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Bonnaroo Recap: Day 3, Saturday

Bonnaroo Recap: Day 3, Saturday

For those sitting at home, wondering how Bonnaroo kids survive on practically no sleep for the entirety of the fest, the answer is simple: it’s too hot to sleep. Though most had been up until 4 a.m. Friday night with LCD Soundsystem, the humidity made it hard to sleep past 7 a.m. Which kind of sucked because there wasn’t too much going on at until the early afternoon. And it especially sucked because the day was only going to get hotter.

The high temps didn’t damper the spirits of Pennsylvania’s Langhorne Slim. is like a non-pop version of Jason Mraz, which I would argue, is the better version. Langhorne’s music was laid back folk rock. Even the surprise appearance of a little kid dancing around the stage didn’t disrupt their good-mood. In fact, it improved it. Langhorne incorporated the kid into the act, dancing with him, lowering a mic to his height and even giving him a high five. Adorable.

Next, it was time for perhaps one of the biggest buzz acts of the fest: Conan O’Brien. Conan’s band performed an introductory jam that had them all out playing their saxophones and trumpets out in the audience, and giving high fives in between notes. The band returned to their spots and a video appeared projecting Conan: bearded and in a fat suit. He looked like Santa’s cousin. The video followed Conan around looking miserable and being depressed: he was eating junk, ignoring his daughter, etc. But then he gets a call: “Want to do a tour? Are you in shape?” Within moments, the beard was trimmed and the fat suit dropped. Then Conan himself appeared in the flesh. The jokes were a mix of being kicked off TV quips and jokes about Bonnaroo…and of course, some that combined both:

“In six months, I’ve gone from hosting the Tonight Show to performing at a refuge camp.”

The set was also highlighted by the appearance of , , a Triumph the Insult Dog video message, and of course, the infamous Walker Texas Ranger clips. Although, the Walker clips did inspire the audience to chant “aids, aids, aids,” which might not be the most appropriate thing ever. Other cute moments included when Conan took the time to take a picture with a fan in the front row.

This being a , there were also plenty of musical aspects, too. Joke songs and White Stripes covers (just two days before, Conan recorded a live album with ). There was even Meatloaf‘s bat out of hell inflatable. Hideously awesome.

When the show ended, the audience demanded more, so Team Coco obliged with a cover of The Band‘s “The Weight.” During an instrumental break, Conan went out to give hugs and high fives to the audience. A nice gesture, but one that almost got him killed as people swarmed him for a chance to touch that infamous red hair. But he handled it well and was all smiles as 15 minutes later he worked his way back to the stage. Too funny; too cute.

Conan O'brien  By Joshua Hammond

When I came out from the Comedy Theatre, the soulful singer and pianist Norah Jones was performing on the Which Stage. Unfortunately for the talented writer, her tunes aren’t the best to experience in the sun outdoors. They became swallowed up in the dead air and she became more like bore – ah Jones, not Norah.

Disappointed with Jones, I returned back to the trusty comedy tent to catch the Bonnaroo Roast with Roastmaster Jeffrey Ross. Ross did a funky walk out to to some jam music freezing to point at an audience member, “Ugly,” then the sign interpreter at the front, “Deaf,” then himself, “Fat,” before going up to twirl with his attractive female stagehand, “Yeah.” The Roast was pretty funny and Jeff took the time to make fun of Bonnaroo bands, people in the audience, himself and even the heads of Superfly productions: “Nice work, guys. Really. You got thousands and thousands of people to come, but only have seven bars of soap.” He even took a jab at Jay-Z: “Think he’ll perform Empire State of Mind for like the millionth time? Always ripping off “New York State of Mind. He’s not Jay-Z. He’s fucking lazy.” Also, I must say, that sign interpreters have the hardest job at the fest. The comedians sure put this interpreter through some uncomfortable hand gestures.

As fun as it was to take a laugh at ourselves, I ventured out of the Roast a little early to catch some of the talented Avett Brothers. They’ve got some beautiful harmonies going with their blend of bluegrass rock and I love their use of strings on their songs.

The by Joshua Hammond

Speaking of great harmonies, Mumford and Sons owned That Tent with their performance. The UK group absolutely blew me away and I think it is just a matter of time before these labelmates of Phoenix blow up. They play pretty mellow folk music a la Noah and the Whale style, but they still brought plenty of rock, with one member lifting his upright bass above his head while playing it…those things aren’t light. The band seemed to be having a great time and so did the audience. This was just one of those feel good performances and perhaps one of my top performances of the fest.

Mumford and Sons by Joshua Hammond

Jack White’s current project, The Dead Weather, with soon took over the What Stage. Jack White primarly plays drums in this project, proving that the man can and will do absolutely everything in music with near perfection. He does come out from behind the set to sing and even play guitar. However, with how big of a name as White is, Mosshart was the star. The woman prowled the stage while singing, cigarette down to her side, making her look and even soundlike the classic movie image of those smoky lounge singers – and I do mean that as a compliment. I love how her voice fits into this southern rock style. In fact, I like her much more in this than I do in the Kills, and from the looks of it, she seems to enjoy this more, too.

Allison Mosshart if The Dead Weather by Joshua Hammond

Weezer is not how you typical think of rockers, with their frontman being a Harvard graduate and a stereotypical image of a geek as opposed to one of those high school drop out rock stars that don the leather jackets and always have a flask of Jack Daniels at their side. But I’m glad this band has managed to defy stereotypes to become one of the biggest, and longest lasting groups around. Almost every song in their very long set list has been successful on the radio – these guys just know how to write a catchy tune. Their set was also improved by the change that has come over Rivers in the last six years. When I first saw the band in 2005, though the songs were familiar and catchy, the performance was stale. The band just did not seem into it. Now, six years later, it is like they’re a whole new band. Rivers has a renewed energy and wonderment – almost like a kid at an amusement park. “Hello, plane. Hello, plane with banner behind that plane!” shouted Rivers. At another point, he stole the camera from a photog in the pit and snapped a crowd shot. Then, his quirkiness hit a new extreme during the encore when the band played a mash of “Kids” by and “Poker Face,” by . When he got to the Gaga lyrics, Rivers put on a blonde wig and began thrashing around. Hilarious. I love when music is simply fun.

by Joshua Hammond

Speaking of fun, how about the epicness that is Stevie Wonder? The crowd at Bonnaroo tends to run a little younger, so the demographic here kind of missed out on Wonder’s prime, but that doesn’t mean everyone wasn’t still excited about the legend’s performance. I think everyone was surprised by how many of the tunes we all knew and Wonder did a great job of helping the crowd singalong.

Kanye. This is how it is done. Rapper Jay-Z started about ten minutes late. That’s it. And it was ’s fault for starting his set late. Then Jay-Z played a set full of his hits and he was nice about it. No attitude. He thanked Wonder, fellow artists like Alicia Keys for their help on his record. We bounced with him. We froze him. We sang with him. It was great. The only disappointment was that with Beyonce side stage for all the set, it was a bit of a bummer that she didn’t come out and join him for any of the female vocal spots on his tunes. It’s not like we were promised that, but it would have been cool.

Jay-Z by Joshua Hammond

As hard as it was to part from Jay-Z, there will some other great performances getting ready to start over at the tents.Thievery Corporation got people dancing with a blend of India-influenced DJ beats and their singer’s strong vocals amping the crowd up. However, this performance couldn’t even begin to compare to the crazy dance parties that were about to erupt over at This Tent.

Dan Deacon Ensemble was interesting to say the least. The stage was covered with xylophones and drums and keyboards as well as a glowing, green skull. Like I said, interesting. Before even playing a song, tried to put everyone in the same mood: “Put your fist in the air. Then point your finger. Now put your left foot just behind your right foot. Now rock back and forth. Now rock down so you’re on your knees.” We all obliged, chuckling. Well, we all obliged save one guy in a white hat: “Too cool for this,” said Deacon. “Everyone point at this guy. Now stare at this guy.” It was weird, but bizarrely fun. After this “crowd bonding” moment was over, the ensemble finally exploded into their crazy dance jams. At some point in your life, go see with the full ensemble. It will probably blow your mind and be one of the best moments of your life.

Dan Deacon wasn’t the only one with crazy stage theatrics. Gwar was playing a stage over from Deacon. The nordically clothed rockers began with a video history of their odd inception. Then the costumed warriors appeared, showering everyone in waves of blood and rock. Even the Bonnaroo Fountain got in on the crazy action and was turned red for the night with LED lights.

But for those wanting to dance into the twilight hours, the party was at This Tent. DJ Deadmau5 was playing the his beats well past 5 a.m. to an enthusiastic crowd covered in glow sticks. The mysterious wore giant mouse ears and sat high up on the stage in DJ booth. It was like he was the electronic lord and we were his dancing minions. He held such power. With a raise of his arms, we’d dance harder and faster. He was still going strong by the time I finally made it back to my tent to rest for the final day of Bonnaroo.

Check back for more photos and recaps from Bonnaroo. View a recap of Thursday here and a recap of Friday here.

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Built to Spill, Brandi Carlile, Ingrid Michaelson, Thievery Corporation, Joshua Radin and Sondre Lerche join (RED)Nights concert series

Built to Spill, Brandi Carlile, Ingrid Michaelson, Thievery Corporation, Joshua Radin and Sondre Lerche join (RED)Nights concert series

, , , Thievery Corporation, and are the latest artists to join the (RED)NIGHTS concert series. They join , , Santigold and others for (RED)’s series of 26 concerts in the U.S. to help fight AIDS in Africa.rednights A portion of the proceeds from each show goes directly to the Global Fund.

For the first set of shows, Fall Out Boy, Katy Perry, Gomez, Santigold, , , , and each turned one of their concerts (RED) to bring the (RED) experience to life in a new way. At each of these shows, (RED)NIGHTS and the community of acclaimed artists aimed to inspire fans to participate in (RED)’s mission to eliminate AIDS in Africa by pausing to highlight the many ways to get involved and encouraging those in the audience to share the message and experience with others.

“I believe no person deserves to suffer from a preventable, treatable disease simply because they can’t afford medicine,” said Marc Roberge of O.A.R. “If bringing awareness to what (RED) is doing helps one person receive antiretroviral treatment and live a healthy life, we have accomplished our goal.”

Ultimately, it is the goal of (RED)NIGHTS to build a community—of artists, concertgoers and music fans everywhere—that is passionate about helping to fight AIDS in Africa. A portion of the proceeds of each (RED)NIGHTS concert goes directly to the Global Fund.

“(RED) was looking to engage more people in its mission, to help eliminate AIDS in Africa. The (RED)NIGHTS series is an innovative concept that combines the power of Live Nation’s live music platform and venues to use people’s passion for music to raise awareness and, ultimately, generate more money to help eliminate AIDS in Africa.” said Russell Wallach, President of North American Alliances for Live Nation. “We’re building a great line up of artists for (RED)NIGHTS, and believe we can help (RED) successfully deliver its message by connecting them with music fans all over the country.”

(RED)NIGHTS arrives on the heels of (RED)WIRE ™, the innovative new digital music service from (RED). The (RED)NIGHTS artists join an impressive community of (RED) artists who are participating in (RED)WIRE, including , , The Killers, Jay-Z, , , , , , Conor Oberst, TV On The Radio, Death Cab For Cutie, and many more. (RED)NIGHTS and (RED)WIRE mark the first time (RED) has moved into the music arena and are a mutual extension of (RED)’s mission, whereby the music community is coming together as a vehicle to raise awareness and funds to help fight AIDS in Africa.

:
Aug 19 – Fall Out Boy @ The Pageant / St. Louis, MO
Sep 12 – Ingrid Michaelson @ The Paradise / Boston
Sep 13 – Sondre Lerche @ The Paradise / Boston
Sep 24 – Joshua Radin @ House of Blues / Chicago
Sep 25 – Brandi Carlile @ House of Blues / Chicago
Oct 03 – Ingrid Michaelson @ House of Blues / San Diego
Oct 04 – Thievery Corporation @ House of Blues / Dallas
Oct 09 – Thievery Corporation @ The Fillmore / Miami
Oct 31 – Built to Spill @ The Fillmore / San Francisco
Nov 01 – Built to Spill @ The Fillmore / San Francisco

(RED) Nights: website

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Lollapalooza: Friday, Day 1 @ Grant Park, Chicago

Lollapalooza: Friday, Day 1 @ Grant Park, Chicago

After already popping my Lollapalooza cherry in 2008 and coming back home actually looking like a cherry, I came prepared to Lollapalooza 2009 with lots of sunblock and summer dresses. However, Friday quickly showed that 2009 would not be like 2008 in that regard. As a cold rain trickled throughout the day, I spent the entire day shivering uncontrollably and cursing that I had left my sweatshirt 30 minutes away at the Catholic worker house that I was crashing at. In an attempt to warm up, I even tried to buy one of the absurdly expensive festival sweatshirts, but every booth was sold out, leading me to curse some more.

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I was not alone in my cursing of the way events transpired that day. As kicked off the day over at the PlayStation Station, severe technical difficulties cut their set abruptly short. The large crowd which had gathered to hear the band that has exploded onto the scene since JC Penny started playing them in a commercial was disappointed, but Hockey tried to make up for the sound problems by jamming out with an impromptu drum solo and then throwing beer into the crowd (which I am sure made security happy as who knows how many minors caught those cans).

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It was a tough call to choose between and . Manchester Orchestra is a band I’ve seen several times before and they have always impressed, but Hey Champ has been getting a lot of buzz lately, so I wanted to see them too. I watched a few Manchester Orchestra songs first. I was impressed with how extra intense the yowls of were and how extra beardy he looked. Despite Hull’s chops, always steals the show with alternation from keyboard playing to air guitar.

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I dashed over to catch some Hey Champ and as I was walking up, they warned the front row to “cover your faces because this next song will make them melt.” Now, while there wasn’t a re-enactment of Indiana Jones: Raiders of the Lost Arc, the fun electropop rock of Hey Champ might have at least rocked socks if they didn’t melt faces. I’m not sure I saw enough to decide if they were worth all the hype, but they are worth looking into further.

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were next on my schedule. Despite not being a part of the usual genre that I like, it was fun to watch as the hip hop/rap crew invited fans on stage then proceeded to teach us how to do a dance and “put it in the air.” Despite the unnecessary swearing and the confusion of what song was about to be played (they would start a song, say it didn’t feel right and play something else), it was a blast to be in the crowd.

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I was again torn at 2:00 p.m. as to whom I should see. I started with a bit of Jersey rockers . I’m not sure if if was them, sound problems or the weather, but something was just off and I left early, unimpressed. I went to the opposite end of the venue to watch some , which started to lift my spirits in the cold rain, but still was not enough to wow me.

The “wow” band was soon to come. And I caught tucked away on the BMI stage. The crowd wasn’t the largest of the day ( was a few stages over and was getting ready to play as a special guest over at Kidzapalooza), but the people there were excited to see him. I was especially excited to see him get his own set at Lollapalooza this year after he surprised us last year by joining on stage for their performance. Kevin sang his heart out, but the crowd got distracted when they noticed Manchester Orchestra’s Andy Hull sitting on stage mouthing along to the set. As the overzealous crowd yelled for a guest performance, Hull eventually left the stage to let Kevin enjoy his moment in the spotlight. Hopefully no hard feelings, the crowd did not mean to make diminish his performance with their request.

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I took a break to do an interview and got back in time to catch some . His piano chords carried throughout the streets and as  I heard “You Don’t Know Me” start, I ran over in hopes of seeing a surprise guest of some sort do the part. The song was great, but I was disappointed to see that no guest would be joining him and a recording track would take care of the part. Alas.

The perfect harmonies of the warmed me up a bit, and I especially enjoyed their good humor as they joked about their beards. I would have liked to have heard some more new songs, but like many Lollapalooza bands, they stuck to what people knew and shied away from anything that was still in the works.

Tummy grumbling from a long day, I skipped the , whom I heard were a bit of a let down, and walked past the jams of Thievery Corporation to grab some food and wait for .

As I expected, Of Montreal owned the day with their clusterfuck of a stage show. Costumed characters, balloons, confetti, trippy videos, glitter and more, they not only were tight as musicians, but they were the best performers of the day, really interacting with the crowd. They even had the best surprises. Janelle Monae joined for a few numbers, some of the stage performers surfed the crowd in an inflatable boat and to end the set, the singer tossed his guitar up in the air twice. When it didn’t break he just handed the whole guitar to a kid in the front row. Imagine going to a festival and leaving with a souvenir that was an entire guitar. Mind-blowing.

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It was actually really hard to be super impressed after that set. Kings of Leon were kind of boring for a follow-up to Of Montreal. was cool, since they’re fairly legendary and influential to some of my personal favorite bands (Killers at Lollapalooza on Sunday!!!), yet again, they couldn’t beat out Of Montreal as my most memorable act of the day.

Lollapalooza doesn’t end at 10 p.m. People flooded off in all directions to hit up after parties, both official and unofficial. I hit up one that was supposed to feature and the Knux and an open bar (holla!). After a bit of a Nick and Norah’s Infinite Playlist moment–where’s bunny–they told us we had the wrong entrance and the line of people mad dashed to the other side, we finally got into this party. The acts did show, but went relatively unannounced and only did like one number, but the open bar was still pretty ace. The only performer who was there the whole time was a very intoxicated , but he was just enjoying the party.

Lollapalooza: Friday in summary:
Best set of the day: Of Montreal
Best surprises of the day: Of Montreal giving away an entire guitar, Janelle Monae, LeAnn Rimes
Breakthrough of the day: Kevin Devine
Biggest let downs of the day: Kings of Leon, Decemberists
Crazy crowd moment: Saw a woman taking a dump in the middle of the crowd at Depeche Mode…ew!!!

Lollapalooza: website | schedule | set lists | saturday

Posted in ConcertsComments (3)

San Diego Street Scene – Aug 28th & 29th; Ultimate End of Summer Rock Block Party

San Diego Street Scene – Aug 28th & 29th; Ultimate End of Summer Rock Block Party

Produced in association with one of Southern California’s premier rock venues, The Casbah, San Diego heats things up on August 28th & 29th with their 25th Annual Street Scene in the East Village (and adjacent to Petco Park).  In essence, it’s the ultimate two-day musical block party and the perfect way to kiss summer goodbye.  So drop those world-famous fish tacos, hop in your car or on your surf board and get in on the excitement.  Last year they managed to score Beck, , and Cold War Kids, among others, but it looks like they may have outdone themselves for this year (complete lineup here.).  Boasting over 40 bands, the multi-stage street set up features some of the biggest names in indie rock, alternative rock, hip hop and pop today that I’ll probably get into mutliple arguments with myself over which bands to check out.  Here’s a little taste of what to expect, if you can handle all the action:street scene

Friday, August 28th
, Modest Mouse, , & The Mystic Valley Band, , Girl Talk, , , , , , , Anya Marina

, August 29th
., , The Dead Weather, , , The Faint, , , Ted Leo & The Pharmacists, , , !

The show is rain or shine (who are we kidding, when does it ever rain in beautifully sunny San Diego!?).  Doors open: 4pm – midnight, both nights.  For $65 bucks, you can see 20+ bands in one day and it’s totally worth it.  There are also two-day passes, or the option of  VIP treatment if you’re above all that recession talk.  For additional ticket information, go here.  So, come celebrate the end of summer at this killer rock block party.  See you there!

Street Scene: website | tickets

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Emilíana Torrini – Me and Armini

Emilíana Torrini – Me and Armini

 

The latest effort from distinguishes itself from fellow Icelandic contemporaries by presenting straightforward folk-pop pleasures. With seven albums under her belt, most notably 1999’s Love in the Time of Science, produced by from , a song on The Lord of the Rings soundtrack, collaborations with , , and , as well as several Icelandic Music Award nominations to her credit, Torrini is no freshman in this business, yet she remains relatively unknown in the U.S.

On her latest release, Me and Armini, Torrini seeks our attention by taking quite a few stylistic risks incorporating everything from electronic cuts, reggae influences, and bluesy guitar hooks, perhaps ending up a little too far from home. The opening track, “Fireheads” is a spare, slow to wake-up track with a plucky guitar riff paired with gentle, honest lyrics. “Me and Armini,” is a catchy tune that fuses head-bopping ska beats and electronica with seductive pop-perfect confessions. Right behind it is “Birds,” which begins as a breathy whisper, until about the half way point where things take a somewhat darker turn evoking trip-hop memories of college, on heavy rotation, and signature dance moves.

Tracks like “Ha-Ha” where Torrini’s voice is a stark silhouette against an acoustic guitar backdrop and “Gun,” a tale of betrayal, vengeance and murder, in which Torrini drops down from the cloud she had up until now been floating on to demand, “look me in the barrel then tell me that you love me…this is a kiss that I swear will blow your mind” are stand out moments. While Me and Armini does a good job of showcasing Torrini’s sonorous voice, there remain a few tunes that are just too cute, like “Big Jumps” and “Jungle Drums” which could easily be headed for the next Old Navy commercial or perhaps a Starbucks playlist near you.

Taken individually, the songs here are good, in fact, there’s nothing really wrong with them, but truth be told, if an album is like a beau or a best friend, who really wants to be with someone that’s just, “good” with “nothing wrong with them?” Don’t we all want to be with someone we’re obsessed with, someone that may have a few battle scars but with whom we can’t live without? Someone that helps us see the world, or even better, ourselves differently?

Unfortunately, Torrini’s collection of well-crafted songs, while good and sweet, comes up short in this respect. In addition, the sheer volume of contrasting sounds, genres, and ultimately identities, lends itself to the feeling of a disjointed album overall.

Tracklisting:
01. Fireheads
02. Me And Armini (download)
03. Birds
04. Heard It All Before
05. Ha Ha
06. Big Jumps
07. Jungle Drums
08. Hold Heart
09. Gun
10. Beggar’s Prayer
11. Dead Duck
12. Bleeder

Emilíana Torrini: website | myspace

Written by:

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Concert Calendar

Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO

Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS

Nov 25, 2011
Baby Teardrops - Vinyl Release @ The Brick, Kansas City MO

Dec 1, 2011 Now, Now @ Recordbar, Kansas City MO

Dec 9, 2011 Felix Culpa - Farewell Show @ The Metro, Chicago IL
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