popwreckoning

English band the Horrors will be releasing their third album, Skying, on August 9th in the U.S. (July 11th in the UK) on XL Recordings. Ahead of the album release, the band has released the first promo video from the album, for the song “Still Life.” Watch it below.

The Horrors will be touring North America in September, starting on September 7 in Vancouver and ending in Washington DC on September 30. More information on these dates can be found on the band’s official website.

The Horrors: website | myspace

Released in the fall of 2008, Friendly Fires‘ self-titled album had me at hello. It was the sonic equivalent to the boy next door: a bit naive, a little rough around the edges, a tad tentative, yet completely unpretentious. It winked with the wide-eyed naivete able to win your heart but was sexy enough to make you feel like you were the prettiest girl in the room. Having had a love affair with its predecessor, I knew Pala had to really wow me like a knight in shining armor to even stand a chance against my darling Friendly Fires. Basically, it was an impossibly tall order.

The album was named after the fictional setting of the Aldous Huxley novel Island, and based on that alone, you can tell this album was conceived, written, and recorded with much thought. This time around, lead singer Ed Macfarlane took advantage of writing songs not just in their hometown of St. Albans like for those on Friendly Fires but also Rye in Sussex, the little village Yvetot in France, and New York. He’s talked about wanting to break out of the stereotypes that the media tried to pin on them after their first album, and certainly, no one can accuse them of writing a Friendly Fires pt. 2 with this effort. The problem? Pala is an example of how (usually) less is more. Despite the great care taken to make every sound on this album resonate beautifully (no doubt with producer Paul Epworth‘s help), there is so much going on here and in so many different directions that it’s hard to find continuity.

Having said that, there are some real winners on here. “Live Those Days Tonight,” the album’s first single, is a carnival. The first time I heard it, I hated it. I had already worried based on the “Kiss of Life” single released in the summer of 2009 that Edd Gibson‘s guitar work was going to be muted on their future recordings in favor of a heavier dance sound; for this song and most of Pala, I was right. But the song grew on me: it’s kind of hard to not eventually fall in love with it, because it’s so damn catchy. And if you’ve ever seen Macfarlane dance when the band performs live, the mental image of him swiveling his hips around to the music pops into your mind and is pretty mesmerizing. A good friend of mine just saw the band play at London’s intimate club venue Heaven on May 9 and assured me that the Friendly Fires live performance is better than ever and completely “lush,” and I take his word for it.

Let’s talk about the good. “Show Me Lights,” having a sensual r&b groove, is the stand out track on the album. Interestingly, when you compare this song’s chorus of “take me back / take me back / take me back in the darkness” to “Strobe” from the first album, which begins with the words “I see you / you come out of the strobe / you come out of the strobe,” you notice both songs are about winning back a love, just in opposite lighting situations. Comparing the new track to the old one side by side is like comparing apples and oranges, and in this case, I approve of the newer apple. “Pull Me Back to Earth” lets guitarist Gibson flex his musical muscles – thank goodness. Title track “Pala” is a fantastic slow jam; with Macfarlane’s dreamy vocals, it would have felt completely out of place on Friendly Fires. But it’s a perfect example of my “less is more” argument.

Less successful are the songs that sound like they’re from an earlier time. “Hurting” would have felt at home in the ’70s, and you almost feel compelled to do the hustle to it. The ’80s sounding “Hawaiian Air” has video game-like bleeps. Both this track and “True Love” (guest starring Holy Ghost!‘s Alex Frankel on clavinet) buzz along with Jack Savidge‘s relentless drumming leading the way, and for some reason, they just don’t ring true with me. I’m going to assume that these translate better live than on record, and I hope when the live Pala and I are formally introduced next week in Washington, we’ll get on like a house on fire.

Pala by Friendly Fires will be released in America on May 24 on XL Recordings.

Tracklisting
01. Live Those Days Tonight
02. Blue Cassette
03. Running Away
04. Hawaiian Air
05. Hurting
06. Pala
07. Show Me Lights
08. True Love
09. Pull Me Back to Earth
10. Chimes
11. Helpless

Tour Dates:
May 25 – Webster Hall / New York City
May 26 – 9:30 Club / Washington, DC
May 27 – Paradise / Boston
May 28 – Corona Theatre / Montreal
May 30 – Phoenix / Toronto
May 31 – Lincoln Hall / Chicago
Jun 01 – Varsity Theater / Minneapolis
Jun 04 – Venue / Vancouver
Jun 05 – Neumo’s / Seattle
Jun 06 – Doug Fir / Portland
Jun 08 – Independent / San Francisco
Jun 10 – Music Box @ Henry Fonda / Los Angeles
Jun 11 – Teatro Chino De Six Flags / Mexico City
Jun 12 – Escenica / Monterrey, Mexico

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | @ Paradise | Friendly Fires / Holy Ghost! – 12″ Split Single | Friendly Fires to Release Mix CD Including New Collaboration with Azari & III | Friendly Fires Announce Appearance at South by Southwest and Spring North American Tour, Album Due Out Soon

In the Noughties, the British music scene was littered with female blue eyed soul singers; the ones that stood out in front were bad girl Amy Winehouse, doe-eyed lass Duffy, groovy Joss Stone, and the wild card, Adele, who managed a breakout hit here in the U.S. with “Chasing Pavements.” The London soul singer is back in 2011 with her second album. Like 19, her debut album released in 2008, this one is named 21, for the age she wrote these songs. Kind of unimaginative. Well, this is a woman who writes mostly ballads…and this album went straight to #1 on its first week of release in the UK in mid-January, and when it ain’t broke, don’t fix it.

I feel it necessary to start this review by saying Adele has a great voice. She really does. The problem I have with 21 is that all the songs are too similar. There are essentially two types of sound on here: there are delicate acoustic tunes, and there are over the top, over-orchestrated ones with backing soul singers. Then there’s only so many times you can hear a woman singing the sentiment, “what did I do wrong? I’ll change, if you [come back / stay with me].” See “Don’t You Remember,” “I’ll Be Waiting,” “One and Only,” and “He Won’t Go.” It’s not that I’m a cold, heartless stone. I’ve loved and lost, I can relate to the feelings, generally. I’m no feminist, but I chafe at hearing another woman singing how she’s going to give up everything for her man to get him.

Then there’s the opposite emotion, which I think comes across as more real. “Rolling in the Deep” was chosen as the lead single. And with good reason. The tempo is upbeat (thudding drums and banging piano chords), and when it comes to emotion, there’s nothing like a woman scorned. When she sings, “we could have had at it all / rolling in the deep / you had my heart and soul / in your hands / but you played it / to the beat” and “you’re gonna wish you / had never met me,” you feel it. Maybe it’s no “You Oughta Know,” but it’s close. “Rumour Has It” is cut from the same cloth, but the shouted “rumour has it!” over and over gets annoying after a while.

The strength of Adele‘s voice comes across winningly in “Someone Like You”; this is the one song on here I can overlook the cloyingness. Also included on this album is an inspired cover of the Cure‘s “Lovesong.” This could have gone terribly wrong, but Adele gives the ’80s classic proper reverence with a bossa nova interpretation that Robert Smith should be applauding. Like sappy ballads? This one’s for you.

21 by Adele will be released on XL Recordings on February 22. She will be touring North America in support of this album on the dates below.

Track Listing:
01. Rolling in the Deep
02. Rumour Has It
03. Turning Tables
04. Don’t You Remember
05. Set the Fire to Rain
06. He Won’t Go
07. Take It All
08. I’ll Be Waiting
09. One and Only
10. Lovesong
11. Someone Like You

Tour Dates:
May 12 – 9:30 Club / Washington, DC
May 13 – Electric Factory / Philadelphia
May 15 – House of Blues / Boston
May 16 – Olympia Theater / Montreal
May 18 – Kool Haus / Toronto
May 19 – Beacon Theatre / New York City
May 23 – Royal Oak Music Theatre / Royal Oak
May 24 – Riviera Theater / Chicago
May 26 – First Avenue / Minneapolis
May 28 – Ogden Theatre / Denver
May 29 – Depot / Salt Lake City
May 31 – Commodore Ballroom / Vancouver, BC
June 01 – Showbox at the Market / Seattle
June 03 – Crystal Ballroom / Portland
June 04 – Warfield Theatre / San Francisco
June 08 – Humphreys Concerts by the Bay / San Diego
June 09 – Wiltern / Los Angeles
June 12 – Stubbs Waller Creek / Austin
June 15 – House of Blues / Dallas
June 17 – Tabernacle / Atlanta
June 18 – Orange Peel / Asheville
June 20 – Ryman Auditorium / Nashville

Adele: website | myspace | Adele Announces May and June North American Tour, Album Stream Available on NPR

London soul singer/songwriter Adele has announced plans to tour North America in May and June. The tour begins May 12 in Washington, DC and concludes on June 20 in Nashville. She will be touring in support of her second album, 21, which will be released on February 22 on XL Recordings. Presale tickets are already on sale but the general sale begins on Friday, February 11.

If you’d like to preview 21 before you can buy it, it’s available on NPR now but only for a limited time. It’s already done well in Adele‘s home country: when it was released in Great Britain on January 24, it hit #1 on the UK albums chart in its first week.

Tour Dates:
May 12 – 9:30 Club / Washington, DC
May 13 – Electric Factory / Philadelphia
May 15 – House of Blues / Boston
May 16 – Olympia Theater / Montreal
May 18 – Kool Haus / Toronto
May 19 – Beacon Theatre / New York City
May 23 – Royal Oak Music Theatre / Royal Oak
May 24 – Riviera Theater / Chicago
May 26 – First Avenue / Minneapolis
May 28 – Ogden Theatre / Denver
May 29 – Depot / Salt Lake City
May 31 – Commodore Ballroom / Vancouver, BC
June 01 – Showbox at the Market / Seattle
June 03 – Crystal Ballroom / Portland
June 04 – Warfield Theatre / San Francisco
June 08 – Humphreys Concerts by the Bay / San Diego
June 09 – Wiltern / Los Angeles
June 12 – Stubbs Waller Creek / Austin
June 15 – House of Blues / Dallas
June 17 – Tabernacle / Atlanta
June 18 – Orange Peel / Asheville
June 20 – Ryman Auditorium / Nashville

Adele: website | myspace

Friendly Fires, the St. Albans, England electropop band that got bodies moving with “Paris” and “Skeleton Boy,” have announced they will be appearing at South by Southwest in March and will be embarking on a North American tour starting in May. They will be playing two dates in February: February 7 at New York’s Bowery Ballroom and February 9 at the Roxy in Los Angeles.

The dance band’s highly anticipated sophomore album, tentatively titled Pala, is expected to drop sometime this spring on XL Recordings.

Tour Dates:
Feb 07 – Bowery Ballroom / New York City
Feb 09 – Roxy / Los Angeles
Mar 15-19 – South by Southwest / Austin
May 24 – First Unitarian Church / Philadelphia
May 25 – Webster Hall / New York City
May 26 – 9:30 Club / Washington, DC
May 27 – Paradise / Boston
May 28 – Corona Theatre / Montreal
May 30 – Phoenix / Toronto
May 31 – Lincoln Hall / Chicago
Jun 01 – Varsity Theater / Minneapolis
Jun 04 – Venue / Vancouver
Jun 05 – Neumo’s / Seattle
Jun 06 – Doug Fir / Portland
Jun 08 – Independent / San Francisco
Jun 10 – Music Box @ Henry Fonda / Los Angeles

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | @ Paradise | Friendly Fires / Holy Ghost! – 12″ Split Single | Friendly Fires to Release Mix CD Including New Collaboration with Azari & III

I have a love/hate relationship with BBC Radio1 evening show host Zane Lowe. He often gets on my nerves because he likes to shout. A lot. I chalk this up to the fact that he has the privilege of talking to rock stars on a regular basis, and should I ever get a cushy job like that, I would probably be overexcited and shouty as well. However, I digress. It’s thanks to Lowe’s regular choosing of the “Hottest Record in the World” (at 7:30 PM GMT most evenings Monday through Thursday) that I get to hear some of the most hotly-tipped songs before their official release. And here is a prime example of his good taste – PopWreckoning favorites Friendly Fires covering Holy Ghost!‘s now classic “Hold On,” which was chosen as a “Hottest Record” for February 4.

I’ve done research in the blogosphere and heard quite a bit about the backstory of this single from interviews the BBC did last month with Friendly Fires‘s Ed Macfarlane (vocals / bass / synths). What I’ve gathered is that the two acts ran into each other last summer at the dance music festival Calvi on the Rocks in Corsica. It’s unclear which parties were inebriated but Holy Ghost!‘s Alex Frankel made the suggestion of recording covers of each other’s songs. Macfarlane, a self-admitted fanatic of Holy Ghost!‘s work, concurred. Further, Macfarlane told a BBC 6music news reporter that he spent so much time and effort remixing Phoenix‘s “Fences” that given the choice, his preference with respect to Holy Ghost! was to do “a proper reinterpretation” of one of their songs rather than simply a remix.

You may wonder, “if they talked about doing this last summer, why is it taking so long for it to be released?” Further in the folklore is that Friendly Fires, so enthused about the project, got their cover finished quickly. However, Holy Ghost!‘s recording of their track was riddled by bad luck. Word on the street is that their already recorded session tapes and vocal tracks vanished, and they suffered a hard drive meltdown. It should also be noted that there was further delay caused by the untimely death of !!!/LCD Soundsystem drummer Jerry Fuchs. (Incidentally, the “On Board” track is one of the last recordings Fuchs played on.)

If you’ve listened to Friendly Fires‘s “Paris” as many times as I have, the intro to their cover of Holy Ghost!’s “Hold on” should sound welcome as an old friend. The pronounced bass line, as well as winning cowbell and agogô – hallmarks of tracks by this XL Recordings act – make this cover memorably different than the original. The disco dancefloor vibe and the short-sounding lyrics have gone, replaced by in-your-face percussion (thanks to surely one of music’s hardest-working drummers, Jack Savidge) and sexy as hell lead vocals. Edd Gibson‘s guitar riffs three-quarters of the way in are also a totally appreciated addition.

DFA Records duo Holy Ghost! decided they wanted to put their own stamp on the Friendly Fires‘s boisterous singalong “On Board.” (You may recall hearing the original on commercials for the Wii Fit and Gran Turismo 5.) Their take features, as should be expected from them, a disco sensibility; however, it also comes complete with angelic female voices credited as “the DFA Celestial Choir,” lending a vocal richness not present in the original. The lead vocal is more intelligible as well. (Sorry Ed Mac, but if someone hadn’t told me the lyrics included “without your own defiling / you’d backwards circle right above our heads“, I never would have guessed). I also really dig the tacking-on of the catchy, repeated “Don’t stop! Don’t stop!” squarely in the middle of the track.

Because of the mutual admiration Friendly Fires and Holy Ghost! have for each other, I think it’s safe to say that should these two dance music acts ever decide to go on tour together, that would make for one hell of a bill.

The “Hold On” / “On Board” double-A-sided single will be released on 12″ vinyl and digitally on March 8 by XL Recordings. Check out the original versions of both below (Holy Ghost! don’t have a promo video for “Hold On” so only audio is available for that one.)

Friendly Fires - “On Board”

Holy Ghost! - “Hold On”

Track Listing
1. Friendly Fires – Hold On
2. Friendly Fires – Hold On (instrumental)
3. Holy Ghost! – On Board
4. Holy Ghost! – On Board (instrumental)
5. Holy Ghost! – On Board (dub – on download version only)

Friendly Fires: website | myspace | Friendly Fires review | Remix Monday: “Skeleton Boy” | @ Black Cat | @ Dot to Dot Festival | interview with pt. 1, pt. 2, pt. 3 | Mercury Prize Nominations Announced | New Video on MTV, To Play Jimmy Kimmel and Winter Nylon Tour, Release Expanded Version of Debut Album | @ Lollapalooza 2009 | @ le poisson rouge | @ Music Hall of Williamsburg | on Jimmy Kimmel | Remix Monday: “Paris” | Remix Monday: Phoenix’s “Fences” | NYLON Winter Music Tour Starring Friendly Fires with the xx @ Paradise Rock Club, Boston
Holy Ghost!: website | myspace | Remix Monday: Cut Copy “Hearts on Fire” | Remix Monday: Phoenix “Lisztomania”