Tag Archive | "The Dead Weather"

Bonnaroo Recap: Day 3, Saturday

Bonnaroo Recap: Day 3, Saturday

For those sitting at home, wondering how Bonnaroo kids survive on practically no sleep for the entirety of the fest, the answer is simple: it’s too hot to sleep. Though most had been up until 4 a.m. Friday night with LCD Soundsystem, the humidity made it hard to sleep past 7 a.m. Which kind of sucked because there wasn’t too much going on at until the early afternoon. And it especially sucked because the day was only going to get hotter.

The high temps didn’t damper the spirits of Pennsylvania’s Langhorne Slim. is like a non-pop version of Jason Mraz, which I would argue, is the better version. Langhorne’s music was laid back folk rock. Even the surprise appearance of a little kid dancing around the stage didn’t disrupt their good-mood. In fact, it improved it. Langhorne incorporated the kid into the act, dancing with him, lowering a mic to his height and even giving him a high five. Adorable.

Next, it was time for perhaps one of the biggest buzz acts of the fest: Conan O’Brien. Conan’s band performed an introductory jam that had them all out playing their saxophones and trumpets out in the audience, and giving high fives in between notes. The band returned to their spots and a video appeared projecting Conan: bearded and in a fat suit. He looked like Santa’s cousin. The video followed Conan around looking miserable and being depressed: he was eating junk, ignoring his daughter, etc. But then he gets a call: “Want to do a tour? Are you in shape?” Within moments, the beard was trimmed and the fat suit dropped. Then Conan himself appeared in the flesh. The jokes were a mix of being kicked off TV quips and jokes about Bonnaroo…and of course, some that combined both:

“In six months, I’ve gone from hosting the Tonight Show to performing at a refuge camp.”

The set was also highlighted by the appearance of , , a Triumph the Insult Dog video message, and of course, the infamous Walker Texas Ranger clips. Although, the Walker clips did inspire the audience to chant “aids, aids, aids,” which might not be the most appropriate thing ever. Other cute moments included when Conan took the time to take a picture with a fan in the front row.

This being a , there were also plenty of musical aspects, too. Joke songs and White Stripes covers (just two days before, Conan recorded a live with ). There was even Meatloaf‘s bat out of hell inflatable. Hideously awesome.

When the show ended, the audience demanded more, so Team Coco obliged with a cover of The Band‘s “The Weight.” During an instrumental break, Conan went out to give hugs and high fives to the audience. A nice gesture, but one that almost got him killed as people swarmed him for a chance to touch that infamous red hair. But he handled it well and was all smiles as 15 minutes later he worked his way back to the stage. Too funny; too cute.

Conan O'brien  By Joshua Hammond

When I came out from the Comedy Theatre, the soulful singer and pianist Norah Jones was performing on the Which Stage. Unfortunately for the talented writer, her tunes aren’t the best to experience in the sun outdoors. They became swallowed up in the dead air and she became more like bore – ah Jones, not Norah.

Disappointed with Jones, I returned back to the trusty comedy tent to catch the Bonnaroo Roast with Roastmaster Jeffrey Ross. Ross did a funky walk out to to some jam music freezing to point at an audience member, “Ugly,” then the sign interpreter at the front, “Deaf,” then himself, “Fat,” before going up to twirl with his attractive female stagehand, “Yeah.” The Roast was pretty funny and Jeff took the time to make fun of Bonnaroo bands, people in the audience, himself and even the heads of Superfly productions: “Nice work, guys. Really. You got thousands and thousands of people to come, but only have seven bars of soap.” He even took a jab at Jay-Z: “Think he’ll perform Empire State of Mind for like the millionth time? Always ripping off “New York State of Mind. He’s not Jay-Z. He’s fucking lazy.” Also, I must say, that sign interpreters have the hardest job at the fest. The comedians sure put this interpreter through some uncomfortable hand gestures.

As fun as it was to take a laugh at ourselves, I ventured out of the Roast a little early to catch some of the talented Avett Brothers. They’ve got some beautiful harmonies going with their blend of bluegrass rock and I love their use of strings on their songs.

The by Joshua Hammond

Speaking of great harmonies, Mumford and Sons owned That Tent with their performance. The UK group absolutely blew me away and I think it is just a matter of time before these labelmates of Phoenix blow up. They play pretty mellow folk music a la Noah and the Whale style, but they still brought plenty of rock, with one member lifting his upright bass above his head while playing it…those things aren’t light. The band seemed to be having a great time and so did the audience. This was just one of those feel good performances and perhaps one of my top performances of the fest.

Mumford and Sons by Joshua Hammond

Jack White’s current project, The Dead Weather, with soon took over the What Stage. Jack White primarly plays drums in this project, proving that the man can and will do absolutely everything in music with near perfection. He does come out from behind the set to sing and even play guitar. However, with how big of a name as White is, Mosshart was the star. The woman prowled the stage while singing, cigarette down to her side, making her look and even soundlike the classic movie image of those smoky lounge singers – and I do mean that as a compliment. I love how her voice fits into this southern rock style. In fact, I like her much more in this than I do in the Kills, and from the looks of it, she seems to enjoy this more, too.

Allison Mosshart if The Dead Weather by Joshua Hammond

Weezer is not how you typical think of rockers, with their frontman being a Harvard graduate and a stereotypical image of a geek as opposed to one of those high school drop out rock stars that don the leather jackets and always have a flask of Jack Daniels at their side. But I’m glad this band has managed to defy stereotypes to become one of the biggest, and longest lasting groups around. Almost every song in their very long set list has been successful on the radio – these guys just know how to write a catchy tune. Their set was also improved by the change that has come over Rivers in the last six years. When I first saw the band in 2005, though the songs were familiar and catchy, the performance was stale. The band just did not seem into it. Now, six years later, it is like they’re a whole new band. Rivers has a renewed energy and wonderment – almost like a kid at an amusement park. “Hello, plane. Hello, plane with banner behind that plane!” shouted Rivers. At another point, he stole the camera from a photog in the pit and snapped a crowd shot. Then, his quirkiness hit a new extreme during the encore when the band played a mash of “Kids” by and “Poker Face,” by . When he got to the Gaga lyrics, Rivers put on a blonde wig and began thrashing around. Hilarious. I love when music is simply fun.

by Joshua Hammond

Speaking of fun, how about the epicness that is Stevie Wonder? The crowd at Bonnaroo tends to run a little younger, so the demographic here kind of missed out on Wonder’s prime, but that doesn’t mean everyone wasn’t still excited about the legend’s performance. I think everyone was surprised by how many of the tunes we all knew and Wonder did a great job of helping the crowd singalong.

Kanye. This is how it is done. Rapper Jay-Z started about ten minutes late. That’s it. And it was ’s fault for starting his set late. Then Jay-Z played a set full of his hits and he was nice about it. No attitude. He thanked Wonder, fellow artists like Alicia Keys for their help on his record. We bounced with him. We froze him. We sang with him. It was great. The only disappointment was that with Beyonce side stage for all the set, it was a bit of a bummer that she didn’t come out and join him for any of the female vocal spots on his tunes. It’s not like we were promised that, but it would have been cool.

Jay-Z by Joshua Hammond

As hard as it was to part from Jay-Z, there will some other great performances getting ready to start over at the tents.Thievery Corporation got people dancing with a blend of India-influenced DJ beats and their singer’s strong vocals amping the crowd up. However, this performance couldn’t even begin to compare to the crazy dance parties that were about to erupt over at This Tent.

Dan Deacon Ensemble was interesting to say the least. The stage was covered with xylophones and drums and keyboards as well as a glowing, green skull. Like I said, interesting. Before even playing a song, tried to put everyone in the same mood: “Put your fist in the air. Then point your finger. Now put your left foot just behind your right foot. Now rock back and forth. Now rock down so you’re on your knees.” We all obliged, chuckling. Well, we all obliged save one guy in a white hat: “Too cool for this,” said Deacon. “Everyone point at this guy. Now stare at this guy.” It was weird, but bizarrely fun. After this “crowd bonding” moment was over, the ensemble finally exploded into their crazy dance jams. At some point in your life, go see with the full ensemble. It will probably blow your mind and be one of the best moments of your life.

Dan Deacon wasn’t the only one with crazy stage theatrics. Gwar was playing a stage over from Deacon. The nordically clothed rockers began with a video history of their odd inception. Then the costumed warriors appeared, showering everyone in waves of blood and rock. Even the Bonnaroo Fountain got in on the crazy action and was turned red for the night with LED lights.

But for those wanting to dance into the twilight hours, the party was at This Tent. DJ Deadmau5 was playing the his beats well past 5 a.m. to an enthusiastic crowd covered in glow sticks. The mysterious wore giant mouse ears and sat high up on the stage in DJ booth. It was like he was the electronic lord and we were his dancing minions. He held such power. With a raise of his arms, we’d dance harder and faster. He was still going strong by the time I finally made it back to my tent to rest for the final day of Bonnaroo.

Check back for more photos and recaps from Bonnaroo. View a recap of Thursday here and a recap of Friday here.

Posted in Bonnaroo, Concerts, PopWreckoning NewsComments Off

The Dead Weather to Play New Album ‘Sea of Cowards’ Live on MySpace

The Dead Weather to Play New Album ‘Sea of Cowards’ Live on MySpace

It seems like yesterday that Horehound was released. But hard rock super group featuring and on vocals are back with a new , Sea of Cowards, and will be playing the forthcoming album in full live on their MySpace on May 3. The “show” begins at 5 p.m. CDT.

Watch the video for ‘Die by the Drop’, the first single from the new album, below. Sea of Cowards will be released May 11 in America and can pre-ordered through several different retailers. For more information, please visit the Dead Weather’s official Web site.

The Dead Weather: website | myspace | listening parties and tour dates | Horehound review | @ Sandstone @ Capitol Fed Park

Posted in Albums, Music NewsComments Off

The Flaming Lips with the Dead Weather, Minus the Bear and White Rabbits @ Sandstone at Capitol Fed Park, Bonner Springs KS

The Flaming Lips with the Dead Weather, Minus the Bear and White Rabbits @ Sandstone at Capitol Fed Park, Bonner Springs KS

Once upon a time, the brought a mystical show to the small town in northeastern and ’s opened along with , White Rabbits, and Stardeath & the White Dwarfs. Yes, this is the line-up that both dreams and fairytales are made of, but like all good stories, there was the threat of a villain. The villain attempting to thwart our plot was the severe tornado watch blanketing the county, but fairy godmothers must have heard prayers, and sunny skies beat down on concertgoers: the rain held off until after the show.

Yet, this did not make all perfect. Unfortunately, there was a subplot with its own villain. The set times were unclear and due to this, those of us following the venue’s listed 5 p.m. showtime, missed the first two bands–The Ettes and Stardeath & the White Dwarfs–who opened the show at 4:15 p.m. Doors had only opened at 4 p.m., so fans really had to scramble to make that. I, unfortunately, was still at work, so I’ll have to catch these bands at a later date to give them a worthy review.

Instead, my first opener was White Rabbits. White Rabbits, despite their Columbia, Missouri, ties were welcomed warmly in Jayhawk country. The six-piece band’s bombastic drum heavy set and easy-to-sing along with vocals held attention easily. They were dynamic enough to draw people away from lengthy merch lines to see who was pounding on the keyboards. Popular tune, “Percussion Gun” got people moving and despite three huge acts following them, this song was what remained stuck in my mind well after the show was over.

I know for a fact that many had turned up for buzz indie band Minus the Bear. Seattle’s rockers are gearing up for their fourth studio release, Omni, but as excited as I was for the ambient rockers, their set was almost too mellow for an amphitheatre platform and it didn’t help that they had to deal with complete sunlight during their set so no fog or lights could help give them atmosphere. This isn’t to say they were bad. Their songs were tight and they played diverse selections from their catalog. However, the environment for that type of music is better set in a late night club.

It’s weird to think the next act was just an opener. The Dead Weather played like they were they headliner and with the added attraction of Jack White, some in the crowd might have thought that they were. The southern rock they played was fun and even featured a Pentagram cover. fully embraced her role as southern rock queen and held the crowd in the palm of her hand as the chain smoker gripped a cigarette in one hand and the mic in the other, while walking the length of the stage and striking dramatic poses. She wore a leopard-print jacket: fitting attire for a woman who looked like a cat on the prowl. She’s far more entertaining in this setting than she ever was in her previous bands. Dare I say the same of Jack White or is that blasphemy? I never had the privilege of catching him with (I bought tickets to a Lincoln, Nebraska show, but then they announced their “hiatus”), but I did see him with . With the Dead Weather, Jack White, or Jackie White as he introduced himself, seemed to be having a sort of fun that was absent in his other projects. He remained behind his drum set for a majority of the Dead Weather songs, letting Mosshart lead, but when he sang or came out front to play guitar (heck in some songs, he did all three: sing, guitar and drum), it was clear he was the star. Yet, as the star of the show, he was still humble. Though a super group of this stature needs no introductions, he introduced his band mates: “: so Italian you could order a pizza off him…: you might have seen him before as he’s no stranger to Kansas City. Call him up and take him out sometime…This little dark-haired queen is Allison Mosshart…and I’m Jackie White.” Even their roadies got into the strange character of the band: they all wore matching suits and blue ties. It’s weird to think anyone could top a set with as strong of personality as that, but the headliners, the Flaming Lips, were ready to embrace the challenge.

This was my first experience seeing the Flaming Lips and from the Youtube videos that I watched in preparation, the band brought out both old and new tricks. Leading up to their set, front man Wayne Coyne had appeared on the side stage for all the openers, both to check the other bands out, but to also greet the crowd and accept their warm applause.

Strobing lights and trippy yellow woman appeared on the screen for the lips grand entrance during “Worm Mountain.” This projected woman then “birthed” each of the band members before Coyne got his special birthing treatment and appeared and his infamous plastic ball. He rolled over fans before rolling back on stage. Confetti and balloons continuously poured on the audience causing further eruptions of cheers and applause. The band seems to live and thrive off of applause. Coyne constantly raised his hands towards the sky to encourage more applause and the band was flanked on either side by orange cheerleaders/dancers (as well as the later addition of a caterpillar and a catfish).

For some one who had never experienced this band before, I had a hard time deciding what to make of them. The theatrics were a bit through the roof: bubble over the guitar? Inflatables? Waaaay too much confetti? But then again, they’re supposed to be at a Flaming Lips performance. So when drummer Kliph Scurlock (who happens to live 30 minutes away from the venue in Lawrence) led the crowd in acting like monkeys and croaking like frogs during “I Can Be a Frog,” you really just had to chuckle and go with it, whereas any other band trying to pull that off would have had you going, “What the Fuck?” The only point where the Lips did push me to the edge of my comfort zone, was during one of the pieces where Coyne placed giant hands on his knelt in a prayer position and opened the hands up with green lasers stretching out of the palms like stigmata, while the crowd responded like he was their personal god. But again, it’s the Lips and you just go with the flow. And for some, I guess this is the closest they get to a religious experience.

Stardeath & the White Dwarfs (and even more confetti) joined the Lips for an encore of “Brain Damage” and “Eclipse” off their Dark Side of the Moon compilation. The anthem “Do You Realize” rounded it in a literally explosive finale (did I mention more confetti?) before the show ended. The crowd begged for more, but the Lips settled on just returning for bows, leaving people with just enough time for people to make it to their cars before it rained.

This was the first outdoor show of Kansas City’s season at and what a way to kick things off. Here’s hoping the rest of the summer lives up to this.

The Flaming Lips Set List:
Worm Mountain
Silver Trembling Hands
Yeah Yeah Yeah Song
In The Morning of the Magicians
She Don’t Use Jelly
I Can Be A Frog
Yoshimi Battles the Pink Robits, Pt. 1
See the Leaves
Powerless
Pompeii Am Gotterdamerung
Taps
The W.A.N.D.
Convinced of the Hex
///
Brain Damage
Eclipse (with Stardeath & White Dwarfs)
Do You Realize?

www.thedeadweather.com

Posted in Concerts, Featured Item, Features, Kansas CityComments (1)

San Diego Street Scene – Aug 28th & 29th; Ultimate End of Summer Rock Block Party

San Diego Street Scene – Aug 28th & 29th; Ultimate End of Summer Rock Block Party

Produced in association with one of Southern California’s premier rock venues, The Casbah, San Diego heats things up on August 28th & 29th with their 25th Annual Street Scene in the East Village (and adjacent to Petco Park).  In essence, it’s the ultimate two-day musical block party and the perfect way to kiss summer goodbye.  So drop those world-famous fish tacos, hop in your car or on your surf board and get in on the excitement.  Last year they managed to score Beck, TV On The Radio, and Cold War Kids, among others, but it looks like they may have outdone themselves for this year (complete lineup here.).  Boasting over 40 bands, the multi-stage street set up features some of the biggest names in indie rock, alternative rock, hip hop and pop today that I’ll probably get into mutliple arguments with myself over which bands to check out.  Here’s a little taste of what to expect, if you can handle all the action:street scene

Friday, August 28th
, , , , , , , Chromeo, , , , Holy Fuck, Anya Marina

Saturday, August 29th
., , , , , , Busta Rhymes, , , , , !

The show is rain or shine (who are we kidding, when does it ever rain in beautifully sunny San Diego!?).  Doors open: 4pm – midnight, both nights.  For $65 bucks, you can see 20+ bands in one day and it’s totally worth it.  There are also two-day passes, or the option of  VIP treatment if you’re above all that recession talk.  For additional ticket information, go here.  So, come celebrate the end of summer at this killer rock block party.  See you there!

Street Scene: website | tickets

Posted in Music NewsComments Off

The Dead Weather – Horehound

The Dead Weather – Horehound


Fatal error: Call to a member function itemLookup() on a non-object in /home/nickrdavisps/popwreckoning.com/wp-content/plugins/amazonsimpleadmin/AsaCore.php on line 1681