Tag Archive | "The Kills"

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Musicfest Northwest 2011: The Kills kill it at the Crystal

Pardon the pun.

I couldn’t resist.

But seriously though, as the kick-off to this year’s (or for future reference), at the were awesome. I caught maybe five minutes of their set at , but this venue was so much better for them, with the smoke machine and creepy paintings of cherubs on the walls. The only downside was the fact that it may have gotten to be over 100 degrees in there at some point.

For some ungodly reason was in the low 90s all weekend, and you know what that means for venues – they’re even hotter. But surprisingly, I didn’t see anyone pass out the whole time I was there.

But back to the music, shall we? , of the , opened for the Kills, with an understated, but stellar performance. It was virtually just herself up on the stage, and she was very well-received by the possibly-dehydrated crowd, and it made for a lovely opening set.

I’m just amazing that she survived that stage wearing all that denim. It was refreshing to see her without her brother Matthew, though her style stayed true to the sound we all know from her – gritty garage blues, but solo Eleanor had a bit more sassy pop to her. I liked it.

After the temperature of the room went up like… at least ten degrees, more smoke machines were turned on and even more people crowded in. Thank god for the free water station at the back of the room.

I will start off by saying – is one of the best front…women? I’ve ever seen. No, one of the best frontpeople – because she can stand next to Anthony Kiedis any day. I’m serious. This chick can rock her ass off – and it doesn’t hurt that her hair on this particular occasion was flaming red.

She’s crazy. Crazy awesome that is. She and guitarist have all the chemistry two people need on stage, but it was so unspoken and understated that you almost forgot that there were two separate people on stage.

The Kills’ live performance was much bluesier than one would expect from the bands’ earlier albums. I guess Mosshart’s time with the rubbed off a bit, because the new songs were much heavier than previous albums, but just as good and just as sexy. And the opening number with “No Wow” was definitely not ‘no wow.’

Oh come on, I couldn’t not do it.

By the end of the evening, I was thoroughly satisfied with the Kills’ live show, even if I was a bit sweaty. Alison Mosshart might be my new favourite person to photograph. The girl does not stop moving!

Posted in Concerts, Festivals, Local Scene, Portland, ReviewsComments Off

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Portland’s Musicfest Northwest Preview

Believe it or not, I decided to do Bumbershoot and back-to-back for the second year in a row. This year’s is full of amazing Portlanders, spectacular Seattleites, and some fantastic foreigners (pardon the alliteration; I couldn’t help myself).

If you don’t know much about Musicfest Northwest, you aren’t alone. The Willamette Weekly-sponsored festival takes place within the city at all the venues throughout North, South, East, and West . The setup is similar to South by Southwest, but not quite as big. This year’s festival takes place starting today, September 7, to , September 11.

Here I’ve compiled my complete of bands you should definitely not miss (or at least try and see).

Wednesday (TODAY):

9:00: Eleanor Friedberger at the . Separated from the Fiery Furnaces, Friedberger’s debut album did not disappoint. Here’s hoping her live show doesn’t either.

10:00: at the Crystal Ballroom. I barely got to see any of their set at Bumbershoot, so I’ve giving it a second go.

11:00: The at Mississippi Studios. The last time I heard about the Corin Tucker Band was when Eddie Vedder showed up to the Showbox in and jammed on stage. Heck, who knows? It might happen again.

 

Thursday:

6:00: The at the Wonder Ballroom. The last album garnered a huge radio hit with “Whirring,” and I’m waiting anxiously to see if it lives up to the hype live. It is a really catchy song, so I’m sure I’ll enjoy myself.

7:30: at the Wonder Ballroom. I’ve been waiting to see this band for so long, and I finally get my wish. It’s an odd venue for them, but I don’t care where I see them.

9:00: Brainstorm at the Doug Fir. One of the few bands I don’t know much about at this year’s festival, I’m intrigued by everything I read about them. From the Musicfest Northwest website: “Crushing riffs, explosive percussion, old world chanting, casio disco, and jaunty tuba lines make Brainstorm one of the most exhilarating and unique bands around.” Heck yes!

10:00: Unknown Mortal Orchestra at the Hawthorne Theater. Again, another band I know absolutely nothing about, but I might as well broaden my horizons while I’m in my favourite city. From the Musicfest Northwest website: “like Captain Beefheart, Sly Stone and RZA jamming on a creepy, never released kid’s show.”

11:00: Twin Sister at Holocene. I saw this band open for the Morning Benders last fall and they blew me away. Sexy subtle indie pop will be a good way to spend my Thursday night.

12 AM: EITHER at Bunk Bar OR at the Doug Fir. I can’t decide. After seeing Phantogram this weekend at Bumbershoot I want to see more and more of them, but I also really want to see one of Seattle’s finest – Damian Jurado. Who knows. Whichever venue I’m closest to will probably be the deciding factor.

 

Friday:

5:00: Sallie Ford and the Sound Outside at Pioneer Courthouse Square. I won’t be able to see this show, since I saw her, oh, two days ago, but I highly recommend her classic blues rock with a twang.

6:00: Marketa Irglova at Pioneer Courthouse Square. One half of the Swell Season, how could you not resist?

7:30: at Pioneer Courthouse Square. If it was any later in the evening, I’d opt out of this one because Iron and Wine is so low-key, but this will be perfect for just around sunset. Purely beautiful.

8:00: Drew Grow and the Pastor’s Wives at Backspace. This band is amazing. After going through a rough beginning of the year, Drew Grow overcame a rather tragic bus accident to come back swinging. I’m pretty sure one of my next couple Fantastically Local features will be about Drew Grow and the Pastor’s Wives. Be sure of it.

9:00: EITHER at Backspace OR at the Doug Fir OR the Music Tapes at the Someday Lounge. Again, I can’t decide. I love Julian Koster (i.e. the Music Tapes), and I love the Globes, and I have a newfound love for Pickwick. Seriously, you’re going to make me decide?

10:00: Macklemore and Ryan Lewis at the Roseland Theater. I probably won’t be able to make it out to this one because of my busy schedule, but if you like hip-hop (hell and even if you don’t) at least consider checking out Macklemore. He filled the Key Arena to capacity last weekend. That’s saying something.

11:00: Dan Mangan at Mississippi Studios OR Blitzen Trapper at the Crystal Ballroom. In my circle, Dan Mangan is known as Vancouver’s most adorable, but he has all the songwriting chops and charisma to back up his charming smile. And Blitzen Trapper’s new album Destroyer of the Void is so effing fantastic. How am I supposed to decide?

12 AM: GIVERS at the Doug Fir. No matter what I’m not missing this band. I will stand out in line for an hour beforehand if that’s what it takes. After seeing their set at Sasquatch back in May, I can’t get enough of them. And since they’re finally headliners, I can’t wait to see what’s to come of their deep south psychedelic pop.

 

:

5:00: Typhoon at Pioneer Courthouse Square. This band built up of an almost unnecessary number of members can really rock out. My first experience with them was at Sasquatch, and I’m excited to see the Portland natives again.

6:00: The at Pioneer Courthouse Square. This band is amazingly underrated. With an unassuming facade, The Antlers was one of the best bands I’ve seen at the last two festivals I’ve been to.

7:30: Explosions in the Sky at Pioneer Courthouse Square. I’m still not entirely sure how instrumental post-rock is going to go down in the Pioneer Courthouse Square, but EITS albums are some of the most interesting I’ve heard in recent years.

Also, this would be a good point for some Voodoo Doughnuts.

9:00: at Bunk Bar. Kelli Schaefer not only is one of Portland’s newest shining stars, her latest album is truly splendid. She recorded it with label mate (and fellow festival act) Drew Grow, so I’m sure you’ll be anything by disappointed.

10:00: Avi Buffalo at the Crystal Ballroom. Seeing the Long Beach indie-pop band Avi Buffalo is a long time coming for me, and I’m not about to give it up.

11:00: Jared Mees and the Grown Children at Rontoms. Here’s another one of those bands that saying their almost takes longer than it does to fall in love with their music (see Drew Grow and the Pastor’s Wives). Plus, playing to a hometown crowd will be even sweeter.

12 AM: The at Bunk Bar. The Moondoggies are another band that is completely unassuming at first glance, but once you hear them, you forgot everything you thought to begin with. Their last album Tidelands took the full and beautiful harmonies and added several dynamics for a more well-rounded sound.

 

Sunday:

4:00-9:00: Bobby Bare Jr, Morning Teleportation, Cass McCombs Band, at Pioneer Courthouse Square. If you’ve got tickets to this, it’s really your only option for the day, so live it up!

Posted in Concerts, Festivals, Local Scene, Music News, PortlandComments Off

Bumbershoot Preview: Abby’s Sunday picks

While is my designated FOLK day, is going to be non-stop energy. I can’t wait.

1:00: Wayne Federman and the at the Intiman Theatre. I don’t really know anything about this Wayne Federman guy, but the Gregory Brothers (otherwise known as Auto-Tune the on YouTube if you didn’t already know) are sure to be a spectacle. They played at the 2nd Annual Vidcon in Los Angeles in July. And from what I heard, it was awesome.

1:30: on the Mainstage. I may have seen this band way too many times, but I don’t care, because they’re that good. It might be kind of weird seeing them on the mainstage, because they moved the mainstage to the Key Arena this year instead of Memorial Stadium (yeah, that happened).

2:15: at the Stage. This band is an anomaly – I think they call themselves hipster-hop. I don’t even know how to describe them. Their live show is not for the faint of heart, but definitely not one to miss.

3:00: at the Mainstage. I missed their performance at Sasquatch 2010 and I smacked myself so many times for missing them, and I’m not going to do it again.

5:45: Das Racist at the Fisher Green Stage. Whether or not this group’s stage antics is alcohol-induced (most likely is), they have so much hilarious charisma that you’ll be laughing through singing along.

6:45: at the Fountain Lawn Stage. You don’t see a lot of all-girl groups anymore. Also, I have not been able to stop listening to Warpaint all summer, so I will be getting my fix this weekend.

7:30: at the EMP Level 3 Stage Sponsored by Mission Foods Artisan. Allen Stone hasn’t even recorded a full-length album and he’s already been featured in USA Today. Seriously? How can you not see his live show? I can vouch – he’s awesome live.

8:00: and Ryan Lewis on the Mainstage. I was already in awe of his performance at Sasquatch, and I cannot wait to get back into that crowd full of energy once more. Plus, hearing “My Oh My” actually IN will be even more moving than before.

9:15: on the Fisher Green Stage. is fantastic, and anything she is apart of – I want to see. Plus, their last album released in April is a winner in my book. And since this will be my last show of the night, I wanna go out dancing.

Oh, but that’s not all! Tomorrow the starts, but it’s my final for Monday. So keep on the lookout for coverage all weekend!

Posted in Concerts, Festivals, Local Scene, Music News, SeattleComments Off

Lollapalooza 2011 reveals lineup

Lollapalooza 2011 reveals lineup

is celebrating its 20th anniversary and as promised, the recently announced delivers some pretty hefty acts. 

Eminem, Foo Fighters, , Muse, My Morning Jacket, Deadmau5 and A Perfect Circle will headline the annual event in Grant Park from August 5-7, 2011.

If you missed Death From Above 1979‘s Coachella reunion, Lolla gives fans another chance. There’s also many other classic acts such as The Cars to up and comers The Naked and Famous. You can see the rest of the announced lineup below:

Eminem, Foo Fighters, Coldplay, Muse, My Morning Jacket, Deadmau5, A Perfect Circle, Cee Lo Green, Damian “Jr. Gong” Marley & Nas, the Cars, Ween, Bright Eyes, Arctic Monkeys, Big Audio Dynamite, Deftones, Beirut, Explosions in the Sky, Death From Above 1979, Ratatat, Crystal Castles, Flogging Molly, Atmosphere, Cold War Kids, Lykke Li, Cage the Elephant, OK GO, Local Natives, The Kills, White Lies, Portugal. The Man, Two Door Cinema Club, Ellie Goulding, Delta Spirit, , Mountain Goats, Sleigh Bells, Manchester Orchestra, Smith Westerns, Best Coast, Grace Potter and the Nocturnals, The Drums, Black Lips, Fitz & the Tantrums, , City and Colour, Ryan Bingham and the Dead Horses, Cults, Noah and the Whale, , J. Roddy Walston and the Business, Tinie Tempah, , Dom, The Vaccines, Foster the People, Titus Andronicus, Mayer Hawthorne and the County, Chico Trujillo, The Naked and Famous, Phantogram, , , Dale Earnhardt Jr. Jr., Reptar, Maps & Atlases, Fences, Tennis, An Horse, , Los Bunkers, Imelda May, Grouplove, , The Joy Formidable, , , Walk the Moon, Gold Motel, Iration, Ryan Leslie, Tab the Band, Skylar Grey, Christina Perri, Black Cards, The Pretty Reckless, Boy and Bear, Patrick Stump, , Young Man, The Kingston Springs, Lia Ices, The Chain Gang of 1974, , Typhoon, Electric Touch, , Ruby Jane, Julia Easterlin, and DJ Mel.

On Perry’s Stage:

Girl Talk, Pretty Lights, Kid Cudi, , AfroJack, Modeselektor, Skrillex, Perryetty vs. Chris Cox, Chuckie, , , , Super Mash Bros., Jay Electronica, 12th Planet, Daedulus, , JackMaster, Collie Buddz, Savoy, , Ana Tijouxana, Midnight Conspiracy, L1ght, and Lady D.

Early Bird tickets have already sold out, but you can now buy regular priced tickets for $215 while supplies last. VIP Passes and Travel Packages are also available. A limited number of
Single Day tickets will go on sale June 7. Go here to buy tickets.

Organizers are expecting over 240,000 people.

 

Posted in Concerts, LollapaloozaComments Off

SXSW Music Blog: Day 3, Friday, March 18

SXSW Music Blog: Day 3, Friday, March 18

Just as important as going to to see music is going to for the . I’ve previously mentioned my affinity for breakfast tacos, but I tried a different culture’s . Not sure if it blasphemy to eat something that isn’t Mexican that close to Texas, but this morning called for Coffee with a capital “c.” No one does Coffee like the French. So Friday morning, I found myself at Le Café Crépe, being handed a menu by a Frenchman who was greeting me with a “Bonjour, mademoiselle.” Behind a glass window, employees were preparing mouth-watering crépes. Sadly, we were in a rush (as always), so we got our mochas to go and paired then with pain au chocolat, which is bread with chocolate. The flaky bread was fresh from the oven and filled with gooey chocolate. A light dousing on powdered sugar made this perfectly delectable. As we walked toward a first venue in considerably better moods, we promised to revisit the restaurant when we had more time, which we did morning before driving home.

After brushing some spilled powdered sugar off my shirt, I dashed into Emo’s for the mysterious Cults. For a long time, it was downright impossible to find out anything about this band and hopes of catching them on tour were slim to none. Fortunately, they seemed to have changed their mind on that as they have started touring more extensively and the band was practically everywhere at SXSW. The band is essentially the pop project of couple Brian Oblivion and Madeline Follin, but they were joined by a full band for the performance. “Go Outside” was the only tune I really knew, but the lo-fi pop songs were all catchy and light-hearted…at least in sound. Lyrically, the duo likes to stay true to their name and often draw inspiration from cult leaders.


Chain Gang of 1974 was playing in another room at Emo’s just above Cults, so I went to check out this buzz band. Don’t be fooled by the 1974 in their name. They sound like a better fit for the 80s, but without going overboard on synths. There was an edge to the music, but also a danceable beat. If you’re like me and have heard the buzz about this band, but hadn’t checked them out before, start by giving their epic “Hold On” a listen.


is a band that I was saying should be huge since last year. “Pumped Up Kicks” was my summer jam. Radio was a little slower to recognize its catchy awesomeness, so a lot of people are just discovering Foster the People. In the year since I’ve first learned of this band, I’ve only come to love them even more and seeing them live only solidified my love. At times this piano pop rock group sounds like Peter Bjorn and John and then other times it seems like they’ve got some Vampire Weekend thrown in, but with the subtlety of a group like Tennis. There are a lot of diverse influences working together very smoothly for this band, so if you’re lagging behind with the radio stations, get on it and check this band out asap.


was a performance that was so epic that it got its own post. You can find that here. In short, the wild performance art band got us to run around the venue, freestyle dance in the middle of a clapping circle of strangers and jump up and down under a while shouting, “We’re alive! We’re in love! We’ve got hope…just because!” Definitely gets the award for most memorable set of SXSW.

Reeling from the insanely fun experience of Terror Pigeon Dance Revolt, I stumbled out to Sixth Street a bit dazed and unsure of what to do next. How do you follow up a band with a parachute? I found myself wandering. First I traveled up to Mohawk, where Ted Leo was starting an acoustic set a little early. Crisp vocals and friendly tone demonstrated why this guy is a favorite of so many. From Ted Leo, I bounced to a tent next door where Glasser was taking the stage for the . A beautiful set, but one that couldn’t quite match the almost holy experience of seeing that band the night before at Central Presbyterian Church.


When I wandered out of Rhapsody, I honestly had every intention of giving the music watching a break and finding a spot to charge my phone. But then luck took me by Stubbs and a woman asked me to check-in on Foursquare in exchange for two passes to the exclusive Spin Party.  How can you pass up something as simple as that? I love social media!

Some middle age guy that I had never seen before was on the mainstage when I walked in. In awe of my sheer luck, it took me a moment to realize I knew the song being performed: “Touch Me once, touch me twice…” Orchestral Manoeuvres in the Dark was singing the song from one of my favorite soundtracks of all time (and no this was not the performance at Stubbs with the camera boom incident). I might have dismissed OMD when I first walked in as some rando middle age dude, but he’s still got it. As an added bonus, Moby joined OMD on bass.

From OMD to DOM, the inside of Stubbs was getting packed for this buzz band. “Living in America,” has long been my jam. How can you resist the slinky chorus, “It’s so sexy to be living in America”?

 

And back outside, the Spin Party band I was most anxious for: . With in attendance at SXSW, there were some rumors of some special collab, but this was a straight up the Kills set. And I was ok with that. Allison Mosshart continues to steal the show no matter who she’s on the stage with – her vocals, her attitude – it’s just impossible not to watch her.


I left the Spin Party before to chat with the duo behind . Look for that interview soon on PopWreckoning. After my chat with Acrylics, I wandered through the Party to briefly watch the Dodos, and . I had heard a lot about J. Mascis, but I found the set kind of boring. The falsetto just wasn’t my thing. So I quickly left and went to catch a band from across the great pond that I knew would entertain: . I had the privilege of seeing this passionate piano rock band at their first US show ever back in Kansas City during the Fall. They seem a lot more confident now and delivered such a great set that people even asked for an encore and the venue guys, who had at first seemed very anti-encore to stay on schedule, even gave their approval because they were enjoying it so much. This band could easily draw some comparisons to Keane, but I find Keane rather sleepy. If anyone has heard of the UK’s Embrace, I would say that is a more apt comparison.


!!! might not be a band name that everyone can understand or say, but people have no problem understand the band’s music. The tent that !!! was a non-stop dance party. It kind of reminded me of seeing LCD Soundsystem at Bonnaroo – a little similar with the music and with the vibe.


I trekked far from Sixth to the Lustre Pearl to catch the next two acts. is a band that I had been eagerly anticipating for SXSW. Their romantic folk ballads had won my heart on recordings, but I had yet to see them live. They were supposed to play SXSW two years ago when I was here, but canceled. Then I was supposed to see them at and they canceled. This year was to be my chance. Now, after finally getting the chance to see them, I think I’m ok that they canceled. Love their music, but they were one of the most boring bands of the . I didn’t need another Terror Pigeon Dance Revolt, but I just didn’t feel any energy or passion from these guys. I’d rather just go home and listen to my CDs because this particular live performance added nothing.


In contrast, the band that followed had plenty to watch on stage. Gayngs followed and this is autotune done right. This is a supergroup featuring members of Bon Iver, Doomtree, The Rosebuds and more. I don’t believe I counted all 23 members there for this performance, but they sure came close to a full group. The stage was packed. The soft-rock set got the audience dancing and I think any Austinites holding a grudge for the band’s unfortunate cancellation at ACL was quickly forgiven by this performance.


When I returned back to the main area of SXSW, I headed back to Stubbs for an old SXSW favorite of mine. The Airborne Toxic Event has this amazing ability of making viola look badass. Viola is not a badass instrument, but this band knows how to make it rock. And if one viola wasn’t enough, the band had another join the performance as part of a string quartet set up on the side of the stage. Awesome. They played through songs from their popular debut and several from their upcoming release. The Airborne Toxic Event never disappoints. But the rest of the night did disappoint. TATE would end up being my last of the night. After waiting in another line for an hour and encountering several venues that ended up being Badges only, I gave up on Friday and decided to call it an early night before the final day of SXSW.


Check back for more to come from PopWreckoning’s Bethany and her experience at SXSW. You can see more photos from Day 3, Friday, March 18 below and click these links for Day 1 and Day 2:

Posted in Austin, Concerts, Music News, Reviews, SxSWComments Off

Austin City Limits: Day 1 – Joshua’s Point of View

Austin City Limits: Day 1 – Joshua’s Point of View

One would think that after 9 festivals and a handful of trips to , I’d have the hang of how this whole thing worked. I’d be grounded and prepared for the pros and cons of life. Yet, when my alarm sounded at 3:45 in the morning on Oct 8, I still cussed, tripped over my cats and chucked my alarm across the room. Regardless of it being a day filled with the possibility of 44 different bands and my choice of 6th Street bars, 4 o’clock in the morning still pisses me off quicker than Obama sets off the Republican Party.

Following two flights (Kansas City to Dallas, Dallas to Austin) I touched down at the airport to be rescued by our new weekend Craigslist roommate. After dropping off my belongings at the house and sitting down for a quick veggie friendly meal at the snack bar, I checked into press around 12:30p.m.

The day started at the BMI stage with Ponderosa, who’s set started at 12:40. While we certainly didn’t intentionally make our way directly to their stage to catch their set, their voices and folky sound reminded me enough of Drive-By Truckers to stop me on my way to ’s Austin Kiddie Limits HEB stage set. Their sound was certainly strong enough that I look forward to seeing what they can manage following the 2011 label debut, Moonnight Revival. I expect to hear from these guys again.

Following a short and disappointing stint with The Verve Pipe, I shifted my way through the early morning crowd towards the great indie band The . John Darnielle and company owned their set, playing to the crowd better than any other band on ’s bill. Standing barefoot in front of a fairly large 2:00 p.m. crowd, the band shined through old favorites and revealed new songs, like “For Charles Bronson.” Throughout their hour long set, they swapped jokes and stories with the crowd resulting in an overall feeling in the crowd that this wasn’t a festival set where the band simple rushes through their motions as much as a giant soapbox to story tell from. For those who failed to get to the festival or get out of bed by this band’s set, you missed the best set of the day.

Following The Mountain Goats, I wondered over to the BMI Stage to kill some time before ‘s set. What I found there was . This Nashville, Tennessee band is a cluster of complication. Sounding like a blended version of hair bands, alt. country and Guns and Roses, it becomes somewhat hard to wrap your head around what exactly The Kills are. My first impression, mainly coming from the big ass guitar solos that distract throughout a majority of their songs. When it all comes down they’re just a glorified frat band no different than that playing your local dive. Having heard enough, I head towards the Honda stage.

However, the downward spiral would continue through the next two sets. As well over a handful of people gathered for Miike Snow’s extremely early set, it dawned on me that Bonnaroo has figured something out that Austin City Limits hadn’t. This was the fact that sets do not really work when the sun is up. However, the set itself seemed pretty musically collected, including creepy Eyes Wide Shut masks and a special appearance by ’s , who helped the band cover his group’s song “The Kids Don’t Stand A Chance.” Overall, a very entertaining set that could have easily been the best set of the festival day had the conditions been right.

Billed as the possible best band of Austin City Limits, I must confess were a huge letdown to me. Their set seemed very lackluster to me, almost as if something were missing. While the vocals were excellent and the instruments were on for the most part, the stage seemed to dominate the duo. Maybe it was the outside elements which sometimes tend to make sounds simply disappear. At the end of the day, The Black Keys set simple was not worth the struggle and fight of the lawn chair jungle. While I know it will be a very unpopular vote, my advice would be to simply stick to the band’s CDs where they shine.

However, one duo who did shine at Austin City Limits was Sup-pop’s . Their dreamy set filled the air causing a spontaneous dance party that left drunken hipsters skipping around the wall of bright blue festivals that lingered near the Honda stage. ’s beautiful voice stood out as one of the top of the day as the band frantically made their way through their set. I expect bigger things from this band than they’ve already accomplished, which already is pretty impressive.

I bolted from the area, dodging Spoon’s set for the time being to catch . With one of the best voices in music, this folk meets jazz crooner’s set was easily worth the time it took to get to the Austin Ventures stage. With a sense of calm and charm that is second to none, he undoubtedly found his way into the hearts of more than a handful of the mid-sized crowd that had found its way to his stage.

Following Lee, the time had come for me to face my fear of Spoon. Now, don’t get me wrong, it isn’t as though I’m not a fan of Spoon. In fact, I own all of their records on both compact disc and vinyl. Furthermore, it’s always exciting seeing a hometown kid () make good. However, the two previous times I’ve seen Spoon play, I was bored out of my mind. They were not very crowd interactive and were back lit to the point that it was like watching shadow cut outs of spoon on stage. Needless to say, I hadn’t picked their set as one of my most anticipated for Austin City Limits.

But to be fair, they proved me wrong. I’d simply be lying if I didn’t say that I walked away from the AMD stage impressed with their performance. Their usage of horns on “The Underdog” was one of the most memorable moments of the 2010 Austin City Limits.

For historic purposes I made my way towards the Honda Stage to check out for the second time this year. While I must admit that they can still hold their own after almost 30 years of making music, a full day of festival life on very little sleep left me somewhat disinterested. Roughly halfway through the set, I made my way to Vampire Weekend in hopes of finishing up my day.

Personally, Vampire Weekend and I have some issues. We’ve had a very rocky relationship throughout their very short and extremely hyped career. It’s hard for me to stomach the popularizing of Afro-pop by a bunch of rich, upscale Ivy League grads. Now, the problem that  I have realistically has very little to do with the band itself. Honestly, I hate their fans. It’s the same group of hype blinded Urban Outfitter junkies who’ll buy anything that American Apparel deems worthy.

However, in the name of unbiased journalism, I decided to swing by and see exactly how the band sold that day’s performance. Things I took away from the set that could be deemed positive are as follows:

1. They were musically tight at a festival. This is impressive in an outdoor setting when sounds can sometimes vanish.

2. They’ve got a great deal of energy. Their set was free of any downtime and dull moments.

3. They managed to draw one hell of a crowd, even against legends Sonic Youth.

However, I found myself annoyed by the uninformed crowd of high school girls and drunken frat boys that surrounded me, stating comments like “yeah! Vampire Weekend is the most talented band at the fest,” and “They are so unique.” Unable to keep myself from pointing out all the flaws in those theories, I decided, instead, to leave.

Having seen once in my life (at Bonnaroo), I opted to never do so again. So I sat up to catch a bit of , whom I’d never seen.

Starting a few minutes late with “Is This It” the crowd seemed to forget having to wait for the set. Their undeniably infectious tunes appeared to outshine their New York swagger and hipster bastard attitude.  Julian Casablancas, for example, belted out to the crowd, “I can’t see shit because like an asshole, I wear sunglasses at night.”

Regardless of the between song cockiness, I must begrudgingly admit that The Strokes hour-long set was pretty effective. They kept my attention, provided plenty of hits and managed to squeeze in a decent set in a somewhat short amount of time. Besides, it could have been worse. I could’ve been watching the endless guitar solos of .

Once was enough, thank you.

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Bonnaroo Recap: Day 3, Saturday

Bonnaroo Recap: Day 3, Saturday

For those sitting at home, wondering how Bonnaroo kids survive on practically no sleep for the entirety of the fest, the answer is simple: it’s too hot to sleep. Though most had been up until 4 a.m. night with LCD Soundsystem, the humidity made it hard to sleep past 7 a.m. Which kind of sucked because there wasn’t too much going on at Bonnaroo until the early afternoon. And it especially sucked because the day was only going to get hotter.

The high temps didn’t damper the spirits of Pennsylvania’s Langhorne Slim. is like a non-pop version of Jason Mraz, which I would argue, is the better version. Langhorne’s was laid back folk rock. Even the surprise appearance of a little kid dancing around the stage didn’t disrupt their good-mood. In fact, it improved it. Langhorne incorporated the kid into the act, dancing with him, lowering a mic to his height and even giving him a high five. Adorable.

Next, it was time for perhaps one of the biggest buzz acts of the fest: Conan O’Brien. Conan’s band performed an introductory jam that had them all out playing their saxophones and trumpets out in the audience, and giving high fives in between notes. The band returned to their spots and a video appeared projecting Conan: bearded and in a fat suit. He looked like Santa’s cousin. The video followed Conan around looking miserable and being depressed: he was eating junk, ignoring his daughter, etc. But then he gets a call: “Want to do a tour? Are you in shape?” Within moments, the beard was trimmed and the fat suit dropped. Then Conan himself appeared in the flesh. The jokes were a mix of being kicked off TV quips and jokes about Bonnaroo…and of course, some that combined both:

“In six months, I’ve gone from hosting the Tonight Show to performing at a refuge camp.”

The set was also highlighted by the appearance of , Dion Cole, a Triumph the Insult Dog video message, and of course, the infamous Walker Texas Ranger clips. Although, the Walker clips did inspire the audience to chant “aids, aids, aids,” which might not be the most appropriate thing ever. Other cute moments included when Conan took the time to take a picture with a fan in the front row.

This being a music , there were also plenty of musical aspects, too. Joke songs and White Stripes covers (just two days before, Conan recorded a live album with ). There was even Meatloaf‘s bat out of hell inflatable. Hideously awesome.

When the show ended, the audience demanded more, so Team Coco obliged with a cover of The Band‘s “The Weight.” During an instrumental break, Conan went out to give hugs and high fives to the audience. A nice gesture, but one that almost got him killed as people swarmed him for a chance to touch that infamous red hair. But he handled it well and was all smiles as 15 minutes later he worked his way back to the stage. Too funny; too cute.

Conan O'brien  By Joshua Hammond

When I came out from the Comedy Theatre, the soulful singer and pianist Norah Jones was performing on the Which Stage. Unfortunately for the talented writer, her tunes aren’t the best to experience in the sun outdoors. They became swallowed up in the dead air and she became more like bore – ah Jones, not Norah.

Disappointed with Jones, I returned back to the trusty comedy tent to catch the Bonnaroo Roast with Roastmaster Jeffrey Ross. Ross did a funky walk out to to some jam music freezing to point at an audience member, “Ugly,” then the sign interpreter at the front, “Deaf,” then himself, “Fat,” before going up to twirl with his attractive female stagehand, “Yeah.” The Roast was pretty funny and Jeff took the time to make fun of Bonnaroo bands, people in the audience, himself and even the heads of Superfly productions: “Nice work, guys. Really. You got thousands and thousands of people to come, but only have seven bars of soap.” He even took a jab at Jay-Z: “Think he’ll perform Empire State of Mind for like the millionth time? Always ripping off “New York State of Mind. He’s not Jay-Z. He’s fucking lazy.” Also, I must say, that sign interpreters have the hardest job at the fest. The comedians sure put this interpreter through some uncomfortable hand gestures.

As fun as it was to take a laugh at ourselves, I ventured out of the Roast a little early to catch some of the talented Avett Brothers. They’ve got some beautiful harmonies going with their blend of bluegrass rock and I love their use of strings on their songs.

The Avett Brothers by Joshua Hammond

Speaking of great harmonies, Mumford and Sons owned That Tent with their performance. The UK group absolutely blew me away and I think it is just a matter of time before these labelmates of Phoenix blow up. They play pretty mellow folk music a la style, but they still brought plenty of rock, with one member lifting his upright bass above his head while playing it…those things aren’t light. The band seemed to be having a great time and so did the audience. This was just one of those feel good performances and perhaps one of my top performances of the fest.

Mumford and Sons by Joshua Hammond

Jack White’s current project, The Dead Weather, with The Kills soon took over the What Stage. Jack White primarly plays drums in this project, proving that the man can and will do absolutely everything in music with near perfection. He does come out from behind the set to sing and even play guitar. However, with how big of a name as White is, Mosshart was the star. The woman prowled the stage while singing, cigarette down to her side, making her look and even soundlike the classic movie image of those smoky lounge singers – and I do mean that as a compliment. I love how her voice fits into this southern rock style. In fact, I like her much more in this than I do in the Kills, and from the looks of it, she seems to enjoy this more, too.

Allison Mosshart if The Dead Weather by Joshua Hammond

Weezer is not how you typical think of rockers, with their frontman being a Harvard graduate and a stereotypical image of a geek as opposed to one of those high school drop out rock stars that don the leather jackets and always have a flask of Jack Daniels at their side. But I’m glad this band has managed to defy stereotypes to become one of the biggest, and longest lasting groups around. Almost every song in their very long set has been successful on the radio – these guys just know how to write a catchy tune. Their set was also improved by the change that has come over Rivers in the last six years. When I first saw the band in 2005, though the songs were familiar and catchy, the performance was stale. The band just did not seem into it. Now, six years later, it is like they’re a whole new band. Rivers has a renewed energy and wonderment – almost like a kid at an amusement park. “Hello, plane. Hello, plane with banner behind that plane!” shouted Rivers. At another point, he stole the camera from a photog in the pit and snapped a crowd shot. Then, his quirkiness hit a new extreme during the encore when the band played a mash of “Kids” by and “Poker Face,” by . When he got to the Gaga lyrics, Rivers put on a blonde wig and began thrashing around. Hilarious. I love when music is simply fun.

by Joshua Hammond

Speaking of fun, how about the epicness that is Stevie Wonder? The crowd at Bonnaroo tends to run a little younger, so the demographic here kind of missed out on Wonder’s prime, but that doesn’t mean everyone wasn’t still excited about the legend’s performance. I think everyone was surprised by how many of the tunes we all knew and Wonder did a great job of helping the crowd singalong.

Kanye. This is how it is done. Rapper Jay-Z started about ten minutes late. That’s it. And it was ’s fault for starting his set late. Then Jay-Z played a set full of his hits and he was nice about it. No attitude. He thanked Wonder, fellow artists like Alicia Keys for their help on his record. We bounced with him. We froze him. We sang with him. It was great. The only disappointment was that with Beyonce side stage for all the set, it was a bit of a bummer that she didn’t come out and join him for any of the female vocal spots on his tunes. It’s not like we were promised that, but it would have been cool.

Jay-Z by Joshua Hammond

As hard as it was to part from Jay-Z, there will some other great performances getting ready to start over at the tents.Thievery Corporation got people dancing with a blend of India-influenced DJ beats and their singer’s strong vocals amping the crowd up. However, this performance couldn’t even begin to compare to the crazy dance parties that were about to erupt over at This Tent.

Dan Deacon Ensemble was interesting to say the least. The stage was covered with xylophones and drums and keyboards as well as a glowing, green skull. Like I said, interesting. Before even playing a song, Dan Deacon tried to put everyone in the same mood: “Put your fist in the air. Then point your finger. Now put your left foot just behind your right foot. Now rock back and forth. Now rock down so you’re on your knees.” We all obliged, chuckling. Well, we all obliged save one guy in a white hat: “Too cool for this,” said Deacon. “Everyone point at this guy. Now stare at this guy.” It was weird, but bizarrely fun. After this “crowd bonding” moment was over, the ensemble finally exploded into their crazy dance jams. At some point in your life, go see Dan Deacon with the full ensemble. It will probably blow your mind and be one of the best moments of your life.

Dan Deacon wasn’t the only one with crazy stage theatrics. Gwar was playing a stage over from Deacon. The nordically clothed rockers began with a video history of their odd inception. Then the costumed warriors appeared, showering everyone in waves of blood and rock. Even the Bonnaroo Fountain got in on the crazy action and was turned red for the night with LED lights.

But for those wanting to dance into the twilight hours, the party was at This Tent. DJ Deadmau5 was playing the his beats well past 5 a.m. to an enthusiastic crowd covered in glow sticks. The mysterious wore giant mouse ears and sat high up on the stage in DJ booth. It was like he was the electronic lord and we were his dancing minions. He held such power. With a raise of his arms, we’d dance harder and faster. He was still going strong by the time I finally made it back to my tent to rest for the final day of Bonnaroo.

Check back for more photos and recaps from Bonnaroo. View a recap of Thursday here and a recap of Friday here.

Posted in Bonnaroo, Concerts, PopWreckoning NewsComments Off

Outside Lands, Day 3 @ Golden Gate Park, San Francisco

Outside Lands, Day 3 @ Golden Gate Park, San Francisco

With the summer fog and windy chill separating the locals from the ill-prepared tourists, day 3 of the Music and Arts in San Francisco’s had both moments of brilliance and powerful performances across the festival’s seven stages. If you missed day 1 or day 2, check them out now!


Almost too happy for their own good, the duo of Matt and Kim bounced through their Casio-infused set including “Daylight” and “I Wanna.”

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All of the elements were in place for The ’s mid-tempo performance on afternoon. The weather was indeed dead and gloomy and ’s vocals were bluesy, primal and raw. While , pulling double-duty on drums and vocals, fits the personality of the band perfectly, he was overshadowed by Alison’s powerful onstage presence.

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Proving that plaid may just be the new black, Modest Mouse played their set, curiously skipping their most radio-friendly tune “Float On.” While the show was enjoyable, I found that I would rather have a Modest Mouse experience which includes a comfy chair, good headphones and a copy of The Moon & Antarctica.

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Performing their third brilliant set in three days, Loop!Station shared part of their show with performers from the Vau de Vire Society.

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Ween’s hard-core fans were out in large numbers to see the free-spirited absurdist-rockers on Sunday. Filling the spot occupied by Primus at last year’s fest, and Gene Ween ( and ) showed their cred as gifted guitarists.

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M.I.A.
After her bratty reaction to the announcement of as replacement headliners for the on the final day of festivities, M.I.A.’s performance did little to improve her image. M.I.A. (Mathangi “Maya” Arulpragasam) failed to generate much enthusiasm from the crowd, even after passing out hundreds of annoying toy horns which, coincidentally, sounded just like “boo” when played en masse. It was quite fitting that ’s version of M.I.A.’s “Paper Planes” was more inspired than her own.

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Shimmering with reverb, the Southern-tinged rock of Band of Horses was filled with warm and moving moments. Song such as “The Funeral” and “Ode to LRC” were part of a well-crafted and rousing set.

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Tenacious D
Bringing skits, stunt doubles and shtick-heavy rock, Jack Black and closed out the final night of the festival. After being named as replacements for Beastie Boys who dropped out due to the throat cancer diagnosis of Beastie’s Adam “MCA” Yauch, The D unleashed their “earthquake of rock” on the Bay Area.

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We wish you the best, MCA!

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The Dead Weather – Horehound

The Dead Weather – Horehound


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