popwreckoning

As much of a twat Perez Hilton is, he puts together a rad tour. Yes, I just said rad.

Rad is common slang of the 80s, and last night made me feel like I’d jumped back into the 80s, with the tweaky intros Perez put together and the synth-heavy music all night.

Well, Semi-Precious Weapons weren’t synth-heavy, based on lead singer Justin Tranter’s outfits, one could see why I felt like I was in 1986. I hadn’t heard much of them before last night, and I was pleasantly surprised how much fun I had. They were great openers, bringing the room’s energy up to the highest degree at most points during their set, especially during Tranter’s banter between songs. He swore profusely, and at one point, he shouted “c*nt!” multiple times, because he said he “couldn’t give up saying it.” And of course when he changed his clothes on stage. From one pair of tights and crazy heels to another pair of tights and crazy heels. As my friend Laura said, “His junk was everywhere,” when he was changing the tights.

It was quite an eyeful. But the music wasn’t bad. It was like heavy 80s glam rock with hints of Chris Crocker (you know, the “leave Britney alone!” guy? That’s what he kinda looked like). My favorite track was “Magnetic Baby,” and it was one of the best received, with Tranter almost throwing himself into the crowd to get people to shout into the mic. The guitarist was pretty wicked, and the bassist was ridiculously spazmatic, scraping his bass against most of the hard surfaces on stage to get a intense sound. He also held out the neck of the bass to the crowd for fans to play the bass for a bit. The mixture of their energy – from the hardcore punky bassist and the glamtastic Tranter – made for an interesting live show. I didn’t know any of the music beforehand, and most of the crowd wasn’t there to see Semi-Precious Weapons, so it wasn’t nearly as energetic had they been the headliners. But it was a good way to get the crowd going though, as a majority of the people at the show was there to see Natalie Portman’s Shaved Head.

They are Seattleites, after all.

And they were technically the reason I drove down to Seattle last night to stand in line, not knowing if I would get in. Ida Maria was originally on the tour, but she canceled last week due to an illness. So Perez, being the master of connections that he is – hit up one of his favorite new bands Natalie Portman’s Shaved Head to fill in for the remainder of the tour starting in Chicago. Before they joined the tour, I contemplated going to the show because of Ladyhawke, but at that point, she was the only reason I would go. But after NPSH joined the tour, I was all over that.

But I will say right now, a friend of mine told me after Bumbershoot that NPSH was way better in smaller venues and that they sucked at Bumbershoot. Now, I don’t agree with the latter statement, but I will verify the first statement. They are SO much better in small clubs. But then again, most bands are. Intimate stages always make everything better. They started out “Slow Motion Tag Team,” one of my favorites, and after that, they kept the dance party going.

I don’t know what it would be like to see NPSH in another state, but at this point I’m glad I’m from Seattle, because undoubtedly NPSH has some of the best fans around – especially in their hometown. They even referenced some classic Seattle figures. “We see a Mariners hat, a Seahawks hat, a Nirvana shirt… but there’s another Seattle fashion staple,” and Claire England started to put her hair in a side ponytail and we all know where that was going – next song, “Sophisticated Side Ponytail.”

There was this guy standing behind us – I’ll call him Plaid Guy – but he was hilarious. When NPSH were setting up their instruments, he kept shouting at Luke, “Shaun [Libman]! Shaun!” I tapped him and was like, “I’m pretty sure that’s Luke [Smith].” Then he felt all stupid and said, “that’s why he’s not listening to us!” Apparently, Plaid Guy REALLY wanted them to play “Bedroom Costume,” which wasn’t on the setlist that had already been taped to the floor. So when Claire came out to set up her synth, Plaid Guy yelled, “put a synth here!” And when Claire put her synth right in front of us, he thanked her profusely and was all “I love you!” And almost demanded they play “Bedroom Costume.” And lo and behold, the third song in, Shaun prefaces the song with, “we’re gonna play this one for those guys over there.” And Plaid Guy went apeshit crazy.

But the best part was during “Beard Lust,” Shaun said something like “are you guys ready to dance? This guy looks ready!” And they asked people to jump up on stage for a dance off. Or just a big fat dance party. I didn’t feel like tripping over things, and my feet were slightly achey, plus, this way I could get pictures of the dance party.

Yeah, it was pretty sweet.

After they finished “Iceage Babeland,” I was beat. My feet hurt, I was hungry, I was thirsty. I would have been satisfied going home right then with what we’d already seen, but WAIT! We had yet to see Ladyhawke, the headliner to Perez’s synthtastic tour.

The mood overall was totally different for Ladyhawke’s set. Her band was all decked out in black, and her microphone stand was decorated with a string of Christmas lights, and there was a lack of banter or interaction with the crowd, at least at the beginning. It didn’t mean it was any less awesome. That way, we just got to witness an amazing artist at work. People were more just listening to the music and grooving to Ladyhawke’s smooth beats rather dancing their ass off. It was a great vibe, even though I knew people were tired.

The songs sounded awesome, and Ladyhawke’s crazy eyes helped. She does make some crazy eyes. Nobody really danced until she played her last two songs, “Paris is Burning” and “My Delirium.” Those were fun songs. Justin Tranter even made an effort to crowd surf during “Paris in Burning.” It didn’t work so well, him being like 6’4” and the crowd quite tiny, but he still did get in an “I love you!” to Ladyhawke before the crowd lowered him and his 6-inch heels down. Ladyhawke came around the stage to sing right to people on the left and right ends of the crowd.

She’s just so cool.

Plaid Guy grabbed the setlist that was taped to the floor in front of us too quickly for me to grab it. Oh well. She was still awesome. The crowd was quite a bit smaller for Ladyhawke, mostly because a lot of the NPSH fans had to leave because they had homeroom in the morning. It was an all ages show, after all.

But it was amazing, just the same.

Semi-Precious Weapons: website | myspace
Natalie Portman’s Shaved Head: website | myspace
Ladyhawke: website | myspace

Seattle was asking for it when they named the music and arts festival “Bumbershoot.” I mean, it means umbrella, so it’s almost inevitable that there will be at least one drop of rain at one point during the weekend.

Thankfully today, Saturday, it only rained for about 15 minutes. But even the rain could not stop the upbeat feel of Bumbershoot on this day.

Saturday’s main stage lineup included Katy Perry, the All-American Rejects and Sheryl Crow, probably the three most popular artists of the festival. So naturally, the Seattle Center was loaded with everyone from tweeny boppers with their parents coming to see Katy Perry or the All-American Rejects to middle-aged moms there to see Sheryl Crow. Quite the wide spectrum for one day.

I only caught Katy Perry on the main stage, mainly because my sister wanted to see her, but surprisingly, I was much more entertained than I thought I would be. Perry rocked a one-piece with a butt tutu, even in the seemingly gloomy weather, and jumped around the stage just about as much as the huge crowd of teenage girls right in front. But what stood out most to me was how good her voice sounded today. I’ve only seen her sing live on MTV award shows and other such things, and her voice has always been a little off, not quite powerful enough to carry a huge venue, but today was totally different. Even with the jumping around the stage, Perry sang her ass off. At one point, Perry mentioned her music idols – Queen, and broke out into a fun cover of “Don’t Stop Me Now.” I’m pretty sure none of the 13-year-olds knew any words to the song, but it made me smile, and oddly enough, made me think of the scene at the end of “Shaun of the Dead” when Shaun and the other survivors smack a zombie into submission to the beat of the jukebox with pool cues. That song, in itself, was worth missing seeing Maria Bamford’s kooky comedy stylings at Comedy Stage North at the exact same time.

After I left the main stage, my sister and I took a little hiatus before heading over to the Broad Street Stage to see Seattle electro dance-punk band Natalie Portman’s Shaved Head. And I must say, it’s pretty much the greatest band name I’ve heard in a very long time. My sister had never listened to any of their stuff, but it didn’t matter. The five young Seattle natives and their ridiculously infectious songs turned the entire lawn into a dance party. Since they’ve only released one album, the crowd easily knew the words to all the songs – especially the short ditty “Sophisticated Side Ponytail,” a minute-and-a-half cheer of constant – “do you like my ponytail? I do, I do! My sideways ponytail? It’s true, it’s true!” It’s so eighties, yet not outdated in the slightest – with references to Shamu, tilt-a-whirls, the use of the word “bomb,” and steel drums. The eighties have had their second coming – and Natalie Portman’s Shaved Head are the leaders of that revolution. Another of their songs centered around sexy hair – “Beard Lust,” which vocalist and various percussionist Shaun Libman declared the first song they ever wrote, right around the corner, while attending The Center School in their teens. Departing from the harmonies of the other songs, “Beard Lust” featured lots of rapping.

Shaun, Luke, David, Claire and Liam were by far the most at home at Bumbershoot, which carried into their performance – causing the entire crowd to dance like maniacs. From any other band – “Iceage Babeland” and “Confections” would cause people to stand with their mouths ajar with confusion, but the campyness of the songs fit perfectly with the youthful vibe of Natalie Portman’s Shaved Head. I loved it. And to top it all off, during their final song, Shaun busted out a wine bottle filled with glitter to pour all over the crowd. The whole set was so much glittery deliciousness that it made you forget that you haven’t eaten in 10 hours.

Hey, who needs food when you’ve got a sweaty dance party to enjoy?

Speaking of food – apparently everyone during Matt & Kim’s set was starving, since the crowd kept throwing tortillas up on stage.

“I don’t know who told you guys, but tacos are my favorite food. So this is perfect,” keyboardist Matt said in some fashion or another. “Really, all sandwiches.”

So naturally, someone threw a wrapped sandwich up on stage by the time they were finished.

There is only one word to describe Matt & Kim – well, an adjective and a noun – relentlessly happy. I assure you, if you ever see them play, you will never see another band smile more. Kim didn’t stop grinning, I don’t think once. Someone was always making her laugh as she ferociously beat on her small drum kit while her husband Matt rocked out on his keyboard as if he were playing a double-necked axe. Their joy was contagious, even with just the two of them alone in the middle of the Broad Street Stage. And one could not find a more humble band. Numerous times, Matt spouted off thank you and “you guys rock” and other terms of gratitude that I can’t seem to remember. About halfway through their set – that’s when the rain slowly started. As the rain reached a pour, Matt started the opening riffs of one of their biggest hits “Daylight” to give the weather a little hint of what was yet to come. Five minutes later, they did the same thing again, and lo and behold, the rain stopped. The power of Matt & Kim’s music and the crowd’s equal enthusiasm stopped Seattle rain. Now that takes some strength.

The fact that we were on a huge lawn didn’t make any difference in the intimacy of the performance. Afterward, I felt like I could walk up to Matt or Kim and start up a conversation with them. They made the crowd feel like we were all friends, which Kim took even further when she jumped onto the lawn to crowd surf with the rest of us. I haven’t had that much fun at a show since…well, 3 hours earlier when I saw Natalie Portman’s Shaved Head, but that’s a testament to how Bumbershoot, along with other festivals, work. They bring people together to have fun and enjoy music that they love.

I got all of that out of one day at Bumbershoot, and I still have two days left. Goodness, I’m excited for what’s to come.

Bumbershoot: website | day 2

Written by: Abby Williamson