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Less than Jake @ the Metro, Chicago IL

Less than Jake @ the Metro, Chicago IL

The Swellers

The first band for the evening came on to the stage promptly at 6:40. They are known as , a local (Flint, Michigan) pop-punk band that shares a record label with . Sounding very melodic-punk with a punch of metal thrown in, the band played very well adding punches of their influences from chunky 90′s alt-rock with melodic choruses. Singer/Guitarist understood how to add some edge to the music, but I still felt that they fell just slightly short of what they could be as a whole. The songs (mostly off their newest Fueled By Ramen release) were solid, well played, and hooky but without the catch. While most of the crowd was entertained, nothing was over-the-top special. Rating: B -

The Casualties

Second up was the always furious stylings of . The band’s political sound of anger, fury and fist-pumping speaks volumes to the masses of disenchanted teenage punks in the world and have started to become a new staple on many a 16 yr. old’s rotation list. Not being known for their songwriting, The Casualties are better suited for stories regarding their live shows rather than their records – think more along the lines of a European Football match than US rock club – full of chanting and “oohs.” Much of this Casualties show was filled with previous catalog material of blistering favorites like the work song “World Belongs To Us,” Clockwork” and an electrifying cover of ‘ “Blitzkrieg Bop.” And as the energy rose, the bodies hit hard during three ‘walls of death’ and numerous circle pits which the venue seemed not quite ready for, but tried to deal with the best they could. Overall, after playing over 40 min and a set list in the double-digits, The Casualties called it a day but not before a sing-along (“War is Bitches”) and one fan-fueled fist fight over the lead vocalist’s scarf. Great energy and solid audience participation. Rating: A

Less Than Jake ltj

After playing a highly sought after show in Detroit the previous night, took to the cold streets of Chicago to pack in a crowd at the legendary Metro only mere hours before the upcoming Thanksgiving holiday. With over 15 years under their belts, the band still share the same passion and dedication to their music as they are their fan base – they are renown for giving every bit of it back ten-fold.

As stage openers go, LTJ aren’t a band to try and impress anyone unless your idea of being wowed is watching a band with such history enter amongst the theme song to ‘Night Rider,’ thus announcing that on this night Nostalgia would rule the day. However once the band take their positions, raise their instruments and blares out the first note to “Automatic” all thoughts are focused on the boys with the brass.

While blazing through the first four songs in a long list of regulars and favorites, and went the extra mile to wildly weave in and out of the their fellow bandmates to ramp up the crowd’s energy. Hand-clapping helped to syncopate the ever-driving “Does the Lion City Still Roar”, while numbers like “National Anthem” and “Suburban Myth” helped to propel the audience to rush the stage in a dancing frenzy.

When not singing, you could often catch and performing their rich audience banter with such digs on boy-band phenoms and pretty-boy “Hometown Hero” ; only to remind the audience that the current show was going to be “the most honest rock show you will ever see” – one can only look at the track record of this tenured band to see that the boys in LTJ have stuck to their guns and surpassed the test of time while never having any “Greatest Hits.”

With JR’s and Buddy’s horns lighting up “Liquor Store” and breaking down the walls on “All My Best Friends Are Metalheads,” “Never Going Back to New Jersey,” on “Ask the Magic 8 Ball,” Roger took to the mic for some much-needed lowering of temperature in his band mates and after a few Chicago shout-outs to such notables as ‘ front man : a smooth rendition of “The Science of Selling Yourself Short” was quickly dispensed.

Other songs like “Conviction Notice,” “Al’s War” and “History of a Boring Town” all found the band in top form and proved that no matter their long road status, the boys in this band are showing no sign of slowing down. And to show that they still have love for the retired-filled southern city from where they hailed almost two decades ago, LTJ showed service to their fans by showing they are in fact “Gainsville Rock City.”

To round out the evening “The Ghost of Me and You,” “Nervous In the Alley” and “Look What Happened” were blasted out to leave the evening on a high note.

As shows go, this one is to be remembered. A highly-intense connection to the audience, trips down memory lane with storytelling, and one headbanging contest later, Less Than Jake threw one kick-ass party for all in attendance. The band noted that their last date to play The Metro was in 1998 and much has changed in music since, but one thing has definitely stayed the same – Less Than Jake’s commitment to their fans and music. Hopefully with a little luck the boys in this band will still be making us smile for another 15. Rating: A+

Written by Matt Miles.

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Interview with: Nathan “Brace” Paine of Gossip

Interview with: Nathan “Brace” Paine of Gossip

is currently on tour, rockin’ the country. Last month, Sara had a chat with guitarist Nathan “Brace” Paine and talked about European radio, queers, fat girls, and their newest release, Music for Men.

Sara, PopWreckoning: In an age of music where so many genres are bent and merged, how would YOU classify Gossip?
, Gossip: God, how would I classify us into a genre? I don’t know, I mean, that’s kind of a hard question. Cuz we enjoy sort of spreading out. I don’t know. How would I classify Gossip? We’re a band.
BOTH LAUGH
PW: Well what I mean is, there is so much music that’s genre bending and merged together. There’s so much music that breaks all the rules. So what would be the best way, for someone who hasn’t heard you guys before, to describe you guys sonically?gossip
NP: Oh jeez. I like to think sometimes that we’re a soul band?
PW: I like that. You don’t have to pick just one genre!
NP: Uhhh…..a soul disco band.
PW: Soul disco! I like that!
NP: Like a soul-disco-pop ticket?

PW: I would have said something similar! I read about you talking about this Suicide Club in Portland?
Nathan: Oh yeah, yeah.
PW: Tell me about it, and why is it illegal?
NP: Umm…Maybe I shouldn’t be talking about that.
BOTH LAUGH
NP: Um well, it’s not that it’s illegal. It’s like an underground spot, in this little illegal warehouse bar. That was a dance club that I did for years in Portland that was like post-punk music and electro and sort of everything.
PW: Any chances of it coming back?
NP: I don’t know! I mean, I would LOVE to, but it’s just…I tour so much it’s hard to sort of set up a proper party, y’know? Cuz you’ve gotta take time to flyer around town, and I’m not there to flyer. But yeah, I love to DJ. I was thinking about doing a new night. So, possibly, yes.

PW: Ok, you were mentioning touring so much. You guys have….Europe has been really good to you guys, yes?
NP: Yes!
PW: Tell me a little bit about that.
NP: Yeah, Europe’s been really good to us and I can never really figure out why. I feel like we approached things the same way over there as we did over here. I don’t think there’s necessarily anything we did different over there. It’s just…people really rallied us from the get-go over there. I don’t really know why. I think, I mean, y’know… Maybe it’s cuz we’re from the South in America and it’s different, y’know? But I don’t know. And y’know the radio over there too is interesting. Cuz in America they say it’s not pay to play. But mainstream radio is COMPLETELY pay to play. And they only stick to certain playlists. The DJs have no power over what they want to play, really. In Europe, like in the UK, on a BBC or whatever, the DJs actually get to pick what they want to play. It can be totally indie, totally independent, or not. I mean, they have a few things they have to play like anything else. But it’s definitely more freedom on the radio over there. So I think that might have something to do with it as well? I don’t know.
PW: Huh. That’s interesting to hear. I didn’t know that about radio in Europe.
NP: Yeah it’s really… I don’t know if you’re familiar with . He’s like the British guy who….
PW: Yeah, I was reading a little bit of Beth’s (lead singer, Ditto) comments on that.
NP: I think he really started something amazing over there with this weird radio thing and playing records you like and that you want to champion that are not popular.
PW: That’s awesome. That’s really awesome. We need more like that over here.
Nathan: Ohhh… We need a Jon Pill so bad.

PW: (Laughing) Um…speaking of your guys’ success in America, you guys, last year, got some exposure from MTV on a couple of spots.
NP: We did!
PW: Did that help build your US fanbase some?
NP: Oh yeah, I remember that. I don’t know. We haven’t really played America since then. We played in Seattle recently and we’re touring in October, so we’ll see.

PW: Ok! You’ve said that nothing has changed for you guys since you broke through. Is that really true? Have there been no major changes at all?
NP: You mean personally, or whatever?
PW: In any way, shape, or form. You said that you guys still live in the same house?
NP: Oh yeah yeah….I do, we do. I mean, well, Beth just bought a house, but there have been a couple changes, but I still really feel like we’re the exact same people. I don’t think it’s effected us really. I mean, we’re on a major [label], so there’s like, y’know…there’s some better treatment or whatever. Like, the tours are cushier. But those are little changes. I don’t think personally it’s affected us really. In our day to day lives, I don’t think we really feel it.
PW: That’s cool that you can remain so grounded around all that.
NP: Yeah, it’s really important to think about, I think. I think we all try to keep ourselves grounded all the time. I think it’s important. To continue to be creative, I think you have to do that.

PW: Yeah, definitely. Speaking of things that are important, you guys have become role models and icons for both the LGBT Community as well as Beth, for plus-size girls everywhere. How does that feel?
NP: I support it 100%. I really think that Beth as this icon for girls as well as the Queer Community…I think it’s really special. She’s something that’s not really seen in the mainstream world and I think that what she’s offering up is really good and interesting and it’s also just about equality. And people say it’s not true, but it’s SO true that there’s fat-phobia in the world. How often do you see fat people on TV? I think there’s a total negativity connected to it. And I love that she’s started to change that and I think that’s amazing.
PW: Yeah that girl has balls.
NP: Yeah…
PW: She really does, I admire her so much.
NP: Yeah, it’s a really powerful statement and I really enjoy being supportive of her and being a part of it with her and the band. I think it’s a beautiful thing.
PW: I love how you use the word “Queer” in reference to the Queer Community, with complete and total pride and without any fear or anything.
Nathan: Yeah, it’s funny…well not funny…because I’m straight and I have so many friends that are gay and part of that community. It’s something that should be – something I don’t think people should be afraid of. We’re living in a time now where differences like that should not matter at all. It’s kind of a ridiculous topic to even be brought up because this shouldn’t even matter.

PW: I agree. How do you guys manage to keep things so simple while still having such a full and heavy sound?
NP: We usually try not to do…like, we’re the opposite of , like, no guitar over-dubs. We try to keep things really simple. Like there’s no over-dubs at all. There’s one guitar line. There’s no over-dubs. There’s no bassline. We try to keep it minimal, that’s really important to us. Over-production can be really irritating to me. Somebody like are perfect.
PW: But is there a trick to getting everything to sound so heavy while the instruments are so simplistic? Is it just passion that you guys got in there? What’s the trick?
NP: I don’t know. I guess so. (chuckles).

PW: With your best effort can you describe Music for Men sonically and how it’s different from your previous albums?
NP: Well sonically, it’s the most hi-fi recording we’ve ever done. A lot of thought went into production and mic placement and all that. So its super-well recorded. It’s really clean, pretty crisp. It’s different than other records because on this record I actually play bass and piano and synth, and on our other records it was just guitar. There was no bass or anything really. So it makes a big difference on the record.
PW: Yeah, I’m sure. Do you have any last words for our readers, or your fans, or anyone at all?
NP: Stay tough.

PW: Oh! I have one more question that I completely forgot about!
NP: Ok!
PW: Do you guys have anything that you really want to accomplish that you haven’t yet, thus far?
NP: That I personally want to do?
PW: You personally or as a band….
NP: I’d like to write a book! That would be a fun project.
PW: Yeah! Ok! And stay tough!
NP: Yep. Stay tough!
PW: Nathan, this was great. Thanks so much for your time!
NP: Yeah, I had a lot of fun!
PW: I think it was one of my favorite interviews that I’ve done so far!
NP: Aw! That’s sweet! Thank you!
PW: Yes, thank you!
NP: See ya, Sara!

Gossip: website | myspace

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Indie Rock Karaoke @ Studio B, NYC: Ted Leo performs, Andrew W.K. hosts

Indie Rock Karaoke @ Studio B, NYC: Ted Leo performs, Andrew W.K. hosts

If you have Andrew W.K. hosting a charity event, it’s fairly certain someone somewhere will feel the need to “Party Hard”. Clean-cut, non bloody-nosed, and newly married Mr. W.K. got the crowd revved up with his infectious positivity, motivational speaker-y vibes and encouraging personality. He sounded off on charity ventures through NYCares, the power of rock n’ roll, and how is about good music, friends, fun times and “crushing the ego” in the name of good clean fun and coming together for a great cause. Thanks to NY Magazine, this yearly charity event is quickly becoming one of their more successful and crowd-pleasing benefits. Add ‘unique’ to the aforementioned since audience interaction makes it all the more worthwhile.

All eyes were on Andrew since it’s impossible not to love and respond to that high-energy and optimism. In fact, he’s so gracious that just being in his presence actually makes you want to be a nicer person. After discussing the importance of NY Mag’s annual coat drive for the homeless, he urged everyone to get involved in their other charitable initiatives for the greater good of New York. He then gave shout-outs to sneaker company Saucony for donating sneakers as raffle prizes, Glaceau (Smart) Water and Vitamin Water for the complimentary hydration, Cape North Vodka for purveying free booze during cocktail hour, as well as Gibson guitar for donating a badass guitar to one very lucky raffle winner. Blessed are the punctual event-goers who got there early since they actually enjoyed the free booze and the chance to sign up on the first come-first served master Karaoke list of classic punk songs and old favorites to be performed with backing band…

Ted Leo and the Pharmacists! Before the karaoke action could commence, the crowd enjoyed their full set that made our collective hands clap, toes tap and fingers snap. They amped up the crowd with their indie-punk sensibility during “Where Have All The Rude Boys Gone?” and “Counting Down The Hours”, as Leo played his guitar faster than Bobby Flay chops onions. Then they took it down a notch to a more reggae-friendly place while playing tracks off their most recent Living With The Living. Their new stuff maintains hard punk edge while providing a danceability that somehow works. Ted himself intimated that he now “has it all,” combining his love of black metal and dance hall. Oh Ted. Perhaps my favorite moment of their set was a rousing performance of “Hearts of Oak” with a guitar loop at the end that seemed to go on forever as he segued into the next track, “Heart Problems”, which he said had to do with the sorry state of universal health care in America. They closed with “Timorous Me”, and there was absolutely nothing timorous about it!

In between Ted Leo’s set and the actual Karaoke portion of the evening, Brooklyn’s own had a DJ set that was actually pretty good, considering I’m not always the biggest fan of disc jockeys, but the karaoke portion was the true star of the evening.  Andrew W.K. started it off with a rousing take on ’s “Louie Louie” that got everyone up on their feet.  His hyperactivity always translates into memorable stage presence, as he’d shake and sway, punch the air and perform some kind of dropkick dance moves, I was waiting for him to give himself a bloody nose and I don’t think I was alone there.

The rest of the evening remained high-spirited and fun as audience members took to the stage and sang song after song with Ted Leo and company backing them up from artists , , and other crowd favorites (see set list here).With such an action-packed event, it’s hard to pick a highlight and sounds corny if I were to say “everything rocked equally,” but it’s true.  Between Andrew W.K.’s likability, Ted Leo’s ever-enjoyable live sets, and karaoke, everyone left a winner.  I leave you with a few of my favorite karaoke performances.  Drunk, sober, stage-frightened, what-have-you, they’re hysterical:

-The Kingsmen – “Louie Louie” (Andrew W.K.)
-The Outfield – “Your Love” (random event-goer, my favorite performance)

If you want highlights of each performance in one clip, this guy uploaded ‘em on YouTube.  Check ‘em out!  (Part 1, 2, 3, 4, and 5).  Watch out for ‘s “Since U Been Gone” and ‘ “Blitzkrieg Bop.”  Both are highly entertaining.  But the winner of the evening was ‘s “Respect” cover.  Ahh, of course.

Posted in Concerts, New YorkComments Off


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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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