popwreckoning

Check out Brendan Benson’s new music video for the track “A Whole Lot Better.” It’s a psychotropic three and a half minute performance video that makes very cool use of a kaleidoscope effect and really emphasizes Brendan’s high energy live show. It also features his touring band-mates Brad Pemberton on drums (Ryan Adams), Jared Reynolds on bass (Ben Folds) and Mark Watrous on guitar and keys (The Raconteurs).

Brendan Benson: website | myspace | My Old, Familiar Friend review

It seems Zee Avi has outgrown the First Unitarian Church’s Chapel. I can attest to the because, despite having the 9:30 show cancelled after the 7:30 show sold out (9:30 tickets were honored at 7:30), I arrived just ten minutes after doors and was forced to sit on the chapel’s stone floor as all the pews were packed. Sitting on the floor isn’t a complaint — I’d lay on a bed of nails if that’s what it took to have to see Zee perform — but, listen up R5 Productions, I’d like to recommend either keeping the second show or moving down the basement next time.

It was a nice surprise when Philadelphia locals The Mural and the Mint took stage to open for Zee; I’d been expecting Patrick Keeler (Zee’s drummer, whom you may remember from such bands as The Greenhornes and The Raconteurs) to open, which, sure, had confused me because he’s a drummer, but I’d merely misread an email. It was a delight to have the no-frills native indie pop quartet grace the pulpit providing catchy hooks with the occasional lapse into cacophony. If front man Michael Kiley‘s use of the ukulele isn’t enough to win you over (it should be), you can’t not love that The Mural and the Mint gives away all of their music for free. Head over to the band’s official page to score their debut record, Private Pockets, for nothing more than a suggested donation. Catch The Mural and the Mint on MySpace to sample some tunes and, if you like what you hear, please do donate even a small something so they can continue to make beautiful, sincere music.

A short standing intermission was rather welcomed during the set change as lower extremities took to falling asleep as my concert companions and I sat on the floor, but we were excited for Zee to take the stage. She was greeted with a burst of applause upon taking her seat on the pulpit. The set started off with some technical difficulties for her bassist which was more than worth the wait when the heavy, jazzy thumping finally resounded through the amp. With the voice of an angel, if you believe in such things, Zee kicked off the set with the jazzy “Poppy,” a eulogy about the deadly results of opium use; “My baby he don’t act like himself no more: / He lost that smile I use to adore. / He spend his nights slapping his veins / He lost that glow he used to have on his face.”

After a heartfelt cover of Interpol‘s “Slow Hands,” the set took on a joyful tone as Zee performed “The Traveler,” a hook-filled song which she’s only performed live. “I Am Me Once More” brought back that beautiful jazz sound Zee excels at before she teased the crowd about performing “Honey Bee,” her only love song and crowd favorite. There’s so much beauty in the seeming simplicity about a bee rescuing its love from the mindless drones of the beehive: “Oh my darling honey bee / I’ll come save you / Even if it means I’ll have to face the queen.”

The remainder of the set was largely a party with a musical triumvirate of single “Bitter Heart” preceding “Just You & Me” and the Manglish (= Malaysian + English) “Kantoi.” “Kantoi,” Malaysian for “busted,” is a fantastically poppy song despite its unsettling subject matter of a woman catching her boyfriend cheating on her, but it’s not so bad since she was cheating on him, too. Ah, love.

Discontent with a short eight song set, the crowd demanded another from the petite Malaysian songbird. Fortunately, she obliged and played a song that has been stuck in my head going on three days, Morrissey‘s “First of the Gang.” It needn’t be said that Moz is a legend and while he doesn’t have a reputation for being the sweetest fella, I can’t imagine he’d be at all mad at Zee’s sweet, delicate vocals doing eons of justice to this 2004 hit track. Taking another cue from Morrissey, Zee performed this as her solo encore song as Moz did at the end of many of his shows during his 2009 Tour of Refusal.

Last night, Zee Avi stole our hearts away.

Set List:
Poppy
Slow Hands (Interpol)
The Traveler
I Am Me Once More
Honey Bee
Bitter Heart
Just You & Me
Kantoi
//
First of the Gang (Morrissey)

Head over to Popwreckoning’s YouTube page to catch some footage of Zee during her previous stop through Philadelphia.

Zee Avi: website | myspace | @ webster hall
The Mural and the Mint: website | myspace