popwreckoning

It has been confirmed that Philadelphia’s The Bye Byes have had to cancel their appearance for Popwreckoning at the Philadelphia Battle of the Blogs.

The Bye Byes – “I Know It’s Hard”

**In related news: if you’re a Philly band and want to play the Bye Byes’ slot for the June 18th Battle of the Blogs at North Star Bar, please email Jessica!**

The Bye Byes: myspace | @ the khyber | interview with | @ the m room

On Thursday, June 18th, Popwreckoning will be participating in a Philadelphia Battle of the Blogs. We are sponsoring local act and friends The Bye Byes. Joining in the battle will be Bag of Songs, with Lima Research Society on their side and Teenage Kicks, sponsoring Splash1, featuring Bag of Songs operator Tom Szwech.

Popwreckoning is really excited to be a part of the battle and we hope you’ll join us! Not in Philly? Tell your Philly friends to get on out! EIC Jessica will absolutely be there and looking forward to meeting everyone! She’ll have stickers to give away, too!

The Bye Byes – “I Know It’s Hard”

Philly Battle of the Blogs 2:
North Star Bar
27th & Poplar
7PM – $8 – 21+

Come support Popwreckoning & The Bye Byes!

The first battle, earlier this month featured Bag of Songs, Girl About Town and Broken Bell. In July, Popwreckoning will join the 3rd battle with support from Brooklyn friends Golden Bloom in our corner. Check back for deets!

The Bye Byes: myspace | @ the khyber | interview with | @ the m room

A majority of my favorite local artists play constantly around the city of Philadelphia. Just about any night of the week I can expect to find at least one or two great Philly bands playing somewhere between Old City, Fishtown and West Philly. One of those few exceptions is retro pop rockers The Bye Byes, so it’s always a treat to see their name on a bill.

Front man Pete Shauger‘s pop sensibilities shine through as the foursome plays simple rock ‘n roll riffs on songs such as ‘Leftover Lois”, “I Am The Office” and “Holly Has Hobbies”. The simplicity of the harder sound is kept interesting and innovative with pop flourishes from the keyboard melodies of Joel Rose. The set was mostly tight and crisp with some reverb resounding throughout “Holly Has Hobbies”.  I loved the handclaps building up against a surf rock riff on “I Know It’s Hard” that just explodes into a spot on pop song.

The current popularity of retro indie pop can only help The Bye Byes break out of the Philadelphia scene and join the ranks of the She & Hims of the indie rock world.  The commercial potential of The Bye Byes is almost overwhelming. My only suggestion would be to play up the kitsch of their sound with matching suits for performances.

In an odd line-up, Arizona, a Pennsylvania prog rock four piece, took that stage next. They played a very experimental set full of classic rock influences with lots of smooth, drugged out riffs and just excellent songwriting. Many of the songs were almost manic in their changing of dynamics that took each person in The M Room on an intense musical journey, even though technical difficulties prevented the band’s planned light show.

The Bye Byes: myspace | @ the khyber | interview with
Arizona: website | myspace

Once upon a time, way back in July (well it feels like forever ago, anyway), I caught a rare live show performed by Philadelphia’s The Bye Byes. Since that night, front man Pete Shauger and I have been playing interview tag. Over the course of a three month long conversation, we talked about our respective histories with the saxophone, the MySpace/Facebook revolution, and the band’s vacancy for an agent. Enjoy!

Jessica, PopWreckoning: I haven’t been able to find much in the way of a biography on The Bye Byes. Would you please explain how you four joined together to create the band?
Pete Shauger: Well, Steven [Binnig, bass] and Erik [Schmidt, drums] have played in bands together since their teens, most recently and notably in The Alkali Flats. Steven also knew Joel from a short-lived band they played in together. I didn’t know anybody…
But they (Steven and Erik) found me, and basically decided to form a band around me – well, around my songs. I’ve been writing for years, but with no grand plan. I always wanted to put a band together and thought, well, if it’s meant to happen, then one of these days, the right band will come along… and it did!

Pete Shauger, Photo: Jessica McGinley

PW: You certainly lucked out with Steven and Erik finding you! So many people search for band mates for ages, but it basically just fell right in your lap — how does it feel to be so lucky? [laughs]
PS: It feels great. They’re great musicians AND swell fellas to boot. I really feel like I lucked out in every possible way with them. Technically I did wait for ages, though…I just didn’t search for ages.

PW: Fair enough. When did you beginning playing music and what/who are/were the influences and motivational forces behind it?
PS: Let’s see, earliest influences… AM radio of the early, mid, and late 1970s is one. You know, the Little River Band, Paul McCartney, Dionne Warwick, Pilot (oh oh oh it’s magic!) … There was also a Beatles cassette (the Red album, 1962-1966) that we nearly wore out (but didn’t! I still have it, actually) playing on one of those old portable tape recorders. There was a Beach Boys compilation album (“High Tide” – part live, part not live) that we used to wear the grooves out of too. And then over the years I would soak in whatever my elder siblings were listening to.
Then there’s my family. My dad played the accordion, my mom and all my siblings took piano lessons. My brother played saxophone, and later guitar. My grandpa was a mean whistler and harmonica player…and my grandma (who also knew how to carry a tune) had this awesome double-decker organ we always loved to play when we visited. When she died I inherited it, and still have it. I took piano and saxophone lessons in grade school. Near the end of high school I discovered the acoustic guitar.

Erik Schmidt, Photo: Jessica McGinley

PW: I played the saxophone in grade school, too!
PS: No WAY! Did you also attempt to play “The Andy Griffith” theme song, and Men At Work’s “Who Can It Be Now” on it? I never had a problem with the instrument itself, I just hated the lessons. Same with piano. Um, same with swimming too.
PW: Totally feel you on the lessons and practicing thing. I was always last chair because I preferred playing soccer outside or something than sitting at home practicing my sax. The band director did not like that, but then in middle school I dropped band all together in favor of art classes.
PS: Good for you, way to stick it to the MAN. I usually preferred anything else over practicing. Which is funny to me because I love sitting down at the piano now, and I wish I still had a saxophone (and saxophone skills!). I think it was the structure of the lessons, the regiment of the practice, and just the pressure of it that turned me off. I’ve always been an “at-my-own-pace” kind of person. Some people really excel in that environment, but it just makes me want to shut down. Same reason I quit the bowling team at work! Stopped being fun, you know? Did you stick with art? Do you still wish you played saxomaphone?
PW: I did stick with art. Took a ton of art classes in high school and loved every second of it while my friends in band hated their lives. Or band class anyway. I’m no longer as active with art, but I’ve come full circle back to music, obviously, though not on the performing side.
I’m not too sad about not playing the sax anymore. I actually still have the one I played in elementary school. From memory, the only thing I would probably be able to play is “Mary Had A Little Lamb,” haha. I have no problem reading music, though. Let’s start a two man sax band! I bet we can find you a sweet little alto in a random pawn or vintage shop in this city of ours. [laughs] But back to your influences…

PS: It wasn’t until college in the early 90s that I discovered the late 70s early 80s new wave scene. In particular: Squeeze, Nick Lowe, Split Enz, and Elvis Costello. That was the last awakening for me. Like, oh…THIS is what I like. So when Nirvana and Pearl Jam were in every other dorm room, I was learning “Cruel To Be Kind” and “Pulling Mussels from the Shells.”
PW: You didn’t really miss much in the early 90s — I was at the age where New Kids On The Block and Paula Abdul were just the greatest musical acts of our time (I’ve since seriously reconsidered that position) but aside from Nirvana, nothing spectacular happened. Except for Radiohead, but they started in the late 80s and first found some fame in the early 90s. But anyway, the new wave-y, retro pop sounds totally works for you guys. It’s refreshing in a scene where most stuff sounds the same because a lot of bands now all have the same influences from the 90s.

Steven Binnig, Photo: Jessica McGinley

PW: How did you become involved with Home Tone Records?
PS: Well, one day while traipsing around on myspace.com, I found this band called Stingrays from Columbia, Missouri, and we began trading the occasional message. But I didn’t realize that the head Stingray, Wes Wingate, also co-ran a small label called Home Tone Records. One day, out of the blue, Wes sent me a message to say, “Hey, if there’s anything I can do to help you get your album out, let me know.” That’s it really. He offered and I accepted.
PW: For as much flack as MySpace gets, it really is servicey! I hear from so many musicians these days that all these incredible things have happened to them because of MySpace.
PS: I agree. And with Facebook now, it’s like a one-two punch. I really love what the online revolution has done, at least for artists like me. I finish a song, post it to MySpace, then almost instantaneously, fans all the way out in Australia can hear it. I think that’s awesome. Still don’t know how that translates to making a living out of it, but I can’t worry about that right now. Right now I’m just trying to make the best songs I know how.

PW: When we talked at the show, you mentioned that you’re 4 songs away from completing your debut album. What’s the process of creating the record been like? When do you expect/hope to have it completed and released by?
PS: The process is slow but thoroughly enjoyable. I hope to have all the recording done by the close of 2008, and maybe a release in the spring of 2009? We all have day jobs, three of us are married and one of us, I won’t mention names, might as well be…, and I have kiddies, so finding the time to squeeze in a recording session, let alone rehearsals and gigs, is tough.
We record a track here and there. Usually in my basement or Erik’s. I would like to record in a “real” studio someday but I also like the home-spun feel of doing it ourselves, in our homes, on our equipment. Can’t beat the price either…
PW: I can 100% sympathize with the busy lives of day jobs and, well, not so much wives or kids, but yeah, life is busy. I’m glad to process has been enjoyable, though. Taking your time is better anyway — stretch it out and make sure you’re happy with the final product. Whenever it’s completed, I look forward to hearing it.

PW: Hailing from the City of Brotherly Love, how have you found the Philadelphia music scene in terms of both other musicians and audiences?
PS: Well the bands / musicians I’ve met so far (at the shows we’ve played) seem nice. I know that sounds generic but it’s true. And the audiences have been sweet. Which is to say, they seem to like us. The scene is hard for me to gauge since I live outside the city walls. I don’t really feel part of it…which has its pros and cons. At times I like being an outsider, but other times I feel like we’d get more shows if we were insiders. Whatever that means.
Or maybe we just need an agent. Wanna be our agent?
PW: Well I do live inside the city, so I’ve got that going for me. And I’m fairly entrenched in the local musician scene. We did just talk about how both of us don’t have time for anything, but yeah. I’m in. I can be agent-y, no problem. Done.

Joel Rose, Photo: Jessica McGinley

PW: You guys have played a handful of shows in the area with some great acts, but if you could put together your dream tour, who would you want to share the stage with? Just totally run with it, it can be any band/musician ever, living, dead, broken up, whatever!
PS: Well there was a tour in 1980 that had Squeeze / Elvis Costello on the bill. That would have been an amazing tour to open for. I also would have loved to share a stage with Beulah before they split up.
PW: Oh, Beulah! I can’t even remember the last time I heard that name. Well, actually, I just read a book in which a woman gave the fake name of Beulah to someone, but it was in no way related to the band. They were great.
Costello has his own television show now. It films at the Apollo Theater in New York. As your agent, I will book you on the show and demand that Elvis jam with you guys. I just went from being completely inexperienced to being the best agent in the business. Stick with me, kid, you’ll go far. [laughs]

PW: So back to reality, what are you currently listening to? Anything you’d like to recommend?
PS: Why I’d love to. I hereby recommend the new CD by a band called Fugu. It’s been out for a while but just recently became available stateside. Just some great 70s-style sunny-day pop.
Oh and I also really like this band from Columbus Ohio called Paper Airplane. And a band from Baltimore called Gary B and the Notions. Again, more great stuff I’ve found,or they found me!, on MySpace.
PW: Awesome, thanks so much! It’s been a pleasure, Pete!

Philly loves, you can catch The Bye Byes at The M Room on Thursday, November 6th with Arizona and The Shackletons. Since no one should wait that long to check out their delightful pop sound, head over to the Bye Byes’ MySpace page to download a bunch of free songs!

The Bye Byes: myspace | live review

Friday night I was treated to a night of great local music, as all three bands playing at the Khyber in Philadelphia’s Old City section hail from in and around the city. The first to perform was retro pop outfit The Bye Byes. I say retro pop because, as front man Peter Shauger (vocals, guitar) explained to me, “people seem to think we’re 60s influenced, but I like to think we sound like 1974.” While I can’t claim to know 1974 first hand (or anything for over decade after), I can speculate that The Bye Byes would have fit in with Paul McCartney and Wings, America and The Carpenters.

The Bye Byes, Peter Shauger (vox, guitar) & Steven Binnig (bass)

The Bye Byes (Joel Rose-keys)

The pop quartet played a tight and energetic set that left me wildly impressed. It seems to be rare nowadays that a band sounds better performing than they do recorded, but that’s exactly what The Bye Byes pulled off Friday night. Their sunny and effervescent tunes transpired beautifully live and pulled the crowd away from the bar and to the stage.

The Bye Byes’ vintage pop sensibilities are unrivaled as Joel Rose creates happy melodies on the keys, matching Shauger’s upbeat riffs, Erik Schmidt‘s simple beats and Steven Binnig‘s quiet but thumping bass lines.

Head over the The Bye Byes’ MySpace page to download several tracks saturated in a carefree summer attitude that will certainly get you dancing around. Check back soon for an interview with the band.

The Minor White (Kevin Williams-keys, vox)

Scranton, Pa.’s The Minor White took the stage following The Bye Byes. They unfortunately experienced just about every technical difficulty imaginable on stage left, but it’s obvious from what they were able to play that The Minor White is a wildly talented group of guys.

Front man Roy Williams covered an Everly Brothers song on his acoustic and intermittently played solo tunes while guitarist Kyle Wall tried to work out issue with his amp and later re-string his guitar after breaking one. Wall’s difficulties were made up for by his technical skill and in the ferocity with which he strummed his guitar (I was not the least bit surprised to see he’d broken a string).

The Minor White, who will be releasing a new album titled Old Theatrics this fall, were just as poppy as The Bye Byes, but in a much heavier way, lacking the sunny disposition of Bye Byes songs. Drummer Shane O’Hara matched Wall’s intensity as he wailed on the skins creating a beat to match Kevin Williams‘ grand sweeping keyboard melodies. Sans technical difficulties, The Minor White would have had an amazing instead of just a really good one.

Headlining for the night was New Motels, an outrageously energetic and hilarious quartet met with equal outrageousness and hilarity from their fans, all of whom are die hards in the best way possible. With a MySpace page that greets you with “causing treble since 2003,” you can tell you’re in for a smart and funny ride with these guys. New Motels’ set was nothing short of absolutely solid and a whole lotta fun as everyone in the place dropped it like it was hot.

New Motels, (Josh Levandoski-guitar, vox)

Insanity flowed forth from drummer Kyle McDonough as the crowd successfully got him to take his shirt off, let encouraging him to lose the pants, but he and front man Josh Levandoski (guitar, vox) turned it around on the audience telling them that they didn’t see any of them taking their pants off. The foursome are both excellent musicians and entertainers. They played an excellent set that kept the crowd spirited, dancing and demanding “one more song!” (which they got) at the set’s close.

New Motels (Kyle McDonough-drums)

Be sure to check out these great Philly bands through the links below. Lastly, I’d like to give a shout out to fellow blogger Tom of Bag of Songs who was also at the show dancing along.

The Bye Byes: myspace
The Minor White: website | myspace
New Motels: myspace