popwreckoning

So call me crazy, but I totally forgot that Dntel was the side project of Jimmy Tamborello. In case most of you don’t know who that is, he’s one half of a little indie band known as “The Postal Service,” with Ben Gibbard of Death Cab For Cutie being the other half. Now to those who did know who Jimmy was, I applaud you! With that being said, Tamborello has released two new EP’s titled After Parties 1 and 2.

Listening to both of these EP’s separately is a bit hard as they both complement each other. After Parties 1 has a mellow feel to it, and works great if you’re in the mood to chill out. It also felt like a Gorgio Moroder soundtrack at times. However, being it only has 3 tracks, it’s really hard to listen to it without wanting more. After Parties 2 is more upbeat and has The Postal Service feel every fan should love. At times, I felt I was listening to The Postal Service, but without Ben Gibbard’s vocals that made Give Up an Indie classic. I also felt elements of Sigor Ros during part one that made the chill out vibe.

Personally, these EP’s should be listened to as a whole as they both complement each other. I found that listening to them separately isn’t as fun as one EP only has 3 tracks and the other has 5. Why this wasn’t released as a full LP is puzzling as I think it would be beneficial. The only thing I can think why Tamborello would do such a thing would be to pull something The Beta Band did later on down the road (ala The 3 EP’s)

Overall, I really dug these EP’s. It brought back great memories of The Postal Service. The only concern I have is that if you do check these out, be sure to listen to them as a playlist on your iPod because listening to them separately takes away all the fun.

Rating: 4 out of 5 (as a whole)

Written by Xander Deccio

With the success of her previous solo album, her group work in Rilo Kiley and the success of the songs she recorded with The Postal Service, Jenny Lewis is often looked to as the queen of indie rock. She is also hailed as a siren of the stage and on her new solo album Acid Tongue, Lewis attempted to capture the rawness of her stage show and make her second studio album sound like a live one.

While counting out a “one, two” on songs like “Godspeed” gives the idea that this is supposed to be live, many of the songs fail to capture the subtleties that are often found in the femme fatale’s live show. Stale string arrangements like those found on “Bad Man’s World” did little to improve this failed effect. The only song where I truly felt you could close your eyes and envision a stage in front of you was “See Fernando.” With its big guitar hooks that were lacking on much of the album and the even bigger drums, “See Fernando” is one of the more memorable songs on the album.

Lewis did say this was going to be a more diverse record than her previous solo album, however, she is at her best when she isn’t overdoing the backing vocals and instruments like she does on title track “Acid Tongue,” which simply pairs her lovely voice with acoustic guitar. When harmonies are used, they are more tasteful than those found on other songs. They compliment instead of burying her voice.

With stale arrangements, a tendency for Lewis to grasp at notes just barely out of her range and a lack of hooks, this album leans toward rather forgettable. There are a few songs that come close to Lewis’ usual grandeur like title track “Acid Tongue,” which does capture her usual sultriness, but the other tracks get to be so repetitious and ho hum, they run the risk of overshadowing the few great ones.

Jenny Lewis’ Acid Tongue will be released by Warner Brother Records on Sept. 23, 2008.

Tracklisting:
01. Black Sand
02. Pretty Bird
03. The Next Messiah
04. Bad Man’s World
05. Acid Tongue
06. See Fernando
07. Godspeed
08. Carpetbaggers
09. Trying My Best to Love You
10. Jack Killed Mom
11. Sing a Song for Them

Jenny Lewis: website | myspace

Written by: Bethany