Founded in 2007 by University of Kansas alumni, Ali Mark, Rape is Never Justified is a non-profit organization created for survivors of rape or sexual assault where they are enabled to share stories, offer support, and access several different services as well as counseling for instances related to sexual abuse.
The Sound of Strength Campaign introduces a compilation album compiled and produced by Evan Murray, Vice President of Human/Public Relations for RNJ, featuring several bands throughout the Midwest, each band contributing one song relevant to sexual assault and its many effects on society.
Part two of the initial campaign announcement will launch in early 2012, featuring more information regarding the bands and their mission statement.
Click here to view the Sound of Strength announcement video.
The release date for the Sound of Strength compilation is set for February 14, 2012.
Neon Gold Records set to release a 7″ single for Brooklyn band, Fort Lean, at the beginning of next year. The track “Sunsick” is off their self-titled EP which is out now. The release date for “Sunsick” is set at February 28, 2012.
The band has acquired some noteworthy attention since their performance at CMJ this year. NPR named them as one of the top 12 favorite acts at the CMJ showcase and NME declared Fort Lean the 5th best band, also at CMJ.
Another song off their self-titled, “Beach Holiday,” has a newvideo out. It was filmed in and around Emily’s Pork Store in Williamsburg with a plot line that shows the band playing music rather than take care of the customers. Of course a beach holiday would be much better than work. You can view the video below!
Alternative Press posted a newvideo from Moving Mountainstoday. The video is for “Cascade” off their newest releaseWaves and was filmed over a three-week period in Iceland.
In the wide world of female performers, you have two camps: one that values extravagant style over substance (e.g., Lady Gaga, Beyonce, recent upstart Kreayshawn) and the other valuing substance over their own understated style (the folk singers, generally). Of the latter category is 20-year old Alessi Laurent-Marke, who records under the name Alessi’s Ark. Laurent-Marke will be getting her first widespread North American debut as the Londoner supports Laura Marling on a 2-week tour of our continent.
She will also be promoting her first full-length release in America, Time Travel, scheduled for release on September 27 on Simon Raymonde’s Bella Union label. (The album was already released in the UK in April, and there are some songs on Spotify [some old, some new] to tide you over until the actual release of the album here.) I am quite pleased that Alessi’s Ark is finally getting attention on this side of the Atlantic, as I’ve been keeping tabs on Laurent-Marke since her first album, Notes from the Treehouse, was released in Britain in 2009.
Alessi’s Ark songs generally follow one rule: they’re all very short. On Time Travel, only the title track and “Stalemate” go over 3 minutes, with some of the other songs not even going past the 2-minute mark. This can be good or bad; in the good sense, Laurent-Marke’s thoughts are put into small, compact compartments, like something you want to scuttle away in a dark corner of your pocket and save for a rainy day. But in the bad sense, you’re left wondering where the song would have gone, had she decided to soldier on with her thoughts. The best example on the album is “Wire” (download it from Bella Union here, video below). It appears to be a cryptic love letter to an important woman in her life (her mother? a lover?) that is now dearly departed. Yet there is also clear the acknowledgment that she feels lost, forsaken, and misunderstood (“I’m tired of walking this wire / it keeps me awake for heaven sake / I was made for this girl / I feel lonely / my friends don’t seem to know me / like I thought they did / I thought they did, but they don’t”). The angst of growing up is of course a common theme across many genres of music, but I’d like someone to come up with a song as elegant as this.
The beauty does not end there. “Run,” barely clocking in at a minute and a half, is the musical equivalent of seeing the moon’s reflection in a still lake. In “On the Plains,” Laurent-Marke uses simple chord changes against her effortless vocals for a simple love song. Flutes add a level of whimsy to this track, and throughout the album, you will find also find brass instruments supporting the standard folk backdrop of thoughtful guitars and Laurent-Marke’s calm voice. It’s almost unbelievable that someone so young could have such great control over the sounds that come out of her mouth. Then again, remind yourself who she’s touring with: Laura Marling, merely 1 year her senior. In the tune “Stalemate,” she admits, “the only thing I’ve learnt is I like singing / all the lessons that the guitar is bringing.” Something America should learn – and quickly: all aboard Alessi’s Ark, and prepare to enjoy the ride.
Time Travel, the first American release for Alessi’s Ark, will be released on September 27 on Bella Union. Catch Laurent-Marke on tour, supporting Laura Marling, on the dates below.
Track Listing
01. Kind of Man
02. Wire
03. On The Plains
04. Must’ve Grown
05. Time Travel
06. The Fever
07. Blanket
08. Maybe I Know
09. Stalemate
10. The Robot
11. Run
12. The Bird Song
Tour Dates (supporting Laura Marling)
Sept 22 – Lincoln Hall / Chicago
Sept 23 – Great Hall / Toronto
Sept 24 – Corona / Montreal
Sept 25 – Brighton Music Hall / Boston
Sept 27 – Sixth & I Historic Synagogue / Washington, DC
Sept 28 – Webster Hall / New York City
The third album from English folk songbird Laura Marling is called A Creature I Don’t Know and the approach this time around seems to be a mature one (like Marling’s second, I Speak Because I Can) but more raw and back to basics, more similar to Marling’s 2008 debut and Mercury Prize-nominated album Alas I Cannot Swim. Take, for instance, the opening track “The Muse.” A fast folk guitar, honky tonk piano, and drum brushes were adopted for this song, and the overall vibe is very laid back. Too laid back I think: Marling’s voice is jazzy, and it’s not really the best to showcase Marling’s otherwise beautiful singing voice. Check out “Don’t Ask Me Why” and “All My Friends” for clear evidence of this and Marling’s mastery of songwriting. The only problem I see with this album is that it is uneven in song quality.
The lead single for A Creature I Don’t Know is “Sophia,” which begins with spare guitar chords and a dry vocal from Marling. With beautiful backing singers harmonizing perfectly with her, it’s so gentle, as if you were in a boat going down a gentle river. But this doesn’t last long: confusingly two-thirds into the song, you are jolted back into reality when the song turns Mumford and Sons-ized. It’s a knee-slapper, folks. The first couple times I heard this song this summer on British radio, I was really unhappy with it because Marling is such a talented woman, I felt like she sold out trying to make it more radio-friendly. The song has grown on me since I’ve seen the video for the song (watch it below) because it feels less contrived when you see her and her band playing it in a church. The video is a nice preview of her upcoming tour at home in the UK, as she will be playing churches across the country.
“Salinas” appears to be a nod to John Steinbeck (the Nobel Prize-winning author’s hometown) and possibly his most famous work The Grapes of Wrath. The song speaks of strong women and questions of morality and mortality. Heavy stuff. Then again, no one ever said folk music was for the weak-hearted. Also see “The Beast,” which may be a reference to Satan and viewing sex as a sin. The instrumentation is probably the hardest we’re going to get from Marling – unless she does a complete 180 and completely gives up folk for hard rock, which I highly doubt – and while there have been aggressive tracks like “Devil’s Spoke” from her in the past, this one is a definite ratcheting up on the rockiness.
Unfortunately, if you’re more of a rock than a folk fan like me, the album plods along instead of continuing in a jaunty fashion. Things can get a little…well…boring. Marling is 21 now, has 3 albums under her belt, and has had two high profile relationships with fellow musicians Charlie Fink (Noah and the Whale) and Marcus Mumford. The question now is, how will Marling change as the years go on?
A Creature I Don’t Know will be released in the U.S. on September 12 on Ribbon Records. Catch Marling on tour in North America this month, starting on September 17 in San Francisco. The opener for the tour is Alessi’s Ark, another amazing female English singer/songwriter.
Track Listing
01. The Muse
02. I Was Just a Card
03. Don’t Ask Me Why
04. Salinas
05. The Beast
06. Night After Night
07. My Friends
08. Rest in the Bed
09. Sophia
10. All My Rage
Tour Dates
Sept 17 – Bimbo’s 365 Club / San Francisco
Sept 18 – Masonic Temple / Los Angeles
Sept 20 – Troubadour / Los Angeles
Sept 22 – Lincoln Hall / Chicago
Sept 23 – Great Hall / Toronto
Sept 24 – Corona / Montreal
Sept 25 – Brighton Music Hall / Boston
Sept 27 – Sixth & I Historic Synagogue / Washington, DC
Sept 28 – Webster Hall / New York City
The Germans are coming, the Germans are coming! Brandt Brauer Frick, the German trio who has been bringing their unusual blend of classical elements and minimal techno to speakers across Europe, will be releasing their hotly anticipated second album, Mr. Machine, in the U.S. on October 25 on !K7 Records.
The band – Daniel Brandt, Jan Brauer, Paul Frick – have been working hard to reinvent their live performance by eschewing the programmed computers that defined their 2010 debut You Make Me Real and have expanded to a ten-piece live line-up for an upcoming American tour this fall. The Brandt Brauer Frick Ensemble tour of America begins on October 24 in Minneapolis and finishes in Los Angeles on November 12. To get an idea of what the BBF experience is going to be like, watch the performance video for their song “Bop” below.
Tour Dates
Oct 24 – Cedar Cultural Center / Minneapolis
Oct 27 – Glasslands / Brooklyn
Oct 28 – Red Palace / Washington, DC
Oct 29-30 – Moogfest / Asheville, NC
Oct 30 – 529 / Atlanta
Oct 31 – Back Booth / Orlando
Nov 01 – Club Down Under @ FSU / Tallahassee
Nov 03 – Prophet Bar / Dallas
Nov 04-06 – Fun Fun Fun Fest / Austin
Nov 11 – Rickshaw Stop / San Francisco
Nov 12 – Luckman Fine Arts Complex / Los Angeles
When coming up with a theme for this brand new feature of mine, I couldn’t help but think about all the open mics I’ve attended in the last year in Seattle and the surrounding area. One of them being at the Conor Byrne pub. If you live anywhere near Seattle, you may have heard of it – but if you don’t, I’ll fill you in.
Conor Byrne open mics are every Sunday night, in the heart of the laid-back Seattle neighborhood of Ballard. One band you may have heard of – the Head and the Heart – got their start there just over a year ago, and look at where they are now! So clearly Conor Byrne brings out some amazing musicians – including Damian Jurado, Tony Kevin Jr., the Local Strangers, Johnny Unicorn, and many others I can spend hours talking about.
One band that recently started playing Conor Byrne in the last few months is Bainbridge Island’s St. Paul de Vence, compiled of Benjamin Doerr as lead songwriter, Mike Sievers, Alex Malloy, and Justin Froese. The band plays lovely folk songs lined with banjo, ukulele, and accordion. Like the band’s name, St. Paul de Vence’s music has a French feel – filled with beautiful melodies and lyrics filled with history and longing. Perfect for a lazy summer night, and I love it.
Doerr says his songwriting began as a way to tell his grandfather’s story, “in particular his war experience in the south of France, where he grew up under German occupation and fought with the Free French to liberate his country,” Doerr writes on the band’s Facebook page.
The first night I met Doerr was the first time St. Paul de Vence had played at Conor Byrne, and one thing I can say about this particular open mic – everyone there is incredibly nice and supportive and it feels like a community, even after playing there just once. As my boyfriend and I were leaving the pub, we passed by Doerr to tell him how great they were – and they were great. Doerr thanked us graciously and handed us both a little band flyer for their Bandcamp page.
Since that night, I attended one of their first shows in the U-District in Seattle about a month ago, the band released several music videos made by local filmmakers, and they’ve recently released their second EP, also on their official Bandcamp.
So why am I writing this right now?
St. Paul de Vence’s new EP,For Hummingbird, Heron, and Honey Bee, is available for a ‘pay-what-you-want’ on their Bandcamp page – so you can donate however much money you want to help pay for the band’s full-length this fall, or stream it and download it for free! I suggest donating just a little bit, because this band needs to put out a full-length. I heard plenty of amazing songs at their headlining show in Seattle last month that deserve to be properly recorded.
And hopefully St. Paul de Vence can follow a similar road as Seattle’s newest sweethearts the Head and the Heart. They have all the grand songwriting and awesome talent to warrant it.
For the full set of photos I got from their show last month, go here.
And for now, here’s a video from the show at Q Cafe last month I took.
In preparation of the upcoming release of her newalbumNight of Hunters, Tori Amos is premiering the video for one of the album tracks, “Carry,” on her Facebook page. The album will be released on September 20 on celebrated classical music German label Deutsche Grammophon. In the interests of utilizing social networking to spread the word about the new release, Amos’s fans will also be able to unlock a stream of the album’s opening track “Shattering Sea” by sharing the video via Facebook.
London garage rock band the Jim Jones Revue has announced plans for a 2-week tour of North America in the first half of September. Catch the band’s special blend of classic rock ‘n’ roll piano and punk rock at a venue near you. To give you an idea of what they sound like, watch the video for “Shoot First” below.
Tour Dates
Sept 01 – Biltmore Cabaret / Vancouver
Sept 03 – Doug Fir Lounge / Portland
Sept 04 – Bumbershoot Festival / Seattle
Sept 07 – Independent / San Francisco
Sept 08 – Echo / Los Angeles
Sept 010 – Music Hall of Williamsburg / Brooklyn
Sept 11 – Brighton Music Hall / Allston, MA
Sept 12 – Casa del Popolo / Montreal
Sept 13 – Horseshoe Tavern / Toronto
Sept 14 – Schuba’s / Chicago
Sept 16 – Blockley Pourhouse / Philadelphia
Sept 17 – Black Cat / Washington, DC
Sept 18 – Maxwell’s / Hoboken
To keep this site up and running, we reserve the sidebar for ads. In that case, put your ad here.
All that's needed is for you to fill out this lovely form.
All media content contained within PopWreckoning is meant to enhance reader appreciation for the art and medium. Please support artists you discover here by purchasing albums, attending shows and buying merch.
Contact us should you wish for certain media to be removed from PopWreckoning.
Concert Calendar
Nov 23, 2011
HaHa Tonka @ Recordbar, Kansas City MO
Nov 25, 2011
Thee Oh Sees @ The Granada, Lawrence KS
