Tag Archive | "rough trade records"

Belle and Sebastian Tour North America in October, Forthcoming Eighth Album Streaming on NPR

Belle and Sebastian Tour North America in October, Forthcoming Eighth Album Streaming on NPR

Influential Glaswegian twee pop band will be releasing their eighth album, Belle and Sebastian Write About Love, in the States on October 12 on . Title track “Write About Love” was released as a single here on September 7, and it’s a sexy little pop number. The band will be playing several largish venues in North America starting on October 11 in Chicago, and this year’s shows mark the first time the band have played live in 4 years. Belle and Sebastian are also scheduled to appear at San Francisco’s Treasure Island Festival on October 17.

You can stream Belle and Sebastian Write About Love in its entirety on NPR prior to the album’s release in America next Tuesday.


Oct 11 – Chicago Theatre / Chicago (with )
Oct 12 – Massey Hall / Toronto (with )
Oct 14 – DAR Constitution Hall / Washington, DC (with )
Oct 15 – Wang Theatre / Boston (with )
Oct 17 – Treasure Island Festival / San Francisco
Oct 19 – Arlene Schnitzer Hall / Portland (with )
Oct 20 – Benaroya Hall / Seattle (with )

Belle and Sebastian: website | myspace

Posted in Albums, Music NewsComments Off

Morning Benders Announce Label, Album, Tour

Morning Benders Announce Label, Album, Tour

After major tours in 2009 supporting and , indie-pop group are heading out on their own headlining tour in 2010.  morningbenders

The tour is in support after their sophomore album, Big Echo, due out March 9 on the group’s new label, . Tickets for the tour go on-sale this weekend.

:
March 10 – Jonny Brenda’s / Philadelphia
March 11 – The Black Cat / Washington DC
March 12 – Local 506 / Chapel Hill
March 13 – The Drunken Unicorn / Atlanta
March 15 – The Bottletree / Birmingham
March 23 – The Rhythm Room / Phoenix
March 25 – Troubadour / Los Angeles
March 26 – Casbah / San Diego
March 27 – Detroit Bar / Costa Mesa
March 28 – Muddy Waters / Santa Barbara
March 30 – The Independent / San Francisco
April 1 – Holocene / Portland
April 2 – Crocodile Café / Seattle
April 3 – Media Club / Vancouver
April 5 – Club Velour / Provo
April 7 – Hi-Dive / Denver
April 9 – The Vaudeville Mews / Des Moines
April 10 – The Maintenance Shop / Ames, IA
April 11 – Huckleberry’s Pizza – Presented by Daytrotter / Rock Island, IL
April 12 – Schubas Tavern / Chicago
April 14 – The Drake Hotel / Toronto
April 15  – La Sala Rossa / Montreal
April 16 – The Monkey House / Vermont
April 17 – TT The Bear’s / Boston
April 22 – The / NYC

The Morning Benders: website | myspace | @moore theater | @ monolith | @ boston | @ city market

Posted in Music NewsComments (1)

Interview with: Marc Beatty and Eamon Hamilton of Brakesbrakesbrakes (Part 2)

Interview with: Marc Beatty and Eamon Hamilton of Brakesbrakesbrakes (Part 2)

In the second half of my interview with ‘s singer/guitarist and bassist , they talk to me about their new live album and tell me about their “hometown” of , .

To catch up on part 1 of this interview, click here.

h-brakes1Mary Chang, PopWreckoning: “Don’t Take Me to Space (Man)” is a great song, loved it the first time I heard it on ‘s programme. As a writer and poet, I can appreciate the rhyming use of “I don’t care if this world’s masonic” and “I’ve got a true love keeping me on it.” What was the inspiration behind it?
Eamon Hamilton (singer/guitarist for Brakesbrakesbrakes): I had seen some 2012 internet conspiracy theories, (in cheesy voice) “the world’s gonna end in 2012!” Anyway, it seems like these adult ghost stories, these conspiracy theories about the end of time. And I just didn’t care about this. I wrote it like, I don’t care whether the world ends or not.
MC: Do you feel that it’s a defining song on the album? The cover of Touchdown has the five UFOs.
Marc Beatty (bassist for Brakesbrakesbrakes): And it’s [the cover design] seems to have gone down really well. We were quite surprised how popular it’s been [with the fans].
EH: But it’s just a love song, innit? (grins)
MC: I was wondering if you’d had any alien encounters or something.(all laugh)
MB: Yes, we’ve all had them.
EH: Unfortunately, we can’t tell you.
MC: One of those “if we told you, you’d have to kill me” things?
MB: Right.
EH: One time I saw these weird lights coming up over Brighton. I couldn’t work out what these lights were. They were really close together, and then they shuttled away. Then it turned out it was just lasers. Disappointing.

MC: You will release a live album next month called Rock is Dodeljik. I have it on good authority from my best Dutch mate that I pronounced that right. She told me she read an article in a Dutch music magazine that the title had something to do with someone quitting smoking. Is this true?
EH: Yeah, I’ve quit smoking. The Netherlands, Holland, they have the best tobacco in the world, the Drum. It always was the tobacco center of Europe, what with Rotterdam and all the ports. So yeah, you can find it in all the cafes. So I thought, yeah, it was time to give it up really, and the album’s name is a reminder of this.
MB: And it’s a pun of “death” on the cigarette pack. Whenever we tour over there, we see it, and then you’ve got a picture in your mind.
EH: The health warning is “roken in dodeljik”.
MB: “Roken” means smoking, and we always thought it was funny, so we wanted to call our album “rock is deadly.”
EH: But there’s also the English phrase of a “doddle” – is that an American phrase as well? Or just British?
MC: No…not that I’m aware of.
EH: A doddle is something easy, “it’s a doddle, mate!” So yeah. And what else would you said…(begins jokey imitation of in ) “that ain’t working, that’s the way you do it.” We’re all Dire Straits fans on the sly. (laughs) Or it could be, “rocking is dude-de-lik” like over here [in America] “hey dude!” But yeah, it [dodeljik] means lethal.

j-brakes3MC: So you blokes are from Brighton. Are you all originally from there, or do you have individual stories on what drew you to the seaside?
MB: Only [the brothers White] Alex [drums] and Tom [guitarist] were born in Brighton. I was born near London, moved to Brighton when I was about 3.
EH: Eh, you’re a Brighton boy!
MB: Yeah, Brighton boy. And Eamon is from Canada.
EH: From Northern B.C. [British Columbia] but moved away when I was about 2. I grew up in the West Country of Britain. I went back to Brighton for a band I was in before this because Brighton was a good epicenter of music. It’s an awesome place for music. There’s not much else there but music. But yeah, it was music that drew me to Brighton.

MC: I have been lucky to visit many places in England, mostly for gigs! But I’ve yet to stop in Brighton.
EH: Oh yeah?
MC: Yeah, but the pier and some of the venues are legendary. I’ve several friends who go down to Brighton from London regularly for gigs. Do you have any favorite venues, either playing yourselves or where you’ve seen memorable shows?
EH: My favorite one is the Pavilion Theatre. It’s a council venue. It’s so very expensive to put gigs on there. So not too many gigs get put on there.
MB: There used to be a lot of good gigs there, the promoter would promote [the bands], they would bring in their own sound systems. These days when people put on gigs there, they use the in-house sound system, which isn’t as good. And people don’t want to put on stuff there [for that reason]. Brighton’s had a bit of bad luck with venues, a lot of people buying the venues, doing them up, and getting it wrong. There’s one place, Freebar, the place where we grew up…I met Alex and Tom there when I was 15. I worked there, loads of my friends worked there, yeah, and the place has changed a lot over the years. And now it’s in a state that no one in the town likes. It was ripped out and redone.
EH: Out of towners…(scoffs)
MB: And the people who bought it recently, they changed it and had such bad business, now someone else has moved in…
EH: Really? Shit.
MB: And Brighton’s always had this changing venue scene.
EH: And we’ve always had the Concorde 2. Half of Rock is Dodeljik was recorded there.
MC: Okay. Is that shaped like an airplane or something?
MB: It’s called the Concorde 2 because there used to be a Concorde venue further towards the centre of town, near the seafront. They closed that down because the council wanted to turn it into this whole new development with a Burger King, an arcade, all that sort of shit. So they [the people who run the Concorde 2] bought a listed building slightly further down the road, a big old building.
EH: Yeah, and it’s a great venue. Brighton’s just a great town for music.

MC: How often do you go back [to Brighton] now that you’re on tour?
MB: Eamon lives in New York…Alex is in London. I lived in for the last 2 and a half years, I’m just about to move back to Brighton. So yeah, we’ve got family and friends there.
EH: (begins impression) “it’s in our heart, it’s in our soul…” Sorry! (laughs)

MC: I know you guys are needed at the sound check…so what it is like touring with your labelmates [ and ]? Were you mates before? Did you know what their music was like?
EH: We did know their music, yeah.
MB: We’ve only been on this label for a year or so. And yeah, a year today, or a year a couple days ago. But this is the first -orientated tour that we’ve done. We did a show in Brighton at [a English music festival that takes place in May]. It’s sort of like a in Brighton. We did a gig, we headlined and they supported us. We kinda met them then, but it was a really busy time, we couldn’t make any relationships with them. And they live in . Surprisingly, I hadn’t even met them when I lived there, probably because I was away on tour and they were always on tour. So yeah, since last week, we’ve been starting to get to know everyone on the bus.
MC: Have you been enjoying the tour so far?
EH: Yeah, it’s been awesome.
MC: When did you guys start in America?
EH: A couple days ago, on Thursday in Chapel Hill.
MB: Just about recovering from jet lag now. Today. Today I feel normal. The thing is, we flew over and then went straight into it [gigging]…ughh! And you don’t get much sleep, it takes about a week to get used to sleeping on a bus.

Alex and Tom come out and say it’s time for their sound check.

MC: Thanks guys for this interview.
MB: Yeah, thank you.

Interview conducted and gig photos in this article by: Mary Chang

Brakesbrakesbrakes: website | myspace | BrakesBrakesBrakes Announces October North American Tour, Plans for Single and Live Album | Fat Cat Records Tour Featuring the Twilight Sad, Brakesbrakesbrakes, and We Were Promised Jetpacks @ Black Cat, Washington, DC | Interview with: Marc Beatty and Eamon Hamilton of Brakesbrakesbrakes (Part 1)

Posted in Interviews, Local Scene, Washington D.C.Comments Off

Interview with: Marc Beatty and Eamon Hamilton of Brakesbrakesbrakes (Part 1)

Interview with: Marc Beatty and Eamon Hamilton of Brakesbrakesbrakes (Part 1)

brakesThe , band, known as to me and most everywhere except America, is known under the moniker stateside. Despite the “difficult to say five times fast” name they have when they come visit us, I found singer/guitarist and bassist to be extremely nice guys, as you shall read in the following exchange between us. In the first half of my interview with them prior to them sound-checking at D.C.’s Black Cat on October 5, they tell me about recording their latest album Touchdown in , and we have a brief segue into fairy tale land. Have a read!

Mary Chang, PopWreckoning: I am here in Washington with Marc and Eamon, two members of Brakes, or Brakesbrakesbrakes as they are known in America, a name I don’t really like…
Marc Beatty (bassist for Brakesbrakesbrakes): Neither do we.
Eamon Hamilton (singer/guitarist for Brakesbrakesbrakes): Yeah, You’ll have to speak with the Philadelphian funk rock band’s [Brakes] lawyer about that. (all laugh) There you go. But we didn’t want to be “Brakes UK,” because that would have been “brakes uck”.
MC: You mean like .
EH: Yeah, we could have done that, I suppose.
MB: I think anyone who likes us over here [in America] knows us as Brakes anyway.
MC: Yes, right.
EH: In Britain, when you’re doing your driving test, there’s an emergency stop you have to do, when you have to put on the brake at the end. And the [instructor] guy goes, “brakes brakes brakes!” So you see, that has some…well, that’s the only story we can salvage from the depths of our hatred… (laughs)
MB: I dunno. My driving instructor never said that.
EH: Did he not?
MB: No, mine slapped the windscreen instead.
EH: Oh haha, not “brakes brakes brakes”?
MB: No, he said “brakes, now!”
EH: “Brakes, now” eh? (all laugh)

MC: Welcome to Washington. We’re very happy to have you guys here. Have you played in Washington before?
MB: No, first time.
EH: I have with [his previous band].
MC: Do you remember which venue?
EH: Here, actually. We played with , it was just after Pete [Doherty] had left. And err, who was the other band? I can’t remember.
MC: So this must have been seven odd years ago then.
EH: Oh wait, I think it was the .
MC: Oh yeah? I saw them here in June.
EH: I didn’t like them much.

MC: Your latest studio album, Touchdown, was released in April. I read that you recorded it in Scotland. Quite a hike from Nashville, where your last album [The Beautific Visions] was recorded. How did you like recording there, Nashville?
EH: Well, we’ve always recorded in musically rich places. Well, London…(scoffs)…well yeah, London’s musically rich? (looks over at Marc)
MB: London, Brighton.
EH: London, Brighton, you know, places with great musical heritage. And then we recorded in , home of , one of our favorite bands. And . You know, everything. So it was just brilliant!
MB: I lived there at the time, so it was convenient.
MC: Is that how you guys decided to record in Scotland?
MB: Yeah, sort of. And also because [Records, their label] has ties with who produced the album. He has a studio up there [Chem19] so we liked the idea of recording there, it seemed like a good thing to do.
EH: And we also used Norman Blake of Teenage Fanclub, he made a compressor that we used for the album. Then he said what we were doing with it sounded good…
MC: Oh yeah?
EH: …and then he took it away again. (looks semi-crestfallen)
MB: Took it away!
MC: That has historical value now!

MC: So what was it like working with Paul Savage [of the Scottish band the Delgados and also a famed music producer]?
EH: He’s a legend. He let us do everything.
MB: He was really easy to work with. We had about three weeks, and it was a little bit rushed, but we got on really well. Really outgoing.
EH: He cooked us some amazing meals.
MB: Yeah, that was probably the best part of it!

MC: So how would you say that the making of this album different than for The Beautific Visions?
MB: We took our time.
EH: It was rushed, but less rushed! (laughs)
MB: The first album was done in 1 week, the second album took us 2 weeks, and this third one took us three weeks…sort of natural progression really.
MC: I take it you guys work well under pressure?
MB: Yeah, yeah, definitely.

MC: It’s been three years since the second album.
MB: Has it been that long? (sounds surprised)
MC: Did you feel different pressures / inspirations in the process of making Touchdown?
MB: There were a lot of factors. We changed labels [from to Fat Cat] and because it had been quite a bit of time since the last one. We had a bit more time to write the second one, which was really pressured. We sort of…we pulled it off but it was tough. We had a bit more freedom with this one, so we could think about it a bit more.
EH: It was really great to be offered another album, really.
MB: Yeah yeah. We had a bit of a dark year. It had been over a year before that when we’d done some demo-ing.
EH: In the dark tower!
MB: Yeah, we wrote songs in a cold barn in Oxfordshire. In a tiny room…write that down that I’m pointing to this…(laughs while gesturing to small U-Haul truck in the Black Cat parking lot)
EH: Yeah, like 10 foot by 12 foot space.
MB: One strip light. Really tiny place.
EH: And it was freezing cold.
MB: And we got really pissed off at each other. And then after that we took some time off. I forget how long…
EH: We were still gigging in between. Yeah, how long was it…
MB: Hmmm…
MC: Easy to lose track of time when you’re gigging all over the place?
EH: Yeah. It wasn’t long enough though. When we got back together, we still fucking hated each other. There should have been a punchline here, shouldn’t there? (all laugh) I shouldn’t have said that, should I?
MB: The important thing is we get on now! We’ve come through the dark times.
EH: Yeah, we came away from the dark tower. Luckily, Rumpelstiltskin let down his golden hair, and we climbed down and now we’re in the fields.
MB: Wait a minute, I think you’re mixing up your fairy tales.
MC: Rapunzel?
EH: Rapunzel! That’s it! (all laugh)

We then narrowly miss getting hit by a car leaving the parking lot that almost did not slow down when it came right up by us. But there’s more to this interview, much more. Stay tuned for part 2 of this interview with Marc and Eamon coming soon!

Photo: Mary Chang

Brakesbrakesbrakes: website | myspace | BrakesBrakesBrakes Announces October North American Tour, Plans for Single and Live Album | Fat Cat Records Tour Featuring the Twilight Sad, Brakesbrakesbrakes, and We Were Promised Jetpacks @ Black Cat, Washington DC

Posted in Interviews, Local Scene, Washington D.C.Comments (1)

MP3 Minute: Basia Bulat “Gold Rush”

MP3 Minute: Basia Bulat “Gold Rush”


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