Mad Rad, Das Racist and The Thermals brought the house down at the free Sasquatch Launch Party at the Showbox at the Market last night, where the lineup to the now four-day festival would be announced.

Put on by Livenation and Sasquatch creator Adam Zacks, the launch party was MC’d by Comedian Todd Barry, who kept the crowd entertained between sets with dry wit and some fake teaser headliners.

“If you love me now, you’ll love when I play a set between headliners Elvis Presley and the Beatles, and tickets are only $7!” Barry proclaimed sarcastically to the less-than-attentive crowd. But I guess that’s what you get when you have a free show.

After Mad Rad and Das Racist played their sets, the lineup was announced in a video like previous years, which was played twice over, most likely so people could get a second look because they were freaking out too much over the Flaming Lips.

So far the lineup includes:

Death Cab for Cutie, the Decemberists, Modest Mouse, the Foo Fighters, Robyn, Wilco, Flying Lotus, Bright Eyes, Flogging Molly, Rodrigo Y Gabriela, Das Racist, Sharon Jones & The Dap Kings, Iron & Wine, The Flaming Lips.Black Mountain, Macklemore and Ryan Lewis, the Head and the Heart, Mad Rad, the Moondoggies, Noah & The Whale, Sam Roberts Band, Secret Sisters, Twin Shadow, Wye Oak, Tig Notaro, Smith Westerns, Rival Schools, Foster the People, Alberta Cross, S. Carey, White Denim, Washed Out, Gold Panda, Dan Mangan, Axis of Awesome, The Globes, Cotton Jones, Jaill, Basia Bulat, Other Lives, The Bronx, White Arrows, Pepper Rabbit, Talkdemonic, Rebecca Gates and The Consortium, The Young Evils, Bassnectar, Pink Martini, Cold War Kids, Old 97′s, Ratatat, Wolf Parade, Chromeo, Guided By Voices, Yeasayer, Beach House, Local Natives, Matt & Kim, Deerhunter, Mstrkrft, Trailer Park Boys, Sleigh Bells, Major Lazer, Skrillex, Fitz & The Tantrums, !!!, Archers of Loaf, Against Me!, The Thermals, Best Coast, CSS, Surfer Blood, Jenny & Johnny, Bonobo (DJ Set), City and Colour, Reggie Watts, K-Os, Gayngs, Tim Minchin, The Drums, The Radio Dept., Young the Giant, The Antlers, Sharon Van Etten, Villagers, Stornoway, Aloe Blacc.

Tickets go on sale on Feb. 14th starting at $79.50 per day and $285 for three-day passes.

Go to http://sasquatchfestival.com/ for more information or to purchase tickets.

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After an amazing show in Seattle, from what I heard, The Thermals played their first show in Olympia on Sunday at the all-ages venue The Northern. A refurbished storefront, The Northern is perhaps the most rundown venue I’ve ever been to, so it was cool to see that the Thermals chose to play there.

Strong advocates for the All-Ages Movement Project, The Thermals brought close to about 100 people to the tiny dimly-lit venue on Sunday, but it didn’t really matter how many people were there, because The Thermals are never low on energy and always promise a good time.

Opening the show was White Fang, the self-proclaimed “Portland’s Favorite Shred Pop Drug Punk Spazz Rock Good Guy Band.” It personally wasn’t my cup of tea, but it was definitely fit for the Olympia crowd, which you could call a dirtier version of Seattle. Yeah, Olympia is like Seattle, but dirtier.

All of White Fang’s songs were around 1-2 minutes long, and were so indistinguishable that you didn’t even have time to get into the songs.

“This song is about being younger than someone. It’s called ‘Younger.’”

Featuring lots of fake seizures, homoerotic state antics, and some semi-nudity, White Fang is definitely a band that puts on a show, and whether or not I liked the music, I appreciated the power they had on stage.

At this point, a few more people had stepped through the door, but literally it was the smallest crowd I’ve ever been a part of. Actually my friend’s roommate was working the lights that night, and he told us that the Northern didn’t make any profit until 16 people bought tickets. And at $8 per person, you can guess how much each show cost them to put on.

Hey, now’s a good place to recommend that you donate to your local all-ages venue, because like the Northern, most don’t have a lot of money and some are close to being shut down.

After the 20-or-so-minute intermission, Olympia locals Broken Water took the stage to a much more subdued performance, featuring psychedelic vocals and fuzzed-out guitars fit for an Olympia rainy day, reminiscent of early Sonic Youth and My Bloody Valentine. Seriously, Broken Water at times sounded like they were channeling Thurston and Kim from Sonic Youth, but it a good way.

Broken Water’s throwback garage rock was actually quite refreshing. And their presence was much less “dude let’s get wasted” and more “we’re such music dorks,” as their on-stage (makeshift stage, I might add) banter was quite endearing.

“I vote we raise some money to get this place a proper PA system,” drummer Kanako Wynkoop proclaimed to the exuberant crowd.

There set was much longer and more enjoyable than White Fang’s, which seemed cut short. I suggest you go find their debut LP Whet, which came out last year.

As they stepped off the wooden two-piece stage, more people arrived in the dingy storefront-turned-venue. At this point, people tried to actually get close to the stage, but it wouldn’t have really made a difference either way.

The Thermals are such lovely people. Honestly, during both the opening bands’ sets Kathy Foster and Westin Glass were off to the side of the stage listening and bopping their heads along with everyone else in the venue. It’s just too bad I didn’t get a chance to stay afterward and hang for a bit. It was a school night, and I still had homework today.

Jumping right into the first song was a bit trickier than it originally would have been. Literally four beats into it, Glass’s pedal broke. The chain just snapped in half. I guess he started so furiously that the pedal couldn’t handle it.

Frantically, Glass called on the members of Broken Water to see if they had left yet. And meanwhile, people were shouting from the audience to Kathy, “tell a joke!”

“Nooooo. This isn’t a comedy club,” she said cheekily.

Thankfully Broken Water hadn’t left, so The Thermals got their bass pedal, and the music recommenced.

From then on, the show went off without a hitch, unless you count Westin shouting at some guy shoving people around up front. I have to admit, that was kind of awesome.

As you can notice with the set list I posted above, The Thermals played through their whole catalogue, not just the new stuff. It was great for the newer younger fans and the old-school Olympia punks that came out on Sunday. Starting with “A Stare Like Yours” off Fuckin A was a perfect way to begin a fun and quite sweaty night.

As I helped hold up the speakers while people were thrashing around up front, I didn’t even care that the lighting was virtually impossible, because a.) I’d seen The Thermals twice last year, and b.) they’ll be playing the Sasquatch announcement party next month, so getting good photos was the least of my worries. The Thermals are too much fun to even care what’s going on around you, even if that means a speaker is going to fall on your head.

Not that it happened. A few people standing around me periodically grabbed the stand the speaker was sitting upon, because it was certainly moving around.

Hey, that’s something donations to the All-Ages Movement Project would help – getting proper equipment for these places that make it their goal to bring good music to all-ages crowds all the time. I’m all for that.

After an hour or so of the short and infectious hits from the last 8 years of their existence, The Thermals made it seem as if they weren’t shoved on this tiny stage in the middle of downtown Olympia. They made the best of it, and it definitely secured my love for them, as well as a new respect for the fledgling venues out there. Seriously, more bands need to be like The Thermals and book the venues that no one else will.

The more venues where everyone can see live music, the better.

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Thursday of Musicfest Northwest started at a different ballroom – the Wonder Ballroom. Thankfully it’s in a residential area of Portland, so pay parking lots be damned!

I had planned on just seeing Ra Ra Riot at the Wonder Ballroom, but I arrived early to catch a bit of Phantogram, with their formula of electronic drum machine beats and soft vocals. The duo of keyboardist Sarah Barthel and guitarist Josh Carter was quite good, playing through some darn catchy songs – including the sexy “When I’m Small” and infectious “Mouthful of Diamonds,” which was recently featured in a New York Lottery commercial (and I can’t help but think it’s been used somewhere else, because lord knows we don’t have commercials for the New York lotto over here).

Next up came Ra Ra Riot with their lovely upbeat baroque pop. I can’t say enough how much fun this band is – you have the guitar-driven hit “Ghost Under Rocks” off their first LP The Rhumb Line, all the way to the strings-heavy “Boy” off their new album The Orchard (both of which make you want to sing and dance adorably).

Seriously, everything about this band is adorable – and not in a bad way. Lead singer Wes Miles wispy pop vocals mixed with cello and violin, not to mention the overwhelming friendly synergy on stage. You can’t help but feel the love. A few select favorites from their set included “Too Dramatic” and “Foolish,” both of which Miles singing back and forth with cellist Alexandra Lawn, and “St Peter’s Day Festival.”

Their positive energy was surely contagious, as when they had finished their set, the crowd overwhelmingly started chanting for an encore. I can only guess what the people living in the neighborhood would have thought. After a couple of minutes, the troupe walked back out on stage, Miles now sporting a pair of glasses, and guitarist Milo Bonacci jumped right into the opening riff to “A Manner to Act” off their self-titled debut EP, a quick and almost punk track (except with the addition of strings, so you still know it’s obviously Ra Ra Riot).

I made my way out of the Wonder Ballroom, I went back to Burnside for day number two at the Crystal Ballroom for some punk rock – Ted Leo and The Pharmacists and The Thermals. After circling the block for a good ten minutes looking for parking, I eventually got to the Crystal, with the show already in progress. I wasn’t about to venture into the mosh pit right away, because a.) I needed to get some decent photos and b.) I’d be afraid my camera would get damaged while getting thrashed around by the excited fans.

Ted Leo and the Pharmacists were a perfect way to get the energy up for the rest of the night. The band played all through their catalogue, from the last ten years, and it certainly made the crowd happy – which ranged from my age (21) to my parents’ age (50-ish). That’s when you know you’re in a cool city – when people can go to rock shows with their parents. One of the highlights was the almost folk-sounding “Sons of Cain” off their new LP The Brutalist Bricks.

If I thought people were excited for Ted Leo, then they went ape crazy for the Thermals. I mean, they’re local, so it makes sense.

Hutch Harris, Kathy Foster, and Westin Glass took the stage to a loving and enthusiastic crowd, coming off the release of their fifth LP, Personal Life, co-produced with Chris Walla.

“This is a bit of an album release party, so let’s get crazy!” Harris exclaimed.

And that’s exactly what we did. Kicking off the 20+ song set with “Here’s Your Future,” the band played through old favorites like “It’s Trivia” off More Parts Per Million and “Now We Can See” off their last album. Even though The Thermals obviously had some bigger hits with the locals, it was nice to see how receptive the crowd was with the new songs off Personal Life. It always bothers me when a band gets the cold shoulder if they play a bunch of new songs that people aren’t as familiar with, but I guess that’s just a sentiment to Portland’s overall unified nature.

Just after 11 p.m., the Thermals ended their main set with “A Pillar of Salt,” another high-octane song to get people ready for the positively glorious encore. A couple minutes past, and then one by one Foster, Glass and Harris took the stage once again, and started playing a familiar riff.

But it wasn’t familiar as a Thermals song.

No, it was Weezer’s “My Name Is Jonas.” Needless to say, the guy standing next to me went absolutely nuts.

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Last weekend, Seattle got to experience the 40^th Annual Bumbershoot Music and Arts Festival, featuring the likes of Bob Dylan, Hole and Mary J. Blige as some of the biggest names to grace the main stage this year. But those were just a few of the dozens of talented performers – local, regional, and international – at this year’s festival.

Stay turned in the next couple days for some of PopWreckoning’s select favorites from the festival, but while you wait, here’s a giant photo gallery for your viewing pleasure.

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We all love a good Columbia River backdrop or acres and acres of open field at our music festivals, but what makes MusicFest Northwest different than most festivals is that it takes places within the city – at all the Portland venues you know and love. It’s not just a celebration of music but also a celebration of Portland in general.

In just under two weeks’ time, Portland’s Pulitzer-Prize-winning alt-weekly newspaper Willamette Week will be hosting its 10th annual MusicFest Northwest, which has grown to be the third-largest indoor music festival in the country.

At no other festival else can you park for free in suburbia, take a light rail downtown, then pick up an orange Tang doughnut (yes, I said Tang), and walk a block down at 1 a.m. to catch The Builders and the Butchers at Berbati’s Pan.

Voodoo Doughnuts and Berbati’s Pan are very conveniently placed literally 125 away from each other. Just a tip.

Because of this indoor, inner city set-up, you won’t have to empty your bank account for festival food, or use smelly port-a-potties. But I’d never expect anything different coming from Portland, with the casual, low-key vibe that I love about it so much.

Here’s what I’m planning on doing, but trust me – with the MAX light rail running at full capacity over the 5-day festival, you’ll have the opportunity to see so much more, whether it be a 21+ show, or an all-ages (AA) show.

Wednesday, September 8^th:

Act: Panda Bear
Time: 10 p.m.
Location: Comcast and opbmusic stage at the Crystal Ballroom

Ever since seeing Animal Collective play live over a year ago, I’ve been holding out for another chance to see any of the guys in a live capacity. To coincide with the release of his highly awaited album Tomboy, Noah “Panda Bear” Lennox will be gracing Portland with his mesmerizing presence on the first night of the festival at the Crystal Ballroom (which has floors with a bit of bounce in them). AA

Thursday, September 9^th:

Act: Ra Ra Riot
Time: 7 p.m.
Location: Nike Sportswear Stage at the Wonder Ballroom

In the past, Ra Ra Riot has opened for such amazing acts as Editors, Art Brut, and Tokyo Police Club, but now as part of their headlining tour for their new album The Orchard, Ra Ra Riot will be taking the stage at the Wonder Ballroom. I’m intrigued to see their unique brand of baroque pop live. Plus if you have time afterward, circle the block to get some pizza at Sparky’s or if you feel more adventurous, Ethiopian at Queen of Sheba.  AA

Act: Ted Leo and the Pharmacists
Time: 9 p.m.
Location: Comcast and KNRK Stage at the Crystal Ballroom

For something with a bit more attitude, you can head back over to the bouncy floors of the Crystal Ballroom for Ted Leo and the Pharmacists. You’re sure to have a good time with these old school punks, and you’ll still have enough energy to go for the rest of the night afterwards. Heck, walk a few blocks down Burnside and you can still browse around Powell’s Books until 11 p.m. AA

Act: The Thermals
Time: 10:30 p.m.
Location: Comcast and KNRK Stage at the Crystal Ballroom
Local darlings The Thermals will have literally released their fifth album two days before when it comes time for their show at the Crystal Ballroom. They’ve been working with Chris Walla again on Personal Life, so I’m anxious to hear what these pioneers of Portland rock of the ‘00s have put together with Mr. Walla. AA

Act: Major Lazer
Time: 11 p.m.
Location: The Roseland Theater

For the most part, I probably won’t be heading to the Roseland too much just because there are so many great bands playing everyone, and it’s already hard to choose. But I’m going to make it a priority to see Major Lazer’s reggae/hip-hop hybrid. You’ll be sure that you won’t see any other act like them at the festival, and as far as I know, there won’t be another chance to see them in the northwest for a while. AA

Act: Justin Townes Earles
Times: 11:55 p.m.
Location: Jack Daniels and opbmusic stage at Berbati’s Pan

Four blocks away, you’ll find yourself back at Berbati’s Pan (and maybe after another round of Voodoo Doughnuts) for the considerably less hyphy Justin Townes Earle. It’ll be the nice way to end the night after burning all your energy at the last show. Maybe you could get a drink and relax to Earle’s mandolin-laden country folk. Earle’s blend of deep-south vintage country is so far from today’s mainstream country that you almost expect someone to be playing a water jug and a washboard.  21+

Friday, September 10^th:

Act: Surfer Blood
Time: 5:30 p.m.
Location: Nike Sportswear Stage at the Wonder Ballroom

As the start of a ridiculously full two-month tour, Surfer Blood will get to bring their beachy indie rock to the Wonder Ballroom. A friend of mine put their song “Swim” on a mix tape for me earlier this year, and ever since I saw Pitchfork give the song spot number 37 on the lost of the 100 Best Songs of 2009, I’ve been wanting to see them play live. Now you have that chance too.  AA

Act: Black Lips
Time: 7 p.m.
Location: Nike Sportswear Stage at the Wonder Ballroom

When going through the list of bands playing at this year’s festival, I immediately put Black Lips on my “list to see,” because of their extensive history, guitarist Cole Alexander’s work with Deerhunter’s Bradford Cox, as well as what I’ve heard of their chaotic stage antics (including nudity, fireworks, band members kissing, and vomiting). AA

Act: Sara Jackson-Holman
Time: 8 p.m.
Location: Ash St. Saloon

Mixing classically-influenced piano, soft and longing strings, and winsome vocals, Portland native Sara Jackson-Holman falls into the ever-growing “melancholy piano songstress” genre, but her smoky voice and strange bent harmonies make her worth seeing. Within a couple blocks of the saloon you could also hit up Esan Thai or Kells Irish Pub for dinner if you like. 21+

Act: People Eating People
Time: 9 p.m.
Location: Mississippi Studios

After the disbanding of her band Mon Frere in 2007, Seattle native Nouela Johnston decided to record some of her own stuff under the moniker People Eating People. Her powerful piano pop will be perfect for one of my favorite venues ever – Mississippi Studios, which was built for musicians, by musicians. It’s located in a residential neighborhood and you can literally park in front of someone’s house. The floor is small, but the wraparound balcony provides just as good a view. 21+

Act: Morning Teleportation
Time: 10 p.m.
Location: Hawthorne Theater

I saw Morning Teleportation in June, and they had the most inexplicably enjoyable set that it’s impossible to explain. Psychedelic, rootsy jam-band, electro-indie rock is one way I could describe it. If you’re still confused, I recommend that you make time to go see them at the Hawthorne Theater. Lead vocalist Tiger uses a Talk Box. That’s worth it enough just to see that. AA

Act: Okkervil River
Time: 11 p.m.
Location: Comcast and KNRK Stage at the Crystal Ballroom

I’m not sure whether or not Roky Erickson will be gracing the stage with Okkervil River in this instance, since they just released True Love Cast Out All Evil with Erickson, but either way, the critically acclaimed Austin band is surely not one to miss. AA

Act: The Tallest Man On Earth
Time: 11:55 p.m.
Location: Toyota Antics and KEXP stage at the Doug Fir

Performing at the most comfortable venue I’ve ever been to, The Tallest Man On Earth will be bringing his bluesy brand of acoustic folk to the Doug Fir. When I first heard Kristian Matsson’s music, I didn’t realize that he was Swedish for awhile, until I eventually got how clever Matsson’s moniker is (people of Scandinavia are predominantly over 6 feet tall). 21+

Saturday, September 11^th:

Act: The Builders and the Butchers
Time: 1 a.m. (yes I just said 1 a.m.)
Location: Jack Daniels and opbmusic stage at Berbati’s Pan

Seeing the instruments that the Builders and the Butchers play, you wouldn’t expect to essentially rock out at one of their shows, but they defy all stereotypes and bring massive amounts of energy to their acoustic guitars, mandolins, and banjos. Seeing that the Builders and the Butchers are from Portland, I’m expecting this particular show to be crazy awesome. Having seen then 2 short months ago, I can back up that claim. 21+

Act: Laura Veirs
Time: 6 p.m.
Location: Levi’s Pioneer Stage at Pioneer Courthouse Square

Laura Veirs will be the first of a few shows that you should absolutely check out on the main stage at Pioneer Courthouse Square. The neo-folk songstress returned to her roots with July Flame this year, her 6^th studio album, putting out hauntingly beautiful songs full of odd instrumentation and Veirs understated vocals. AA

Act: The Decemberists
Time: 7:30 p.m.
Location: Levi’s Pioneer Stage at Pioneer Courthouse Square

I’ll just be sticking around at Pioneer Courthouse Square for The Decemberists after Laura Veirs, because it will surely be one of the best shows of the weekend. Even when they aren’t playing for hometown crowd, The Decemberists are awesome live, but in this instance I can only imagine. The last time I saw them, it was on the Hazards of Love tour, so this time we’ll get to hear songs from all throughout their catalogue. AA

Act: The Globes
Time: 9 p.m.
Location: Backspace

Playing at one of best coffee houses in Portland, Seattle’s own The Globes will be bringing their experimential ambient indie rock to the tiny venue. I saw them play a show in Seattle back in November with Telekinesis and The Lonely Forest, and with how much they downplay the energy, The Globes put on a great show. Think My Bloody Valentine with harder riffs and a rainy-day ready wall of sound. AA

Act: The Head and the Heart
Time: 9 p.m.
Location: Jack Daniels and opbmusic stage at Berbati’s Pan

Bluesy folk with soft harmonies and bubbly beats permeate through Seattle’s own The Head and the Heart’s music, and it should be quite delightful to see them in Berbati’s Pan’s small room. Plus if you haven’t had dinner yet, you can get yourself some Greek cuisine while you’re there. 21+

Act: The Smashing Pumpkins
Time: 10:15 p.m.
Location: MusicFest Northwest and KUFO stage at The Wonder Ballroom

I honestly had no idea that the Smashing Pumpkins were playing until about five days ago, and I’m surprised that they’re playing The Wonder Ballroom, because it’s not that big. So if you want to get in at all, I suggest getting there relatively early, even if you have a wristband, because this will undoubtedly be one of the most attended shows of the festival. I can’t remember the last time they toured, so I’m pumped. AA

Act: Suckers
Time: 11 p.m.
Location: Jack Daniels and opbmusic stage at Berbati’s Pan

What’s funny is that right after playing up against each other at separate venues at MusicFest Northwest, Suckers will be going on a month-long national tour with Menomena. Employing Talking Heads-esque multi-layered vocals with the passion of former tourmates Local Natives, Suckers will definitely fill the small room with fervor. 21+

Act: Menomena
Time: 11 p.m.
Location: Comcast and KNRK Stage at the Crystal Ballroom

I have to be honest, I haven’t listened to Menomena’s new record yet, but Friend And Foe was one of my favorite records of 2007, and it’ll be interesting to see how the band’s eerie experimental indie rock will play out to their hometown crowd. Also, the band members always shuffle around who sings and who plays certain instruments, so that always makes for a more intriguing show. AA

Act: Champagne Champagne
Time: 11 p.m.
Location: Jimmy Mak’s

Seattle hip-hop favorites Champagne Champagne mixes traditional hip-hop with peppier electro-pop, and I love it. Again, I’ll reiterate my normal dislike for hip-hop, but when locals sing and rap about Molly Ringwald, I’m sold. But again, I’ll have a hard time deciding which show to hit up at 11 p.m. 21+

Act: The Dodos
Time: 11:55 p.m.
Location: Jack Daniels and opbmusic stage at Berbati’s Pan

Even though The Dodos are probably best known for having two of their songs in two separate television commercials, their albums are rich with offbeat instrumentation like toy piano and pulsating drums. And you can’t deny that if a band has their songs on television, the songs are undeniably catchy. 21+

Act: Japandroids
Time: 11:55 p.m.
Location: Toyota Antics and KEXP stage at the Doug Fir

Having two guys on stage, you wouldn’t expect them to create the sound that Japandroids manage, but the raw and fuzzy guitars will be a great way to end out the penultimate night of the festival. And while you’re there, definitely check out the restaurant upstairs. Also there’s free parking around the corner, so that’s another plus. 21+

Sunday, September 12^th:

Act: The Walkmen
Time: 6 p.m.
Location: Levi’s Pioneer Stage at Pioneer Courthouse Square

It seems like it’s been way longer than 2 years since The Walkmen put out new music, but this performance will be two days before their new album Lisbon is released, so I’m happy. One of only a select few shows on the last day of the festival, The Walkmen’s drowsy surf rock should carry well through the outdoor amphitheater. AA

Act: The National
Time: 7:30 p.m.
Location: Levi’s Pioneer Stage at Pioneer Courthouse Square

After having seen The National play at the Columbia River Gorge back in May, I was anxious to see them again. Although I think The National is one of those bands that you may or may not like live. Lead singer Matt Berninger has an oddly intense stage presence, but the energy might turn some people off. If you haven’t seen them play live though, I strongly recommend giving them a shot, because they sound fantastic live. AA

However long this preview is, it’s still just a taste of what’s coming to the tenth annual MusicFest Northwest. I mean, I’m going to try to see all these bands, but who knows how full the venues will get or how quick the public transportation will run that weekend? To see the full lineup or purchase tickets, go to http://www.musicfestnw.com. General admission wristbands are still available for purchase that will guarantee entry to all club shows and all shows at Pioneer Square (however you must choose to see either The Decemberists or The National with this ticket). All show wristbands are also still available, which guarantees you entry to all shows, no exceptions. If you don’t wish to purchase a wristband, you can buy tickets at the individual venues the night of the show.

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• September 20, 2010 -- MFNW: Saturday feat. Laura Veirs, the Decemberists, Akron/Family, Menomena (0)
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Wakefield, England rock band the Cribs have announced plans to re-release their self-titled debut album later this year. The original 2004 release was not released on vinyl, but this re-release will be available on wax; and for the keen Cribs fanatic, it will also include unreleased demos.

Coming soon is a 7″ split single that joins the Cribs with Portland punk band the Thermals. The Cribs will be contributing a new track called “So Hot Now” (previously only available as a B-side to their “Cheat on Me” single) and the Thermals will provide a tune named “Separate.” The 7″ will be released on Record Store Day, April 17, 2010, and is limited to a run of 2000 copies.

The band are set to appear Spain’s Benicassim and England’s Reading/Leeds festivals this summer.

Photo: Mary Chang

The Cribs: website | myspace | Interview with: The Cribs – North Star Bar, Philadelphia | The Cribs Announce New Album Details | The Cribs Rush Release of “Cheat on Me” Single | The Cribs Announce January 2010 North American Tour | @ 9:30 Club

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• June 17, 2009 -- The Cribs Announce New Album Details (0)
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It looks like The Thermals will once again be teaming up with Chris Walla, indie power-producer extraordinaire and guitarist for DCFC, for an anticipated September 2010 release on Kill Rock Stars.

Since 2002, The Thermals have consistently churned out authentic, snot-nosed, un-fussed, tri-chord punk pistols that fire with a shot from the hip kind of glory. Walla, who has previously worked with the beloved Portland-based punk rock rascals, producing Fuckin A in 2004, will be setting up camp with The Thermals at the Jackpot Recording Studio in Portand, OR.

This will be the fifth LP from The Thermals and the first with new drummer Westin Glass on board. Keeping Walla in the family means we can look forward to another classic from these bruisers.

The Thermals: website | myspace | interview | @ monolith 2009 | @ the slowdown

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Wait a second…is that…sun?

Yes, the second day of Monolith saw some sun. Though I must stress “some.” Granted “some” was a significant improvement to the cold, icy rain that drizzled on concertgoers the entire day before.

Feeling encouraged by the slight appearance of sun, Monolith’s second day promised to be good.

We Were Promised Jetpacks // Woxy.com Stage @ 1:40-2:20 p.m.

I started off with Scottish group We Were Promised Jetpacks. I couldn’t decide what I liked more. Their music or their stage banter with the audience.

During a brief break in their set, a girl shouted out, “Say four,”

“Whore?” asked Adam Thompson, causing the audience to erupt with laughter. “I’m not some kind of Scottish circus freak. I can’t roll into town and say whatever you want.”

The group just released their debut this past summer and while they cite their influences as Frightened Rabbit and Twilight Sad, I’d say they have mainly the accent in common and while I like those other two bands, I think We Were Promised Jetpacks had the most enjoyable live show after seeing all three at Monolith.

“I’m going to let you in on a secret,” said Thompson near the end of their set. “This might be our only good song. We peaked.”

I wouldn’t let Thompson’s modesty fool you. All their songs are good.

Rahzel // Esurance Music Stage @ 2:30-3 p.m.

I was a bit disappointed with the arrangement of the next options at the festival. I could either see DJ rapper The Pirate Signal or hip hop artist Rahzel. These genres are not really my thing and I was disappointed that there weren’t any alternative genre options when the rest of the line up was pretty good about having variety at different stages.

I decided to sit at the top of Red Rocks and watch some of Rahzel. Rahzel, is perhaps better known either as the “beat boxing champ” or as a member of The Roots.

The first ten minutes were painful. I find having a DJ yell, “We’ve got the champ; we’ve got the champ” over and over while some other guy simply talks kind of lame. That “warm-up” part was something I could have done without.

But then, Rahzel finally showed off his beatboxing skills. First it was White Stripes‘ “Seven Nation Army” then a little Justin Timberlake and countless other popular tunes. And that was bad ass.

Neon Indian // Woxy.com Stage @ 3-3:40 p.m.

Now Neon Indian was more my speed with its synth heavy lo-fi pop. It is the project of Alan Palomo of VEGA.

Monolith was the first ever live performance of the band, but as Palomo’s bold movements and twists of the microphone cord made it look like they had been performing forever. His female bandmate on keys was a bit more timid though and I’m not sure if that was her personality or nerves.

I expect this group to blow up soon because let’s be honest…who doesn’t love the synth?

Monotonix // Southern Comfort Presents Stage @ 3-3:30 p.m.

So I didn’t intend to see any of Monotonix and then I accidentally ended up seeing too much.

After emerging from the depths of Red Rocks, I was surprised to see a large crowd huddle in front of the Southern Comfort Stage, yet no one was on stage nor did it look as though anybody had been on stage. Crews were already setting up for the next band. Yet there was some weird sort of rap rock…I’m not quite sure how to describe what was going on soundwise…coming form the middle of the croud.

Suddenly, from the depths of the crowd, a skinny, shirtless man with long hair was lifted on to the shoulders of the crowd. This was Monotonix and the people were just eating his performance up. I finally got to see him, but this is also when I saw too much of him.

It wasn’t long before he was mooning the crowd and I decided it was time to take my leave from the spectacle and check out another band.

The Dandy Warhols // Esurance Music Stage @ 3:30-4:15 p.m.

Maybe it was the singer’s stripped shirt, but there was a definite sailor swagger to the Dandy Warhols.

They seemed happy to be playing, but there was also an aloofness that made it a little difficult to connect with their live show.

The group was at their best when songs called for extra percussion effects like on “The Legend of the Last of the Outlaw Truckers.” The band sounded better and seemed happier on songs like that.

Set List:
Burned
Trucker
Junky
Good morning
I Love You
Holden Me Up
The Last High
Bono
Get Off
U2BF
Wasp
P/Boys

The Love Language // Radius Earphones Stage @ 3:40-4:20 p.m.

Looking at the stage set up for The Love Language, my first thought was that two separate bands were going to duel for the ownership of the drummer. Two keyboardists faced each other and two singers stood side by side. It was crowded for such a tiny stage.

But once I heard the band start to play, it was quite clear that something different was happening on stage. Instead of two separate bands battling for control of the drummer, siamese twins would be a better image to conjure up. The band was a single entity, but at the same time, as they switched from song to song, they showed different personalities. The Love Language are Siamese twins, not joined at the hip, but at the drummer.

Aside from walking away from this review with that weird imagery, know that soundwise, they really are the language of love. They are just happy-sounding and sweet and tons of other things that make you want to curl your toes with glee. There was a carefree nature about the music and the performance, so carefree in fact, that the band hardly flinched when all their foot-stomping knocked one of their keyboards off the stand.

Set List:
2 rabbits
providence
nocturne
blood
brittney
blue angel
sparxxx
manteo
lalita
hello mary lou

The Thermals // Southern Comfort Presents Stage @ 4-4:45 p.m.

I’ve had the privilege of seeing The Thermals before.

I just love the nasally stretch of the singers vocals, “Nooooow weee cannnn see,” the bassists growth from nonchalance to lost-in-the-moment jumping, and the unabridged enthusiasm of the constantly smiling drummer.

Yet, since I had seen them before, I regrettably had to pull myself away to catch some acts I had never seen before. Next time, Thermals. Next time.

Set List:
Return
Afraid
Future
Trivia
Let go
How Know
Call Name
Back Gray
Sick
Trip
100 %
Strosa
Pillar
Culture
We See

Bad Veins // Woxy.com Stage @ 4:20-5 p.m.

Two guys, flowery wood boxes, a big film machine and a telephone. Sounds like the beginnings to a weird sitcom, but really this was just the beginnings of Bad Veins, a duo that features a tape machine named “Irene.”

The guys and “Irene” produced a really full sound, but I’m not entirely convinced I understand the purpose of the telephone bit.

While I’m sure many in the audience inadvertently wandered in, they stayed because they group was unique and good.

HEALTH // Radius Earphones Stage @ 5-5:40 p.m.

HEALTH – OMFG.

I can’t decide if I love the festival organizers for booking some amazing bands or hate them for booking some amazing bands in ridiculously small rooms.

If you were one of the lucky few who didn’t get shut out of HEALTH’s set, you know how amazingly fortunate you were to witness them live. Each band member was all over the stage, jumping and thrashing. I’ve never seen so much energy from a electronica rock band.

If you were unfortunate enough to get shut out, get in your car and drive somewhere to see them even if that means driving to an airport.

This is a band everyone must witness once in their life.

The Twilight Sad // Woxy.com Stage @ 5:40-6:20 p.m.

The Twilight Sad rounded out the Scottish trio performing at the fest.

A schedule change moving Savoy earlier and shifting Passion Pit and Phoenix later due to a cancellation from illness in MSTRKRFT‘s camp made it so I wasn’t conflicted with choosing between Twilight Sad and Passion Pit.

The set was hauntingly beautiful, but a bit of a downer. A technical hiccup in the set lightened the mood a bit as the band awkwardly stated, “Wish we knew some jokes.”

They were talented, but awkward and shy, which I suppose is fitting for their music. Plus, they had accents, and who doesn’t love a good accent.

Set List:
Doonstairs
Faster
Hit Single
Eyes Oot
Mooth
Rabbit
Sheepdng

(not typos, just how they wrote it out on the set list)

Tigercity // Radius Earphones Stage @ 6:20-7 p.m.

Tigercity was some smooth, easy-listening and I unfortunately was just too revved up to go see Passion Pit to truly enjoy this group.

It wasn’t that Tigercity was bad and they had the recipe for everything I love–synth! It was just that it was more so something that was more appealing to an older crowd that still wanted to be hip than what I’m into. Sorry Tigercity.

Set List:
Fake Gold Other Girls
Graz 75 B
Ancient Lover
Power Stripe Solitary Man
Red Lips D Water
A Better Place James
My Type
Let Her Go
?
Mallory

Passion Pit // Southern Comfort Presents Stage @ 7-7:45 p.m.

OK, again, I don’t know why the festival organizers didn’t put Passion Pit on the main stage because the entire day this was the band that I heard everybody talking about going to.

They were good the last time I saw them, but I can’t get over how much the stage presence has improved. Every band member was all over the stage, jumping off monitors and the kick drum and falling on the floor.

The crowd makes a Passion Pit set. They know all the right times to respond and sing back the vocals.

High-pitched vocals have the potential to be obnoxious, but in Passion Pit’s case, it is pure fun and add the electronica beats and you have a non-stop dance party.

I could have been content to end the night here, but some of my favorite French rockers were getting ready to take to the main stage.

Set List:
make light
i’ve got your number
let your love grow tall
little secrets
to kingdom come
better things
sleepyhead
smile upon me
…can’t remember what was played here…
the reeling.

Phoenix // Esurance Music Stage @ 7:45-9 p.m.

Phoenix has been in the music game for a long time, but it wasn’t until Wolfgang Amadeus Phoenix that the States finally took notice of these French rockers.

Yes, the lyrics don’t always make sense (remember English is not their first language), but they sure sound good and are tight musicians.

Think Air with a dash of Daft Punk–this comparison shouldn’t be too hard considering all these artists are part of the Versailles scene.

Phoenix started strong with “Listzomania” and even stronger with “1901,” a song that blew audience away when performed on SNL.

My night ended with Phoenix. Sorry Mars Volta, but I had an eight hour drive that had to be completed before my roomies’ class the next day.

But it doesn’t matter. I couldn’t hope for a more perfect end than Passion Pit and Phoenix.

Set List:
Listzomania
Long Distance Call
Consolation Prizes
Lasso
…sorry, blanking on this part of the set…
Girlfriend
Rome
Too Young
1901

Monolith: website | day 1

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