look and even soundlike the classic movie image of those smoky lounge singers – and I do mean that as a compliment. I love how her voice fits into this southern rock style. In fact, I like her much more in this than I do in the Kills, and from the looks of it, she seems to enjoy this more, too.

Allison Mosshart if The Dead Weather by Joshua Hammond

Weezer is not how you typical think of rockers, with their frontman being a Harvard graduate and a stereotypical image of a geek as opposed to one of those high school drop out rock stars that don the leather jackets and always have a flask of Jack Daniels at their side. But I’m glad this band has managed to defy stereotypes to become one of the biggest, and longest lasting groups around. Almost every song in their very long set list has been successful on the radio – these guys just know how to write a catchy tune. Their set was also improved by the change that has come over Rivers in the last six years. When I first saw the band in 2005, though the songs were familiar and catchy, the performance was stale. The band just did not seem into it. Now, six years later, it is like they’re a whole new band. Rivers has a renewed energy and wonderment – almost like a kid at an amusement park. “Hello, plane. Hello, plane with banner behind that plane!” shouted Rivers. At another point, he stole the camera from a photog in the pit and snapped a crowd shot. Then, his quirkiness hit a new extreme during the encore when the band played a mash of “Kids” by and “Poker Face,” by . When he got to the Gaga lyrics, Rivers put on a blonde wig and began thrashing around. Hilarious. I love when music is simply fun.

by Joshua Hammond

Speaking of fun, how about the epicness that is Stevie Wonder? The crowd at Bonnaroo tends to run a little younger, so the demographic here kind of missed out on Wonder’s prime, but that doesn’t mean everyone wasn’t still excited about the legend’s performance. I think everyone was surprised by how many of the tunes we all knew and Wonder did a great job of helping the crowd singalong.

Kanye. This is how it is done. Rapper Jay-Z started about ten minutes late. That’s it. And it was ’s fault for starting his set late. Then Jay-Z played a set full of his hits and he was nice about it. No attitude. He thanked Wonder, fellow artists like Alicia Keys for their help on his record. We bounced with him. We froze him. We sang with him. It was great. The only disappointment was that with Beyonce side stage for all the set, it was a bit of a bummer that she didn’t come out and join him for any of the female vocal spots on his tunes. It’s not like we were promised that, but it would have been cool.

Jay-Z by Joshua Hammond

As hard as it was to part from Jay-Z, there will some other great performances getting ready to start over at the tents.Thievery Corporation got people dancing with a blend of India-influenced DJ beats and their singer’s strong vocals amping the crowd up. However, this performance couldn’t even begin to compare to the crazy dance parties that were about to erupt over at This Tent.

Dan Deacon Ensemble was interesting to say the least. The stage was covered with xylophones and drums and keyboards as well as a glowing, green skull. Like I said, interesting. Before even playing a song, tried to put everyone in the same mood: “Put your fist in the air. Then point your finger. Now put your left foot just behind your right foot. Now rock back and forth. Now rock down so you’re on your knees.” We all obliged, chuckling. Well, we all obliged save one guy in a white hat: “Too cool for this,” said Deacon. “Everyone point at this guy. Now stare at this guy.” It was weird, but bizarrely fun. After this “crowd bonding” moment was over, the ensemble finally exploded into their crazy dance jams. At some point in your life, go see with the full ensemble. It will probably blow your mind and be one of the best moments of your life.

Dan Deacon wasn’t the only one with crazy stage theatrics. Gwar was playing a stage over from Deacon. The nordically clothed rockers began with a video history of their odd inception. Then the costumed warriors appeared, showering everyone in waves of blood and rock. Even the Bonnaroo Fountain got in on the crazy action and was turned red for the night with LED lights.

But for those wanting to dance into the twilight hours, the party was at This Tent. DJ Deadmau5 was playing the his beats well past 5 a.m. to an enthusiastic crowd covered in glow sticks. The mysterious wore giant mouse ears and sat high up on the stage in DJ booth. It was like he was the electronic lord and we were his dancing minions. He held such power. With a raise of his arms, we’d dance harder and faster. He was still going strong by the time I finally made it back to my tent to rest for the final day of Bonnaroo.

Check back for more photos and recaps from Bonnaroo. View a recap of Thursday here and a recap of Friday here.

Posted in Bonnaroo, Concerts, PopWreckoning NewsComments Off

Rivers Cuomo in bus accident; Tour canceled

Rivers Cuomo in bus accident; Tour canceled

front man (left center) was in a bus accident earlier this morning in Upstate New York. Rivers and his family were in a bus going from one gig to another when their bus slid on some ice.weezer

Rivers complained of rib pain and was transferred, along with one other passenger, to St. Mary’s Hospital in Amsterdam, New York. Cuomo’s wife, daughter, and a fifth passenger on the bus were uninjured. The bus was traveling from Toronto, Ontario, to Boston, Massachusetts, for a show Monday night at the Agganis Arena at Boston University.

Neither drugs nor alcohol are suspected as a factor in the accident.

Currently the Weezer tour with has been canceled.

Get well, Rivers!

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Weezer @ Hollywood Palladium, Los Angeles CA

Weezer @ Hollywood Palladium, Los Angeles CA

An intimate gathering of fans greeted me at the entrance of the Hollywood Palladium in eager anticipation of KROQ Presents Weezer and . The line twisted around the block; garnished by Weezer tee shirts and multi-colored converses. Controlled chaos reigned supreme; courtesy was common, but the amount of positive energy was outrageous, unharnessed, and completely apparent.

The Palladium housed the crowd comfortably (I had enough room to air guitar solo to “My Name Is Jonas”) and by the time Wax ascended the stage, the balconies were teeming with anxious fans. For those who are unfamiliar with Wax, I don’t blame you. This particular show was their first live set in 14 years, and marks the reunion of Weezer and Wax sharing the same bill since they toured the same LA circuit in ’92 (Both bands moved to LA the same year). But, it sure didn’t seem as if they had lost their touch over the past decade plus. Their ska-studded set was energetic and efficient, despite the fact that the crowd hadn’t the faintest idea where this band had materialized from (I would guess the 90’s from the sound of their set).

But, the main attraction was yet to come, and it was blatantly acknowledged in the restless arena as Wax put up the Weezer “W” and gracefully bowed offstage. In between sets, the energy level heightened considerably. A horde of little girls donning Weezer gear skipped gleefully around the Palladium chanting the headliner’s moniker, and a roar went up in the arena once a KROQ crony had sufficiently introduced the band. And then there was Rivers. has to be one of the greatest entertainers I have ever had the courtesy of observing from two feet away mid-performance. His gestures were overdramatized, leaving girls squealing with every awkward lunge of his limbs.

Appearing in matching white sweat suits, the band also sported a minor change of roster: drummer armed himself with a bass for the set so that accomplished drummer, , could join them on electric drums (Freese has played with , , , and ). Their performance was nothing less than fantastic. Rivers made use of several props (a trampoline, a football, and his water, just to name a few), and smashed his acoustic guitar at the end of “Undone” after dragging it behind him while crawling on the brink of the stage. Rivers definitely glows in all of his delightfully geeky splendor. The set list included several unexpected covers including ’s “War Pigs” and ’s “Song 2,” as well as, several new tracks off of their new album (one of which included a guest appearance by for a duet with Rivers). The band is swiftly heading East in support of the new album; their next show is scheduled for December 1st at the Aragon Ballroom in Chicago.

Weezer: website | myspace | @ maryland heights | Raditude review

Posted in ConcertsComments (1)

Weezer – Raditude

Weezer – Raditude

Expecting a return to the days of the Blue album or Pinkerton from ?  Quit living in a world of naivety. Weezer doesn’t want to be that band. They’ve been there; they’ve done that. This new change in direction is due to ’s new found flair for pop music , allowing the touch of and a cast of pop/rock masterminds such as of . I’m here to pose the question that’s the elephant in the room, and that would be, is that really such a bad thing? Here me out now, Weezer was always at their best with crunchy guitars and geeky hooks and with this album they offer a glimpse into the promise they can have in a new found world of making pop music. weezer-raditude-aa

While I prefer the Weezer of old, like I’m sure most of you do, I can’t help but appreciate Rivers and gang for taking a big, big chance with this change in style demonstrated to a T with the incredibly catchy single (If You’re Wondering If I Want You To) I Want You To.Weezer was never one to add too many things to the melting pot, so with these new found collaborations, one can only imagine the random Rivers has in store for us. I’m referring to those Spinner performances with (yes, Kenny G, and which you can see here

While the flair for pop doesn’t always work, I’m looking at you “Can’t Stop Partying,” the pop shines through when they let the whoa’s fly in “The Girl Got Hot.” One gripe I have is that some of the lyrics are a little too tongue in cheek with their references to partying, clubbing and simple premises, but this definitely is their best album in quite some time following the so-so Red album of 2008 and Make Believe of 2005. For those who lost faith, this album could make you a believer again.

Simply put, Weezer just wants to have fun, won’t you join them?

Track listing:
01. (If You’re Wondering If I Want You To) I Want You To
02. I’m Your Daddy
03. Girl Got Hot
04. Can’t Stop Partying
05. Put Me Back Together
06. Trippin’ Down the Freeway
07. Love Is the Answer
08. Let It All Hang Out
09. In the Mall
10. I Don’t Want to Let You Go

Weezer: website | myspace | @ maryland heights

Posted in AlbumsComments (1)

Leighton Meester performs with Weezer

Leighton Meester performs with Weezer

This Halloween, Gossip Girl and budding pop star skipped out on trick-or-treating to join forces with at their Hammerstein Ballroom show in NYC. During a special performance of the band’s first single “(If You’re Wondering if I Want You To) I Want You To,” she traded off lead vocals with front man . (of the ) joined in on guitar! Check out the concert footage!

You can now download Leighton’s single “Somebody to Love” featuring from iTunes here. Watch for the video to drop soon! Leighton’s debut album will be released early next year.

Leighton Meester: website | myspace | twitter

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New Music Tuesday!

Evidence The Layover EP :: download “For Whom The Bell Tolls” (feat. Will.I.Am

Gary Jules Bird

Electric Arguments

Red Star EP

Alone II

808s & Heartbreak :: review | stream album

Moby Last Night Remixed

Happy In Galoshes :: stream “Happy”

Slumdog Millionaire soundtrack (digital)

The Cross of My Calling :: review

The Almost No Gift To Bring :: review

The Deads Trees King of Rosa :: review

Day and Age :: review | stream album

War Child Heroes comp

VIVA Electric Cabaret vol. I & vol. II

Pot of Gold :: review

Chinese Democracy

The From the Top of My Tree

Seahorses

Posted in New Music TuesdayComments (3)

Rivers Cuomo “My Brain Is Working Overtime” Video

front man has a new video for “My Brain Is Working Overtime” from his soon-to-be-released Alone II: The Home Recordings of Rivers Cuomo album. The video is a playful clip chock full of unexpected surprises, not to mention huge stuffed animals and hand puppets.Watch is here!

Rivers Cuomo: myspace | Alone: The Home Recordings of Rivers Cuomo review
Weezer: website | myspace | Red album review

Posted in Music NewsComments Off

New Music Tuesday!

New Music Tuesday!

Alone: The Home Recordings of Rivers Cuomo
It’s been projected that a solo album by Rivers Cuomo would be nothing but reject material from past albums, which makes some sense, but the solo album(s) of Kevin Devine (Miracle of ’86), Emily Haines (Metric), and Rocky Votolato (Waxwing) have all been extremely well-received, as have more commercial artists who’ve embarked on their own (think Beyonc� and Justin Timberlake). But much like Weezer’s most recent releases, Rivers’ solo debut leaves a lot of room for criticism in the album’s beginning tracks but grows steadily stronger as the disc continues to spin, with the last track, “I Was Made For You,” as perhaps its strongest and definitely the only one able to hold a candle to any Weezer song. An experimental of the hugely popular “Buddy Holly” that plays with overlapping harmonies leaves much to be desired, as does his strange cover of “The Bomb” by Ice Cube. Rivers gift for songwriting seems to fall flat and his emo guy routine gets boring without the rest of the band to push him out of his lyrical depression, though not a bad album to own.

Key Track: “Longtime Sunshine”
boomp3.com



The Cool
Lupe’s latest album has great potential of shunning the myth of the sophomore slump as he ventures into a concept album based on a characters from his debut album Food & Liquor on the track “The Cool.” The concept of the album is about a boy who was raised without a father and is instead by two characters Lupe introduces in this album, The Streets and The Game. Only four tracks on the album necessarily address the concept, but Lupe’s poppy and positive rap style shines through on each upbeat track. Lupe continues to experiment with different styles throughout the 19-track album providing a track for everyone from pop lovers to rockers, electronica fans, and of course gangster rappers.

Key Track: “Go Baby” featuring Gemstones — poppiest and catchiest track on the album

boomp3.com



“Sensual Seduction” from the forthcoming Ego Trippin’
It’s no surprise that Snoop’s newest single, from an album to be released next year, drops two weeks into his new reality series Father Hood. Luckily, the single is much better than what I saw of the show. As soon as the first notes hit, I immediately began getting into the beats and Snoop’s surprisingly smooth vocals. There are four versions of the new single: the clean, the super clean, the dirty and the instrumental. We’ll feature the clean version since that’s what you might hear on the radio and it just seems more appropriate.
boomp3.com



Also Out Today:

Mary J. Blige Growing Pains
Chingy Hate It Or Love It
Chris Rock Cheese and Crackers: Greatest Hits
Envy on the Coast Lucy Gray

Posted in New Music TuesdayComments (3)


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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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