popwreckoning

The great thing about most debut albums? A band can go balls to the wall and give it everything they’ve got and want to give, because they have nothing to lose and everything to gain. This definitely describes the Static Jacks‘ first album length offering to the world, If You’re Young. Despite the fact that the band hails from New Jersey, they sound more like the Libertines than Bruce Springsteen. They mix anarchic punk, the angst of youth, and remarkably accomplished instrumentation to create a really engaging sound.

My first introduction to the quartet was their impressive opening set in support of one of my current English rock band favorites, the Futureheads, in June 2010. I remember hearing them let rip onstage at the Black Cat and thinking, yep, I know exactly why the Futureheads chose them for support. While they must certainly have had different musical upbringings (the Static Jacks are very young: when I saw them, they all had Xs on the backs of their hands), I imagine the two bands’ mindsets are pretty similar: make it loud, make it powerful, and make it fun.

If You’re Young is, from what I can tell, a pretty good distillation of the band’s frenetic energy in live performance. Some of the songs are as chaotic as beloved Ramones numbers from the ’70s that should appeal to people who think American guitar rock is dead. (It’s not. There are plenty of indie bands in America. They’re just not getting played on the radio. Thanks Kings of Leon.) Opening track “Defend Rosie” tells you straight out from the gate that you are not dealing with just any band. The Static Jacks are a force to be reckoned with. “Girl Parts,” another high octane track, features added vocals from Ceci Gomez from Brooklyn band Beast Make Bomb.

But there are more melodic numbers that show off the band’s songwriting and musical ability. “Into the Sun” is a great example of this, with great guitar work and lead singer Ian Devaney‘s powerful vocal delivery. Other contagious tunes include “My Parents Lied,” a song I immediately picked up on live because of the infectious handclapping and minor key melody, and “Mercy, Hallelujah” and “Relief,” which both remind me of, dare I say it, the Boss. (I know. To some of you out there, that’s flat-out heresy. But I’m saying it because I want you to give this album a chance.) “Blood Pressure,” with its great singalong of “I’m afraid of the future / I want to share it with you” is oddly touching: as Devaney said in a recent interview about the album, “It’s mostly saying ‘if you’re young – or if you ever were – you’ll know where we’re coming from with these songs.’ These are pretty universal experiences that most people experience from their late teens and early twenties. It’s such a transition period, figuring out what you want to do and where you want to go. Youthful anxiety, I suppose.”

There are some surprising moments on here as well. “Sonata (Maybe We Can Work It Out)” is the band’s attempt at a tender ballad, with Strokes-like guitars, but its “partner” song, “Walls (We Can’t Work It Out)”, brings things back up tempo with feverish intensity. Considering their relatively young age, the Static Jacks have managed to put together a nice collection of hard rocking, memorable songs that show off their talents, talents that are sure only to grow. Catch the band live this fall as alongside New Yorkers the Postelles, they open for English rockers the Wombats. Will I be there for the opening night of the tour? You bet.

The Static Jacks’ debut album, If You’re Young, will be released in North America on August 30 on Fenway Recordings.

Track Listing
01. Defend Rosie
02. Girl Parts
03. Into the Sun
04. My Parents Lied
05. Sonata (Maybe We Can Work Out)
06. Walls (We Can’t Work It Out)
07. Mercy, Hallelujah
08. Blood Pressure
09. This is Me Dancing
10. Relief
11. It’s Such a Shame
12. Drano-Ears

Tour Dates
Oct 21 – 9:30 Club / Washington, DC*
Oct 22 – Johnny Brenda’s / Philadelphia*
Oct 24 – Jefferson Theatre / Charlottesville, VA*
Oct 25 – Local 506 / Carrboro, NC*
Oct 26 – Loft / Atlanta*
Oct 29 – Fitzgeralds / Houston*
Oct 30 – Parish / Austin*
Nov 01 – Granada / Dallas*
Nov 02 – Record Bar / Kansas City*
Nov 04 – Outland / Columbus*
Nov 05 – Subterranean / Chicago*
Nov 07 – Varsity Theater / Minneapolis*
Nov 10 – Wonder Ballroom / Portland*
Nov 11 – Venue / Vancouver*
Nov 12 – Crocodile / Seattle*
*opening for the Wombats

The Static Jacks: website | myspace | @ Black Cat

An all New York City bill went down at DC’s Red Palace Saturday night. The Postelles were in town to celebrate the release of their debut album on +1 Records on Tuesday. With them were their buddies Ambassadors and a band that surprisingly they had never run into back home, the Dig. I wasn’t about to miss a Postelles show; not counting this gig, I’ve seen them three times, and they never disappoint. Saturday’s show in Washington was as good of an excuse as any for the band to party with what lead singer/guitarist Daniel Balk counts as one of his favorite cities to play in.

Ambassadors was the only act of the night I’d never seen live before. I try not to overuse the word “eclectic” in any of my writing, but I don’t know how else to describe this band’s music. Their song “Bodybag” could have easily fit in Fleet Foxes’ repetoire. In another song, lead singer Sam Harris was using a bow on his bass guitar: unusual, no? Their closing number sounded more MGMT. Lead guitarist Noah Feldshuh had a Nord in front of him, which seemed strange considering Harris’s brother Casey is their dedicated keyboardist. They have some good songs, but I think trying to focus on one general genre would probably serve them well, so they would have a better chance at hawking their debut album (to be released sometime in 2011) around to labels.

Having seen the Dig open for two great British bands (Editors and the Joy Formidable) last year, I knew I was in for a treat. Personally, I feel that the Dig should have a larger profile on the American music scene, already having released a very good debut album last year (Electric Toys, review here). Their hard rock yet fun sound is the kick in the pants that American rock stations need. In addition to playing “Two Sisters in Love,” “You’re Already Gone,” and “Look Inside,” the band also played some new material that I hope will be released on a new EP or album sometime in the very near future.

Then 11:30 rolled around and it was time for the main event. The Postelles’ debut album has 12 songs, yet they only played 8 of them, which was a little disappointing to me, since I love the entirety of The Postelles. “Sleep on the Dance Floor” was peerless, as were “1, 2, 3 Stop” and “Hey Little Sister,” the latter with Balk asking the crowd to sing along at the end on the “hey little sister!” refrain. I don’t know how it’s possible, but the band sound tighter each time I hear them play, and it’s been great seeing their progression from support to headliner. I can’t wait to see where these guys go.

My only complaint: maybe the band is bored of playing the songs off the album, because they played what I considered two completely non sequitur cover songs. In the middle of the set, they played the late ’70s Wreckless Eric hit “(I’d Go the) Whole Wide World,” a song by an English singer/songwriter than I’m sure very few patrons present had even heard of. This was later followed by a cover of the Rivieras‘ “California Sun,” which is a fun summer song for sure, but I never put surf pop and the Postelles in the same sentence, so it seemed a little out of place. Still, it was a really enjoyable show, and it was obvious that the crowd was enjoying it as well. Loud, drunk girls shouted as to how hot bassist John Speyer’s vest and drummer Billy Cadden‘s v-neck t-shirt were. Is this the kind of reception the Beatles got in their early days?

Oddly, the sets grew shorter as the night progressed, with the Postelles only playing about 35 minutes, including the encore. I found out after the show that this had to do with a curfew (rats) but I was promised by Balk that they would return. Whenever the Postelles do, they will have a fanatical crowd waiting for them, no doubt about it.

The Postelles Set List
Stella
She She
Sleep on the Dance Floor
Looking Glass
Hey Little Sister
(I’d Go the) Whole Wide World (Wreckless Eric cover)
1, 2, 3 Stop
Running Red Lights
California Sun (the Rivieras cover)
Can’t Stand Still
White Night
//
Boy’s Best Friend

Tour Dates
Jun 15-16 – NXNE / Toronto
Jun 17 – Schubas / Chicago
Jun 18 – Summer Soulstice Music Festival / Milwaukee
Jun 20 – Tractor Tavern / Seattle
Jun 23 – Popscene @ Rickshaw Stop / San Francisco
Jun 28 – Echo / Los Angeles
Jul 07 – T.T. the Bear’s / Cambridge, MA

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night” | The Postelles Announce Fall North American Tour | @ Red Palace, February 2011 | The Postelles review
Ambassadors: myspace
The Dig: myspace | @ 9:30 Club | The Joy Formidable / The Dig Live Performances / Webchat on May 10 | Thrice announce 2nd leg of Summer tour w/Kevin Devine, Bad Veins & The Dig | Electric Toys review

It’s taken a long time, but the Postelles are finally releasing their album their eponymous debut album this upcoming Tuesday (June 7). The New York good time rock ‘n’ roll band – comprised of lead singer/guitarist Daniel Balk, lead guitarist David Dargahi, bassist John Speyer, and drummer Billy Cadden – are close friends and this is reflected by the musical harmony heard on The Postelles. Does this sound familiar to you? It should. They consider the Beatles a big influence musically, which should come as no surprise when you listen to the record. Major keys to the Fab Four’s success were excellent songwriting skills, equally excellent musicianship, and enough charm and charisma to send millions of hearts a-flutter. The Postelles already have #1 and #2 in the bag. It’s only a matter of time before #3 becomes a reality for them.

Strong songs and strong music is where The Postelles is at. This is an album that will get your toes tapping and put a smile on your face, because this is a band that excels in crafting the pop tune. It should also be noted that this album was produced by Albert Hammond Jr. of the Strokes, so you know there was good work done behind the scenes. If autotune (um, Kanye West) leaves you cold and you’re tired of style over substance (um, Lady Gaga), than this is the album for you. The most “high-tech” gadgets used on here are the maracas on “She She.” I used to think that this genre of rock was just a throwback to the ‘60s, but giving that label is doing a great disservice to the Postelles. It’s not easy in this day and age to write songs like they did back then. There’s so much pressure these days to use fancy thingamabobs in the studio. Why? Because they are there and you can. But when you’ve got songwriting chops and don’t need all that electronic wizardry, why use it?

The Postelles specialize in straight-forward rock ‘n’ roll: guitars and drums paired with lead vocals, augmented by tight harmonies. Seriously, how often do you go to a gig and not see a Macbook or synthesizer hooked up somewhere? The Postelles don’t need them. Take for example the single they released last year, “White Night.” Balk’s voice slinks up and down the notes effortlessly, with Dargahi’s backing vocals in response and in harmony just sound so sweet. If you’re like me and think Please Please Me was one of the Beatles’ best albums, this should be music to your ears.

And “Sleep on the Dance Floor” (watch the video below), the song that immediately follows “White Night,” is even better. This, along with so many others on the album, has a great singalong chorus. The Postelles want to entertain you, but they also want to engage you. Listen to this a couple times and before you know it, you’ll be crooning “fell asleep…on the dance floorrrrr…” along with Balk. Same goes for “Hey Little Sister,” featuring a rare lead vocal from lead guitarist Dargahi; and “Stella,” Balk telling off a girlfriend, finally leaving her, his bandmates shouting with gusto, “Stella, you’re on your own!”

Most of all, I encourage you to listen to The Postelles closely. The bass line in “Can’t Stand Still” can’t be beat. “Hold On” (acoustic, pared down version above) demonstrates the band’s deftness with the ballad; it’s a good break from the other songs of a pretty brisk pace. And by the way, “brisk pace” and “good-time rock ‘n’ roll” do not mean these guys from New York City are lightweights in the topical sense. A fact-based account of a former girlfriend of Balk and Cadden’s, “Boy’s Best Friend” is the realization that the girl you once went out with has now come out as a lesbian. “Whisper Whisper,” echoing Stephen “Tin Tin” Duffy’s “When You Go to Bed” more than Aerosmith’s “Janie’s Got a Gun,” provides insight into an abusive relationship.

Fifty years ago, the world was infatuated with the Beatles. Now it’s the time the world became infatuated with the Postelles.

The Postelles’ self-titled debut album will be released on July 7 in America on +1 Records. The band will be touring the U.S. and Canada in June and July.

Tracklisting
01. White Night
02. Sleep on the Dance Floor
03. 1, 2, 3 Stop
04. Boy’s Best Friend
05. Can’t Stand Still
06. Hold On
07. Stella
08. Hey Little Sister
09. Whisper Whisper
10. Sound the Alarms
11. Blue Room
12. She She

Tour Dates
Jun 07-08 – Mercury Lounge / New York City
Jun 10 – Kung Fu Necktie / Philadelphia
Jun 11 – Red Palace / Washington, DC
Jun 15-16 – NXNE / Toronto
Jun 17 – Schubas / Chicago
Jun 18 – Summer Soulstice Music Festival / Milwaukee
Jun 20 – Tractor Tavern / Seattle
Jun 23 – Popscene @ Rickshaw Stop / San Francisco
Jun 28 – Echo / Los Angeles
Jul 07 – T.T. the Bear’s / Cambridge, MA

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night” | The Postelles Announce Fall North American Tour | @ Red Palace

In Washington last year, two adjacent businesses on H Street Northeast, the tiny live music venue Red and Black Bar and the burlesque house Palace of Wonders joined forces to create a combined venue, the Red Palace. I’d seen some shows at the Red and Black and while it was intimate, the ambiance was nothing to write home about. The new and improved Red Palace, I am happy to report, is a revelation. The performance space is on the top floor of the place and is as intimate as my other favorite venue in the city, DC9 (no wonder, it’s owned by the same folks) and it cleans up real nice. For my first show at Red Palace, I was there Saturday night to see the band who provided my best gig of 2010, the Postelles of New York City.

There were two opening acts for the night. Toronto rock band Dinosaur Bones was up first. Bass player Branko Scekic endeared them to the audience by starting their set, whispering, “We’re Dinosaur Bones. And we’re from Canada. We’re a long way from home.” Enter the “awwws.” Interestingly, he was the one delivering the jokes for this band (not their singer Ben Fox), commenting how much he loved Washington, saying, “my favorite [thing to see in DC] is the Washington Monument, because everyone knows what it looks like, no dicking around.” Laughter.

But let’s talk about the music. Listening to them live the first time, I had trouble thinking of how I would describe them. They’ve got Led Zeppelin riffs; disaffected, post-grunge Aaron Lewis (Staind)-like vocals, and the occasional feel of Creed? “Royalty” was a sure highlight, what a sexy bass line and great guitars accompanying it. It’s also worth nothing their lead guitarist Joel Clifton has an uncanny resemblance to Megadeth‘s Dave Mustaine. Make of that what you will. The band’s debut album, My Divider, will be released soon.

Snowmine, the other opener, is a Brooklyn psych pop band. When I think of “Brooklyn” and “psych pop” I think of Bear in Heaven. Similar, but Snowmine has a more tropical vibe. Think Bear in Heaven meets Cut Copy. If Jurassic Park had a house band, it would sound like Snowmine. Their first track, “Danger in the Snow!”, began with prehistoric programmed rumblings. But most of their songs involve maraca and tambourine shaking and big beats, and I also thought of the new wave of Men at Work and Toto‘s “Africa” as possible reference points. Cool vibe. I was definitely into the more upbeat numbers like “Penny” and “The Hill.” They also have an album coming out soon, called Laminate Pink Animal. Check ‘em out.

It’s hard for me to comprehend that the guys of the Postelles are barely into their twenties. I’ve seen them three times now (once, opening for Hockey, and twice as a headliner), and they play like seasoned veterans. It may be because of the many times they’ve played in our town, they always get an amazing reception, and who doesn’t play a great show when you have a great audience? Their debut album has been delayed for a long while but rumor has it that it will finally be released in April; physical copies of The Postelles were available at the DC show.

They previewed two songs newer than those on the debut album, “Bum Bum Bum” and “Running Red Lights,” both of which were in the standard Postelles vein of classic rock ‘n’ roll. In these days of high-tech gadgets, programming, and autotune, it was so nice to see four guys singing and playing guitars, bass, and drums without relying on electronics. Their songs are so poppy and peppy, it’s impossible not to have a good time letting while this band is playing. The crowd, while interested in seeing the band, appeared stiff at the start of their set, but everyone was dancing by the time the band got to “Sleep on the Dance Floor” (with its killer bass line) and “White Night,” right before the encore. It wasn’t much of an encore, because as quickly as they had jumped offstage, they jumped right back on, singing “Boy’s Best Friend” (an ode to a ex-girlfriend who turns out to be a lesbian) and a raucous rendition of “Beat on the Brat” by the Ramones that will forever be cemented in my mind. (It’s not every day a faithful blogger like me gets to duet with one of my favorite bands!)

The Postelles Set List
Bum Bum Bum (new song)
Looking Glass
1, 2, 3 Stop
She She
Stella
Hey Little Sister
Hound Dog (Elvis Presley cover)
Running Red Lights (new song)
Sleep on the Dance Floor
White Night
//
Boy’s Best Friend
Beat on the Brat (Ramones cover)

Tour Dates
Feb 16 – Maxwell’s / Hoboken
Feb 18 – First Unitarian Church / Philadelphia

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night” | The Postelles Announce Fall North American Tour
Dinosaur Bones: myspace
Snowmine: website | myspace

Things are looking up for New York band the Postelles. They wowed crowds at South by Southwest in March. In May, they toured the UK as support for Sunderland, England’s Futureheads and played a headlining gig at famed London venue Koko. They toured with Alberta Cross in June, and then in July, they played a sold-out show at the Bowery Ballroom (and you can watch some backstage antics in the video below). And now they’ve just announced tour dates for the fall.

Tour Dates
Sept 05 – Northeastern University / Boston%
Sept 09 – Billy Reid store / New York&
Sept 18 – DC9 / Washington, DC*
Sept 24 – Great Scott / Allston, MA *
Sept 30 – Bar St. Laurent / Montreal $$
Oct 06 – Bowery Electric / New York City#
Oct 13 – Bowery Electric / New York City#
Oct 20 – Bowery Electric (CMJ Official Showcase) / New York City #
Oct 23 – Hideout / Chicago*
Nov 27 – Webster Hall / New York City**
Nov 29 – La Sala Rossa / Montreal **
Nov 30 – Mod Club / Toronto**
Dec 02 – 9:30 Club / Washington, DC**
Dec 03 – Royale / Boston**
Dec 04 – Water Street Music Hall / Rochester **
Dec 07 – Culture Room / Fort Lauderdale**
Dec 09 – Social / Orlando**
Dec 10 – Covenant College / Lookout Mountain, GA**
Dec 11 – Loft / Atlanta**
Dec 13 – Paramount Arts Center / Ashland, KY*
* headlining gig
% with Manchester Orchestra
& New York Fashion Week Event
$$ Pop Montreal
# Bowery Electric residency (free shows)
** with Fun. and Steel Train

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel | The Postelles Premiere First Promo Video, “White Night”

Photo: Mary Chang

New York good-time rock ‘n’ roll band the Postelles have just released the video for “White Night,” the lead single off their debut album coming out in a couple weeks. Last month the quartet played the famed London club Koko and toured the UK as support for the Futureheads, then returned to our side of the pond for dates with Alberta Cross and an appearance at Bonnaroo.

The Postelles’ self-titled debut album will be released in America on Oct 12 on Capitol/Astralwerks.

Tour Dates
Jul 28 – Bowery Ballroom / New York City (CD release party)
Jul 30 – Great Scott / Allston, MA
Sept 18 – DC9 / Washington, DC

The Postelles: website | myspace | interview with | @ Rock ‘n’ Roll Hotel

Photo: Mary Chang

Like Passion Pit, Hockey is an American band I was introduced to last winter not by American radio but by the lovely Nemone Metaxas, one of my favorite DJs on BBC 6music. I loved the exuberant “Too Fake” the first time I heard its electronic dance pop goodness through my computer speakers. My interest in the Portland band was further piqued when I learned they had toured in the UK in early 2009 as support for Friendly Fires. The problem was getting a chance to see the band stateside. The band has toured North America a couple times now, but had never played in D.C., so when I got the alert a while back that they would be playing the Rock ‘n’ Roll Hotel, I was chomping at the bit.

The opening act for the night were the Postelles, a New York City band that Rolling Stone has described as “channel[ing] Joe Jackson and Elvis Costello and – more recently – the Arctic Monkeys and the Strokes, building songs from brief guitar stabs and sounding like the wound-up early hours of what will be a long Saturday night on the town. There are elements of both mod and post-punk, but the Postelles have a sneering attitude all their own…” Interesting description. Frankly, they sound to me more similar to New York-based indie rockers Locksley and Sunderland, England’s Frankie and the Heartstrings, bands that have gone back in time to perfect the ‘60s pop / rock ‘n’ roll band model.

Make no mistake: the Postelles have a sound all their own and they sound great live, led by lead singer/guitarist Daniel Balk’s yearning vocals. Sometimes I wish I had the talent to come up with a good pop melody. The Postelles definitely can, as evidenced by the guitar-jangly “Sleep on the Dance Floor,” one of their set’s highlights. The title of the song “Hey Little Sister” sounds like it was written by Lennon/McCartney (do “Hello Little Girl” and “Little Child” ring any bells?), and I thought it was just amazing live, guitarist David Dargahi taking on lead vocals and mixing things up a bit. In a way, I was glad the Constellations canceled, because that meant we got a longer set from the Postelles than fans in other cities. The band’s debut EP White Nights was released the first week of March on Capitol Records / Astralwerks and is available now.

The Postelles Set List
Looking Glass
White Nights
She She
New song
Beat on the Brat (Ramones cover)
Stella
Hey Little Sister
Can’t Stand Still
Sleep on the Dance Floor
1, 2, 3 Stop

Hockey were supposed to go on at 10 (with the Postelles at 9) but they didn’t actually get on stage until 10:40, fortuitous for latecomers who crammed in at the front of the stage. When the band came on stage to tinker with their instruments, lead singer Ben Grubin flashed me a grin, so I knew I was in for a good show. Their debut album Mind Chaos is such a fun, fun record that I had way too high expectations, envisioning that they’d all appear dressed as colorfully as their record with hats and bandannas, and be jumping all over the stage. No such luck.

Instead, Grubin came on in a trademark hoodie but soon peeled it off to reveal a stripy white and orange tunic over black jeans. He was bopping around the stage excitedly and man-handling his microphone reminiscent of another of my favorite musicians, Londoner Patrick Wolf. Alternately between guitar, harmonica (for the folky “Four Holy Photos,” proving the band’s versatility), and a percussion set-up, he was clearly the star of the night. Seeing that Wednesday was St. Patrick’s Day and the crowd at the RnR was rowdier than normal for a weeknight, a new song that I think is called “DJ” seemed entirely appropriate, introduced by Grubin as “[Irish] jig and bluegrass music.”

“3 A.M. Spanish” was a high point of their set, the bass lines from Brian White and hot beats from touring keyboardist Ryan Dolliver just fabulous with Grubin’s hip hoppy vocal approach, punctuated by yelps for the chorus. They also didn’t disappoint with my absolute favorite song from Mind Chaos, “Song Away.” If there was ever a song that could lift your spirits, this is definitely it, with its refrain of “tomorrow’s just a song away.” And really, it is, isn’t it?

Check out this video of the song from their performance at Lollapalooza last summer. I hope this explains why I don’t have too many good photos of him, the man cannot keep still! Just thinking about it, I’m so eager to see the band again very soon.

Hockey Set List
Work
Learn to Lose
Rebels Marry Young (new song)
3 A.M. Spanish
Four Holy Photos
DJ (new song)
Curse This City
Song Away
Preacher
Wanna Be Black
Everyone’s the Same Age
Too Fake
Put the Game Down

Tour Dates
Mar 21 – Snug Harbor / Charlotte
Mar 23 – Mercy Lounge / Nashville*
Mar 24 – Drunken Unicorn / Atlanta*
Mar 25 – Cafe 11 / St. Augustine, FL*
Mar 26 – Club Downunder / Tallahassee, FL*
Mar 27 – Bottletree / Birmingham*
Mar 29 – Thirsty Hippo / Hattiesburg, MS*
Mar 30 – Spanish Moon / Baton Rouge*
Apr 01 – Warehouse Live / Houston*
Apr 02 – Emo’s / Austin*
Apr 03 – Loft / Dallas*
Apr 05 – Brewing Company / Santa Fe*
Apr 06 – Larimer Lounge / Denver*
Apr 07 – Kilby Court / Salt Lake City
Apr 08 – Neurolux / Boise*
Apr 10 – Wonder Ballroom / Portland*
Apr 16 – Coachella Music Festival / Indio, CA
* with the Postelles

Hockey: website | myspace | @ Lollapalooza 2009 | interview with | @ Midland
The Postelles: website | myspace

Two of the four wonderful fellas from New York’s The Postelles took some time to chat me up about what they’ve been up to and where the year will take them. Hit play to listen to “White Night” and check out what they have to say.

boomp3.com

Jessica/PopWreck(oning): Hey guys, thank you for wanting to work with PopWreck(oning). We dig your sound and are glad you’re taking some time to talk with us. When and how did The Postelles come to be?
Daniel Balk: Thanks so much, we love PopWreck(oning). We met in high school in New York and have been playing music in separate bands up until eight months ago when we started The Postelles.
PW: How did you all first get involved with music; playing, writing, performing?
DB: I’ve wanted to be a musician since as long as I can remember. From the first time I heard The Beatles in 1st grade, I wanted to be in a band. The Beatles were so well known for the fact that they wrote all their songs, that it made me want to be a songwriter above anything else.
Billy Cadden: I grew up in Woodstock and ever since I was a kid I have been around music. It has always been a part of my life. My first touring experience was actually with the Indigo Girls, because my mom was friends with a band member. They would let me go out on stage when I was little and would often serenade me with “Billy Don’t Be A Hero” which was cool. The reason I took up the drums was because, in my first band, every other instrument was taken, but the drums worked out for me nonetheless.
PW: Having lived in New York City for several years myself, I know what a chaotic yet amazing and diverse place it can be � how has living in New York influenced your sound and who/what do you consider other influences?
BC: New York has one of the best music scenes so I feel lucky growing up here and getting to go to a lot of live shows. Two of my biggest musical influences are Kings of Leon and Muse. After seeing both of them at Lollapalooza and then again in the city, I know what I want everyone who sees us to feel from our live performance.
DB: New York definitely gives you more of a push to be the best you can be, because there are so many good bands competing to play at the same music venues or get on the best New York blog or whatever. Other than the city, I’m musically influenced by tons of bands, some being The Beatles, The Band, Bob Marley, Jimmy Cliff, The Supremes, The Ramones; the list could go on forever.
PW: What are some of your favorite places to hang out in the city and catch a show?
BC: I really like Webster Hall.
DB: A lot of venues are over 21 so its tough for us as we are all under 21. But Bowery Ballroom is great for shows, best sound in the city.
PW: One of my favorite places is the Bowery Ballroom, too! You guys just recently played a show there; what was that like?
BC: It was insane. Some of my favorite bands have played the Bowery so I was really excited to get on that stage. We also had our own VIP section blocked off upstairs for us. We never used it, but it was nice to have.
DB: As I said before the Bowery has the best sound in the city. It was amazing to be up on the same stage that The Strokes, Libertines, Wilco and so many other bands have played. It definitely felt surreal. It was also nice having a crew carry our amps, which we’ve never had before.
PW: Next month you leave for a stint in Europe, do you have plans to tour the States anytime soon?
DB: Yeah, we do. We got the opportunity to tour Europe first so we took it, but we are planning to go through the US in June and July. But check our MySpace, we’re always adding new gigs every week.
PW: Your song “White Night” appears on Tank Farm Clothing’s “Future Sounds, vol. 31″ (which is available for free with any online purchase) � how did you get to be involved with that project?
DB: Future Sounds Blog really liked “White Night” so they featured it on the compilation. Other than that, we didn’t have much to do with it, but I do think its really great and has some really good bands on it.
PW: Retone Records recently released your self-titled EP: What went into making the record and did you achieve what you set out to with it?
BC: We went in to the studio without a producer or any outside ears, so it was a real learning experience for us. We learned a lot about our instruments and the whole recording process. I am still very proud of the record.
DB: Writing wise, the EP was a lot of work, but we recorded the six songs in four days. We wanted the EP to sound exactly like we do live and I think we achieved that. We still enjoy playing the record live which is great.
PW: What does the rest of 2008 hold for The Postelles?
DB: Hopefully a lot of shows and a record release of some kind. We are recording right now and should have something new to release soon, but 2008 is going to be a lot of fun.
PW: Be sure to give us a heads up on the new record!
BC: I am looking forward to touring the most. Going on tour with other bands while traveling across the country has always been a dream of mine.
PW: What are you guys listening to right now?
BC: In the past week or two my most played song is “Midnight Surprise” by Lightspeed Champion. Our guitarist David and I recently saw him play and actually got to meet him. The show
was amazing. He even played a song he has never played live before as per our request.
PW: I just saw him last week, as well. It was so, so good! And Dev is just so sweet.
DB: I think the MGMT song “Weekend Wars” is amazing. Other than that I’m not too in love with anything going on right now, but I do like Lightspeed Champion a lot. There are a few new bands I like, but I think overall the music scene needs something fresh. It seems like a lot of bands are trying to outdo each other in terms of being different and not focusing on actually writing good songs. Some bands are more interested in the scene, rather the music, but there are some good new bands that I feel are changing that.
PW: That’s probably a fair assessment about some bands. Well I hope you guys set out to change that! Thanks again for talking with me, it’s been wonderful getting to know more about The Postelles!

The Postelles: myspace